The Latest
Every New Yorker post.
Charli XCX Toys with Stardom on “BRAT”
The artist has often treated pop music as a game—something to play with so she doesn’t get bored, and something that reliably creates winners and losers.
A Pitch-Perfect Ode to Korean “Drivers’ Restaurants”
Kisa is a brand-new spot on the Lower East Side that does an astonishingly good job of seeming like it’s been there forever.
Camille Bordas on Giving Ghosts the Attention They Require
The author discusses her story “Chicago on the Seine.”
Camille Bordas Reads “Chicago on the Seine”
The author reads her story from the June 17, 2024, issue of the magazine.
“Chicago on the Seine”
Occasionally, I had to send a body home. What I’d noticed was that death abroad was more common on package tours.
Annie Baker Shifts Her Focus to the Big Screen
In the playwright’s début film, “Janet Planet,” Julianne Nicholson stars as an object of obsession for her daughter—and everyone else—over the course of a long, hot summer in western Massachusetts.
Caitlin Clark’s New Reality
Clark isn’t yet the best player the W.N.B.A. has ever seen. What can she learn from the player who is?
A Striking Setback for India’s Narendra Modi
The truly disquieting thought was that the cult of personality around the Prime Minister had become suffocating and seemingly impossible to pierce—until now.
What’s Behind Joe Biden’s Harsh New Executive Order on Immigration?
Neither the declining number of border arrivals nor the intransigence of congressional Republicans has improved the President’s standing on the issue.
Lyle Ashton Harris’s Scrapbooks of the Self
The artist’s knotty, intimate archive is on display at the Queens Museum.