“Any child of immigrants rebels against tradition,” says Nia Vardalos, “and then we morph into our parents and become immersed in them all.” For the star, director, writer, and executive producer of My Big Fat Greek Wedding 3 (in theaters in September), that process included recognizing her connection to the country her family left. “It felt like a disservice to not have that in a movie,” she said (we spoke prior to the SAG-AFTRA strike). So in the latest installment they are off—and arrive just in time. “Normally,” Vardalos says, “the first part of the movie would be them preparing for this trip. We get there in about eight minutes.”
The Blue and the White
Legendary costume designer Colleen Atwood served as visual consultant on the film, and Vardalos asked her to integrate Greek jewelry into the characters’ looks as they settled into laid-back island life. Vardalos wears Ilias Lalaounis in some scenes, as well as traditional evil eyes by Lorraine Schwartz. There were Greek shoppers on set who brought in local designers, as well as ones from the Greek diaspora. Also, Vardalos asked the costumers to remove every character’s wristwatch. “I described the colors of Greece, and also how it feels there,” she says. “I wanted the grays of Chicago to melt into pastels and reds, as if the characters were shedding layers—and their troubles.”
OPA, She Wrote
There is, in fact—though no spoilers here—a Greek wedding in My Big Fat Greek Wedding 3, and there’s Greek music, too! “As soon as the family lands in Greece,” Vardalos says, “you hear only Greek songs. We licensed classic and modern pieces, and even something from an unsigned duo.”
But Do They Make Lamb?
Devoted fans of the first film might remember that Theia Voula (she of “bibopsy” fame) is from the island of Mykonos, but the exact origins of the rest of the Portokalos family remain deliberately unclear. “We filmed on several different islands and in Athens,” Vardalos says, “but I didn’t want to say the family was from a specific island. This way everyone watching can feel like maybe they’re from their island.” It is in many ways, she says, a story of migration, past and present. “No one leaves a great situation. My dad sought a better life. People left and then sent for their family. That’s the immigrant story.”
This story appears in the September 2023 issue of Town & Country. SUBSCRIBE NOW
Editor-in-Chief Stellene Volandes is a jewelry expert, and the author of Jeweler: Masters and Mavericks of Modern Design (Rizzoli).