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The Committed Men Paperback – January 1, 1973
Mounting radiation levels have brought about widespread mutilation and the collapse of society. In a devastated Britain divided between bizarre tribal communities, a small group of people journey on a desperate mission: to take a mutant baby, one of the new but vulnerably few humans, to its own reptilian kind...
M. John Harrison, already well known to discriminating science fiction readers for his brilliant shorter work, has created in The Committed Men a devastating novel of adventure, violence and horror.
- Print length144 pages
- LanguageEnglish
- PublisherPanther
- Publication dateJanuary 1, 1973
- ISBN-100586037756
- ISBN-13978-0586037751
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Product details
- Publisher : Panther; paperback / softback edition (January 1, 1973)
- Language : English
- Paperback : 144 pages
- ISBN-10 : 0586037756
- ISBN-13 : 978-0586037751
- Item Weight : 4.2 ounces
- Customer Reviews:
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Top review from the United States
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Gathering together a troop of “committed men” (and a woman!), Wendover sets off across the corroded landscape with a newborn mutant child: a new species for an altered Earth or an accidental abnormality….
Analysis/Brief Plot Summary
(Note: As always, spoilers…)
The Committed Men revolves around a “harsh and inhuman” image inscribed across the landscape: a fenced road constructed out of “steel and ferroconcrete” that stretches off into the distance (11). The cage around the road, built in the aftermath of the disaster, was a “misguided attempt to contain accident effects and to protect urbanized sections of the motorway from damage.” (12-13). The road now serves as a suicide device.
Like the road, a symbol of the past transformed, Wendover sees his own journey as some outgrowth of “emotional reasoning made obsolete by the catastrophe” (159). The fragmentation of the road symbolizes the transformation of the world, a transformation that its previous inhabitants cannot quite admit or see. Obsessed with “watching the symptoms of a degenerating world” (20), the attempted murder of a “mottled and scaly” mutant child galvanizes Wendover into action (50). A desperate mother offers him the newborn and with the bundle in his arms he flees from Halloway Pauce, who rules “Tinhouse”–a town that rattles in the wind like “the playing of giant tambourine” (42)—clothed as if in the “cerements of a dead emperor” (48).
Fortuitously, he encounters a woman named Morag, who recently suffered the trauma of a miscarriage induced by a community of women (and one chained man). With others that join the group, they set off on a quest across “tangled landscapes” to find other mutants who might be able to raise the child (159).
Final thoughts
M. John Harrison tends to polarize SF readers. For example, his third novel The Centauri Device (1974)—-a subversive take-down of space opera... Unlike many of his other works The Committed Men–although heavy with despair, violence, and uncomfortable scenes of bodily decay–treads more traditional ground. Wendover’s motivation, unlike the apathetic and amphetamine popping John Tuck of The Centauri Device, is a noble one: “he felt an intense empathy with the children, destructive and frustrating because of his utter medical impotence” (43). Although political forces might have been defeated “by entropy” (121), Wendover and his companions–as a final act–find another way to create a semblance of order, a symbolic passing of the baton to a new people.
The Committed Men reaches greater heights than many of its ilk because of Harrison’s attention to detail and evocative prose. While Wilson Tucker’s The Long Loud Silence (1952, revised 1969) generated its intensity via a direct and unadorned style, Harrison creates haunting scenes that cannot be shaken off. A few examples will suffice. Morag experiences dreams about a gigantic crane-fly attempting to exit her nightmare, “diving and gyring as it blundered about looking for an exit; whining and breaking its grotesque dangling limbs against the walls of her skull” (68). Harrison describes Wendover as “plagued by uneasy reveries” (159). And the details! Morag finds a book called Real Life Romances in the back of a car, Harrison includes an image from the text (63). Wendover keeps a single vial of penicillin among the objects gathered from the past. The chairman of a bureaucratic entity with his massive papier mâché head, pontificates from his office: “its walls covered with ancient, wrinkled graphs and flow diagrams” (128). There is beauty in the decay. Patterns of the past obscured by mold and grime still exert their diminishing powers.
Recommended for fans of literary SF and 70s post-apocalyptical nightmares. Often reveling in the grotesque, The Committed Men will stay with you like “a black pit” of dissolving teeth (74-75).
Top reviews from other countries
Already there's a dwarf in a tank (who will return in similar shapes in other books, a literary echo, reiterations of Arm).
I kept wondering: is the guy in the bottle-green jacket a sort of proto-Yaxley or Valentine Sprake? (Every main character seems to meet him exactly once.) Only in the epilogue he is identified as a Nick Bruton, which tells us nothing.
This book contains two other things: 1. The perfect MJH summary of everything. "There remained only the physical termination of the journey. After that, nothing would change." 2. The best unicorn ever. (Absolute AntiFantasy).
The novel is set in a Britain where some unexplained nuclear catastrophe has unleashed harmful levels of radioactivity around the globe resulting in the world-wide collapse of civilisation. In Britain itself a few decades after the disaster the population has been decimated by the effects of radiation, high rates of suicide, plagues and civil conflict. There is no longer any government or structured society. Only a few radiation ravaged feudal communities survive to eke out an ever diminishing existence.
The ageing, decrepit Wendover, formerly a doctor before the disaster, and his companions -the Committed Men of the title- take it upon themselves to rescue a mutant human baby (one of the emerging breed of mutant humans adjusted to cope with their radioactive enviroment) from a hostile community and take it to it's own kind hiding out in southern England.
On their journey through a post-apocalyptic England, travelling along wreckage strewn motorways and through depopulated cities they have to face the dangers presented by hostile groups of survivors. Among these groups are the tower block dwelling remnants of the old bureaucratic order, their heads encased in bizarre masks. They capture Wendover and his companions and subject them to deranged parodies of officialdom and bureaucratic procedures. The book ends on a final twist of fate concerning a sub-plot running through the novel.
The novel can be likened to a post nuclear version of the 1970's 'Survivors' TV series if it was written by Mervyn Peake. A gallery of grotesques abound in this bleak vision of a post-apocalyptic Britain.
Although the novel may be a bit too grey and bleak for some tastes, and the author does seem to have a thing about using obscure words (which can be annoying if you don't like having to resort to a dictionary whilst reading) I'd certainly recommend you track down a copy of 'The Committed Men' if you are a fan of post-apocalyptic fiction and in particular British novels of this genre. It certainly doesn't deserve to languish in the obscurity it's lain in for far too long.