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The Golden Compass (His Dark Materials)

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His Dark Materials: The Golden Compass (Book 1) Paperback – May 22, 2001

by Philip Pullman (Author)

4.5 16,513 ratings

Book 1 of 3: His Dark Materials

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HIS DARK MATERIALS IS NOW AN HBO ORIGINAL SERIES STARRING DAFNE KEEN, RUTH WILSON, ANDREW SCOTT, AND LIN-MANUEL MIRANDA!

The modern fantasy classic that Entertainment Weekly named an “All-Time Greatest Novel” and Newsweek hailed as a “Top 100 Book of All Time.” Philip Pullman takes readers to a world where humans have animal familiars and where parallel universes are within reach.

Lyra is rushing to the cold, far North, where witch clans and armored bears rule. North, where the Gobblers take the children they steal--including her friend Roger. North, where her fearsome uncle Asriel is trying to build a bridge to a parallel world.

Can one small girl make a difference in such great and terrible endeavors? This is Lyra: a savage, a schemer, a liar, and as fierce and true a champion as Roger or Asriel could want.

But what Lyra doesn't know is that to help one of them will be to betray the other...

A masterwork of storytelling and suspense, Philip Pullman's award-winning The Golden Compass is the first in the His Dark Materials series, which continues with The Subtle Knife and The Amber Spyglass.

A #1 New York Times Bestseller
Published in 40 Countries

"Arguably the best juvenile fantasy novel of the past twenty years." —The Washington Post

"Very grand indeed."—The New York Times

"Pullman is quite possibly a genius." —Newsweek

Don't miss Philip Pullman's epic new trilogy set in the world of His Dark Materials!
** THE BOOK OF DUST **
La Belle Sauvage
The Secret Commonwealth

Reading age

10 - 12 years
Book 1 of 3

His Dark Materials
Print length

448 pages
Language

English
Grade level

5 - 12
Lexile measure

930L
Dimensions

5.25 x 1 x 7.56 inches
Publisher

Yearling
Publication date

May 22, 2001
ISBN-10

0440418321
ISBN-13

978-0440418320
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Popular Highlights in this book

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“That’s the duty of the old,” said the Librarian, “to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.”
Highlighted by 4,395 Kindle readers
Many good liars have no imagination at all; it’s that which gives their lies such wide-eyed conviction.
Highlighted by 1,632 Kindle readers
As people became adult, their dæmons lost the power to change and assumed one shape, keeping it permanently.
Highlighted by 1,231 Kindle readers

From the Publisher


	His Dark Materials: The Golden Compass (Book 1)	His Dark Materials: The Subtle Knife (Book 2)	His Dark Materials: The Amber Spyglass (Book 3)	The Book of Dust: La Belle Sauvage (Volume 1)	The Book of Dust: The Secret Commonwealth (Volume 2)
Enter the world of His Dark Materials	The modern fantasy classic soon to be an HBO original series – HIS DARK MATERIALS!	The second book in the HIS DARK MATERIALS series – soon to be an HBO original series!	The third book in the HIS DARK MATERIALS series – soon to be an HBO original series!	Set in the same world as HIS DARK MATERIALS - meet Lyra before the events of The Golden Compass!	Set in the same world as HIS DARK MATERIALS - discover what happened to Lyra after The Amber Spyglass!

Editorial Reviews

Review

“Extraordinary storytelling at its very best.” —The Detroit Free Press

“Superb . . . all-stops-out thrilling.” —The Washington Post

"Very grand indeed." —The New York Times

"Powerful […] a fantasy adventure that sparkles with childlike wonder." —The Boston Sunday Globe

"Marvelous […] the writing is elegant and challenging." —The New Yorker

"Arguably the best juvenile fantasy novel of the past twenty years […] If [The Subtle Knife] is as good as The Golden Compass, we'll be two thirds of the way to the completion of a modern fantasy classic."
—The Washington Post Book World

“Pullman is quite possibly a genius…using the lineaments of fantasy to tell the truth about the universal experience of growing up.” —Newsweek

"Masterful storytelling […] with a cast of instantly beguiling characters." —The Dallas Morning News

“The most magnificent fantasy series since Lord of the Rings.” —The Oregonian

“Pullman has created the last great fantasy masterpiece of the twentieth century. An astounding achievement.” —The Cincinnati Enquirer

"Once in a lifetime a children's author emerges who is so extraordinary that the imagination of generations is altered. Lewis Carroll, E. Nesbit, C.S. Lewis, and Tolkien were all of this cast. So, too, is Philip Pullman, whose Dark Materials trilogy will be devoured by anyone between eight and eighty. The most ambitious work since The Lord of the Rings, it is as intellectually thrilling as it is magnificently written." — New Statesman

"Thrillingly paced and exotic […] breathtaking." — Columbus Dispatch

“[…] a rare few have minds capacious enough to engage in vast cosmos-making, imagining realms and inventing universes. I am thinking of Dante and Milton and Blake. We may now add Philip Pullman.”
—Parents Choice (online)

"The Golden Compass is one of the best fantasy/adventure stories that I have read in years. This is a book no one should miss." —Terry Brooks, author of The Sword of Shannara

"As always, Pullman is a master at combining impeccable characterizations and seamless plotting, maintaining a crackling pace to create scene upon scene of almost unbearable tension. This glittering gem will leave readers of all ages eagerly awaiting the next installment of Lyra's adventures."
—Publishers Weekly, Starred Review

“This first fantastic installment of the His Dark Materials trilogy propels readers along with horror and high adventure, a shattering tale that begins with a promise and delivers an entire universe.” – Kirkus Reviews, Starred Review

"This first fantastic installment propels readers along with horror and high adventure […] A shattering tale that begins with a promise and delivers an entire universe." —Kirkus Reviews, Starred

“The characters of Lord Asriel, Mrs. Coutler, and Iorek Byrnison and the cold and beautiful Northern setting are captivating; the constantly twisting plot and escalating suspense are riveting; and Lyra and Pantalaimon are among the gutsiest and wiliest of adventurers. Touching, exciting, and mysterious by turns, this is a splendid work.” —The Horn Book Magazine, Starred

“Glorious. And what an ending — simply operatic.” —School Library Journal, Top 100 Children’s Novels (#28)

"This is a captivating fantasy, filled with excitement, suspense, and unusual characters." —School Library Journal

"A totally involving, intricately plotted fantasy that will leave readers clamoring for the sequels."
—Booklist, Starred review

“Glorious. . . . The Golden Compass is one of those lyrical suspensions like Alice in Wonderland and The Lord of the Rings that crosses all age lines and intertwines mythologies and legends with seamless beauty.” —BookPage

From the Inside Flap

In a landmark epic of fantasy and storytelling, Philip Pullman invites readers into a world as convincing and thoroughly realized as Narnia, Earthsea, or Redwall. Here lives an orphaned ward named Lyra Belacqua, whose carefree life among the scholars at Oxford's Jordan College is shattered by the arrival of two powerful visitors. First, her fearsome uncle, Lord Asriel, appears with evidence of mystery and danger in the far North, including photographs of a mysterious celestial phenomenon called Dust and the dim outline of a city suspended in the Aurora Borealis that he suspects is part of an alternate universe. He leaves Lyra in the care of Mrs. Coulter, an enigmatic scholar and explorer who offers to give Lyra the attention her uncle has long refused her. In this multilayered narrative, however, nothing is as it seems. Lyra sets out for the top of the world in search of her kidnapped playmate, Roger, bearing a rare truth-telling instrument, the compass of the title. All around her children are disappearing?victims of so-called "Gobblers"?and being used as subjects in terrible experiments that separate humans from their daemons, creatures that reflect each person's inner being. And somehow, both Lord Asriel and Mrs. Coulter are involved.

From the Back Cover

In a landmark epic of fantasy and storytelling, Philip Pullman invites readers into a world as convincing and thoroughly realized as Narnia, Earthsea, or Redwall. Here lives an orphaned ward named Lyra Belacqua, whose carefree life among the scholars at Oxford's Jordan College is shattered by the arrival of two powerful visitors. First, her fearsome uncle, Lord Asriel, appears with evidence of mystery and danger in the far North, including photographs of a mysterious celestial phenomenon called Dust and the dim outline of a city suspended in the Aurora Borealis that he suspects is part of an alternate universe. He leaves Lyra in the care of Mrs. Coulter, an enigmatic scholar and explorer who offers to give Lyra the attention her uncle has long refused her. In this multilayered narrative, however, "nothing is as it seems. Lyra sets out for the top of the world in search of her kidnapped playmate, Roger, bearing a rare truth-telling instrument, the compass of the title. All around her children are disappearing--victims of so-called "Gobblers"--and being used as subjects in terrible experiments that separate humans from their daemons, creatures that reflect each person's inner being. And somehow, both Lord Asriel and Mrs. Coulter are involved.

About the Author

PHILIP PULLMAN is one of the most acclaimed writers working today. He is best known for the His Dark Materials trilogy, which has been named one of the top 100 books of all time by Newsweek and one of the all-time greatest novels by Entertainment Weekly. Pullman was knighted for his services to literature in the 2019 New Year Honours.

The Book of Dust, Pullman’s eagerly anticipated return to the world of His Dark Materials, will also be a book in three parts. It began with La Belle Sauvage and continues with The Secret Commonwealth.

Philip Pullman is the author of many other beloved novels. For younger readers: I Was a Rat!, Count Karlstein, Two Crafty Criminals!, Spring-Heeled Jack, and The Scarecrow and His Servant. For older readers: the Sally Lockhart quartet (The Ruby in the Smoke, The Shadow in the North, The Tiger in the Well, and The Tin Princess), The White Mercedes, and The Broken Bridge. He has written a magnificent collection, Fairy Tales from the Brothers Grimm, and his essays and lectures on writing and storytelling have been gathered in a volume called Dæmon Voices: On Stories and Storytelling.

Philip Pullman lives in Oxford, England.

Excerpt. © Reprinted by permission. All rights reserved.

One

THE DECANTER OF TOKAY

Lyra and her daemon moved through the darkening hall, taking care to keep to one side, out of sight of the kitchen. The three great tables that ran the length of the hall were laid already, the silver and the glass catching what little light there was, and the long benches were pulled out ready for the guests. Portraits of former Masters hung high up in the gloom along the walls. Lyra reached the dais and looked back at the open kitchen door, and, seeing no one, stepped up beside the high table. The places here were laid with gold, not silver, and the fourteen seats were not oak benches but mahogany chairs with velvet cushions.

Lyra stopped beside the Master's chair and flicked the biggest glass gently with a fingernail. The sound rang clearly through the hall.

"You're not taking this seriously," whispered her daemon. "Behave yourself."

Her daemon's name was Pantalaimon, and he was currently in the form of a moth, a dark brown one so as not to show up in the darkness of the hall.

"They're making too much noise to hear from the kitchen," Lyra whispered back. "And the Steward doesn't come in till the first bell. Stop fussing."

But she put her palm over the ringing crystal anyway, and Pantalaimon fluttered ahead and through the slightly open door of the Retiring Room at the other end of the dais. After a moment he appeared again.

"There's no one there," he whispered. "But we must be quick."

Crouching behind the high table, Lyra darted along and through the door into the Retiring Room, where she stood up and looked around. The only light in here came from the fireplace, where a bright blaze of logs settled slightly as she looked, sending a fountain of sparks up into the chimney. She had lived most of her life in the College, but had never seen the Retiring Room before: only Scholars and their guests were allowed in here, and never females. Even the maid-servants didn't clean in here. That was the Butler's job alone.

Pantalaimon settled on her shoulder.

"Happy now? Can we go?" he whispered.

"Don't be silly! I want to look around!"

It was a large room, with an oval table of polished rosewood on which stood various decanters and glasses, and a silver smoking stand with a rack of pipes. On a sideboard nearby there was a little chafing dish and a basket of poppy heads.

"They do themselves well, don't they, Pan?" she said under her breath.

She sat in one of the green leather armchairs. It was so deep she found herself nearly lying down, but she sat up again and tucked her legs under her to look at the portraits on the walls. More old Scholars, probably; robed, bearded, and gloomy, they stared out of their frames in solemn disapproval.

"What d'you think they talk about?" Lyra said, or began to say, because before she'd finished the question she heard voices outside the door.

"Behind the chair—quick!" whispered Pantalaimon, and in a flash Lyra was out of the armchair and crouching behind it. It wasn't the best one for hiding behind: she'd chosen one in the very center of the room, and unless she kept very quiet...

The door opened, and the light changed in the room; one of the incomers was carrying a lamp, which he put down on the sideboard. Lyra could see his legs, in their dark green trousers and shiny black shoes. It was a servant.

Then a deep voice said, "Has Lord Asriel arrived yet?"

It was the Master. As Lyra held her breath, she saw the servant's daemon (a dog, like all servants' daemons) trot in and sit quietly at his feet, and then the Master's feet became visible too, in the shabby black shoes he always wore.

"No, Master," said the Butler. "No word from the aerodock, either."

"I expect he'll be hungry when he arrives. Show him straight into Hall, will you?"

"Very good, Master."

"And you've decanted some of the special Tokay for him?"

"Yes, Master. The 1898, as you ordered. His Lordship is very partial to that, I remember."

"Good. Now leave me, please."

"Do you need the lamp, Master?"

"Yes, leave that too. Look in during dinner to trim it, will you?"

The Butler bowed slightly and turned to leave, his daemon trotting obediently after him. From her not-much-of-a-hiding place Lyra watched as the Master went to a large oak wardrobe in the corner of the room, took his gown from a hanger, and pulled it laboriously on. The Master had been a powerful man, but he was well over seventy now, and his movements were stiff and slow. The Master's daemon had the form of a raven, and as soon as his robe was on, she jumped down from the wardrobe and settled in her accustomed place on his right shoulder.

Lyra could feel Pantalaimon bristling with anxiety, though he made no sound. For herself, she was pleasantly excited. The visitor mentioned by the Master, Lord Asriel, was her uncle, a man whom she admired and feared greatly. He was said to be involved in high politics, in secret exploration, in distant warfare, and she never knew when he was going to appear. He was fierce: if he caught her in here she'd be severely punished, but she could put up with that.

What she saw next, however, changed things completely.

The Master took from his pocket a folded paper and laid it on the table beside the wine. He took the stopper out of the mouth of a decanter containing a rich golden wine, unfolded the paper, and poured a thin stream of white powder into the decanter before crumpling the paper and throwing it into the fire. Then he took a pencil from his pocket, stirred the wine until the powder had dissolved, and replaced the stopper.

Product details

Publisher ‏ : ‎ Yearling; First Edition (May 22, 2001)
Language ‏ : ‎ English
Paperback ‏ : ‎ 448 pages
ISBN-10 ‏ : ‎ 0440418321
ISBN-13 ‏ : ‎ 978-0440418320
Reading age ‏ : ‎ 10 - 12 years
Lexile measure ‏ : ‎ 930L
Grade level ‏ : ‎ 5 - 12
Item Weight ‏ : ‎ 10.2 ounces
Dimensions ‏ : ‎ 5.25 x 1 x 7.56 inches

Best Sellers Rank: #29,207 in Books (See Top 100 in Books)
- #89 in Teen & Young Adult Survival Stories
- #102 in Teen & Young Adult Classic Literature
- #194 in Teen & Young Adult Fantasy Action & Adventure

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Philip Pullman

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PHILIP PULLMAN is one of the most acclaimed writers working today. He is best known for the His Dark Materials trilogy (The Golden Compass, The Subtle Knife, The Amber Spyglass), which has been named one of the top 100 novels of all time by Newsweek and one of the all-time greatest novels by Entertainment Weekly. He has also won many distinguished prizes, including the Carnegie Medal for The Golden Compass (and the reader-voted "Carnegie of Carnegies" for the best children's book of the past seventy years); the Whitbread (now Costa) Award for The Amber Spyglass; a Booker Prize long-list nomination (The Amber Spyglass); Parents' Choice Gold Awards (The Subtle Knife and The Amber Spyglass); and the Astrid Lindgren Memorial Award, in honor of his body of work. In 2004, he was appointed a Commander of the Order of the British Empire.

It has recently been announced that The Book of Dust, the much anticipated new book from Mr. Pullman, also set in the world of His Dark Materials, will be published as a major work in three parts, with the first part to arrive in October 2017.

Philip Pullman is the author of many other much-lauded novels. Other volumes related to His Dark Materials: Lyra’s Oxford, Once Upon a Time in the North, and The Collectors. For younger readers: I Was a Rat!; Count Karlstein; Two Crafty Criminals; Spring-Heeled Jack, and The Scarecrow and His Servant. For older readers: the Sally Lockhart quartet: The Ruby in the Smoke, The Shadow in the North, The Tiger in the Well, and The Tin Princess; The White Mercedes; and The Broken Bridge.

Philip Pullman lives in Oxford, England. To learn more, please visit philip-pullman.com and hisdarkmaterials.com. Or follow him on Twitter at @PhilipPullman.

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LA in Dallas

Yes, it's really THAT good!

Reviewed in the United States on January 28, 2024

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Philip Pullman's The Golden Compass was one of the first audiobooks I listened to after joining Audible in 2004. I followed it not long after with The Subtle Knife and The Amber Spyglass, and subsequently with every other published book by Pullman I could get my hands on. The novels of His Dark Materials are both exceptionally good books and exceptionally good audiobooks. The Listening Library audiobooks are full-cast productions.

The Golden Compass takes place in a fantasy world that resembles our Earth in some respects -- for instance, there is a university called Oxford -- and is different in others. For instance, every person has a daemon -- a soul. The daemon is a talking animal. A person must remain close to his or her daemon -- to separate by more than a few yards causes both great distress. The daemons of children are changeable in form, but those of adults are fixed. For instance, Lyra, the girl at the center of the story, has a daemon called Pantalaimon, who, when we first meet him, is in the form of a moth, but who more often is something like a weasel. Mrs Coulter, one of the principal adult characters, has a daemon who is a monkey.

Lyra comes into possession of an device called the "alethiometer" -- this is the thing that the title The Golden Compass refers to. It is not in fact a compass. In the hands of a skilled user, it gives truthful answers to any questions it is asked. Lyra, it turns out, has a special affinity for the alethiometer. She learns dangerous things from it and she and Pantalaimon find it necessary to flee Oxford. Adventures and intrigues ensue, which I will not spoil.

Before I listened to The Golden Compass, I felt that J.R.R. Tolkien had in a sense frozen fantasy. Every fantasy work published after The Lord of the Rings felt, in a way, like a version or reflection of that Great Work. His Dark Materials did not. In 2004 when I read it I felt that I had for the first time in four decades found a fantasy series that owed nothing to J.R.R. Tolkien -- something new and completely original.

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Ryan Sean O'Reilly

A tale told by a crackling, comforting fire while the bitter northern winds gust dangerously against the window panes outside.

Reviewed in the United States on December 20, 2016

Verified Purchase

This book starts a bit slowly at first, but then kicks up into high-adventure and keeps this pace to the end. Pullman’s writing is very good and he manages to capture a perfect voice for the main character of Lyra as she negotiates this strange world populated by anthropomorphic soul-animals, witches, ghasts, and armored bears.

In reading this book, I felt reminiscent of the that sweet, nostalgic tone achieved by C.S. Lewis in “The Narnia Chronicles.” Perhaps this is simply due to the omniscient point of view in which the narrators guide one along in these comparable fantasy works. There is something comforting when you feel as if a story is being told you by a dear old friend while at the same time you’re being truly immersed in the narrative. That is a subtle art in which the author must carefully balance the use of the narrative voice so as not to feel intrusive or too expositional. I think there is something in the human psyche that responds to this mode of storytelling that harkens back to our ancient oral traditions.

The work is not particularly a “Christian” one, even though I am mentioning The Narnia Chronicles which are more overtly Christian in their telling. Pullman does draw on the dogma, practices, history and teachings of the Christian Religion to create his fantasy world and also to better illustrate what is happening and drive the plot along. However, unlike The Narnia Chronicles, the institutional nature of religion plays a much bigger and more nefarious role in The Golden Compass. That being said, this particular tale is not overly caught up with this theme. During some portions the religious aspect is missing altogether—though I admit that it does make up an important part of the book. So in essence, I am saying that however critical this book might be toward the institutional aspect of religion—it is not solely concerned with that point.

The world created by Pullman feels rather unique, even though it is a secondary world not unlike our own (in many ways). He devises a magical system utilizing a special dust-like substance; and souls that live outside the body in animal forms called daemons. This feels very authentic and manages to be quite delightful. Probably the strongest and most developed part of the book is the relationship Lyra has with her own daemon.

Other elements of the story come flying in as Lyra (the protagonist), takes up her quest to deliver a magical item to a far off and dangerous land. She meets interesting, fun and compelling characters all along the way. My only gripe is that at times, these non-player-character-types seem to drop on and off screen as needed. So too, does the adventure seem to proceed along one step at a time. The feel of this story is that as the protagonist progresses, the author foreshadows the next event, a challenge is overcome and the protagonist advances to the next level. A bit mechanical—not exactly contrived, but somewhat stilted. The writing is really great and the plot has a lot of fun and interesting elements that leave you anxious to see things through. There is just something a bit….in the background…missing... Perhaps it was the dropping away of secondary characters without a lot of follow through on their individual subplots? But, maybe that would have just slowed things down? I’m not sure.

All in all, I have no real problems with this book. It’s very well written, a great read and I’d definitely recommend it and am curious to read more. Mainly though, the author has a great voice for his story telling and that is what really pulls you in.

Podcast: If you enjoy my review (or this topic) this book and the movie based on it were further discussed/debated in a lively discussion on my podcast: "No Deodorant In Outer Space". The podcast is available on iTunes, Tune-In Radio, Stitcher, Google Play Music, YouTube or our website.

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S. Brown

Reviewed in the United Kingdom on March 3, 2024

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A wonderful adventure by a master storyteller, if you haven't read these books then you're in for a real treat and escape into this amazing world, well worth your time and money. Still waiting with great anticipation for the 6th book of Dust, I just wanted to visit old friends by rereading the series again.

Angela

Wonderful edition, amazing collection

Reviewed in Spain on February 16, 2023

Verified Purchase

I just found the most beautiful edition of His Dark Materials books. They are wonderful.

I’m not reviewing the story or writing itself, only the product that I had bought. Those who have read this masterpiece know how much it’s worth. Those who haven’t, I strongly advise you do. It has this beautiful dust jacket showing the Alethiometer. Hardback blue. The letters have a very decent size, same for the space between lines. And at the end of the book there’s an Appendix showing some curious papers from the Library at Jordan College. I had never seen that before in other editions! It’s a clever addition to the story.

The editions of The Subtle Knife and The Amber Spyglass have similar curiosities in its Appendix too. If you buy this edition of Northern Lights, you have to buy the other books in the same edition. I’m adding pictures to this review so you can see how amazing they are.

Those books are for every age. It's the fourth time I'm reading them, and each time I understand something new.