Synopsis
History is made at night
Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.
Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.
Chloë Sevigny Kate Beckinsale Chris Eigeman Mackenzie Astin Matt Keeslar Robert Sean Leonard Jennifer Beals Matt Ross Tara Subkoff Burr Steers David Thornton Michael Weatherly Sonsee Neu Jaid Barrymore Edoardo Ballerini Scott Beehner Neil Butterfield James Murtaugh Cate Smit Kathleen Chalfant Debbon Ayer Zachary Taylor Carolyn Farina Bryan Leder Dylan Hundley Taylor Nichols John C. Havens Amanda Harker Brandi Seymour Show All…
Suzanne Smith Crowley Billy Hopkins Kerry Barden Mark Bennett Deborah Maxwell Dion Jennifer McNamara
Brian Vancho George A. Lara Michael W. Mitchell Scott Breindel Steven Visscher Paul P. Soucek Mick Gormaley David Novack Bill Sweeney Michael Scott
PolyGram Filmed Entertainment Warner Bros. Pictures Castle Rock Entertainment Westerly Films Westerly Disco Inc. Gramercy Pictures
Los últimos días del disco, Les derniers jours du disco, Последние дни диско, Os últimos Embalos da Disco, Poslední dny disca, Les Derniers jours du disco, Last Days of Disco - Nachts wird Geschichte gemacht, 最后的迪斯科, Os Últimos Embalos da Disco, A diszkó végnapjai, Rytmy nocy, Последните дни на диското, Poslední dny disco, 디스코의 마지막 날, Disko'nun Son Günleri, Los Últimos Días de la Música Disco, ラスト・デイズ・オブ・ディスコ, Останні дні диско, ימים אחרונים של דיסקו, Ultimele zile disco
“I consider you a person of some integrity—except, you know, in your relations with women.” That must be the most important line spoken in any Stillman film pinpointing the many ways his movies marry sociological study, comedy of manners and a rather clear moral position. If The Last Days of Disco is Stillman’s masterpiece is because it’s the one that most clear articulates the ways one witness unaware our slow decay towards barbarism, the idea that ultimate links all his four historical films. One stumbles upward, while the world around it just awkwardly disappears. It is as beautiful elegiac as it is witty because Stillman sincere belief that “the yuppie scum” deserves its elegy too. There’s plenty of behavior beauties…
“unemployed is not who i am. i’m a fully employed person who just happens not to have a job right now” wow i feel attacked
i mean it’s got the vibes it’s got the soundtrack and it’s got chloë sevigny what more could u want
"'Disco will never be over. It will always live in our minds and hearts. Something like this, that was this big, and this important, and this great, will never die. Oh, for a few years - maybe many years - it'll be considered passé and ridiculous. It will be misrepresented and caricatured and sneered at, or - worse - completely ignored. People will laugh about John Travolta, Olivia Newton-John, white polyester suits and platform shoes and people going like *this* but we had nothing to do with those things and still loved disco . Those who didn't understand will never understand: disco was much more, and much better, than all that. Disco was too great, and too much fun, to…
this movie gains at least a half star for chris eigeman trying to snort coffee like cocaine
Both a loving ode to and pastiche critique of the yuppified-WASPy-discoball-coke-fueled phenomenon that pervaded “The Early 1980s”; The Last Days of Disco presents us with a group of characters who’s complete lack of any kind of self-awareness gives them the oddest sort of charm, where the irony is so thick that the film winds up a witty satire that’s dryer than a vodka tonic. It’s the kind of thing Noah Baumbach is often going for and so frequently (though not always) fails to achieve. Chloë Sevigny is the star here. I think we can all relate to her in some form or fashion; that drifting feeling you get when you don’t exactly know who you are, where you are or why…