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Director Simon Saveylev on his Cynical Rom-Com ‘Googly Eyes’ | KQED
Simon Savelyev’s Googly Eyes is the perfect cynical romantic comedy for Valentine’s Day. Or, really, any day of the year. Starring Cooper Barnes as Gary (Nickelodeon’s Henry Danger) and Laura Spencer as Suzy (The Big Bang Theory), this wry short follows a newly broken-up couple as they try …read more
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https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-1020x1364.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-160x214.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-768x1027.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-1149x1536.jpg 1149w\" sizes=\"(max-width: 1436px) 100vw, 1436px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon, seen here surrounded by her designs. The artist and pioneer of supergraphics died at her home Tuesday night at age 95. \u003ccite>(Courtesy Chris Grunder)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Barbara Stauffacher Solomon, a giant in the worlds of landscape architecture and graphic design who spearheaded the colorful supergraphics movement of the 1960s and ’70s, died last night at her home in San Francisco. She was 95.\u003c/p>\n\u003cp>According to her daughter, the Los Angeles-based artist Nellie King Solomon, Stauffacher Solomon had been in hospice care for some time, and had reached the point where she was no longer able to eat, drink or talk. “Her body expired,” Solomon said. “She had a huge life! There’s no tragedy.”\u003c/p>\n\u003cp>In spite of her declining health, Stauffacher Solomon was a prolific artist up until the very end. Recent projects include a series of drawings displayed on the walls above a \u003ca href=\"https://staircase.place/\">red-painted staircase\u003c/a> in the Inner Richmond, a \u003ca href=\"https://www.vonbartha.com/events/welcome-sign-st-moritz/\">95-foot-long “WELCOME” sign\u003c/a> installed on the retaining wall outside the train station in Moritz, Switzerland, and a large-scale, stripe-themed installation that currently occupies the entire \u003ca href=\"https://www.sfmoma.org/exhibition/barbara-stauffacher-solomon-strips-of-stripes/\">second-floor lobby of SFMOMA\u003c/a>. \u003c/p>\n\u003cp>“She died with Liquid Paper on her hands,” Solomon said. “She wrestled it with the nurses.”\u003c/p>\n\u003cfigure id=\"attachment_13938883\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000.jpg\" alt=\"Red and black stripes painted on white walls and ceilings of lobby space\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938883\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon, ‘Strips of Stripes’ at SFMOMA. \u003ccite>(Don Ross)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chris Grunder, a San Francisco artist who worked as Stauffacher Solomon’s studio assistant and informal caregiver for much of the past few years, said that he was inspired by her ability to overcome adversity — “reinventing herself five times over in 70-plus years,” he said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After her first husband, the filmmaker Frank Stauffacher, died, Stauffacher Solomon moved to Basel, Switzerland, to study graphic design and learn skills that she could use to support herself and her young child. She returned to San Francisco in the early ’60s to open her own graphic design firm. \u003c/p>\n\u003cfigure id=\"attachment_13839100\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640.jpg\" alt=\"Barbara Stauffacher Solomon in 1955.\" width=\"640\" height=\"865\" class=\"size-full wp-image-13839100\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640-160x216.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640-240x324.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640-375x507.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640-520x703.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon in 1955. \u003ccite>(Courtesy of BAMPFA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Soon after, Stauffacher Solomon took on the design project that she will likely be remembered most for, at an experimental housing development known as \u003ca href=\"https://www.tsra.org/\">Sea Ranch\u003c/a> on the Sonoma coast. She designed the ram’s horn–inspired logo, as well as the bold, large-scale graphic elements that are painted inside several buildings at Sea Ranch, including, most famously, its \u003ca href=\"https://searanch.ced.berkeley.edu/s/sea-ranch/page/moonraker\">athletic center\u003c/a>. The new style of graphics and environmental architecture that she created came to be known as supergraphics — a design movement that blended “the rigor of Swiss modernism with the color and style of [Stauffacher Solomon’s] West Coast sensibility,” as KQED’s Sarah Hotchkiss described it in a \u003ca href=\"https://www.kqed.org/arts/13839094/barbara-stauffacher-solomon-bampfa-art-wall\">2018 profile of the artist\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13957527\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355.jpg\" alt=\"\" width=\"1920\" height=\"1281\" class=\"size-full wp-image-13957527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The rams horns at the Sea Ranch Lodge as designed by artist Barbara Stauffacher Solomon. \u003ccite>(Myung J. Chun / Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But Solomon asserted that the “hard-edged” supergraphics are only one part of her mother’s artistic legacy. “There was this whole schmaltzy side to her,” she said. She loved 1930s French music; she loved gardens and meadows; she spent years working primarily as a landscape architect. Some of Solomon’s favorite memories with her mother were of “breaking and entering” into historical gardens — experiences that she documented in her 1989 book, \u003cem>Green Architecture & the Agrarian Garden\u003c/em>.\u003c/p>\n\u003cp>In more recent years, Stauffacher Solomon revisited the supergraphics style that she helped popularize, perhaps most notably for her recent SFMOMA atrium project. Joseph Becker, SFMOMA’s Associate Curator of Architecture and Design, said he had been collaborating with Stauffacher Solomon for years, describing her as “an incredible sparring partner and visionary who suffered no fools.” \u003c/p>\n\u003cfigure id=\"attachment_13957524\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061.jpg\" alt=\"\" width=\"1920\" height=\"1079\" class=\"size-full wp-image-13957524\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-1536x863.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon with her daughter Nellie and granddaughter Fia. \u003ccite>(Courtesy Nellie King Solomon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She overcame tremendous adversity in the early part of her career, developing her own graphic design practice in a world not hospitable to women setting out on their own and making a name for themselves,” Becker said. “One of the reasons was because she had an exacting vision and attitude. To work with someone like that, even though she was 95, her clarity was undeniable. She knew exactly what she wanted, saw all sides of the project.”\u003c/p>\n\u003cp>The museum currently has new Stauffacher Solomon work that it’s partnering with the City of San Francisco to present: a massive, 300-foot-long \u003ca href=\"https://www.sfartscommission.org/content/minna-natoma-art-corridor-project-street-paving\">street paving project on Minna Street\u003c/a> featuring a graphic pattern made of red boots as an homage to Minna Rae Simpson, the street’s supposed namesake.\u003c/p>\n\u003cp>“What an absolute San Francisco treasure,” Becker said of Stauffacher Solomon. “Hands down, one of the best.”\u003c/p>\n\u003cfigure id=\"attachment_13957523\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498.jpg\" alt=\"\" width=\"1920\" height=\"1443\" class=\"size-full wp-image-13957523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-1020x767.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-1536x1154.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon, going through some of her many files. \u003ccite>(Courtesy Chris Grunder)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Grunder, who met Stauffacher Solomon in 2019, said he “clicked [with her] in a way I never clicked with any friend ever.” Working closely with her as her “accomplice” these past few years, he says what he learned most from her is that you “can have an absolutely wonderful life without trying to please everybody.”\u003c/p>\n\u003cp>“Truthfully, she was incredibly prickly to a lot of people, and incredibly sweet and devoted to others,” Grunder said.\u003c/p>\n\u003cp>In recent years, he said, what Stauffacher Solomon seemed proudest of were her books — many of them an eccentric mix of drawings, abstractions and some rhyming text. The one she’d just completed, \u003cem>See the Invisible\u003c/em>, due to be released by \u003ca href=\"https://www.colpapress.com/collections/frontpage\">Colpa Press\u003c/a> later this year, focuses on a theme Grunder says Stauffacher Solomon was obsessed with: making things that are visible invisible — with how design can be almost entirely invisible.\u003c/p>\n\u003cfigure id=\"attachment_13839103\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER.jpg\" alt=\"Installation view of Barbara Stauffacher Solomon's 'Land(e)scape 2018' at BAMPFA.\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13839103\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-520x293.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of Barbara Stauffacher Solomon’s ‘Land(e)scape 2018’ at BAMPFA. \u003ccite>(Johnna Arnold)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Grunder recalls a time when Stauffacher Solomon referred, offhandedly, to her signs on Market Street in San Francisco. “Maybe you’re confused,” Grunder remembers saying to her. When did she ever get commissioned to do an installation on Market Street? So, she sent him down to Market and 3rd and had him look: “There, there,” she told him.\u003c/p>\n\u003cp>As it turns out, Stauffacher Solomon had designed the \u003cem>\u003ca href=\"https://www.google.com/maps/@37.7879043,-122.4033387,3a,75y,204.09h,101.03t/data=!3m7!1e1!3m5!1shUg8nuEWC6jtk-GaO4ZOgA!2e0!6shttps:%2F%2Fstreetviewpixels-pa.googleapis.com%2Fv1%2Fthumbnail%3Fpanoid%3DhUg8nuEWC6jtk-GaO4ZOgA%26cb_client%3Dmaps_sv.share%26w%3D900%26h%3D600%26yaw%3D204.08666956826983%26pitch%3D-11.025780054833689%26thumbfov%3D90!7i16384!8i8192?coh=205410&entry=ttu\">actual street signs\u003c/a>\u003c/em>. “Ta-da,” she said, when he finally made the connection.\u003c/p>\n\u003cp>As SFMOMA’s Becker put it, “We’re surrounded by works by Bobbie even if we’re not aware of it,” using the name used by Stauffacher Solomon’s friends.\u003c/p>\n\u003cfigure id=\"attachment_13957525\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"size-full wp-image-13957525\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon with her daughter Nellie, granddaughter Fia, and a display of her work. \u003ccite>(Courtesy Nellie King Solomon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Having spent much of the past decade fielding questions about legacy, Stauffacher Solomon was delighted to surprise one such inquisitor by saying she’d like to be remembered “for being a good mommy.” According to Solomon, her mother really did view herself as a mother and a grandmother first, even before her career, as someone who made the conscious choice to “build the next generation and have the best work of your life.” \u003c/p>\n\u003cp>“Because the art world and the design world are primarily a man’s world, they want you to choose between the two. I think that’s antiquated and ridiculous,” Solomon said. In that way, she believes that she and her own 16-year-old daughter, Fia — a budding singer-songwriter in her own right — are tasked with carrying on Stauffacher Solomon’s true legacy.\u003c/p>\n\u003cp>On Sunday, May 12, at 3 p.m., the family will hold a public memorial for Stauffacher Solomon at \u003ca href=\"https://presidio.gov/explore/attractions/crissy-field-east-beach\">Crissy Field East Beach\u003c/a>, in front of the changing rooms. “That was where she used to walk her dog Jake,” Solomon said. “The beach is where she hung out.” \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>She hopes friends, colleagues and other well-wishers who knew her mother will come ready with stories to share to give her a proper send-off.\u003c/p>\n\n","blocks":[],"excerpt":"The San Francisco-born designer and landscape architect was known for her colorful, oversized work.","status":"publish","parent":0,"modified":1715220846,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":1357},"headData":{"title":"Artist Barbara Stauffacher Solomon Dies at 95 | KQED","description":"The San Francisco-born designer and landscape architect was known for her colorful, oversized work.","ogTitle":"Barbara Stauffacher Solomon, Visionary Artist Who Invented Supergraphics, Dies at 95","ogDescription":"","ogImgId":"","twTitle":"Barbara Stauffacher Solomon, Visionary Artist Who Invented Supergraphics, Dies at 95","twDescription":"","twImgId":"","socialTitle":"Artist Barbara Stauffacher Solomon Dies at 95 %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Barbara Stauffacher Solomon, Visionary Artist Who Invented Supergraphics, Dies at 95","datePublished":"2024-05-09T02:12:18.000Z","dateModified":"2024-05-09T02:14:06.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13957530","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957530/barbara-stauffacher-solomon-supergraphics-obituary","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13957526\" class=\"wp-caption aligncenter\" style=\"max-width: 1436px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_.jpg\" alt=\"\" width=\"1436\" height=\"1920\" class=\"size-full wp-image-13957526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_.jpg 1436w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-800x1070.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-1020x1364.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-160x214.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-768x1027.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Barbara.top_-1149x1536.jpg 1149w\" sizes=\"(max-width: 1436px) 100vw, 1436px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon, seen here surrounded by her designs. The artist and pioneer of supergraphics died at her home Tuesday night at age 95. \u003ccite>(Courtesy Chris Grunder)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Barbara Stauffacher Solomon, a giant in the worlds of landscape architecture and graphic design who spearheaded the colorful supergraphics movement of the 1960s and ’70s, died last night at her home in San Francisco. She was 95.\u003c/p>\n\u003cp>According to her daughter, the Los Angeles-based artist Nellie King Solomon, Stauffacher Solomon had been in hospice care for some time, and had reached the point where she was no longer able to eat, drink or talk. “Her body expired,” Solomon said. “She had a huge life! There’s no tragedy.”\u003c/p>\n\u003cp>In spite of her declining health, Stauffacher Solomon was a prolific artist up until the very end. Recent projects include a series of drawings displayed on the walls above a \u003ca href=\"https://staircase.place/\">red-painted staircase\u003c/a> in the Inner Richmond, a \u003ca href=\"https://www.vonbartha.com/events/welcome-sign-st-moritz/\">95-foot-long “WELCOME” sign\u003c/a> installed on the retaining wall outside the train station in Moritz, Switzerland, and a large-scale, stripe-themed installation that currently occupies the entire \u003ca href=\"https://www.sfmoma.org/exhibition/barbara-stauffacher-solomon-strips-of-stripes/\">second-floor lobby of SFMOMA\u003c/a>. \u003c/p>\n\u003cp>“She died with Liquid Paper on her hands,” Solomon said. “She wrestled it with the nurses.”\u003c/p>\n\u003cfigure id=\"attachment_13938883\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000.jpg\" alt=\"Red and black stripes painted on white walls and ceilings of lobby space\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938883\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Barbara-Stauffacher-Solomon-Stripes-of-Stripes-SFMOMA-installation-view-4-2023-photo-by-Don-Ross_2000-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon, ‘Strips of Stripes’ at SFMOMA. \u003ccite>(Don Ross)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chris Grunder, a San Francisco artist who worked as Stauffacher Solomon’s studio assistant and informal caregiver for much of the past few years, said that he was inspired by her ability to overcome adversity — “reinventing herself five times over in 70-plus years,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After her first husband, the filmmaker Frank Stauffacher, died, Stauffacher Solomon moved to Basel, Switzerland, to study graphic design and learn skills that she could use to support herself and her young child. She returned to San Francisco in the early ’60s to open her own graphic design firm. \u003c/p>\n\u003cfigure id=\"attachment_13839100\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640.jpg\" alt=\"Barbara Stauffacher Solomon in 1955.\" width=\"640\" height=\"865\" class=\"size-full wp-image-13839100\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640-160x216.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640-240x324.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640-375x507.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Event_Artist-Talk_2018-08-16_Barbara-Stauffacher-Solomon_001_640-520x703.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon in 1955. \u003ccite>(Courtesy of BAMPFA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Soon after, Stauffacher Solomon took on the design project that she will likely be remembered most for, at an experimental housing development known as \u003ca href=\"https://www.tsra.org/\">Sea Ranch\u003c/a> on the Sonoma coast. She designed the ram’s horn–inspired logo, as well as the bold, large-scale graphic elements that are painted inside several buildings at Sea Ranch, including, most famously, its \u003ca href=\"https://searanch.ced.berkeley.edu/s/sea-ranch/page/moonraker\">athletic center\u003c/a>. The new style of graphics and environmental architecture that she created came to be known as supergraphics — a design movement that blended “the rigor of Swiss modernism with the color and style of [Stauffacher Solomon’s] West Coast sensibility,” as KQED’s Sarah Hotchkiss described it in a \u003ca href=\"https://www.kqed.org/arts/13839094/barbara-stauffacher-solomon-bampfa-art-wall\">2018 profile of the artist\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13957527\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355.jpg\" alt=\"\" width=\"1920\" height=\"1281\" class=\"size-full wp-image-13957527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1240494355-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The rams horns at the Sea Ranch Lodge as designed by artist Barbara Stauffacher Solomon. \u003ccite>(Myung J. Chun / Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But Solomon asserted that the “hard-edged” supergraphics are only one part of her mother’s artistic legacy. “There was this whole schmaltzy side to her,” she said. She loved 1930s French music; she loved gardens and meadows; she spent years working primarily as a landscape architect. Some of Solomon’s favorite memories with her mother were of “breaking and entering” into historical gardens — experiences that she documented in her 1989 book, \u003cem>Green Architecture & the Agrarian Garden\u003c/em>.\u003c/p>\n\u003cp>In more recent years, Stauffacher Solomon revisited the supergraphics style that she helped popularize, perhaps most notably for her recent SFMOMA atrium project. Joseph Becker, SFMOMA’s Associate Curator of Architecture and Design, said he had been collaborating with Stauffacher Solomon for years, describing her as “an incredible sparring partner and visionary who suffered no fools.” \u003c/p>\n\u003cfigure id=\"attachment_13957524\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061.jpg\" alt=\"\" width=\"1920\" height=\"1079\" class=\"size-full wp-image-13957524\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/DSC00061-1536x863.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon with her daughter Nellie and granddaughter Fia. \u003ccite>(Courtesy Nellie King Solomon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She overcame tremendous adversity in the early part of her career, developing her own graphic design practice in a world not hospitable to women setting out on their own and making a name for themselves,” Becker said. “One of the reasons was because she had an exacting vision and attitude. To work with someone like that, even though she was 95, her clarity was undeniable. She knew exactly what she wanted, saw all sides of the project.”\u003c/p>\n\u003cp>The museum currently has new Stauffacher Solomon work that it’s partnering with the City of San Francisco to present: a massive, 300-foot-long \u003ca href=\"https://www.sfartscommission.org/content/minna-natoma-art-corridor-project-street-paving\">street paving project on Minna Street\u003c/a> featuring a graphic pattern made of red boots as an homage to Minna Rae Simpson, the street’s supposed namesake.\u003c/p>\n\u003cp>“What an absolute San Francisco treasure,” Becker said of Stauffacher Solomon. “Hands down, one of the best.”\u003c/p>\n\u003cfigure id=\"attachment_13957523\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498.jpg\" alt=\"\" width=\"1920\" height=\"1443\" class=\"size-full wp-image-13957523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-1020x767.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_9498-1536x1154.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon, going through some of her many files. \u003ccite>(Courtesy Chris Grunder)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Grunder, who met Stauffacher Solomon in 2019, said he “clicked [with her] in a way I never clicked with any friend ever.” Working closely with her as her “accomplice” these past few years, he says what he learned most from her is that you “can have an absolutely wonderful life without trying to please everybody.”\u003c/p>\n\u003cp>“Truthfully, she was incredibly prickly to a lot of people, and incredibly sweet and devoted to others,” Grunder said.\u003c/p>\n\u003cp>In recent years, he said, what Stauffacher Solomon seemed proudest of were her books — many of them an eccentric mix of drawings, abstractions and some rhyming text. The one she’d just completed, \u003cem>See the Invisible\u003c/em>, due to be released by \u003ca href=\"https://www.colpapress.com/collections/frontpage\">Colpa Press\u003c/a> later this year, focuses on a theme Grunder says Stauffacher Solomon was obsessed with: making things that are visible invisible — with how design can be almost entirely invisible.\u003c/p>\n\u003cfigure id=\"attachment_13839103\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER.jpg\" alt=\"Installation view of Barbara Stauffacher Solomon's 'Land(e)scape 2018' at BAMPFA.\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13839103\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/BAMPFA-Mural_8-18_007_COVER-520x293.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of Barbara Stauffacher Solomon’s ‘Land(e)scape 2018’ at BAMPFA. \u003ccite>(Johnna Arnold)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Grunder recalls a time when Stauffacher Solomon referred, offhandedly, to her signs on Market Street in San Francisco. “Maybe you’re confused,” Grunder remembers saying to her. When did she ever get commissioned to do an installation on Market Street? So, she sent him down to Market and 3rd and had him look: “There, there,” she told him.\u003c/p>\n\u003cp>As it turns out, Stauffacher Solomon had designed the \u003cem>\u003ca href=\"https://www.google.com/maps/@37.7879043,-122.4033387,3a,75y,204.09h,101.03t/data=!3m7!1e1!3m5!1shUg8nuEWC6jtk-GaO4ZOgA!2e0!6shttps:%2F%2Fstreetviewpixels-pa.googleapis.com%2Fv1%2Fthumbnail%3Fpanoid%3DhUg8nuEWC6jtk-GaO4ZOgA%26cb_client%3Dmaps_sv.share%26w%3D900%26h%3D600%26yaw%3D204.08666956826983%26pitch%3D-11.025780054833689%26thumbfov%3D90!7i16384!8i8192?coh=205410&entry=ttu\">actual street signs\u003c/a>\u003c/em>. “Ta-da,” she said, when he finally made the connection.\u003c/p>\n\u003cp>As SFMOMA’s Becker put it, “We’re surrounded by works by Bobbie even if we’re not aware of it,” using the name used by Stauffacher Solomon’s friends.\u003c/p>\n\u003cfigure id=\"attachment_13957525\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"size-full wp-image-13957525\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/IMG_1041-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Stauffacher Solomon with her daughter Nellie, granddaughter Fia, and a display of her work. \u003ccite>(Courtesy Nellie King Solomon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Having spent much of the past decade fielding questions about legacy, Stauffacher Solomon was delighted to surprise one such inquisitor by saying she’d like to be remembered “for being a good mommy.” According to Solomon, her mother really did view herself as a mother and a grandmother first, even before her career, as someone who made the conscious choice to “build the next generation and have the best work of your life.” \u003c/p>\n\u003cp>“Because the art world and the design world are primarily a man’s world, they want you to choose between the two. I think that’s antiquated and ridiculous,” Solomon said. In that way, she believes that she and her own 16-year-old daughter, Fia — a budding singer-songwriter in her own right — are tasked with carrying on Stauffacher Solomon’s true legacy.\u003c/p>\n\u003cp>On Sunday, May 12, at 3 p.m., the family will hold a public memorial for Stauffacher Solomon at \u003ca href=\"https://presidio.gov/explore/attractions/crissy-field-east-beach\">Crissy Field East Beach\u003c/a>, in front of the changing rooms. “That was where she used to walk her dog Jake,” Solomon said. “The beach is where she hung out.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She hopes friends, colleagues and other well-wishers who knew her mother will come ready with stories to share to give her a proper send-off.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957530/barbara-stauffacher-solomon-supergraphics-obituary","authors":["11743"],"categories":["arts_1","arts_235","arts_1564","arts_70"],"tags":["arts_10278","arts_1091","arts_21789","arts_1146","arts_1381"],"featImg":"arts_13957522","label":"arts"},"arts_13957645":{"type":"posts","id":"arts_13957645","meta":{"index":"posts_1591205157","site":"arts","id":"13957645","found":true},"guestAuthors":[],"slug":"100-million-gift-affordable-artist-housing-mcroskey-mattress-san-francisco","title":"$100 Million Gift Paves Way for Affordable Artist Housing in San Francisco","publishDate":1715374658,"format":"aside","headTitle":"$100 Million Gift Paves Way for Affordable Artist Housing in San Francisco | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13957614\" class=\"wp-caption aligncenter\" style=\"max-width: 2160px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street.png\" alt=\"A computer rendering of a 17-story building, on a street with people and cars.\" width=\"2160\" height=\"2160\" class=\"size-full wp-image-13957614\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street.png 2160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-800x800.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-1020x1020.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-160x160.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-768x768.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-1536x1536.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-2048x2048.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-1920x1920.png 1920w\" sizes=\"(max-width: 2160px) 100vw, 2160px\">\u003cfigcaption class=\"wp-caption-text\">A rendering of the proposed artist housing at 1687 Market Street, planned with 100 affordable artist units, studio and rehearsal spaces, a community center and a black box theater. \u003ccite>(Mark Cavagnero Associates Architects)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A new San Francisco development that would provide affordable housing and studio space for artists took its first step toward completion Friday.\u003c/p>\n\u003cp>Buoyed by a $100 million gift from an anonymous donor, two nonprofits, \u003ca href=\"https://projects.propublica.org/nonprofits/organizations/880678308\">Artists Hub on Market\u003c/a> and \u003ca href=\"https://www.mercyhousing.org/california/\">Mercy Housing of California\u003c/a>, filed plans with the city for 1687 Market St., the current site of the McRoskey Mattress Co. showroom.\u003c/p>\n\u003cp>The plans call for a 17-story building with 100 affordable apartments for artists, as well as studio space, practice rooms, a community center and a 99-seat black box theater. Though the construction price is not finalized, the gift was “based around the initial estimate” for such a project, according to \u003ca href=\"https://www.kqed.org/arts/13910898/randall-kline-stepping-down-from-sfjazz\">Randall Kline\u003c/a>, the president of Artists Hub on Market.\u003c/p>\n\u003cp>[aside postID='news_11973656']Kline said the project was inspired by the ongoing exodus of artists priced out of San Francisco as rents have skyrocketed and spaces closed. \u003c/p>\n\u003cp>“When I came to San Francisco almost 50 years ago, I was an aspiring artist, and I could live quite cheaply here,” he said. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I think everyone’s in agreement that this would be a really great thing for the benefit of artists and the cultural life of San Francisco,” said Kline, who as founder and former director of SFJAZZ shepherded construction of the $64 million SFJAZZ Center, which opened in 2013 at Franklin and Fell Streets, six blocks from the proposed housing.\u003c/p>\n\u003cfigure id=\"attachment_13928729\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_.jpg\" alt=\"\" width=\"1920\" height=\"1281\" class=\"size-full wp-image-13928729\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">SFJAZZ founder Randall Kline accepts the Lifetime Achievement Award at the organization’s annual gala in San Francisco on May 4, 2023. \u003ccite>(Drew Alitzer Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to Kline, both Mayor London Breed and San Francisco’s planning department have so far been enthusiastic about the project, known simply as 1687 Market. The project would be fast-tracked by \u003ca href=\"https://www.kqed.org/news/11923146/these-california-affordable-housing-bills-could-create-more-than-a-million-apartments-if-labor-unions-can-agree-on-terms\">Assembly Bill 2011\u003c/a>, approved in 2022, which encourages affordable housing on commercially zoned land.\u003c/p>\n\u003cp>The hope is to begin construction in late 2025, with completion sometime in 2027. Overseeing the project is San Francisco architect \u003ca href=\"https://www.cavagnero.com/\">Mark Cavagnero\u003c/a>, whose projects include the SFJAZZ Center as well as the nearby San Francisco Conservatory of Music. \u003c/p>\n\u003cp>[aside postID='arts_13910898']It is “far too soon” to provide an estimated monthly rent for space at 1687 Market, Kline said. Applications for artist housing in San Francisco are typically subject to a lottery, though \u003ca href=\"https://www.kqed.org/arts/13828581/san-francisco-looks-to-create-low-cost-housing-preference-for-artists\">that process has at times been onerous\u003c/a>. \u003c/p>\n\u003cp>As an inspiration for 1867 Market, Kline cited New York City’s Manhattan Plaza, an artist building that has been home to many jazz musicians, as well as singer Alicia Keys, writer Tennessee Williams, actor Timothée Chalamet and others.\u003c/p>\n\u003cp>“There’s a building older than that, also, called Westbeth,” Kline said, referring to the downtown New York building that has housed jazz guitarist John Scofield, visual artist Nam June Paik, choreographer Merce Cunningham and actor Robert de Niro.\u003c/p>\n\u003cfigure id=\"attachment_13957654\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984.jpg\" alt=\"\" width=\"1920\" height=\"1304\" class=\"size-full wp-image-13957654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-800x543.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-1020x693.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-768x522.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-1536x1043.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Robin McRoskey Azevedo, pictured in 2010 at the McRoskey Mattress Co. on Market Street in San Francisco. The building site is planned for new artist housing. \u003ccite>(Liz Hafalia/The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The existing \u003ca href=\"https://www.mcroskey.com/heritage\">McRoskey Mattress Co.\u003c/a> building would be demolished to make way for the new housing. Building owner Robin McRoskey Azevedo sold the mattress company, which was founded in 1899, to Fresno-based Pleasant Mattress in 2018. In its factory loft, the building has hosted events with the San Francisco Silent Film Festival, for which Azevedo is a board member. \u003c/p>\n\u003cp>The project is coming about thanks to a combination of AB 2011, support from the city and a central location, Kline said, as well as \u003ca href=\"https://www.kqed.org/arts/13910898/randall-kline-stepping-down-from-sfjazz\">his decision last year to step down from SFJAZZ\u003c/a>. The anonymous donor, meanwhile, was crucial. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I mean, what a gift to the city,” Kline said. “This is really a person who doesn’t care about notoriety, but does care about the artistic and cultural life of the city.”\u003c/p>\n\n","blocks":[],"excerpt":"Plans for the 100-unit building on Market Street were filed with the city on Friday.","status":"publish","parent":0,"modified":1715374658,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":688},"headData":{"title":"$100 Million Gift Paves Way for Affordable Artist Housing in San Francisco | KQED","description":"Plans for the 100-unit building on Market Street were filed with the city on Friday.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"$100 Million Gift Paves Way for Affordable Artist Housing in San Francisco","datePublished":"2024-05-10T20:57:38.000Z","dateModified":"2024-05-10T20:57:38.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13957645","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957645/100-million-gift-affordable-artist-housing-mcroskey-mattress-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13957614\" class=\"wp-caption aligncenter\" style=\"max-width: 2160px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street.png\" alt=\"A computer rendering of a 17-story building, on a street with people and cars.\" width=\"2160\" height=\"2160\" class=\"size-full wp-image-13957614\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street.png 2160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-800x800.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-1020x1020.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-160x160.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-768x768.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-1536x1536.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-2048x2048.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1687-Market-Street-1920x1920.png 1920w\" sizes=\"(max-width: 2160px) 100vw, 2160px\">\u003cfigcaption class=\"wp-caption-text\">A rendering of the proposed artist housing at 1687 Market Street, planned with 100 affordable artist units, studio and rehearsal spaces, a community center and a black box theater. \u003ccite>(Mark Cavagnero Associates Architects)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A new San Francisco development that would provide affordable housing and studio space for artists took its first step toward completion Friday.\u003c/p>\n\u003cp>Buoyed by a $100 million gift from an anonymous donor, two nonprofits, \u003ca href=\"https://projects.propublica.org/nonprofits/organizations/880678308\">Artists Hub on Market\u003c/a> and \u003ca href=\"https://www.mercyhousing.org/california/\">Mercy Housing of California\u003c/a>, filed plans with the city for 1687 Market St., the current site of the McRoskey Mattress Co. showroom.\u003c/p>\n\u003cp>The plans call for a 17-story building with 100 affordable apartments for artists, as well as studio space, practice rooms, a community center and a 99-seat black box theater. Though the construction price is not finalized, the gift was “based around the initial estimate” for such a project, according to \u003ca href=\"https://www.kqed.org/arts/13910898/randall-kline-stepping-down-from-sfjazz\">Randall Kline\u003c/a>, the president of Artists Hub on Market.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11973656","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Kline said the project was inspired by the ongoing exodus of artists priced out of San Francisco as rents have skyrocketed and spaces closed. \u003c/p>\n\u003cp>“When I came to San Francisco almost 50 years ago, I was an aspiring artist, and I could live quite cheaply here,” he said. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think everyone’s in agreement that this would be a really great thing for the benefit of artists and the cultural life of San Francisco,” said Kline, who as founder and former director of SFJAZZ shepherded construction of the $64 million SFJAZZ Center, which opened in 2013 at Franklin and Fell Streets, six blocks from the proposed housing.\u003c/p>\n\u003cfigure id=\"attachment_13928729\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_.jpg\" alt=\"\" width=\"1920\" height=\"1281\" class=\"size-full wp-image-13928729\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Randall.Kline_.2023.Gala_-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">SFJAZZ founder Randall Kline accepts the Lifetime Achievement Award at the organization’s annual gala in San Francisco on May 4, 2023. \u003ccite>(Drew Alitzer Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to Kline, both Mayor London Breed and San Francisco’s planning department have so far been enthusiastic about the project, known simply as 1687 Market. The project would be fast-tracked by \u003ca href=\"https://www.kqed.org/news/11923146/these-california-affordable-housing-bills-could-create-more-than-a-million-apartments-if-labor-unions-can-agree-on-terms\">Assembly Bill 2011\u003c/a>, approved in 2022, which encourages affordable housing on commercially zoned land.\u003c/p>\n\u003cp>The hope is to begin construction in late 2025, with completion sometime in 2027. Overseeing the project is San Francisco architect \u003ca href=\"https://www.cavagnero.com/\">Mark Cavagnero\u003c/a>, whose projects include the SFJAZZ Center as well as the nearby San Francisco Conservatory of Music. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13910898","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>It is “far too soon” to provide an estimated monthly rent for space at 1687 Market, Kline said. Applications for artist housing in San Francisco are typically subject to a lottery, though \u003ca href=\"https://www.kqed.org/arts/13828581/san-francisco-looks-to-create-low-cost-housing-preference-for-artists\">that process has at times been onerous\u003c/a>. \u003c/p>\n\u003cp>As an inspiration for 1867 Market, Kline cited New York City’s Manhattan Plaza, an artist building that has been home to many jazz musicians, as well as singer Alicia Keys, writer Tennessee Williams, actor Timothée Chalamet and others.\u003c/p>\n\u003cp>“There’s a building older than that, also, called Westbeth,” Kline said, referring to the downtown New York building that has housed jazz guitarist John Scofield, visual artist Nam June Paik, choreographer Merce Cunningham and actor Robert de Niro.\u003c/p>\n\u003cfigure id=\"attachment_13957654\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984.jpg\" alt=\"\" width=\"1920\" height=\"1304\" class=\"size-full wp-image-13957654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-800x543.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-1020x693.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-768x522.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1321602984-1536x1043.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Robin McRoskey Azevedo, pictured in 2010 at the McRoskey Mattress Co. on Market Street in San Francisco. The building site is planned for new artist housing. \u003ccite>(Liz Hafalia/The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The existing \u003ca href=\"https://www.mcroskey.com/heritage\">McRoskey Mattress Co.\u003c/a> building would be demolished to make way for the new housing. Building owner Robin McRoskey Azevedo sold the mattress company, which was founded in 1899, to Fresno-based Pleasant Mattress in 2018. In its factory loft, the building has hosted events with the San Francisco Silent Film Festival, for which Azevedo is a board member. \u003c/p>\n\u003cp>The project is coming about thanks to a combination of AB 2011, support from the city and a central location, Kline said, as well as \u003ca href=\"https://www.kqed.org/arts/13910898/randall-kline-stepping-down-from-sfjazz\">his decision last year to step down from SFJAZZ\u003c/a>. The anonymous donor, meanwhile, was crucial. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I mean, what a gift to the city,” Kline said. “This is really a person who doesn’t care about notoriety, but does care about the artistic and cultural life of the city.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957645/100-million-gift-affordable-artist-housing-mcroskey-mattress-san-francisco","authors":["185"],"categories":["arts_1","arts_235"],"tags":["arts_10278","arts_4544","arts_163","arts_2216","arts_2048"],"featImg":"arts_13957653","label":"arts"},"arts_13957514":{"type":"posts","id":"arts_13957514","meta":{"index":"posts_1591205157","site":"arts","id":"13957514","found":true},"guestAuthors":[],"slug":"1896-mystery-airship-bay-area-ufo-history-victorian-aliens","title":"In 1896, a Mysterious UFO Brought Northern California to a Mesmerized Halt","publishDate":1715374318,"format":"aside","headTitle":"In 1896, a Mysterious UFO Brought Northern California to a Mesmerized Halt | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13957590\" class=\"wp-caption aligncenter\" style=\"max-width: 1130px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957590\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-4.30.03-PM.png\" alt=\"A Victorian illustration of two men watching an airship with wings and spotlights flying near the top of the Capitol building.\" width=\"1130\" height=\"994\">\u003cfigcaption class=\"wp-caption-text\">A rendition of the airship seen in the skies above Sacramento, as illustrated in ‘The San Francisco Call and Post’ on Nov. 29, 1896.\u003c/figcaption>\u003c/figure>\n\u003cp>In the 1890s, Northern California was in flux — living with Victorian sensibilities, but surrounded by remnants of the gold rush. \u003ca href=\"https://www.kqed.org/arts/13912657/gum-girls-midwinter-fair-san-francisco-history-golden-gate-park\">San Francisco’s Midwinter Fair\u003c/a> in 1894 had ushered in an age of electricity-fueled modernity, but \u003ca href=\"https://www.kqed.org/arts/13932525/mother-thompson-san-francisco-tavern-owner-bay-area-history\">sailors were still brawling\u003c/a> it out down on the Embarcadero. New-fangled ways to have fun — like the \u003ca href=\"https://www.kqed.org/arts/13909983/victorian-attractions-san-francisco-chutes-gravity-railroad-woodwards-gardens-bonet-tower-auditorium-skating\">Haight Street Chutes\u003c/a> and home \u003ca href=\"https://www.kqed.org/arts/13924208/uc-santa-barbara-edison-phonograph-audio-cylinder-archive-vaudeville-racism\">phonographs\u003c/a> — were all the rage, but, for most, life revolved around basic necessities.\u003c/p>\n\u003cp>In November 1896, however, the entire region was excited and united by one thing: a mysterious “airship” that was spotted repeatedly in the skies over San Francisco, Oakland and Sacramento. At the time, airships had been invented but they were flown primarily in Europe and had yet to make a West Coast debut. To see an airship over the Bay Area in 1896 wasn’t just unusual, it was entirely unheard of — and yet, suddenly, hundreds of witnesses began reporting just that.\u003c/p>\n\u003cp>[aside postid='arts_13917340']Making these sightings all the more perplexing was the fact that they only happened at night, and the aircraft in question reportedly had wings, making it unlike any airship that existed at the time. Multiple passengers on an Oakland streetcar one November night described the craft hovering over Fruitvale as “resembling a huge bird in its outlines … which seemed to rise and fall in its course.”\u003c/p>\n\u003cp>That night, the streetcar’s conductor said the ship had one powerful headlight and several smaller lights on board. This was a welcome elaboration, as many witnesses around the Bay had reported seeing only bright lights in the sky. The day after the sighting on the streetcar, \u003cem>The San Francisco Call and Post\u003c/em> reported that:\u003c/p>\n\u003cblockquote>\u003cp>[The airship] was high in the heavens and appeared to be of huge size. When first seen, it seemed to be floating over San Leandro. It moved rapidly, going at least twenty miles an hour. It shot across the skies in the northwest, then turned quickly and disappeared in the direction of Hayward.\u003c/p>\u003c/blockquote>\n\u003cp>The newspaper was particularly invested in the story, since its very own advertising manager, Samuel Foltz, had seen the craft from his Parnassus Heights home in San Francisco. He wasn’t the only one. Colonel W. H. Menton of the Southern Pacific Railroad Company saw the airship from the Supreme Court building at Larkin and McAllister. “The light was far brighter than any of the electric lights I saw just below, in and about the park,” he also told \u003cem>The Call\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Another witness cited in the newspaper that day was Mayor Adolph Sutro, who had several employees who’d seen the craft days before newspapers had even begun reporting the sightings. “I certainly think that some shrewd inventor has solved the problem of aerial navigation,” Sutro said, “and that we will hear all about it within a short time.”\u003c/p>\n\u003cp>[aside postid='arts_13919589']Here, then, is where the mystery deepens.\u003c/p>\n\u003cp>No such inventor ever came forward. And no winged airship was ever patented and produced. In fact, the first gas-powered Zeppelin didn’t fly until July 1900, and its maiden voyage was in Germany. Airships weren’t even used by the US Army until 1908. So what were so many people seeing in the skies around the Bay in 1896?\u003c/p>\n\u003cfigure id=\"attachment_13957579\" class=\"wp-caption aligncenter\" style=\"max-width: 1598px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957579\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM.png\" alt=\"A Victorian illustration of a man gazing up at dark skies, astonished to see a clipper ship there.\" width=\"1598\" height=\"1246\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM.png 1598w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-800x624.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-1020x795.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-160x125.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-768x599.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-1536x1198.png 1536w\" sizes=\"(max-width: 1598px) 100vw, 1598px\">\u003cfigcaption class=\"wp-caption-text\">This cartoon, referencing renowned ship builder and inventor Irving M. Scott, appeared in ‘The San Francisco Call’ in Nov. 1896, during the peak of the UFO sightings. \u003ccite>(The San Francisco Call and Post/ Newspapers.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the time, newspapers swirled with conjecture about whether or not a patent attorney named George Collins knew who the inventor of the mysterious craft was. Collins publicly spoke of being visited by a man who was seeking a patent for a new airship that he claimed had been spotted over Sacramento. Collins told the man he could not provide a patent without first seeing a model of the aircraft. With that, Collins told reporters, the client was gone, never to be seen again. “I know nothing about the airship,” the attorney said. “I do not know what it is made of, what power propels it, nor where its inventor now is.”\u003c/p>\n\u003cp>Frustrated by Collins’ lack of information, rumors began swirling around San Francisco that the mysterious inventor was a 34-year-old dentist named E. H. Benjamin. Dr. Benjamin had patented a variety of dental equipment through Collins and also acted as his dentist. But when a \u003cem>Call\u003c/em> reporter tracked him down, the dentist simply said: “I only wish I was the inventor. But I am inclined to think I would be afraid to go up in it.”\u003c/p>\n\u003cp>[aside postid='arts_13935838']By the end of 1896, Bay Area airship sightings had stopped altogether. The confounding thing is, they quickly started up in other parts of the country — first Nebraska in Feb. 1897, followed by Illinois, Michigan, Wisconsin, Iowa, Missouri and Kansas. The craft seen in Marshfield, Wisconsin was described as “cone-shaped with glaring headlights,” moving up to 70 mph — very similar to what had been seen in California.\u003c/p>\n\u003cp>Many newspapers of the era described credible sightings, alongside hoax attempts. Fake photos of a flying airship — made using images of a painted canvas on wires — were reported in Rogers Park, Illinois. Groups of men in Omaha, Nebraska and Burlington, Iowa confessed to sending up huge balloons to confuse people actively looking for the airship. And on April 2, 1897, the K\u003cem>ansas City Journal, \u003c/em>mindful that what it was describing may have been an April Fool’s prank, nevertheless reported a:\u003c/p>\n\u003cp>“Flying machine in view for more than an hour … [Witnesses] assert that the floating power seemed to be in a mammoth bag, supposedly filled with gas. To this were attached four light wings of triangular form, two on either side and from the great bag was suspended a cage or car. This car was canoe-shaped and appeared to be from twenty-five to thirty feet long. A few declared that the ship had red lights hung over the edges of the car.”\u003c/p>\n\u003cp>No one was quite sure what to believe, as is evidenced by the following words gingerly printed in Pennsylvania newspaper \u003cem>The York Dispatch\u003c/em> in May 1897:\u003c/p>\n\u003cblockquote>\u003cp>Recently, the newspapers of the whole country have been exploiting stories of airships seen hovering over various towns and country places in districts very far apart. The testimony seems unimpeachable, especially in the face of so many witnesses, but certain details are always lacking to complete the evidence.\u003c/p>\u003c/blockquote>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>In the end, the origins of 1896’s unidentified flying airship were never revealed. Theories posited in the century since have included: a mass media hoax, actual bonafide aliens visiting Earth and delusional witnesses (perhaps inspired by the recent publication of H. G. Wells’ \u003cem>The Time Machine\u003c/em>) confusing the planet Venus for an aircraft. The fact that no one ever took ownership of the aircraft leaves its existence tantalizingly open to interpretation. It all just depends on how much you want to believe.\u003c/p>\n\n","blocks":[],"excerpt":"For weeks, witnesses in San Francisco, Oakland and Sacramento saw a mysterious \"airship.\" Then it disappeared.","status":"publish","parent":0,"modified":1715383511,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1231},"headData":{"title":"The 1896 UFO That Stunned Bay Area Victorians | KQED","description":"For weeks, witnesses in San Francisco, Oakland and Sacramento saw a mysterious "airship." Then it disappeared.","ogTitle":"In 1896, a Mysterious UFO Brought Northern California to a Mesmerized Halt","ogDescription":"","ogImgId":"","twTitle":"In 1896, a Mysterious UFO Brought Northern California to a Mesmerized Halt","twDescription":"","twImgId":"","socialTitle":"The 1896 UFO That Stunned Bay Area Victorians%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"In 1896, a Mysterious UFO Brought Northern California to a Mesmerized Halt","datePublished":"2024-05-10T20:51:58.000Z","dateModified":"2024-05-10T23:25:11.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13957514","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957514/1896-mystery-airship-bay-area-ufo-history-victorian-aliens","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13957590\" class=\"wp-caption aligncenter\" style=\"max-width: 1130px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957590\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-4.30.03-PM.png\" alt=\"A Victorian illustration of two men watching an airship with wings and spotlights flying near the top of the Capitol building.\" width=\"1130\" height=\"994\">\u003cfigcaption class=\"wp-caption-text\">A rendition of the airship seen in the skies above Sacramento, as illustrated in ‘The San Francisco Call and Post’ on Nov. 29, 1896.\u003c/figcaption>\u003c/figure>\n\u003cp>In the 1890s, Northern California was in flux — living with Victorian sensibilities, but surrounded by remnants of the gold rush. \u003ca href=\"https://www.kqed.org/arts/13912657/gum-girls-midwinter-fair-san-francisco-history-golden-gate-park\">San Francisco’s Midwinter Fair\u003c/a> in 1894 had ushered in an age of electricity-fueled modernity, but \u003ca href=\"https://www.kqed.org/arts/13932525/mother-thompson-san-francisco-tavern-owner-bay-area-history\">sailors were still brawling\u003c/a> it out down on the Embarcadero. New-fangled ways to have fun — like the \u003ca href=\"https://www.kqed.org/arts/13909983/victorian-attractions-san-francisco-chutes-gravity-railroad-woodwards-gardens-bonet-tower-auditorium-skating\">Haight Street Chutes\u003c/a> and home \u003ca href=\"https://www.kqed.org/arts/13924208/uc-santa-barbara-edison-phonograph-audio-cylinder-archive-vaudeville-racism\">phonographs\u003c/a> — were all the rage, but, for most, life revolved around basic necessities.\u003c/p>\n\u003cp>In November 1896, however, the entire region was excited and united by one thing: a mysterious “airship” that was spotted repeatedly in the skies over San Francisco, Oakland and Sacramento. At the time, airships had been invented but they were flown primarily in Europe and had yet to make a West Coast debut. To see an airship over the Bay Area in 1896 wasn’t just unusual, it was entirely unheard of — and yet, suddenly, hundreds of witnesses began reporting just that.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13917340","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Making these sightings all the more perplexing was the fact that they only happened at night, and the aircraft in question reportedly had wings, making it unlike any airship that existed at the time. Multiple passengers on an Oakland streetcar one November night described the craft hovering over Fruitvale as “resembling a huge bird in its outlines … which seemed to rise and fall in its course.”\u003c/p>\n\u003cp>That night, the streetcar’s conductor said the ship had one powerful headlight and several smaller lights on board. This was a welcome elaboration, as many witnesses around the Bay had reported seeing only bright lights in the sky. The day after the sighting on the streetcar, \u003cem>The San Francisco Call and Post\u003c/em> reported that:\u003c/p>\n\u003cblockquote>\u003cp>[The airship] was high in the heavens and appeared to be of huge size. When first seen, it seemed to be floating over San Leandro. It moved rapidly, going at least twenty miles an hour. It shot across the skies in the northwest, then turned quickly and disappeared in the direction of Hayward.\u003c/p>\u003c/blockquote>\n\u003cp>The newspaper was particularly invested in the story, since its very own advertising manager, Samuel Foltz, had seen the craft from his Parnassus Heights home in San Francisco. He wasn’t the only one. Colonel W. H. Menton of the Southern Pacific Railroad Company saw the airship from the Supreme Court building at Larkin and McAllister. “The light was far brighter than any of the electric lights I saw just below, in and about the park,” he also told \u003cem>The Call\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Another witness cited in the newspaper that day was Mayor Adolph Sutro, who had several employees who’d seen the craft days before newspapers had even begun reporting the sightings. “I certainly think that some shrewd inventor has solved the problem of aerial navigation,” Sutro said, “and that we will hear all about it within a short time.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13919589","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Here, then, is where the mystery deepens.\u003c/p>\n\u003cp>No such inventor ever came forward. And no winged airship was ever patented and produced. In fact, the first gas-powered Zeppelin didn’t fly until July 1900, and its maiden voyage was in Germany. Airships weren’t even used by the US Army until 1908. So what were so many people seeing in the skies around the Bay in 1896?\u003c/p>\n\u003cfigure id=\"attachment_13957579\" class=\"wp-caption aligncenter\" style=\"max-width: 1598px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957579\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM.png\" alt=\"A Victorian illustration of a man gazing up at dark skies, astonished to see a clipper ship there.\" width=\"1598\" height=\"1246\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM.png 1598w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-800x624.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-1020x795.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-160x125.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-768x599.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-09-at-2.01.52-PM-1536x1198.png 1536w\" sizes=\"(max-width: 1598px) 100vw, 1598px\">\u003cfigcaption class=\"wp-caption-text\">This cartoon, referencing renowned ship builder and inventor Irving M. Scott, appeared in ‘The San Francisco Call’ in Nov. 1896, during the peak of the UFO sightings. \u003ccite>(The San Francisco Call and Post/ Newspapers.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the time, newspapers swirled with conjecture about whether or not a patent attorney named George Collins knew who the inventor of the mysterious craft was. Collins publicly spoke of being visited by a man who was seeking a patent for a new airship that he claimed had been spotted over Sacramento. Collins told the man he could not provide a patent without first seeing a model of the aircraft. With that, Collins told reporters, the client was gone, never to be seen again. “I know nothing about the airship,” the attorney said. “I do not know what it is made of, what power propels it, nor where its inventor now is.”\u003c/p>\n\u003cp>Frustrated by Collins’ lack of information, rumors began swirling around San Francisco that the mysterious inventor was a 34-year-old dentist named E. H. Benjamin. Dr. Benjamin had patented a variety of dental equipment through Collins and also acted as his dentist. But when a \u003cem>Call\u003c/em> reporter tracked him down, the dentist simply said: “I only wish I was the inventor. But I am inclined to think I would be afraid to go up in it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13935838","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>By the end of 1896, Bay Area airship sightings had stopped altogether. The confounding thing is, they quickly started up in other parts of the country — first Nebraska in Feb. 1897, followed by Illinois, Michigan, Wisconsin, Iowa, Missouri and Kansas. The craft seen in Marshfield, Wisconsin was described as “cone-shaped with glaring headlights,” moving up to 70 mph — very similar to what had been seen in California.\u003c/p>\n\u003cp>Many newspapers of the era described credible sightings, alongside hoax attempts. Fake photos of a flying airship — made using images of a painted canvas on wires — were reported in Rogers Park, Illinois. Groups of men in Omaha, Nebraska and Burlington, Iowa confessed to sending up huge balloons to confuse people actively looking for the airship. And on April 2, 1897, the K\u003cem>ansas City Journal, \u003c/em>mindful that what it was describing may have been an April Fool’s prank, nevertheless reported a:\u003c/p>\n\u003cp>“Flying machine in view for more than an hour … [Witnesses] assert that the floating power seemed to be in a mammoth bag, supposedly filled with gas. To this were attached four light wings of triangular form, two on either side and from the great bag was suspended a cage or car. This car was canoe-shaped and appeared to be from twenty-five to thirty feet long. A few declared that the ship had red lights hung over the edges of the car.”\u003c/p>\n\u003cp>No one was quite sure what to believe, as is evidenced by the following words gingerly printed in Pennsylvania newspaper \u003cem>The York Dispatch\u003c/em> in May 1897:\u003c/p>\n\u003cblockquote>\u003cp>Recently, the newspapers of the whole country have been exploiting stories of airships seen hovering over various towns and country places in districts very far apart. The testimony seems unimpeachable, especially in the face of so many witnesses, but certain details are always lacking to complete the evidence.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the end, the origins of 1896’s unidentified flying airship were never revealed. Theories posited in the century since have included: a mass media hoax, actual bonafide aliens visiting Earth and delusional witnesses (perhaps inspired by the recent publication of H. G. Wells’ \u003cem>The Time Machine\u003c/em>) confusing the planet Venus for an aircraft. The fact that no one ever took ownership of the aircraft leaves its existence tantalizingly open to interpretation. It all just depends on how much you want to believe.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957514/1896-mystery-airship-bay-area-ufo-history-victorian-aliens","authors":["11242"],"categories":["arts_1","arts_7862","arts_11615"],"tags":["arts_14353","arts_1143","arts_5779","arts_1146"],"featImg":"arts_13957664","label":"arts"},"arts_13957833":{"type":"posts","id":"arts_13957833","meta":{"index":"posts_1591205157","site":"arts","id":"13957833","found":true},"guestAuthors":[],"slug":"golden-state-valkyries-chase-center-wnba-block-party-kehlani-e-40-p-lo","title":"Kehlani, E-40, P-Lo to Celebrate Golden State Valkyries at SF Block Party","publishDate":1715729282,"format":"standard","headTitle":"Kehlani, E-40, P-Lo to Celebrate Golden State Valkyries at SF Block Party | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">Since the WNBA announced that the Bay Area would receive an expansion team last October, fans have clamored with excitement and speculation around what the team’s name would be. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On Tuesday, May 14, \u003c/span>\u003cspan style=\"font-weight: 400\">the franchise’s identity was finally revealed\u003c/span>\u003cspan style=\"font-weight: 400\">: the Golden State Valkyries. One team representative described it as being “Warriors-inspired… \u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790392163722772790\">a host of women warriors\u003c/a>.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fittingly, \u003c/span>\u003ca href=\"https://twitter.com/itszenakeita/status/1790439492991529276\">\u003cspan style=\"font-weight: 400\">the team will be hosting a block party in front of Chase Center\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> on Saturday, May 18, from 2-6 p.m. with appearances from Kehlani, P-Lo and E-40. Team merchandise will already be available for the earliest diehard fans, as the Valkyries aren’t slated to play their first game until the 2025 season.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790376816840146993\">The Valkyries logo is minimalistic and clean\u003c/a>, with a violet crest anchored by the central tower of the Bay Bridge that flows into a winged V-shaped symbol. The bridge’s cables double as reinforced wings spreading outwards, and \u003ca href=\"https://www.wnba.com/news/gs-valkyries-2025-identity\">the five spaces on each side represent a total of ten players facing off\u003c/a> against each other.\u003c/span>\u003c/p>\n\u003cp>https://twitter.com/wnbagoldenstate/status/1790376816840146993\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The announcement was made at 5:30 a.m., later accompanied by \u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790360287725674855\">a Kehlani-narrated video\u003c/a> — in which a camera flies over the Bay and into San Francisco’s streets with the sound of wings flapping in the background, alluding to the flying Nordic warrior that is the Valkyries’ namesake.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“This is where legends take flight,” says Kehlani, the Oakland singer whose early mixtapes \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Cloud 19 \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">You Should Be Here\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> evoke a similar vibe of high-flying, pink-clouded views overlooking San Francisco’s mighty skyline. “Our story has yet to be written,” she tells fans.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite its recent growth in popularity, the WNBA hasn’t added a team since 2008, so anticipation has been high. (Team owner Joe Lacob previously invested in women’s basketball with the short-lived San Jose Lasers in 1996, as part of the now-defunct American Basketball League.) \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Responses to the Valkyries’ name and logo seem to be overwhelmingly positive up to this point. Warriors players \u003c/span>\u003ca href=\"https://x.com/warriors/status/1790426521858937324\">\u003cspan style=\"font-weight: 400\">Kevon Looney and Trayce Jackson-Davis were shown repping their counterparts’ shirts\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in the Chase Center, where the Valkyries will also play. Warriors head coach \u003c/span>\u003ca href=\"https://twitter.com/warriors/status/1790472288066011379\">\u003cspan style=\"font-weight: 400\">Steve Kerr has also been spotted in the Dub’s practice facility rocking a Vs crewneck\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>https://twitter.com/wnbagoldenstate/status/1790360287725674855\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790402511368769841\">\u003cspan style=\"font-weight: 400\">San Francisco-born Olympian and freestyle skier Eileen Gu\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> shared a message for fans. \u003c/span>\u003ca href=\"https://twitter.com/Caltrain/status/1790396659945587148\">\u003cspan style=\"font-weight: 400\">Caltrain tweeted\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> about going to Chase Center to watch the new team. Robin Roberts, who covered \u003c/span>\u003ca href=\"https://twitter.com/RobinRoberts/status/1790350094463803854\">\u003cspan style=\"font-weight: 400\">the WNBA’s inaugural season in 1997\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, held up a\u003c/span>\u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790382211965075680\">\u003cspan style=\"font-weight: 400\"> a Valkyries sweatshirt\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> on \u003cem>Good Morning America\u003c/em> after interviewing team president Jess Smith. And \u003c/span>\u003ca href=\"https://wnbastore.nba.com/golden-state-valkyries/unisex-golden-state-valkyries-playa-society-eclipse-black-premium-t-shirt/t-24961574+p-574467284513361+z-9-1951373147\">\u003cspan style=\"font-weight: 400\">Playa Society, a niche, independent clothing brand focused on the WNBA\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> that has earned respect within the women’s basketball community, has already released their debut Valkyries merch. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The few criticisms have come from a handful of fans who’ve pointed out that the Valkyries’ purple and black color scheme is weirdly reminiscent of the nearby Sacramento Kings, rather than the blue and yellow of the Golden State Warriors. Another commenter also made a reference to the Dallas Wings, an WNBA team that features a mythological winged logo that appears to be Pegasus. But the detractors are far and few between.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The only remaining element is to add worthy players to their roster and watch them ball out on the hardwood. With one of the highest picks in the upcoming draft to be awarded to Golden State, many fans are hoping that \u003c/span>\u003ca href=\"https://www.instagram.com/paigebueckers/?hl=en\">\u003cspan style=\"font-weight: 400\">University of Connecticut star Paige Bueckers\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> will land in the Bay Area. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As soon the Valkyries announced their name and logo, the young WNBA prospect declared that Golden State has \u003c/span>\u003ca href=\"https://twitter.com/paigebueckers1/status/1790410960886227152?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1790410960886227152%7Ctwgr%5E627c58dfb108a876f19909da1dc59f6ae19728c0%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.nbcsportsbayarea.com%2Fwnba%2Fpaige-bueckers-valkyries-design-color%2F1734864%2F\">\u003cspan style=\"font-weight: 400\">the “prettiest colorway ever.”\u003c/span>\u003c/a>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">The \u003c/span>\u003c/i>\u003ca href=\"https://twitter.com/itszenakeita/status/1790439492991529276\">\u003ci>\u003cspan style=\"font-weight: 400\">Golden State Valkyries will host a block party at Chase Center’s Thrive City\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\"> on Saturday, May 18, from 2-6 p.m. Free admission.\u003c/span>\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"The Bay Area’s newest sports franchise will host a free community event in front of Chase Center this weekend.","status":"publish","parent":0,"modified":1715729282,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":679},"headData":{"title":"Kehlani, E-40, P-Lo to Celebrate Golden State Valkyries at SF Block Party | KQED","description":"The Bay Area’s newest sports franchise will host a free community event in front of Chase Center this weekend.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Kehlani, E-40, P-Lo to Celebrate Golden State Valkyries at SF Block Party","datePublished":"2024-05-14T23:28:02.000Z","dateModified":"2024-05-14T23:28:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13957833","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957833/golden-state-valkyries-chase-center-wnba-block-party-kehlani-e-40-p-lo","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Since the WNBA announced that the Bay Area would receive an expansion team last October, fans have clamored with excitement and speculation around what the team’s name would be. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On Tuesday, May 14, \u003c/span>\u003cspan style=\"font-weight: 400\">the franchise’s identity was finally revealed\u003c/span>\u003cspan style=\"font-weight: 400\">: the Golden State Valkyries. One team representative described it as being “Warriors-inspired… \u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790392163722772790\">a host of women warriors\u003c/a>.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fittingly, \u003c/span>\u003ca href=\"https://twitter.com/itszenakeita/status/1790439492991529276\">\u003cspan style=\"font-weight: 400\">the team will be hosting a block party in front of Chase Center\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> on Saturday, May 18, from 2-6 p.m. with appearances from Kehlani, P-Lo and E-40. Team merchandise will already be available for the earliest diehard fans, as the Valkyries aren’t slated to play their first game until the 2025 season.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790376816840146993\">The Valkyries logo is minimalistic and clean\u003c/a>, with a violet crest anchored by the central tower of the Bay Bridge that flows into a winged V-shaped symbol. The bridge’s cables double as reinforced wings spreading outwards, and \u003ca href=\"https://www.wnba.com/news/gs-valkyries-2025-identity\">the five spaces on each side represent a total of ten players facing off\u003c/a> against each other.\u003c/span>\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1790376816840146993"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The announcement was made at 5:30 a.m., later accompanied by \u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790360287725674855\">a Kehlani-narrated video\u003c/a> — in which a camera flies over the Bay and into San Francisco’s streets with the sound of wings flapping in the background, alluding to the flying Nordic warrior that is the Valkyries’ namesake.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“This is where legends take flight,” says Kehlani, the Oakland singer whose early mixtapes \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Cloud 19 \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">You Should Be Here\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> evoke a similar vibe of high-flying, pink-clouded views overlooking San Francisco’s mighty skyline. “Our story has yet to be written,” she tells fans.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite its recent growth in popularity, the WNBA hasn’t added a team since 2008, so anticipation has been high. (Team owner Joe Lacob previously invested in women’s basketball with the short-lived San Jose Lasers in 1996, as part of the now-defunct American Basketball League.) \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Responses to the Valkyries’ name and logo seem to be overwhelmingly positive up to this point. Warriors players \u003c/span>\u003ca href=\"https://x.com/warriors/status/1790426521858937324\">\u003cspan style=\"font-weight: 400\">Kevon Looney and Trayce Jackson-Davis were shown repping their counterparts’ shirts\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in the Chase Center, where the Valkyries will also play. Warriors head coach \u003c/span>\u003ca href=\"https://twitter.com/warriors/status/1790472288066011379\">\u003cspan style=\"font-weight: 400\">Steve Kerr has also been spotted in the Dub’s practice facility rocking a Vs crewneck\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1790360287725674855"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790402511368769841\">\u003cspan style=\"font-weight: 400\">San Francisco-born Olympian and freestyle skier Eileen Gu\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> shared a message for fans. \u003c/span>\u003ca href=\"https://twitter.com/Caltrain/status/1790396659945587148\">\u003cspan style=\"font-weight: 400\">Caltrain tweeted\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> about going to Chase Center to watch the new team. Robin Roberts, who covered \u003c/span>\u003ca href=\"https://twitter.com/RobinRoberts/status/1790350094463803854\">\u003cspan style=\"font-weight: 400\">the WNBA’s inaugural season in 1997\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, held up a\u003c/span>\u003ca href=\"https://twitter.com/wnbagoldenstate/status/1790382211965075680\">\u003cspan style=\"font-weight: 400\"> a Valkyries sweatshirt\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> on \u003cem>Good Morning America\u003c/em> after interviewing team president Jess Smith. And \u003c/span>\u003ca href=\"https://wnbastore.nba.com/golden-state-valkyries/unisex-golden-state-valkyries-playa-society-eclipse-black-premium-t-shirt/t-24961574+p-574467284513361+z-9-1951373147\">\u003cspan style=\"font-weight: 400\">Playa Society, a niche, independent clothing brand focused on the WNBA\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> that has earned respect within the women’s basketball community, has already released their debut Valkyries merch. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The few criticisms have come from a handful of fans who’ve pointed out that the Valkyries’ purple and black color scheme is weirdly reminiscent of the nearby Sacramento Kings, rather than the blue and yellow of the Golden State Warriors. Another commenter also made a reference to the Dallas Wings, an WNBA team that features a mythological winged logo that appears to be Pegasus. But the detractors are far and few between.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The only remaining element is to add worthy players to their roster and watch them ball out on the hardwood. With one of the highest picks in the upcoming draft to be awarded to Golden State, many fans are hoping that \u003c/span>\u003ca href=\"https://www.instagram.com/paigebueckers/?hl=en\">\u003cspan style=\"font-weight: 400\">University of Connecticut star Paige Bueckers\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> will land in the Bay Area. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As soon the Valkyries announced their name and logo, the young WNBA prospect declared that Golden State has \u003c/span>\u003ca href=\"https://twitter.com/paigebueckers1/status/1790410960886227152?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1790410960886227152%7Ctwgr%5E627c58dfb108a876f19909da1dc59f6ae19728c0%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.nbcsportsbayarea.com%2Fwnba%2Fpaige-bueckers-valkyries-design-color%2F1734864%2F\">\u003cspan style=\"font-weight: 400\">the “prettiest colorway ever.”\u003c/span>\u003c/a>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">The \u003c/span>\u003c/i>\u003ca href=\"https://twitter.com/itszenakeita/status/1790439492991529276\">\u003ci>\u003cspan style=\"font-weight: 400\">Golden State Valkyries will host a block party at Chase Center’s Thrive City\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\"> on Saturday, May 18, from 2-6 p.m. Free admission.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957833/golden-state-valkyries-chase-center-wnba-block-party-kehlani-e-40-p-lo","authors":["11748"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_5786","arts_6926","arts_1601","arts_22151","arts_9346","arts_1829","arts_681","arts_1803","arts_1146"],"featImg":"arts_13957856","label":"arts"},"arts_13957626":{"type":"posts","id":"arts_13957626","meta":{"index":"posts_1591205157","site":"arts","id":"13957626","found":true},"guestAuthors":[],"slug":"oakland-greek-festival-lamb-gyro-2024","title":"The Oakland Greek Festival Is the Ultimate Church Potluck","publishDate":1715371695,"format":"standard","headTitle":"The Oakland Greek Festival Is the Ultimate Church Potluck | KQED","labelTerm":{},"content":"\u003cp>Give me a choice between Michelin-starred fine dining and a big, immigrant-cooked church potluck, and I’ll choose the potluck nine times out of ten. That’s probably why I love the \u003ca href=\"https://www.oaklandgreekfestival.com/\">Oakland Greek Festival\u003c/a>, the Greek Orthodox Cathedral of the Ascension’s flagship event: It’s essentially the biggest, liveliest church potluck you can imagine — an expression of the Bay Area’s multigenerational Greek community that’s infused with so much joy and down-to-earth hospitality. Not to mention the irresistible aroma of skewered meats and roast lamb you can smell from several blocks away.\u003c/p>\n\u003cp>The Oakland cathedral will host this year’s three-day lamb-stravaganza on May 17–19, but the festival’s history goes back more than 50 years.\u003c/p>\n\u003cp>Frosene Phillips, a spokesperson for the Oakland Greek Festival, remembers attending as a dancer when the event first started in the early ’70s. Back then, Phillips recalls, the festival was held at the old Oakland Civic Auditorium, near Lake Merritt. When the event debuted the first week of May in 1972, they called it the “Greek Week” — seven full days of music, folk dancing, food and wine, all in celebration of the church’s 50th anniversary in Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13957639\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957639\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival-.jpg\" alt=\"Lamb skewers on the grill.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lamb skewers ready to come off the grill. \u003ccite>(Courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Eventually, the festival moved to the Cathedral of the Ascension’s own church grounds in the Oakland hills, where the event carried on year after year. They’ve only skipped it three times: once when the auditorium was under renovation, and then of course the first two years of the COVID shutdown, when all big public gatherings went on pause.\u003c/p>\n\u003cp>One of the first Greek food and culture festivals of its kind in the U.S., it became a model — the “mothership,” as Phillips puts it — for other similar church-affiliated Greek “bazaars” that sprung up around the Bay Area and beyond. As Phillips recalls, “Even Greek parishes from the East Coast would send people out to see what was going on in Oakland.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For parishioners here in the East Bay, it was a whole lot of work and preparation, starting months in advance.\u003c/p>\n\u003cfigure id=\"attachment_13957632\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957632\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16.jpg\" alt=\"Black and white photo of elderly women in aprons preparing trays of Greek moussaka.\" width=\"1920\" height=\"1328\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-800x553.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-1020x706.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-768x531.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-1536x1062.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Church volunteers prepare trays of moussaka for an early 1980s edition of the festival. \u003ccite>(Courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I call it Greek hospitality on a grand scale,” Phillips says.\u003c/p>\n\u003cp>These days, as the proverbial baton has been passed from one generation to the next, Phillips says the biggest challenge is just finding enough volunteers from the parish to put together such a massive, well-attended event, especially from a food standpoint. Still, even after all these years, the vast majority of the food sold at the festival is prepared by church volunteers — only a handful of items have been outsourced, Phillips says.\u003c/p>\n\u003cp>Historically, the signature item was roast lamb — a whole lamb grilled on a spit for each day of the festival. Visitors would buy a ticket as soon as they arrived, and when the lamb had finished cooking, they’d line up to receive a plate piled high with meat, rice, vegetables and all the fixins.\u003c/p>\n\u003cfigure id=\"attachment_13957635\" class=\"wp-caption alignnone\" style=\"max-width: 1710px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957635\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-scaled.jpg\" alt=\"A smiling young boy holds a pair of metal tongs as he tends to lamb kebabs cooking on the grill.\" width=\"1710\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-scaled.jpg 1710w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-800x1198.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-1020x1527.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-768x1150.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-1026x1536.jpg 1026w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-1368x2048.jpg 1368w\" sizes=\"(max-width: 1710px) 100vw, 1710px\">\u003cfigcaption class=\"wp-caption-text\">Each year’s festival is a team effort, with church parishioners of all ages pitching in. \u003ccite>(Stavro Media, courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">[aside postID='arts_13915306,arts_13955522']\u003c/span>\u003c/span>The whole lamb has been put on hold since the pandemic, but the festival still offers a multitude of grilled meat options: gyros, skewered kebabs and the sausages known as loukaniko. And of course there will still be juicy, thinly sliced leg of lamb, served as an open-face sandwich with au jus drizzled on top. Separate booths will sell grilled lamb chops and lamb shanks.\u003c/p>\n\u003cp>In total, the food options are almost too many to enumerate. The squares of flaming cheese known as saganaki. The hearty, lasagna-like pastitsio. The many different types of phyllo-based pastries, including bougatsa, a flaky, custard-filled sweet pastry that will be offered for the first time this year. In fact, there will be a whole room dedicated to desserts, including loukoumades, the honey-drenched doughnut holes that draw the longest line at every Greek food event I’ve ever attended.\u003c/p>\n\u003cfigure id=\"attachment_13957637\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957637\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911.jpg\" alt=\"Two cooks shout out in excitement and trepidation as a grill topped with squares of cheese bursts into flame. \" width=\"1920\" height=\"1282\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-1536x1026.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The flaming cheese known as saganaki is always a spectacle, in addition to being a treat to eat. \u003ccite>(Stavro Media, courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13957638\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957638\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193.jpg\" alt=\"A pile of freshly fried doughnut holes.\" width=\"1920\" height=\"1282\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-1536x1026.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A fresh batch of loukoumades. \u003ccite>(Stavro Media, courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Plenty of non-Greek, non-Orthodox folks attend the festival solely on the basis of how great the food is, but that certainly isn’t the only reason to attend. There’s also live music, folk dancing and other cultural performances to keep the good vibes flowing.\u003c/p>\n\u003cp>And if you’ve never visited the Cathedral of the Ascension, up in the hills? On a clear day, you’ll enjoy one of the most exquisite views of the San Francisco Bay.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The \u003c/i>\u003ca href=\"https://www.oaklandgreekfestival.com/\">\u003ci>Oakland Greek Festival\u003c/i>\u003c/a>\u003ci> will take place on Friday, (4–10 p.m.), Saturday (11 a.m.–10 p.m.) and Sunday (11 a.m.–9 p.m.), May 17–19, at the Greek Orthodox Cathedral of Ascension in Oakland (4700 Lincoln Ave.). \u003c/i>\u003ca href=\"https://www.oaklandgreekfestival.com/?pgid=jx02htlz-809dd8e6-82d4-405a-8d12-5a5365dffdc6\">\u003ci>Tickets are $5\u003c/i>\u003c/a>\u003ci> (with discounts for multiple-day passes, and children under 12 are free). There are several options for \u003c/i>\u003ca href=\"https://www.oaklandgreekfestival.com/about-3\">\u003ci>free and paid parking\u003c/i>\u003c/a>\u003ci> within walking distance of the cathedral.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"It’s time to feast on gyros, lamb sandwiches, phyllo and loukoumades.","status":"publish","parent":0,"modified":1715381728,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":926},"headData":{"title":"The Oakland Greek Festival Is the Ultimate Church Potluck | KQED","description":"It’s time to feast on gyros, lamb sandwiches, phyllo and loukoumades.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Oakland Greek Festival Is the Ultimate Church Potluck","datePublished":"2024-05-10T20:08:15.000Z","dateModified":"2024-05-10T22:55:28.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"nprStoryId":"kqed-13957626","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957626/oakland-greek-festival-lamb-gyro-2024","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Give me a choice between Michelin-starred fine dining and a big, immigrant-cooked church potluck, and I’ll choose the potluck nine times out of ten. That’s probably why I love the \u003ca href=\"https://www.oaklandgreekfestival.com/\">Oakland Greek Festival\u003c/a>, the Greek Orthodox Cathedral of the Ascension’s flagship event: It’s essentially the biggest, liveliest church potluck you can imagine — an expression of the Bay Area’s multigenerational Greek community that’s infused with so much joy and down-to-earth hospitality. Not to mention the irresistible aroma of skewered meats and roast lamb you can smell from several blocks away.\u003c/p>\n\u003cp>The Oakland cathedral will host this year’s three-day lamb-stravaganza on May 17–19, but the festival’s history goes back more than 50 years.\u003c/p>\n\u003cp>Frosene Phillips, a spokesperson for the Oakland Greek Festival, remembers attending as a dancer when the event first started in the early ’70s. Back then, Phillips recalls, the festival was held at the old Oakland Civic Auditorium, near Lake Merritt. When the event debuted the first week of May in 1972, they called it the “Greek Week” — seven full days of music, folk dancing, food and wine, all in celebration of the church’s 50th anniversary in Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13957639\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957639\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival-.jpg\" alt=\"Lamb skewers on the grill.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/27-2023-OaklandGreekFestival--1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lamb skewers ready to come off the grill. \u003ccite>(Courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Eventually, the festival moved to the Cathedral of the Ascension’s own church grounds in the Oakland hills, where the event carried on year after year. They’ve only skipped it three times: once when the auditorium was under renovation, and then of course the first two years of the COVID shutdown, when all big public gatherings went on pause.\u003c/p>\n\u003cp>One of the first Greek food and culture festivals of its kind in the U.S., it became a model — the “mothership,” as Phillips puts it — for other similar church-affiliated Greek “bazaars” that sprung up around the Bay Area and beyond. As Phillips recalls, “Even Greek parishes from the East Coast would send people out to see what was going on in Oakland.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For parishioners here in the East Bay, it was a whole lot of work and preparation, starting months in advance.\u003c/p>\n\u003cfigure id=\"attachment_13957632\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957632\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16.jpg\" alt=\"Black and white photo of elderly women in aprons preparing trays of Greek moussaka.\" width=\"1920\" height=\"1328\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-800x553.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-1020x706.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-768x531.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/1981-Pics-p16-1536x1062.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Church volunteers prepare trays of moussaka for an early 1980s edition of the festival. \u003ccite>(Courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I call it Greek hospitality on a grand scale,” Phillips says.\u003c/p>\n\u003cp>These days, as the proverbial baton has been passed from one generation to the next, Phillips says the biggest challenge is just finding enough volunteers from the parish to put together such a massive, well-attended event, especially from a food standpoint. Still, even after all these years, the vast majority of the food sold at the festival is prepared by church volunteers — only a handful of items have been outsourced, Phillips says.\u003c/p>\n\u003cp>Historically, the signature item was roast lamb — a whole lamb grilled on a spit for each day of the festival. Visitors would buy a ticket as soon as they arrived, and when the lamb had finished cooking, they’d line up to receive a plate piled high with meat, rice, vegetables and all the fixins.\u003c/p>\n\u003cfigure id=\"attachment_13957635\" class=\"wp-caption alignnone\" style=\"max-width: 1710px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957635\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-scaled.jpg\" alt=\"A smiling young boy holds a pair of metal tongs as he tends to lamb kebabs cooking on the grill.\" width=\"1710\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-scaled.jpg 1710w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-800x1198.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-1020x1527.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-768x1150.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-1026x1536.jpg 1026w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-06193-1368x2048.jpg 1368w\" sizes=\"(max-width: 1710px) 100vw, 1710px\">\u003cfigcaption class=\"wp-caption-text\">Each year’s festival is a team effort, with church parishioners of all ages pitching in. \u003ccite>(Stavro Media, courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13915306,arts_13955522","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/span>The whole lamb has been put on hold since the pandemic, but the festival still offers a multitude of grilled meat options: gyros, skewered kebabs and the sausages known as loukaniko. And of course there will still be juicy, thinly sliced leg of lamb, served as an open-face sandwich with au jus drizzled on top. Separate booths will sell grilled lamb chops and lamb shanks.\u003c/p>\n\u003cp>In total, the food options are almost too many to enumerate. The squares of flaming cheese known as saganaki. The hearty, lasagna-like pastitsio. The many different types of phyllo-based pastries, including bougatsa, a flaky, custard-filled sweet pastry that will be offered for the first time this year. In fact, there will be a whole room dedicated to desserts, including loukoumades, the honey-drenched doughnut holes that draw the longest line at every Greek food event I’ve ever attended.\u003c/p>\n\u003cfigure id=\"attachment_13957637\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957637\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911.jpg\" alt=\"Two cooks shout out in excitement and trepidation as a grill topped with squares of cheese bursts into flame. \" width=\"1920\" height=\"1282\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/oaklandgreekfestival2019_stavromedia_-05911-1536x1026.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The flaming cheese known as saganaki is always a spectacle, in addition to being a treat to eat. \u003ccite>(Stavro Media, courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13957638\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957638\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193.jpg\" alt=\"A pile of freshly fried doughnut holes.\" width=\"1920\" height=\"1282\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GreekFestival2022-StavroMedia-193-1536x1026.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A fresh batch of loukoumades. \u003ccite>(Stavro Media, courtesy of Oakland Greek Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Plenty of non-Greek, non-Orthodox folks attend the festival solely on the basis of how great the food is, but that certainly isn’t the only reason to attend. There’s also live music, folk dancing and other cultural performances to keep the good vibes flowing.\u003c/p>\n\u003cp>And if you’ve never visited the Cathedral of the Ascension, up in the hills? On a clear day, you’ll enjoy one of the most exquisite views of the San Francisco Bay.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The \u003c/i>\u003ca href=\"https://www.oaklandgreekfestival.com/\">\u003ci>Oakland Greek Festival\u003c/i>\u003c/a>\u003ci> will take place on Friday, (4–10 p.m.), Saturday (11 a.m.–10 p.m.) and Sunday (11 a.m.–9 p.m.), May 17–19, at the Greek Orthodox Cathedral of Ascension in Oakland (4700 Lincoln Ave.). \u003c/i>\u003ca href=\"https://www.oaklandgreekfestival.com/?pgid=jx02htlz-809dd8e6-82d4-405a-8d12-5a5365dffdc6\">\u003ci>Tickets are $5\u003c/i>\u003c/a>\u003ci> (with discounts for multiple-day passes, and children under 12 are free). There are several options for \u003c/i>\u003ca href=\"https://www.oaklandgreekfestival.com/about-3\">\u003ci>free and paid parking\u003c/i>\u003c/a>\u003ci> within walking distance of the cathedral.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957626/oakland-greek-festival-lamb-gyro-2024","authors":["11743"],"programs":["arts_140"],"categories":["arts_1","arts_12276"],"tags":["arts_10278","arts_22068","arts_1297","arts_1143","arts_585"],"featImg":"arts_13957628","label":"source_arts_13957626"},"arts_13957666":{"type":"posts","id":"arts_13957666","meta":{"index":"posts_1591205157","site":"arts","id":"13957666","found":true},"guestAuthors":[],"slug":"best-boba-shops-bay-area-berkeley-cupertino-sf","title":"8 Refreshing Bay Area Boba Shops to Help Beat the Summer Heat","publishDate":1715720422,"format":"standard","headTitle":"8 Refreshing Bay Area Boba Shops to Help Beat the Summer Heat | KQED","labelTerm":{},"content":"\u003cp>We are living in a golden age of boba in the Bay Area. In certain swaths of Berkeley, San Jose and Cupertino, you can find a boba shop literally on every block, and the sheer variety of drinks — from the cheese foam–topped to the nitro-chilled — has never been more robust.\u003c/p>\n\u003cp>Still, any true bubble tea connoisseur will tell you that beverage quality varies wildly from boba shop to boba shop — and, if I can say the quiet part out loud, the vast majority of Bay Area spots are mediocre at best. Unless you \u003ci>like\u003c/i> stale tapioca balls and excruciatingly sweet, watered-down tea made from powder mixes.\u003c/p>\n\u003cp>But listen: Friends don’t let friends drink bad boba. And because I care about you, dear reader, I’ve decided to share my running list of the best the Bay Area has to offer. As the parched, sun-soaked days of summer draw near, these are the spots where I’ll be posting up to quench my thirst.\u003c/p>\n\u003cfigure id=\"attachment_13957737\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957737\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea.jpg\" alt=\"Two boba drinks on a wooden table.\" width=\"1920\" height=\"1482\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-800x618.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-1020x787.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-768x593.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-1536x1186.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">TP Tea is a good choice for boba drinkers who want to be able to taste the tea. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>TP Tea\u003c/b>\u003c/h2>\n\u003cp>\u003cem>2383 Telegraph Ave., Berkeley\u003c/em>\u003c/p>\n\u003cp>Here’s where I’ll remind you that the boba balls themselves are merely a \u003ci>topping\u003c/i>, and an optional one at that. A boba shop serving tea that doesn’t taste good on its own would never survive in Taiwan (or any serious tea-drinking country). And so the highest praise I can give to \u003ca href=\"https://www.instagram.com/tptea.california/\">TP Tea\u003c/a> is that it’s the kind of boba shop where you can order the most basic-sounding tea (say, the “Signature Black Tea”) with minimal (30%) sugar added and no toppings whatsoever — and the drink will taste good as hell. The tea drinks here actually taste like tea, including the elegantly smooth Tie Guan Yin milk tea, a contender for my favorite milk tea in the Bay.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s for good reason, then, that TP’s UC Berkeley location is by far the busiest boba shop on a couple-block stretch of Telegraph Avenue packed with six or seven others. (Also, “Taiwan Professional Tea” is the best name for a boba chain, hands down.)\u003c/p>\n\u003ch2>\u003cb>Asha Tea House\u003c/b>\u003c/h2>\n\u003cp>\u003cem>2086 University Ave., Berkeley\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://eastbayexpress.com/two-local-teashops-that-could-make-you-care-about-tea-1/\">As the story goes\u003c/a>, this Berkeley institution opened as a vehicle for evangelizing the pleasures of fine Asian teas, and offered a simple boba menu as just one part of that mission. But the boba drinks were so wildly popular, they quickly overshadowed all of the shop’s higher-end offerings. More than probably any other Bay Area boba shop, the focus at \u003ca href=\"https://www.instagram.com/ashateahouse/?hl=en\">Asha\u003c/a> rests squarely on the quality of the tea itself rather than on any bells and whistles. All of my favorites have been on the menu from day one: the potent, condensed milk–sweetened Hong Kong milk tea, which is delicious hot or cold, with or without boba. Or any of the seasonal fruit teas, which rely on no artificial flavorings. Instead, they’re just pure tea, supplemented with one of Asha’s pulpy housemade fruit purees. When available, the strawberry black tea and the Asian pear oolong are especially elite.\u003c/p>\n\u003cfigure id=\"attachment_13957738\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957738\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango.jpg\" alt=\"A mango smoothie topped with whipped cream.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dek Doi sells standard boba drinks, but its boba-adjacent Thai beverages — like the “Mango Sunset” — are where the Piedmont Avenue shop really shines. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Dek Doi Cafe\u003c/b>\u003c/h2>\n\u003cp>\u003cem>4125 Piedmont Ave., Oakland\u003c/em>\u003c/p>\n\u003cp>It’s a testament to the beverage’s mainstream universal appeal these days that this little Thai cafe has a whole section of its menu dedicated to boba, which doesn’t have any traditional roots in Thailand. That said, \u003ca href=\"https://www.instagram.com/dekdoicafe/\">Dek Doi’s\u003c/a> boba drink selection is fairly basic, so you’d be better off choosing one of its boba-adjacent Thai drinks — like the “Mango Sunset,” which is just an S-tier exemplar of the kind of slushie mango smoothie that many shops sell. This version comes topped with whipped cream and crispy mung beans. Or try Thailand’s famous “\u003ca href=\"https://www.kqed.org/arts/13925310/dek-doi-cafe-pink-milk-thai-bl-oakland\">pink milk\u003c/a>,” or nom chompuu, which is made with red palm fruit syrup and resembles, and vaguely tastes similar to, a retro diner–style strawberry milk with tropical undertones. Note that the drinks here run sweet, but, like at any respectable boba shop, the sweetness level is customizable: For me, 50% was just right.\u003c/p>\n\u003cfigure id=\"attachment_13957746\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957746\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee.jpg\" alt=\"A creamy boba drink sits on a table in front of a pillow.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crème brûlée milk tea is one of Urban Ritual’s many excellent toppings-forward drinks. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Urban Ritual\u003c/b>\u003c/h2>\n\u003cp>\u003cem>488 Fell St., San Francisco\u003c/em>\u003c/p>\n\u003cp>Just when I got done saying boba isn’t all about all the toppings, here comes a boba shop that is, to a large extent, \u003ci>all about the toppings\u003c/i>. And yet I love it, unreservedly. Actually, the tea at \u003ca href=\"https://www.instagram.com/urbanritualcafe/?hl=en\">Urban Ritual\u003c/a> tastes quite good, and the texture of the boba itself is unimpeachable. But what sets the shop apart is its next-generation approach to creative flavor and topping combinations. The most obvious example is its signature crème brûlée milk tea, which combines black tea, cream, tapioca balls and crème brûlée — both the eggy pudding and the crunchy-smoky torched sugar bits. This is Urban Ritual’s greatest innovation: the way it introduces textures other than the classic “\u003ca href=\"https://www.kqed.org/arts/13897410/taiwanese-food-texture-q-boba-love-boat\">QQ\u003c/a>” chew of the boba.\u003c/p>\n\u003cp>And if you want to tell me that some of these drinks are more of a dessert than a beverage? You would be correct — but who is going to complain as long as they know that going in?\u003c/p>\n\u003cfigure id=\"attachment_13957748\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957748\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1.jpg\" alt=\"Two boba drinks — one green and fruity, the other one creamy — on a wooden picnic table.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Teaspoon’s Corte Madera location might be the best boba option in the North Bay. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Teaspoon\u003c/b>\u003c/h2>\n\u003cp>\u003cem>132 Corte Madera Town Center, Corte Madera\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">[aside postID='arts_13915004,arts_13957599']\u003c/span>\u003c/span>Marin County has long been a bit of a boba wasteland, as the big, trendy brands from Taiwan haven’t, to this point, seen the region’s \u003ca href=\"https://www.kqed.org/news/11307601/why-is-marin-county-so-white\">small Asian population\u003c/a> as a worthwhile market. It was a happy day, then, when Teaspoon, one of the more well-regarded local (and now \u003ca href=\"https://order.teaspoonlife.com/\">national\u003c/a>) chains, opened a branch in a Corte Madera shopping plaza. Teaspoon’s offerings tend toward sweet and aesthetically pleasing, with creative flavor combinations that only occasionally veer into stunt beverage territory (there’s a line of Red Bull boba drinks??). They’re also undeniably tasty: The creamy, caramelly Black Sugar Assam is a well-executed take on the black sugar boba trend. And the “Grasshopper,” which combines lychee green tea and fresh cucumber juice, is fun and refreshing — a nod, perhaps, toward the kind of pepino agua fresca you might find at a local taqueria.\u003c/p>\n\u003ch2>\u003cb>Yifang Taiwan Fruit Tea \u003c/b>\u003c/h2>\n\u003cp>\u003cem>34133 Fremont Blvd., Fremont\u003c/em>\u003c/p>\n\u003cp>In some ways this may feel like a basic pick: This Taiwanese chain has had a foothold in Northern California for years now, with more than a dozen locations, and it’s been a minute since the brand was super-relevant on the Taipei scene. But what \u003ca href=\"https://www.instagram.com/yifang.cal/?hl=en\">Yifang\u003c/a> still does better than any other Bay Area chain is its fruit-flavored teas — whether it’s pineapple teas (made with housemade pineapple jam), old-school Taiwanese tastes like winter melon tea or lemon aiyu or, best of all, the shop’s signature Yifang Fruit Tea, which comes loaded fresh apple, orange and passion fruit, like a beverage and fruit salad all in one.\u003c/p>\n\u003cp>This is another spot where you’ll want to be careful about the sweetness levels, which vary widely from drink to drink. I’ve ordered the Yifang Fruit Tea at 0% sweetness and still found it to be plenty sweet enough!\u003c/p>\n\u003cfigure id=\"attachment_13957754\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957754\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes.jpg\" alt=\"Close-up of a man holding two boba drinks using boba totes made of twine.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chicha San Chen’s hallmark is that it brews the tea for each individual boba drink to order. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Chicha San Chen\u003c/b>\u003c/h2>\n\u003cp>\u003cem>20688 Stevens Creek Blvd., Cupertino\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">[aside postID='arts_13904913,arts_13929494']\u003c/span>\u003c/span>This one is for the diehards — or at least for tea lovers who have about an hour to kill. The current title holder in the contest for buzziest Bay Area boba shop, \u003ca href=\"https://www.instagram.com/chichasanchen.norcal/?hl=en\">Chicha San Chen\u003c/a> touts its award-winning tea drinks, which are individually brewed to order using the company’s patented, very Third-Wave-esque “teaspresso” machines. Is it all a little bit precious? Sure. But it does make for tasty tea. Word to the wise: If you’re going to go through all the trouble of waiting in line for half an hour (and then \u003ci>another\u003c/i> half hour for them to make your drink), then you’d better be a person who appreciates the flavor of tea for tea’s sake — and you’d be well-advised to order one of the simpler drinks, so the taste of that tea actually shines through. I love the floral, slightly tannic, minimally sweetened honey osmanthus oolong in particular.\u003c/p>\n\u003cp>Bonus points for packaging that’s cute \u003ci>and\u003c/i> convenient: Every cup comes with a disposable \u003ca href=\"https://www.instagram.com/p/C13nPlqLXle/?hl=en\">boba tote\u003c/a> made of twine. But if you want to wait another six months for the hype to die down a bit, I wouldn’t blame you in the least.\u003c/p>\n\u003cfigure id=\"attachment_13957757\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957757\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful.jpg\" alt=\"A soy pudding drink with many colorful toppings.\" width=\"1920\" height=\"1439\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-1536x1151.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The #8 combination at Soyful desserts is a hybrid of boba, soy pudding and chè. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Soyful Desserts\u003c/b>\u003c/h2>\n\u003cp>\u003cem>999 Story Rd., San Jose\u003c/em>\u003c/p>\n\u003cp>One of the joys of \u003ca href=\"https://www.kqed.org/arts/13904913/vietnamese-drinks-boba-che-guide-san-jose\">San Jose’s vibrant, colorful drinks scene\u003c/a> is the way that Taiwanese, Chinese and Vietnamese influences have fused together to create their own unique, hybridized thing. \u003ca href=\"https://www.instagram.com/soyfuldesserts/\">Soyful Desserts\u003c/a> is probably the peak example of that synthesis, with its concise menu of Hong Kong-style milk teas, soy pudding drinks and shaved ice–laden Vietnamese chè. As the shop’s name indicates, the star here is the soy pudding (aka tofu pudding), a silky, refreshing treat equally beloved in Hong Kong, Taiwan and Vietnam. To experience this fusion in all its glory, try the #8 soy pudding combination, which comes filled to the brim with ginger syrup–soaked tofu pudding, shaved ice, basil seeds, pandan jelly, grass jelly, sweet red beans and probably a handful of other toppings I’m forgetting.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I’m well aware that this is a “drink” that’s more solid than liquid — that it, in fact, constitutes a full meal in itself. But that doesn’t make it any less fun or delicious.\u003c/p>\n\n","blocks":[],"excerpt":"Because friends don’t let friends drink bad boba.","status":"publish","parent":0,"modified":1715724893,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":1779},"headData":{"title":"The 8 Best Boba Shops in the Bay Area | KQED","description":"Because friends don’t let friends drink bad boba.","ogTitle":"8 Refreshing Bay Area Boba Shops to Help Beat the Summer Heat","ogDescription":"","ogImgId":"","twTitle":"8 Refreshing Bay Area Boba Shops to Help Beat the Summer Heat","twDescription":"","twImgId":"","socialTitle":"The 8 Best Boba Shops in the Bay Area%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"8 Refreshing Bay Area Boba Shops to Help Beat the Summer Heat","datePublished":"2024-05-14T21:00:22.000Z","dateModified":"2024-05-14T22:14:53.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Summer Guide 2024","sourceUrl":"https://www.kqed.org/arts/tag/summer-guide-2024","sticky":false,"nprStoryId":"kqed-13957666","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957666/best-boba-shops-bay-area-berkeley-cupertino-sf","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We are living in a golden age of boba in the Bay Area. In certain swaths of Berkeley, San Jose and Cupertino, you can find a boba shop literally on every block, and the sheer variety of drinks — from the cheese foam–topped to the nitro-chilled — has never been more robust.\u003c/p>\n\u003cp>Still, any true bubble tea connoisseur will tell you that beverage quality varies wildly from boba shop to boba shop — and, if I can say the quiet part out loud, the vast majority of Bay Area spots are mediocre at best. Unless you \u003ci>like\u003c/i> stale tapioca balls and excruciatingly sweet, watered-down tea made from powder mixes.\u003c/p>\n\u003cp>But listen: Friends don’t let friends drink bad boba. And because I care about you, dear reader, I’ve decided to share my running list of the best the Bay Area has to offer. As the parched, sun-soaked days of summer draw near, these are the spots where I’ll be posting up to quench my thirst.\u003c/p>\n\u003cfigure id=\"attachment_13957737\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957737\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea.jpg\" alt=\"Two boba drinks on a wooden table.\" width=\"1920\" height=\"1482\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-800x618.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-1020x787.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-768x593.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tp-tea-1536x1186.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">TP Tea is a good choice for boba drinkers who want to be able to taste the tea. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>TP Tea\u003c/b>\u003c/h2>\n\u003cp>\u003cem>2383 Telegraph Ave., Berkeley\u003c/em>\u003c/p>\n\u003cp>Here’s where I’ll remind you that the boba balls themselves are merely a \u003ci>topping\u003c/i>, and an optional one at that. A boba shop serving tea that doesn’t taste good on its own would never survive in Taiwan (or any serious tea-drinking country). And so the highest praise I can give to \u003ca href=\"https://www.instagram.com/tptea.california/\">TP Tea\u003c/a> is that it’s the kind of boba shop where you can order the most basic-sounding tea (say, the “Signature Black Tea”) with minimal (30%) sugar added and no toppings whatsoever — and the drink will taste good as hell. The tea drinks here actually taste like tea, including the elegantly smooth Tie Guan Yin milk tea, a contender for my favorite milk tea in the Bay.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s for good reason, then, that TP’s UC Berkeley location is by far the busiest boba shop on a couple-block stretch of Telegraph Avenue packed with six or seven others. (Also, “Taiwan Professional Tea” is the best name for a boba chain, hands down.)\u003c/p>\n\u003ch2>\u003cb>Asha Tea House\u003c/b>\u003c/h2>\n\u003cp>\u003cem>2086 University Ave., Berkeley\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://eastbayexpress.com/two-local-teashops-that-could-make-you-care-about-tea-1/\">As the story goes\u003c/a>, this Berkeley institution opened as a vehicle for evangelizing the pleasures of fine Asian teas, and offered a simple boba menu as just one part of that mission. But the boba drinks were so wildly popular, they quickly overshadowed all of the shop’s higher-end offerings. More than probably any other Bay Area boba shop, the focus at \u003ca href=\"https://www.instagram.com/ashateahouse/?hl=en\">Asha\u003c/a> rests squarely on the quality of the tea itself rather than on any bells and whistles. All of my favorites have been on the menu from day one: the potent, condensed milk–sweetened Hong Kong milk tea, which is delicious hot or cold, with or without boba. Or any of the seasonal fruit teas, which rely on no artificial flavorings. Instead, they’re just pure tea, supplemented with one of Asha’s pulpy housemade fruit purees. When available, the strawberry black tea and the Asian pear oolong are especially elite.\u003c/p>\n\u003cfigure id=\"attachment_13957738\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957738\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango.jpg\" alt=\"A mango smoothie topped with whipped cream.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/dek-doi-mango-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dek Doi sells standard boba drinks, but its boba-adjacent Thai beverages — like the “Mango Sunset” — are where the Piedmont Avenue shop really shines. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Dek Doi Cafe\u003c/b>\u003c/h2>\n\u003cp>\u003cem>4125 Piedmont Ave., Oakland\u003c/em>\u003c/p>\n\u003cp>It’s a testament to the beverage’s mainstream universal appeal these days that this little Thai cafe has a whole section of its menu dedicated to boba, which doesn’t have any traditional roots in Thailand. That said, \u003ca href=\"https://www.instagram.com/dekdoicafe/\">Dek Doi’s\u003c/a> boba drink selection is fairly basic, so you’d be better off choosing one of its boba-adjacent Thai drinks — like the “Mango Sunset,” which is just an S-tier exemplar of the kind of slushie mango smoothie that many shops sell. This version comes topped with whipped cream and crispy mung beans. Or try Thailand’s famous “\u003ca href=\"https://www.kqed.org/arts/13925310/dek-doi-cafe-pink-milk-thai-bl-oakland\">pink milk\u003c/a>,” or nom chompuu, which is made with red palm fruit syrup and resembles, and vaguely tastes similar to, a retro diner–style strawberry milk with tropical undertones. Note that the drinks here run sweet, but, like at any respectable boba shop, the sweetness level is customizable: For me, 50% was just right.\u003c/p>\n\u003cfigure id=\"attachment_13957746\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957746\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee.jpg\" alt=\"A creamy boba drink sits on a table in front of a pillow.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/urban-ritual-creme-brulee-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crème brûlée milk tea is one of Urban Ritual’s many excellent toppings-forward drinks. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Urban Ritual\u003c/b>\u003c/h2>\n\u003cp>\u003cem>488 Fell St., San Francisco\u003c/em>\u003c/p>\n\u003cp>Just when I got done saying boba isn’t all about all the toppings, here comes a boba shop that is, to a large extent, \u003ci>all about the toppings\u003c/i>. And yet I love it, unreservedly. Actually, the tea at \u003ca href=\"https://www.instagram.com/urbanritualcafe/?hl=en\">Urban Ritual\u003c/a> tastes quite good, and the texture of the boba itself is unimpeachable. But what sets the shop apart is its next-generation approach to creative flavor and topping combinations. The most obvious example is its signature crème brûlée milk tea, which combines black tea, cream, tapioca balls and crème brûlée — both the eggy pudding and the crunchy-smoky torched sugar bits. This is Urban Ritual’s greatest innovation: the way it introduces textures other than the classic “\u003ca href=\"https://www.kqed.org/arts/13897410/taiwanese-food-texture-q-boba-love-boat\">QQ\u003c/a>” chew of the boba.\u003c/p>\n\u003cp>And if you want to tell me that some of these drinks are more of a dessert than a beverage? You would be correct — but who is going to complain as long as they know that going in?\u003c/p>\n\u003cfigure id=\"attachment_13957748\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957748\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1.jpg\" alt=\"Two boba drinks — one green and fruity, the other one creamy — on a wooden picnic table.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/teaspoon-1-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Teaspoon’s Corte Madera location might be the best boba option in the North Bay. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Teaspoon\u003c/b>\u003c/h2>\n\u003cp>\u003cem>132 Corte Madera Town Center, Corte Madera\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13915004,arts_13957599","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/span>Marin County has long been a bit of a boba wasteland, as the big, trendy brands from Taiwan haven’t, to this point, seen the region’s \u003ca href=\"https://www.kqed.org/news/11307601/why-is-marin-county-so-white\">small Asian population\u003c/a> as a worthwhile market. It was a happy day, then, when Teaspoon, one of the more well-regarded local (and now \u003ca href=\"https://order.teaspoonlife.com/\">national\u003c/a>) chains, opened a branch in a Corte Madera shopping plaza. Teaspoon’s offerings tend toward sweet and aesthetically pleasing, with creative flavor combinations that only occasionally veer into stunt beverage territory (there’s a line of Red Bull boba drinks??). They’re also undeniably tasty: The creamy, caramelly Black Sugar Assam is a well-executed take on the black sugar boba trend. And the “Grasshopper,” which combines lychee green tea and fresh cucumber juice, is fun and refreshing — a nod, perhaps, toward the kind of pepino agua fresca you might find at a local taqueria.\u003c/p>\n\u003ch2>\u003cb>Yifang Taiwan Fruit Tea \u003c/b>\u003c/h2>\n\u003cp>\u003cem>34133 Fremont Blvd., Fremont\u003c/em>\u003c/p>\n\u003cp>In some ways this may feel like a basic pick: This Taiwanese chain has had a foothold in Northern California for years now, with more than a dozen locations, and it’s been a minute since the brand was super-relevant on the Taipei scene. But what \u003ca href=\"https://www.instagram.com/yifang.cal/?hl=en\">Yifang\u003c/a> still does better than any other Bay Area chain is its fruit-flavored teas — whether it’s pineapple teas (made with housemade pineapple jam), old-school Taiwanese tastes like winter melon tea or lemon aiyu or, best of all, the shop’s signature Yifang Fruit Tea, which comes loaded fresh apple, orange and passion fruit, like a beverage and fruit salad all in one.\u003c/p>\n\u003cp>This is another spot where you’ll want to be careful about the sweetness levels, which vary widely from drink to drink. I’ve ordered the Yifang Fruit Tea at 0% sweetness and still found it to be plenty sweet enough!\u003c/p>\n\u003cfigure id=\"attachment_13957754\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957754\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes.jpg\" alt=\"Close-up of a man holding two boba drinks using boba totes made of twine.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/chicha-san-chen_totes-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chicha San Chen’s hallmark is that it brews the tea for each individual boba drink to order. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Chicha San Chen\u003c/b>\u003c/h2>\n\u003cp>\u003cem>20688 Stevens Creek Blvd., Cupertino\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13904913,arts_13929494","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/span>This one is for the diehards — or at least for tea lovers who have about an hour to kill. The current title holder in the contest for buzziest Bay Area boba shop, \u003ca href=\"https://www.instagram.com/chichasanchen.norcal/?hl=en\">Chicha San Chen\u003c/a> touts its award-winning tea drinks, which are individually brewed to order using the company’s patented, very Third-Wave-esque “teaspresso” machines. Is it all a little bit precious? Sure. But it does make for tasty tea. Word to the wise: If you’re going to go through all the trouble of waiting in line for half an hour (and then \u003ci>another\u003c/i> half hour for them to make your drink), then you’d better be a person who appreciates the flavor of tea for tea’s sake — and you’d be well-advised to order one of the simpler drinks, so the taste of that tea actually shines through. I love the floral, slightly tannic, minimally sweetened honey osmanthus oolong in particular.\u003c/p>\n\u003cp>Bonus points for packaging that’s cute \u003ci>and\u003c/i> convenient: Every cup comes with a disposable \u003ca href=\"https://www.instagram.com/p/C13nPlqLXle/?hl=en\">boba tote\u003c/a> made of twine. But if you want to wait another six months for the hype to die down a bit, I wouldn’t blame you in the least.\u003c/p>\n\u003cfigure id=\"attachment_13957757\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957757\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful.jpg\" alt=\"A soy pudding drink with many colorful toppings.\" width=\"1920\" height=\"1439\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/soyful-1536x1151.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The #8 combination at Soyful desserts is a hybrid of boba, soy pudding and chè. \u003ccite>(Luke Tsai/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Soyful Desserts\u003c/b>\u003c/h2>\n\u003cp>\u003cem>999 Story Rd., San Jose\u003c/em>\u003c/p>\n\u003cp>One of the joys of \u003ca href=\"https://www.kqed.org/arts/13904913/vietnamese-drinks-boba-che-guide-san-jose\">San Jose’s vibrant, colorful drinks scene\u003c/a> is the way that Taiwanese, Chinese and Vietnamese influences have fused together to create their own unique, hybridized thing. \u003ca href=\"https://www.instagram.com/soyfuldesserts/\">Soyful Desserts\u003c/a> is probably the peak example of that synthesis, with its concise menu of Hong Kong-style milk teas, soy pudding drinks and shaved ice–laden Vietnamese chè. As the shop’s name indicates, the star here is the soy pudding (aka tofu pudding), a silky, refreshing treat equally beloved in Hong Kong, Taiwan and Vietnam. To experience this fusion in all its glory, try the #8 soy pudding combination, which comes filled to the brim with ginger syrup–soaked tofu pudding, shaved ice, basil seeds, pandan jelly, grass jelly, sweet red beans and probably a handful of other toppings I’m forgetting.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’m well aware that this is a “drink” that’s more solid than liquid — that it, in fact, constitutes a full meal in itself. But that doesn’t make it any less fun or delicious.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957666/best-boba-shops-bay-area-berkeley-cupertino-sf","authors":["11743"],"categories":["arts_1","arts_12276"],"tags":["arts_1270","arts_14423","arts_6902","arts_10278","arts_1297","arts_1084","arts_22150","arts_22140"],"featImg":"arts_13957736","label":"source_arts_13957666"},"arts_13957684":{"type":"posts","id":"arts_13957684","meta":{"index":"posts_1591205157","site":"arts","id":"13957684","found":true},"guestAuthors":[],"slug":"best-plays-musicals-theatre-bay-area-summer-2024","title":"Your Guide to the Best Plays and Musicals in the Bay Area This Summer","publishDate":1715636581,"format":"aside","headTitle":"Your Guide to the Best Plays and Musicals in the Bay Area This Summer | KQED","labelTerm":{},"content":"\u003cp>This summer, Bay Area theater offers something for everyone. Whether you’re seeking out experimental offerings, a tried-and-true Shakespeare classic under the stars, or some hefty song and dance Broadway style, the Bay Area’s summer has you covered.\u003c/p>\n\u003cp>Here are 10 shows in the Bay Area from June to early September that are not to be missed. \u003c/p>\n\u003cfigure id=\"attachment_13957713\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_.jpg\" alt=\"\" width=\"1920\" height=\"1432\" class=\"size-full wp-image-13957713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-800x597.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-1020x761.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-768x573.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-1536x1146.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fact-checking and copy editing take center stage in ‘The Lifespan of a Fact’ at Aurora Theatre this summer. \u003ccite>(Aurora Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.auroratheatre.org/fact\">The Lifespan of a Fact\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Aurora Theatre, Berkeley\u003cbr>\nJune 21–July 25, 2024\u003c/em>\u003c/p>\n\u003cp>Jim Fingal is a newly minted Harvard grad who takes a job at a consequential magazine as a fact-checker. That consequence has softened, however, since the magazine is now hanging by a thread. An essay from mega-talent John D’Agata, about a teen boy’s suicide, could change the magazine’s fortunes.\u003c/p>\n\u003cp>There’s one major problem — the actual facts of the story are shaky at best, placing both characters into a battle between truth and fiction. (The play’s heralded 2018 Broadway run featured actors Bobby Cannavale, Daniel Radcliffe and Cherry Jones.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s no better time to support Aurora, a gem of a small theater in Berkeley. Like many theaters post-pandemic, the company faces a major funding shortfall, and are in \u003ca href=\"https://givebutter.com/AuroraSpring24\">an active campaign\u003c/a> to save their artistic outlet.\u003c/p>\n\u003cfigure id=\"attachment_13957720\" class=\"wp-caption aligncenter\" style=\"max-width: 1665px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych.jpg\" alt=\"\" width=\"1665\" height=\"1143\" class=\"size-full wp-image-13957720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych.jpg 1665w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-800x549.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-1020x700.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-768x527.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-1536x1054.jpg 1536w\" sizes=\"(max-width: 1665px) 100vw, 1665px\">\u003cfigcaption class=\"wp-caption-text\">Jonathan Rhys Williams is Lawrence Jameson and Keith Pinto is Freddy Benson in the San Jose Stage production of ‘Dirty Rotten Scoundrels.’ \u003ccite>(San Jose Stage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.thestage.org/\">Dirty Rotten Scoundrels\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>San Jose Stage\u003cbr>\nJune 5–30, 2024\u003c/em>\u003c/p>\n\u003cp>Based on the popular 1988 film and directed by Stage Associate Artist Johnny Moreno, this French Riviera con caper follows two men who compete for the heart of a wealthy American heiress. Featuring a jazzy score from composer David Yazbek (\u003cem>The Full Monty\u003c/em>, \u003cem>The Band’s Visit\u003c/em>), the Stage is digging into another example of what they do so well — the quirky summer musical. \u003c/p>\n\u003cfigure id=\"attachment_13957712\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1.jpg\" alt=\"\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13957712\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bridgette Loriaux is Beatrice and Johnny Moreno is Benedick in ‘Much Ado About Nothing.’\u003cbr> \u003ccite>(Marin Shakespeare Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.marinshakespeare.org/\">Much Ado About Nothing\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Marin Shakespeare Company, San Rafael\u003cbr>\nJune 28–July 28, 2024\u003c/em>\u003c/p>\n\u003cp>In this wild Shakespearean romp, Beatrice and Benedick engage in a war of words while the soldier Claudio falls for the fair Hero. After the requisite bickering commences, love is discovered, vows are exchanged and all is well. \u003c/p>\n\u003cp>Popular Bay Area director and educator Domenique Lozano handles the direction, with Bridgette Loriaux playing Beatrice and Johnny Moreno tackling Benedick. And while the play’s the thing, renting some cushions and plopping them down inside the spacious seating area for a show under the North Bay stars can’t be beat. \u003c/p>\n\u003cp>Preshow pro tip – enjoy a Cubano sandwich at Sol Food down the street while taking in some salsa beats from the live band that plays on the sidewalk.\u003cbr>\nAnd if you’re looking for even more Shakespearean comedy under the summer stars, the return of Cal Shakes in Orinda to regular theater programming includes the 50th anniversary production of \u003cem>\u003ca href=\"https://calshakes.org/as-you-like-it-2024/\">As You Like It\u003c/a>\u003c/em> at Bruns Memorial Amphitheater in September.\u003c/p>\n\u003cfigure id=\"attachment_13957709\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4.jpg\" alt=\"\" width=\"1920\" height=\"1885\" class=\"size-full wp-image-13957709\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-800x785.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-1020x1001.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-160x157.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-768x754.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-1536x1508.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ryan Williams comes to Oakland for the role of Tommy DeVito in the Woodminster Summer Musicals production ‘Jersey Boys’ in July.\u003cbr> \u003ccite>(Ryan J. Zirngibl)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.woodminster.com/\">Jersey Boys\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Woodminster Summer Musicals, Oakland\u003cbr>\nJuly 12–21, 2024\u003c/em>\u003c/p>\n\u003cp>The story of Frankie Valli and the Four Seasons has had productions all over the world, with Broadway and off-Broadway productions still running while multiple national tours stop often in the Bay Area. (The production made its regional premiere via the first national tour in December of 2006 at the Curran Theatre in San Francisco.)\u003c/p>\n\u003cp>There are several reasons for the production’s popularity, namely the non-stop hit parade that is the music of Valli and songwriter Bob Gaudio, whose handshake agreement lasting decades is the stuff of legend. But the one thing that could usurp the show’s quality is the venue itself, nestled neatly within Joaquin Miller Park in the idyllic Oakland hills. When night falls, it’s one of the most picturesque views in the Bay. \u003c/p>\n\u003cfigure id=\"attachment_13957715\" class=\"wp-caption aligncenter\" style=\"max-width: 1180px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1.jpg\" alt=\"\" width=\"1180\" height=\"664\" class=\"size-full wp-image-13957715\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1-768x432.jpg 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\">\u003cfigcaption class=\"wp-caption-text\">Octavio Solis’ ‘Mother Road,’an adaptation of ‘The Grapes of Wrath,’ explores the story of Martín, a descendant of the Joad family. \u003ccite>(Anne Hamersky)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.berkeleyrep.org/shows/mother-road/\">Mother Road\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Berkeley Repertory Theatre\u003cbr>\nJune 14–July 21, 2024\u003c/em>\u003c/p>\n\u003cp>Octavio Solis, who spent decades in the Bay Area before moving to Oregon, makes one of his frequent Bay Area returns with \u003cem>Mother Road\u003c/em>. The story is a spinoff of \u003cem>The Grapes of Wrath\u003c/em>, taking the story’s iconic blue-collar hero Tom Joad and offering the new narrative of his descendant named Martín, a Mexican-American migrant worker. \u003c/p>\n\u003cp>Terminally ill William Joad learns of Martín as an heir to the family farm, and together they return to Oklahoma, the site of the Joad family’s perilous journey that serves as the soul of the original source material. Solis’ realism and poetic sensibilities are placed in the hands of the Rep’s associate artistic director David Mendizábal, who will direct the piece.\u003c/p>\n\u003cfigure id=\"attachment_13957706\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka.jpg\" alt=\"\" width=\"1920\" height=\"1417\" class=\"size-full wp-image-13957706\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-800x590.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-1020x753.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-768x567.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-1536x1134.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Playwright Naomi Iizuka is spending the bulk of her summer in San Francisco, with the world premiere of her play ‘Garuda’s Wing’ debuting in June, and her translation of Shakespeare’s ‘Richard II’ opening in August.\u003cbr> \u003ccite>(Magic Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://magictheatre.org/calendar/garudas-wing\">Garuda’s Wing\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>The Magic Theatre, San Francisco\u003cbr>\nJune 5–July 23, 2024\u003c/em>\u003c/p>\n\u003cp>Playwright Naomi Iizuka is getting cozy inside the iconic theater space at Fort Mason for the entire summer, kicking things off with a ghost play. It’s an international investigation, and an intergenerational exploration, set across locales such as Jakarta and Borneo. A search unearths murder, while exposing the effects of revolution and colonialism. Lorraine Hansberry Theatre artistic director Margo Hall directs.\u003c/p>\n\u003cp>To further expand on Iizuka’s time in San Francisco, her translation of the intense and timely \u003cem>Richard II\u003c/em>, directed by Santa Clara University professor Karina Gutierrez, follows in August.\u003c/p>\n\u003cfigure id=\"attachment_13957708\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1.jpg\" alt=\"\" width=\"1920\" height=\"1272\" class=\"size-full wp-image-13957708\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-1536x1018.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Former TheatreWorks Silicon Valley artistic director Robert Kelley returns for the world premiere of ‘Being Alive: A Sondheim Celebration’ this June in Mountain View. \u003ccite>(David Allen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://theatreworks.org/mainstage/being-alive/\">Being Alive: A Sondheim Celebration\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>TheatreWorks Silicon Valley, Mountain View\u003cbr>\nJune 5–30, 2024\u003c/em>\u003c/p>\n\u003cp>Since Stephen Sondheim’s passing in November of 2021, the master composer and lyricist has continued his dominance over every ounce of the musical theater landscape. Now, longtime collaborators Robert Kelley, who served TheatreWorks as artistic director for 50 years, and resident musical director William Liberatore are offering up another new take on Sondheim’s wonderful life. \u003c/p>\n\u003cp>TheatreWorks is a perfect spot for this world premiere, considering Sondheim is the company’s most produced composer. Expect many of Sondheim’s most iconic hits to make their way onto the stage, performed by a stellar six-person cast. (And for those who need even more Sondheim, the 2022 Broadway revival of \u003cem>\u003ca href=\"https://www.broadwaysf.com/events/company/\">Company\u003c/a>\u003c/em>, in which the single 35-year-old Bobbie is gender-swapped for a woman, lunches at BroadwaySF’s Orpheum Theatre in San Francisco for the month of June.) \u003c/p>\n\u003cfigure id=\"attachment_13957710\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped.jpg\" alt=\"\" width=\"1920\" height=\"1224\" class=\"size-full wp-image-13957710\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-800x510.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-1020x650.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-768x490.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-1536x979.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Playwright Michael Wayne Turner III will perform as Dr. Martin Luther King, Jr. in ‘The Ghost of King’ in Oakland.\u003cbr> \u003ccite>(Oakland Theater Project)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://oaklandtheaterproject.org/\">The Ghost of King\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Oakland Theater Project\u003cbr>\nJune 6–23, 2024\u003c/em>\u003c/p>\n\u003cp>Michael Wayne Turner III is both the creator and featured performer of this exploration of Dr. Martin Luther King, Jr., digging into the famed civil rights leader and his tireless advocacy to ensure that the underclass are given justice and opportunity.\u003c/p>\n\u003cp>Oakland Theater Project is doing what they do very well — develop, develop, develop — and Turner weaves the life and conflicts of King together with his poetry and most memorable speeches. Details and research inform this insightful deep dive into the iconic leader and orator, gunned down in 1968 a few months past his 39th birthday. \u003c/p>\n\u003cfigure id=\"attachment_13957704\" class=\"wp-caption aligncenter\" style=\"max-width: 1440px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson.jpg\" alt=\"\" width=\"1440\" height=\"1920\" class=\"size-full wp-image-13957704\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-1152x1536.jpg 1152w\" sizes=\"(max-width: 1440px) 100vw, 1440px\">\u003cfigcaption class=\"wp-caption-text\">Heikki Koskinen and Nan Busse in “Happened Change,” an entry in this year’s San Francisco Fringe Festival, running at the Exit Theatre in August.\u003cbr> \u003ccite>(Steve Bronson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.theexit.org/\">San Francisco Fringe Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>The Exit Theatre, San Francisco\u003cbr>\nAug. 9–25, 2024\u003c/em>\u003c/p>\n\u003cp>The 33rd installment of San Francisco Fringe is all about quirky, poignant fun that exists off the beaten path from run-of-the-mill theatrical fare. Many of the shows are of the solo variety, and Exit Theatre’s festival continues to provide voices and opportunity for theater makers to sharpen both their art and their voices. This year’s festival features a whopping 45 performances of 15 different shows. \u003c/p>\n\u003cfigure id=\"attachment_13957703\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie.jpg\" alt=\"\" width=\"1920\" height=\"1279\" class=\"size-full wp-image-13957703\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-1536x1023.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">In ‘Everybody’s Talking About Jamie,’ Romelo Urbi plays the title role of Jamie, a 16-year-old high schooler in Sheffield who privately dreams of drag queen stardom. \u003ccite>(Shane Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.rayoflighttheatre.com/jamie\">Everybody’s Talking About Jamie\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Ray of Light Theatre, San Francisco\u003cbr>\nJune 1–23, 2024\u003c/em>\u003c/p>\n\u003cp>British denizens fell in love with the luminous 16-year-old gay teen Jamie, who was a fixture on London’s West End toward the end of the past decade. Sadly, Americans had to wait. Despite a critically acclaimed 2021 film version, productions of the musical in the United States have been scarce.\u003c/p>\n\u003cp>In June, Ray of Light Theatre gives the Bay an opportunity to fall head over stiletto heels for Jamie, an outcast who dreams of becoming a fabulous drag queen and finding superstar status on the biggest stages. It’s a tender story that shows what allyship and acceptance can mean to a young person looking to soar within their individuality in every aspect of life.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>A delightful local cast steps in for this one, with Romelo Urbi taking on the title role, and the entire production is led by director Alex Kirschner. Fittingly, the show’s opening night coincides with the annual start to Pride month across the nation. \u003c/p>\n\n","blocks":[],"excerpt":"From Shakespeare under the stars to fringe festivals and more, Bay Area stages are full this summer. ","status":"publish","parent":0,"modified":1715724967,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":35,"wordCount":1716},"headData":{"title":"The Best Plays and Musicals in the Bay Area This Summer | KQED","description":"From Shakespeare under the stars to fringe festivals and more, Bay Area stages are full this summer.","ogTitle":"Your Guide to the Best Plays and Musicals in the Bay Area This Summer","ogDescription":"From Shakespeare under the stars to fringe festivals and more, Bay Area stages are full this summer.","ogImgId":"","twTitle":"Your Guide to the Best Plays and Musicals in the Bay Area This Summer","twDescription":"From Shakespeare under the stars to fringe festivals and more, Bay Area stages are full this summer.","twImgId":"","socialTitle":"The Best Plays and Musicals in the Bay Area This Summer %%page%% %%sep%% KQED","socialDescription":"From Shakespeare under the stars to fringe festivals and more, Bay Area stages are full this summer.","schema":{"@context":"http://schema.org","@type":"Article","headline":"Your Guide to the Best Plays and Musicals in the Bay Area This Summer","datePublished":"2024-05-13T21:43:01.000Z","dateModified":"2024-05-14T22:16:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Summer Guide 2024","sourceUrl":"https://www.kqed.org/arts/tag/summer-guide-2024","sticky":false,"nprStoryId":"kqed-13957684","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957684/best-plays-musicals-theatre-bay-area-summer-2024","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This summer, Bay Area theater offers something for everyone. Whether you’re seeking out experimental offerings, a tried-and-true Shakespeare classic under the stars, or some hefty song and dance Broadway style, the Bay Area’s summer has you covered.\u003c/p>\n\u003cp>Here are 10 shows in the Bay Area from June to early September that are not to be missed. \u003c/p>\n\u003cfigure id=\"attachment_13957713\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_.jpg\" alt=\"\" width=\"1920\" height=\"1432\" class=\"size-full wp-image-13957713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-800x597.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-1020x761.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-768x573.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Lifespan.rev_-1536x1146.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fact-checking and copy editing take center stage in ‘The Lifespan of a Fact’ at Aurora Theatre this summer. \u003ccite>(Aurora Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.auroratheatre.org/fact\">The Lifespan of a Fact\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Aurora Theatre, Berkeley\u003cbr>\nJune 21–July 25, 2024\u003c/em>\u003c/p>\n\u003cp>Jim Fingal is a newly minted Harvard grad who takes a job at a consequential magazine as a fact-checker. That consequence has softened, however, since the magazine is now hanging by a thread. An essay from mega-talent John D’Agata, about a teen boy’s suicide, could change the magazine’s fortunes.\u003c/p>\n\u003cp>There’s one major problem — the actual facts of the story are shaky at best, placing both characters into a battle between truth and fiction. (The play’s heralded 2018 Broadway run featured actors Bobby Cannavale, Daniel Radcliffe and Cherry Jones.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s no better time to support Aurora, a gem of a small theater in Berkeley. Like many theaters post-pandemic, the company faces a major funding shortfall, and are in \u003ca href=\"https://givebutter.com/AuroraSpring24\">an active campaign\u003c/a> to save their artistic outlet.\u003c/p>\n\u003cfigure id=\"attachment_13957720\" class=\"wp-caption aligncenter\" style=\"max-width: 1665px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych.jpg\" alt=\"\" width=\"1665\" height=\"1143\" class=\"size-full wp-image-13957720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych.jpg 1665w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-800x549.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-1020x700.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-768x527.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Pino.diptych-1536x1054.jpg 1536w\" sizes=\"(max-width: 1665px) 100vw, 1665px\">\u003cfigcaption class=\"wp-caption-text\">Jonathan Rhys Williams is Lawrence Jameson and Keith Pinto is Freddy Benson in the San Jose Stage production of ‘Dirty Rotten Scoundrels.’ \u003ccite>(San Jose Stage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.thestage.org/\">Dirty Rotten Scoundrels\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>San Jose Stage\u003cbr>\nJune 5–30, 2024\u003c/em>\u003c/p>\n\u003cp>Based on the popular 1988 film and directed by Stage Associate Artist Johnny Moreno, this French Riviera con caper follows two men who compete for the heart of a wealthy American heiress. Featuring a jazzy score from composer David Yazbek (\u003cem>The Full Monty\u003c/em>, \u003cem>The Band’s Visit\u003c/em>), the Stage is digging into another example of what they do so well — the quirky summer musical. \u003c/p>\n\u003cfigure id=\"attachment_13957712\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1.jpg\" alt=\"\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13957712\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Untitled-design-1-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bridgette Loriaux is Beatrice and Johnny Moreno is Benedick in ‘Much Ado About Nothing.’\u003cbr> \u003ccite>(Marin Shakespeare Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.marinshakespeare.org/\">Much Ado About Nothing\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Marin Shakespeare Company, San Rafael\u003cbr>\nJune 28–July 28, 2024\u003c/em>\u003c/p>\n\u003cp>In this wild Shakespearean romp, Beatrice and Benedick engage in a war of words while the soldier Claudio falls for the fair Hero. After the requisite bickering commences, love is discovered, vows are exchanged and all is well. \u003c/p>\n\u003cp>Popular Bay Area director and educator Domenique Lozano handles the direction, with Bridgette Loriaux playing Beatrice and Johnny Moreno tackling Benedick. And while the play’s the thing, renting some cushions and plopping them down inside the spacious seating area for a show under the North Bay stars can’t be beat. \u003c/p>\n\u003cp>Preshow pro tip – enjoy a Cubano sandwich at Sol Food down the street while taking in some salsa beats from the live band that plays on the sidewalk.\u003cbr>\nAnd if you’re looking for even more Shakespearean comedy under the summer stars, the return of Cal Shakes in Orinda to regular theater programming includes the 50th anniversary production of \u003cem>\u003ca href=\"https://calshakes.org/as-you-like-it-2024/\">As You Like It\u003c/a>\u003c/em> at Bruns Memorial Amphitheater in September.\u003c/p>\n\u003cfigure id=\"attachment_13957709\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4.jpg\" alt=\"\" width=\"1920\" height=\"1885\" class=\"size-full wp-image-13957709\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-800x785.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-1020x1001.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-160x157.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-768x754.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Ryan-Williams-4-1536x1508.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ryan Williams comes to Oakland for the role of Tommy DeVito in the Woodminster Summer Musicals production ‘Jersey Boys’ in July.\u003cbr> \u003ccite>(Ryan J. Zirngibl)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.woodminster.com/\">Jersey Boys\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Woodminster Summer Musicals, Oakland\u003cbr>\nJuly 12–21, 2024\u003c/em>\u003c/p>\n\u003cp>The story of Frankie Valli and the Four Seasons has had productions all over the world, with Broadway and off-Broadway productions still running while multiple national tours stop often in the Bay Area. (The production made its regional premiere via the first national tour in December of 2006 at the Curran Theatre in San Francisco.)\u003c/p>\n\u003cp>There are several reasons for the production’s popularity, namely the non-stop hit parade that is the music of Valli and songwriter Bob Gaudio, whose handshake agreement lasting decades is the stuff of legend. But the one thing that could usurp the show’s quality is the venue itself, nestled neatly within Joaquin Miller Park in the idyllic Oakland hills. When night falls, it’s one of the most picturesque views in the Bay. \u003c/p>\n\u003cfigure id=\"attachment_13957715\" class=\"wp-caption aligncenter\" style=\"max-width: 1180px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1.jpg\" alt=\"\" width=\"1180\" height=\"664\" class=\"size-full wp-image-13957715\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/OctavioSolisAnneHamerskycropped-1180x664-1-768x432.jpg 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\">\u003cfigcaption class=\"wp-caption-text\">Octavio Solis’ ‘Mother Road,’an adaptation of ‘The Grapes of Wrath,’ explores the story of Martín, a descendant of the Joad family. \u003ccite>(Anne Hamersky)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.berkeleyrep.org/shows/mother-road/\">Mother Road\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Berkeley Repertory Theatre\u003cbr>\nJune 14–July 21, 2024\u003c/em>\u003c/p>\n\u003cp>Octavio Solis, who spent decades in the Bay Area before moving to Oregon, makes one of his frequent Bay Area returns with \u003cem>Mother Road\u003c/em>. The story is a spinoff of \u003cem>The Grapes of Wrath\u003c/em>, taking the story’s iconic blue-collar hero Tom Joad and offering the new narrative of his descendant named Martín, a Mexican-American migrant worker. \u003c/p>\n\u003cp>Terminally ill William Joad learns of Martín as an heir to the family farm, and together they return to Oklahoma, the site of the Joad family’s perilous journey that serves as the soul of the original source material. Solis’ realism and poetic sensibilities are placed in the hands of the Rep’s associate artistic director David Mendizábal, who will direct the piece.\u003c/p>\n\u003cfigure id=\"attachment_13957706\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka.jpg\" alt=\"\" width=\"1920\" height=\"1417\" class=\"size-full wp-image-13957706\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-800x590.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-1020x753.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-768x567.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/naomi_iizuka-1536x1134.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Playwright Naomi Iizuka is spending the bulk of her summer in San Francisco, with the world premiere of her play ‘Garuda’s Wing’ debuting in June, and her translation of Shakespeare’s ‘Richard II’ opening in August.\u003cbr> \u003ccite>(Magic Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://magictheatre.org/calendar/garudas-wing\">Garuda’s Wing\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>The Magic Theatre, San Francisco\u003cbr>\nJune 5–July 23, 2024\u003c/em>\u003c/p>\n\u003cp>Playwright Naomi Iizuka is getting cozy inside the iconic theater space at Fort Mason for the entire summer, kicking things off with a ghost play. It’s an international investigation, and an intergenerational exploration, set across locales such as Jakarta and Borneo. A search unearths murder, while exposing the effects of revolution and colonialism. Lorraine Hansberry Theatre artistic director Margo Hall directs.\u003c/p>\n\u003cp>To further expand on Iizuka’s time in San Francisco, her translation of the intense and timely \u003cem>Richard II\u003c/em>, directed by Santa Clara University professor Karina Gutierrez, follows in August.\u003c/p>\n\u003cfigure id=\"attachment_13957708\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1.jpg\" alt=\"\" width=\"1920\" height=\"1272\" class=\"size-full wp-image-13957708\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Robert-Kelley3_DavidAllenPhoto-scaled-1-1536x1018.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Former TheatreWorks Silicon Valley artistic director Robert Kelley returns for the world premiere of ‘Being Alive: A Sondheim Celebration’ this June in Mountain View. \u003ccite>(David Allen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://theatreworks.org/mainstage/being-alive/\">Being Alive: A Sondheim Celebration\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>TheatreWorks Silicon Valley, Mountain View\u003cbr>\nJune 5–30, 2024\u003c/em>\u003c/p>\n\u003cp>Since Stephen Sondheim’s passing in November of 2021, the master composer and lyricist has continued his dominance over every ounce of the musical theater landscape. Now, longtime collaborators Robert Kelley, who served TheatreWorks as artistic director for 50 years, and resident musical director William Liberatore are offering up another new take on Sondheim’s wonderful life. \u003c/p>\n\u003cp>TheatreWorks is a perfect spot for this world premiere, considering Sondheim is the company’s most produced composer. Expect many of Sondheim’s most iconic hits to make their way onto the stage, performed by a stellar six-person cast. (And for those who need even more Sondheim, the 2022 Broadway revival of \u003cem>\u003ca href=\"https://www.broadwaysf.com/events/company/\">Company\u003c/a>\u003c/em>, in which the single 35-year-old Bobbie is gender-swapped for a woman, lunches at BroadwaySF’s Orpheum Theatre in San Francisco for the month of June.) \u003c/p>\n\u003cfigure id=\"attachment_13957710\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped.jpg\" alt=\"\" width=\"1920\" height=\"1224\" class=\"size-full wp-image-13957710\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-800x510.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-1020x650.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-768x490.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/The_Ghost_of_King_2024_8649_cropped-1536x979.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Playwright Michael Wayne Turner III will perform as Dr. Martin Luther King, Jr. in ‘The Ghost of King’ in Oakland.\u003cbr> \u003ccite>(Oakland Theater Project)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://oaklandtheaterproject.org/\">The Ghost of King\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Oakland Theater Project\u003cbr>\nJune 6–23, 2024\u003c/em>\u003c/p>\n\u003cp>Michael Wayne Turner III is both the creator and featured performer of this exploration of Dr. Martin Luther King, Jr., digging into the famed civil rights leader and his tireless advocacy to ensure that the underclass are given justice and opportunity.\u003c/p>\n\u003cp>Oakland Theater Project is doing what they do very well — develop, develop, develop — and Turner weaves the life and conflicts of King together with his poetry and most memorable speeches. Details and research inform this insightful deep dive into the iconic leader and orator, gunned down in 1968 a few months past his 39th birthday. \u003c/p>\n\u003cfigure id=\"attachment_13957704\" class=\"wp-caption aligncenter\" style=\"max-width: 1440px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson.jpg\" alt=\"\" width=\"1440\" height=\"1920\" class=\"size-full wp-image-13957704\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Left-to-right-Heikki-Koskinen-and-Nan-Busse-in-Happened-Change-Photo-credit-Steve-Bronson-1152x1536.jpg 1152w\" sizes=\"(max-width: 1440px) 100vw, 1440px\">\u003cfigcaption class=\"wp-caption-text\">Heikki Koskinen and Nan Busse in “Happened Change,” an entry in this year’s San Francisco Fringe Festival, running at the Exit Theatre in August.\u003cbr> \u003ccite>(Steve Bronson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.theexit.org/\">San Francisco Fringe Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>The Exit Theatre, San Francisco\u003cbr>\nAug. 9–25, 2024\u003c/em>\u003c/p>\n\u003cp>The 33rd installment of San Francisco Fringe is all about quirky, poignant fun that exists off the beaten path from run-of-the-mill theatrical fare. Many of the shows are of the solo variety, and Exit Theatre’s festival continues to provide voices and opportunity for theater makers to sharpen both their art and their voices. This year’s festival features a whopping 45 performances of 15 different shows. \u003c/p>\n\u003cfigure id=\"attachment_13957703\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie.jpg\" alt=\"\" width=\"1920\" height=\"1279\" class=\"size-full wp-image-13957703\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Jamie-1536x1023.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">In ‘Everybody’s Talking About Jamie,’ Romelo Urbi plays the title role of Jamie, a 16-year-old high schooler in Sheffield who privately dreams of drag queen stardom. \u003ccite>(Shane Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.rayoflighttheatre.com/jamie\">Everybody’s Talking About Jamie\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Ray of Light Theatre, San Francisco\u003cbr>\nJune 1–23, 2024\u003c/em>\u003c/p>\n\u003cp>British denizens fell in love with the luminous 16-year-old gay teen Jamie, who was a fixture on London’s West End toward the end of the past decade. Sadly, Americans had to wait. Despite a critically acclaimed 2021 film version, productions of the musical in the United States have been scarce.\u003c/p>\n\u003cp>In June, Ray of Light Theatre gives the Bay an opportunity to fall head over stiletto heels for Jamie, an outcast who dreams of becoming a fabulous drag queen and finding superstar status on the biggest stages. It’s a tender story that shows what allyship and acceptance can mean to a young person looking to soar within their individuality in every aspect of life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A delightful local cast steps in for this one, with Romelo Urbi taking on the title role, and the entire production is led by director Alex Kirschner. Fittingly, the show’s opening night coincides with the annual start to Pride month across the nation. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957684/best-plays-musicals-theatre-bay-area-summer-2024","authors":["11905"],"programs":["arts_140"],"categories":["arts_1","arts_967"],"tags":["arts_1237","arts_22148","arts_10278","arts_2020","arts_21781","arts_22150","arts_2323"],"featImg":"arts_13957710","label":"source_arts_13957684"},"arts_13957776":{"type":"posts","id":"arts_13957776","meta":{"index":"posts_1591205157","site":"arts","id":"13957776","found":true},"guestAuthors":[],"slug":"spacey-unmasked-documentary-review-hbo-max-channel-4","title":"‘Spacey Unmasked’ Demonstrates How Sexual Harassers Get Away With It","publishDate":1715720332,"format":"standard","headTitle":"‘Spacey Unmasked’ Demonstrates How Sexual Harassers Get Away With It | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>At the conclusion of new documentary \u003cem>Spacey Unmasked\u003c/em>, the prevailing feeling is one of distressed resignation.\u003c/p>\n\u003cp>\u003cem>Unmasked\u003c/em> — about the personal conduct of Kevin Spacey, spanning five decades — is not the first documentary to chronicle a public figure’s sexual misconduct after they’d avoided or been released early from civil or criminal charges. \u003ca href=\"https://www.kqed.org/arts/13848980/what-took-sony-music-so-long-to-drop-r-kelly\">\u003cem>Surviving R. Kelly\u003c/em>\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13892800/allen-v-farrow-is-the-most-damning-indictment-of-woody-allen-yet\">\u003cem>Allen v. Farrow\u003c/em>\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13908728/we-need-to-talk-about-bill-cosby-showtime-documentary-w-kamau-bell\">\u003cem>We Need to Talk About Cosby\u003c/em>\u003c/a> all did just that.\u003c/p>\n\u003cp>But each of those series also left viewers with the sense that the subjects in question — R. Kelly, Woody Allen and Bill Cosby — would not be able to successfully resume their careers, in part because of the documentaries themselves.\u003c/p>\n\u003cp>\u003cem>Unmasked\u003c/em> leaves no such sense about Kevin Spacey.\u003c/p>\n\u003cp>The two-part documentary relies upon 10 men — nine of whom have never spoken out publicly against Spacey before — describing disturbing encounters they each had with the actor. These incidents start from the time Spacey was in high school, and come from Spacey’s former coworkers and students, as well as aspiring actors who believed Spacey could help their careers. Additional voices include \u003cem>House of Cards\u003c/em> crew members who describe a toxic work environment, and Spacey’s brother Randall Fowler, who alleges that he was sexually and physically abused by their Nazi-sympathizing father. (Randall is unclear if Spacey himself was ever abused in similar ways, but says that “acting was a way for [Spacey] to escape where he came from” — a home that “was creepy, cold and violent.”)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid='arts_13954740']The men in the documentary suggest that Spacey has little comprehension of consent and zero qualms about using his own status to get what he wants. They describe being inappropriately groped and touched by Spacey in both private and remarkably public spaces, including on active sets. (One man even says he was assaulted in the lobby of London’s Savoy Hotel, not far from a bank of photographers.) Some of the men describe Spacey as a public masturbator. Other incidents are described in which the actor presses his body just a little too hard against someone, or whispers just a little too closely in their ear.\u003c/p>\n\u003cp>Many of the men describe feelings of guilt and shame after their run-ins with Spacey. Some describe negative consequences for their careers. Many have difficulty coming to terms with feeling sexually violated. The hyper-masculine men in \u003cem>Unmasked\u003c/em> in particular — two of the speakers here served as Marines — seem to struggle with that the most. Not feeling in control of their own personal space simply isn’t something they had ever anticipated dealing with. One tries to strike an optimistic note, saying that he hopes by coming forward, it will help other men speak honestly about matters relating to sexual harassment and abuse.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NFbiev0MNls\u003c/p>\n\u003cp>Early in both installments, \u003cem>Unmasked\u003c/em> is careful to emphasize that \u003ca href=\"https://apnews.com/article/kevin-spacey-sexual-assault-trial-london-jury-deliberations-85cb3957c60de1a7b1e03a26dc278d95\">Spacey has been found not guilty\u003c/a> in a British court of nine different sexual assault charges, and that \u003ca href=\"https://variety.com/2022/tv/news/anthony-rapp-kevin-spacey-trial-reaction-1235432621/\">Anthony Rapp’s case against Spacey\u003c/a> was dismissed by an American court. (Rapp made accusations against Spacey during the peak of 2017’s #MeToo movement.)\u003c/p>\n\u003cp>And yet the overarching portrait \u003cem>Unmasked\u003c/em> paints of Spacey is one of a cold, sexually aggressive manipulator who pushes against normal physical and social boundaries, but also knows exactly where to draw the line in order to get away with it. The stories in \u003cem>Unmasked\u003c/em> suggest that Spacey was restrained enough to never verbally spell out quid pro quo sexual propositions, but that he was able to propose such arrangements to aspiring actors around him in more subtle ways.\u003c/p>\n\u003cp>[aside postid='arts_13956667']Harvey Weinstein’s accusers frequently talked of his outright threats to destroy their careers if they didn’t do what he wanted. The testimonies in \u003cem>Unmasked\u003c/em> suggest that Spacey’s propositions were infinitely more subtle, and less committal. Perhaps it’s that subtlety that has kept Spacey safe from prosecution. As the documentary notes, the actor regularly dismisses accusations against him by citing his “inappropriate drunken behavior,” making a “clumsy pass” and being “a big flirt.” While it’s impossible to know if Spacey believes this version of reality, it’s one that’s been effective at keeping him out of jail.\u003c/p>\n\u003cp>At the close of the documentary, words flash on the screen from Spacey himself:\u003c/p>\n\u003cblockquote>\u003cp>Kevin Spacey said that he had been provided with insufficient time and detail to respond to the testimonies in this film. He said, ‘I have consistently denied — and now successfully defended — numerous allegations made both in the US and the UK, both criminal and civil, and each time have been able to source evidence undermining the allegations and have been believed by a jury of my peers.’\u003c/p>\u003c/blockquote>\n\u003cp>Given how \u003ca href=\"https://www.kqed.org/arts/13956667/weinstein-overturned-conviction-me-too-misogyny-commentary\">few #MeToo era villains have suffered legal consequences\u003c/a>, one can’t help but feel resigned to the fact that at this point, Spacey probably never will either. Having that slowly spelled out over \u003cem>Spacey Unmasked\u003c/em>’s two hours of heart-wrenching testimonies makes for a bleak and frustrating conclusion.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Spacey Unmasked’ is streaming now on Max.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A disturbing two-part documentary brings new allegations of sexual impropriety against Kevin Spacey.","status":"publish","parent":0,"modified":1715723621,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":886},"headData":{"title":"‘Spacey Unmasked’ Paints the Actor as a Cunning Manipulator | KQED","description":"A disturbing two-part documentary brings new allegations of sexual impropriety against Kevin Spacey.","ogTitle":"‘Spacey Unmasked’ Thoroughly Demonstrates How Sexual Harassers Get Away With it","ogDescription":"","ogImgId":"","twTitle":"‘Spacey Unmasked’ Thoroughly Demonstrates How Sexual Harassers Get Away With it","twDescription":"","twImgId":"","socialTitle":"‘Spacey Unmasked’ Paints the Actor as a Cunning Manipulator %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"‘Spacey Unmasked’ Demonstrates How Sexual Harassers Get Away With It","datePublished":"2024-05-14T20:58:52.000Z","dateModified":"2024-05-14T21:53:41.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13957776","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957776/spacey-unmasked-documentary-review-hbo-max-channel-4","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>At the conclusion of new documentary \u003cem>Spacey Unmasked\u003c/em>, the prevailing feeling is one of distressed resignation.\u003c/p>\n\u003cp>\u003cem>Unmasked\u003c/em> — about the personal conduct of Kevin Spacey, spanning five decades — is not the first documentary to chronicle a public figure’s sexual misconduct after they’d avoided or been released early from civil or criminal charges. \u003ca href=\"https://www.kqed.org/arts/13848980/what-took-sony-music-so-long-to-drop-r-kelly\">\u003cem>Surviving R. Kelly\u003c/em>\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13892800/allen-v-farrow-is-the-most-damning-indictment-of-woody-allen-yet\">\u003cem>Allen v. Farrow\u003c/em>\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13908728/we-need-to-talk-about-bill-cosby-showtime-documentary-w-kamau-bell\">\u003cem>We Need to Talk About Cosby\u003c/em>\u003c/a> all did just that.\u003c/p>\n\u003cp>But each of those series also left viewers with the sense that the subjects in question — R. Kelly, Woody Allen and Bill Cosby — would not be able to successfully resume their careers, in part because of the documentaries themselves.\u003c/p>\n\u003cp>\u003cem>Unmasked\u003c/em> leaves no such sense about Kevin Spacey.\u003c/p>\n\u003cp>The two-part documentary relies upon 10 men — nine of whom have never spoken out publicly against Spacey before — describing disturbing encounters they each had with the actor. These incidents start from the time Spacey was in high school, and come from Spacey’s former coworkers and students, as well as aspiring actors who believed Spacey could help their careers. Additional voices include \u003cem>House of Cards\u003c/em> crew members who describe a toxic work environment, and Spacey’s brother Randall Fowler, who alleges that he was sexually and physically abused by their Nazi-sympathizing father. (Randall is unclear if Spacey himself was ever abused in similar ways, but says that “acting was a way for [Spacey] to escape where he came from” — a home that “was creepy, cold and violent.”)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954740","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The men in the documentary suggest that Spacey has little comprehension of consent and zero qualms about using his own status to get what he wants. They describe being inappropriately groped and touched by Spacey in both private and remarkably public spaces, including on active sets. (One man even says he was assaulted in the lobby of London’s Savoy Hotel, not far from a bank of photographers.) Some of the men describe Spacey as a public masturbator. Other incidents are described in which the actor presses his body just a little too hard against someone, or whispers just a little too closely in their ear.\u003c/p>\n\u003cp>Many of the men describe feelings of guilt and shame after their run-ins with Spacey. Some describe negative consequences for their careers. Many have difficulty coming to terms with feeling sexually violated. The hyper-masculine men in \u003cem>Unmasked\u003c/em> in particular — two of the speakers here served as Marines — seem to struggle with that the most. Not feeling in control of their own personal space simply isn’t something they had ever anticipated dealing with. One tries to strike an optimistic note, saying that he hopes by coming forward, it will help other men speak honestly about matters relating to sexual harassment and abuse.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NFbiev0MNls'\n title='//www.youtube.com/embed/NFbiev0MNls'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Early in both installments, \u003cem>Unmasked\u003c/em> is careful to emphasize that \u003ca href=\"https://apnews.com/article/kevin-spacey-sexual-assault-trial-london-jury-deliberations-85cb3957c60de1a7b1e03a26dc278d95\">Spacey has been found not guilty\u003c/a> in a British court of nine different sexual assault charges, and that \u003ca href=\"https://variety.com/2022/tv/news/anthony-rapp-kevin-spacey-trial-reaction-1235432621/\">Anthony Rapp’s case against Spacey\u003c/a> was dismissed by an American court. (Rapp made accusations against Spacey during the peak of 2017’s #MeToo movement.)\u003c/p>\n\u003cp>And yet the overarching portrait \u003cem>Unmasked\u003c/em> paints of Spacey is one of a cold, sexually aggressive manipulator who pushes against normal physical and social boundaries, but also knows exactly where to draw the line in order to get away with it. The stories in \u003cem>Unmasked\u003c/em> suggest that Spacey was restrained enough to never verbally spell out quid pro quo sexual propositions, but that he was able to propose such arrangements to aspiring actors around him in more subtle ways.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956667","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Harvey Weinstein’s accusers frequently talked of his outright threats to destroy their careers if they didn’t do what he wanted. The testimonies in \u003cem>Unmasked\u003c/em> suggest that Spacey’s propositions were infinitely more subtle, and less committal. Perhaps it’s that subtlety that has kept Spacey safe from prosecution. As the documentary notes, the actor regularly dismisses accusations against him by citing his “inappropriate drunken behavior,” making a “clumsy pass” and being “a big flirt.” While it’s impossible to know if Spacey believes this version of reality, it’s one that’s been effective at keeping him out of jail.\u003c/p>\n\u003cp>At the close of the documentary, words flash on the screen from Spacey himself:\u003c/p>\n\u003cblockquote>\u003cp>Kevin Spacey said that he had been provided with insufficient time and detail to respond to the testimonies in this film. He said, ‘I have consistently denied — and now successfully defended — numerous allegations made both in the US and the UK, both criminal and civil, and each time have been able to source evidence undermining the allegations and have been believed by a jury of my peers.’\u003c/p>\u003c/blockquote>\n\u003cp>Given how \u003ca href=\"https://www.kqed.org/arts/13956667/weinstein-overturned-conviction-me-too-misogyny-commentary\">few #MeToo era villains have suffered legal consequences\u003c/a>, one can’t help but feel resigned to the fact that at this point, Spacey probably never will either. Having that slowly spelled out over \u003cem>Spacey Unmasked\u003c/em>’s two hours of heart-wrenching testimonies makes for a bleak and frustrating conclusion.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Spacey Unmasked’ is streaming now on Max.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957776/spacey-unmasked-documentary-review-hbo-max-channel-4","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_990"],"tags":["arts_2798","arts_13672","arts_8350","arts_20624","arts_5676","arts_585"],"featImg":"arts_13957800","label":"arts_140"},"arts_13956635":{"type":"posts","id":"arts_13956635","meta":{"index":"posts_1591205157","site":"arts","id":"13956635","found":true},"guestAuthors":[],"slug":"bay-area-whale-watching-beekeeping-petting-zoo-horse-riding-goat-yoga","title":"8 Bay Area Animal Adventures to Make Your Summer More Wild","publishDate":1715702418,"format":"standard","headTitle":"8 Bay Area Animal Adventures to Make Your Summer More Wild | KQED","labelTerm":{},"content":"\u003cp>When it comes to the great outdoors, there are two kinds of humans: those who can get lost in the scenery, and those that are there purely to catch a glimpse of the beautiful animals in our midst.\u003c/p>\n\u003cp>For those in the latter camp, here are the best Bay Area activities to get outdoors and see something a little wild this summer.\u003c/p>\n\u003cfigure id=\"attachment_13956885\" class=\"wp-caption aligncenter\" style=\"max-width: 1368px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956885\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2.jpg\" alt=\"The front half of a whale's body emerges from water as a boat carrying passengers watches from a short distance.\" width=\"1368\" height=\"914\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2.jpg 1368w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2-768x513.jpg 768w\" sizes=\"(max-width: 1368px) 100vw, 1368px\">\u003cfigcaption class=\"wp-caption-text\">Humpback whales are very active in San Francisco Bay during the summer months. \u003ccite>(Photo by Michael Pierson; Courtesy of San Francisco Whale Tours)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Whale watching\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://sanfranciscowhaletours.com/whale-watching/golden-gate-whale-watch/\">San Francisco Whale Tours\u003c/a>\u003c/em>\u003cbr>\n\u003cem>Pier 39, San Francisco\u003c/em>\u003c/p>\n\u003cp>After spending the winter mating and calving off the coast of Mexico, humpback whales spend their summers in the San Francisco Bay. A great way to see these majestic mammals is to catch a ride with San Francisco Whale Tours. Every day, at noon and 3 p.m., the catamaran Kitty Kat sets sail from Pier 39 for a 2.5-hour tour that might also include sightings of harbor seals, dolphins and porpoises, plus a wide variety of sea bird colonies.\u003c/p>\n\u003cp>“Every tour is a unique experience,” Kat Nazar, owner of San Francisco Whale Tours, told KQED Arts. “Many times we have intel from vessel traffic control that will tell us where other boaters have reported sightings around the bay so we head to that area. Other times we head out blind, generally towards the Golden Gate Bridge. We find whales on about 90% of our tours.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And if you don’t see a whale on your tour? San Francisco Whale Tours will take you back out on the water for free. You can’t lose!\u003c/p>\n\u003cfigure id=\"attachment_13957307\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957307\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-2148681554-scaled-e1715035097581.jpg\" alt=\"Three rabbit lie snuggled close together in a pen.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Who wouldn’t want a ‘Rabbit Rendezvous’? \u003ccite>(Massimo Insabato/Archivio Massimo Insabato/ Mondadori Portfolio via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Learning about farmyard friends\u003c/h2>\n\u003cp>\u003ca href=\"https://www.ebparks.org/parks/visitor-centers/ardenwood\">\u003cem>Ardenwood Historic Farm\u003c/em>\u003c/a>\u003cbr>\n\u003cem>34600 Ardenwood Blvd., Fremont\u003c/em>\u003c/p>\n\u003cp>Throughout the summer, kids (and their adults) can get up close to rabbits, poultry and goats at the visitor center of Ardenwood Historic Farm. Dedicated weekend events include “Rabbit Rendezvous,” “Meet the Chickens” and “Farmyard Story Time.” On select Sunday mornings, “Wake Up the Farm” gives kids the opportunity to meet sheep and goats and take part in feeding them. Plus, for children fascinated by creepy crawlies, “Garden Bug Safari” is a must-try, getting kids to look closer at the miniature worlds at their feet.\u003c/p>\n\u003cp>Ardenwood is dedicated to education, so short classes about bees, cows and other living things are also on offer. They offer a wholesome day that’s great for animal lovers of all ages — even if you’re pretending it’s just for the little ones.\u003c/p>\n\u003cfigure id=\"attachment_13957386\" class=\"wp-caption aligncenter\" style=\"max-width: 1444px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957386\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM.png\" alt=\"An adult giraffe leans down and licks the ear of its smaller offspring.\" width=\"1444\" height=\"940\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM.png 1444w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM-800x521.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM-1020x664.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM-160x104.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM-768x500.png 768w\" sizes=\"(max-width: 1444px) 100vw, 1444px\">\u003cfigcaption class=\"wp-caption-text\">Two of Safari West’s resident giraffes. \u003ccite>(Sarah Jane Tarr/ Safari West)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Going on safari\u003c/h2>\n\u003cp>\u003ca href=\"https://safariwest.com/\">\u003cem>Safari West\u003c/em>\u003c/a>\u003cbr>\n\u003cem>3115 Porter Creek Rd., Santa Rosa\u003c/em>\u003c/p>\n\u003cp>If you’ve always wanted to go on safari, the destination you have in mind is probably very much \u003cem>not\u003c/em> Santa Rosa. However, Safari West’s 400 acres and 900 animals work hard to bring the Serengeti to Sonoma County. Here, you can see giraffes, gazelles, hyenas, zebras and a \u003ca href=\"https://safariwest.com/wildlife/\">variety of other fascinating creatures\u003c/a> from the back or top of customized open-sided vehicles under the guidance of the park’s researchers and conservationists.\u003c/p>\n\u003cp>Even better? The wildlife park offers a range of special events and \u003ca href=\"https://safariwest.com/plan-your-visit/behind-the-scenes/\">behind the scenes\u003c/a> experiences to get you in touch with your own wild side. The truly committed can \u003ca href=\"https://safariwest.com/plan-your-visit/spend-the-night/\">stay in a luxury tent overnight\u003c/a> on the property, but day-trippers can sign up for special small-group experiences with the on-site rhinos, cheetahs and other animals. Hot tip for those visiting in adults-only groups: Safari West also hosts safari experiences that double as wine and beer tastings.\u003c/p>\n\u003cfigure id=\"attachment_13957332\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957332\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM.png\" alt=\"A line of riders on horses walk down a beach in line.\" width=\"1200\" height=\"786\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM-800x524.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM-1020x668.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM-160x105.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM-768x503.png 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Ocean View Stables offers horseback riding for beginners. \u003ccite>(Courtesy of Ocean View Stables)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Horseback riding\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.oceanviewstables.com/\">Ocean View Stables\u003c/a>\u003c/em>\u003cbr>\n\u003cem>2152 Olympic Way, Daly City\u003c/em>\u003c/p>\n\u003cp>If you’ve recently lapsed into fullblown, Beyoncé-inspired \u003cem>Cowboy Carter\u003c/em> fantasies, Ocean View Stables is here to make all your horsey, trail-riding dreams come true. Whether you’re a beginner or already have some horseback experience, this Daly City stable has multiple options to make sure you get to ride ’em (cowboy) this summer. Probably the greatest summer option is an introductory lesson followed by a relaxing one-hour group ride on the beach.\u003c/p>\n\u003cp>If horses aren’t for you, but you’d like to turn the kids into young equestrians, there are also quick pony rides for the littles and a week-long horseback summer camp for children aged eight to 17.\u003c/p>\n\u003cfigure id=\"attachment_13957018\" class=\"wp-caption aligncenter\" style=\"max-width: 1634px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957018\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM.png\" alt=\"A shorn sheep stands on a yoga mat with humans sat on the ground next to her.\" width=\"1634\" height=\"1076\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM.png 1634w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-800x527.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-1020x672.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-160x105.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-768x506.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-1536x1011.png 1536w\" sizes=\"(max-width: 1634px) 100vw, 1634px\">\u003cfigcaption class=\"wp-caption-text\">Sheep meditation and goat yoga are both on offer from Charlie’s Acres this summer. \u003ccite>(Courtesy of Charlie's Acres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Meditating with sheep\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.charliesacres.org/\">Charlie’s Acres Farm Animal Sanctuary\u003c/a>\u003c/em>\u003cbr>\n\u003cem>3201 Napa Rd., Sonoma\u003c/em>\u003c/p>\n\u003cp>Meeting farm animals is fantastic, but have you ever tried \u003ca href=\"https://fareharbor.com/embeds/book/charliesacres/items/369712/calendar/2024/05/?flow=765589&full-items=yes\">meditating with sheep\u003c/a>? The animal lovers of Charlie’s Acres want to give you the opportunity to try both this summer. And, if you love those activities, why not sign up for some \u003ca href=\"https://fareharbor.com/embeds/book/charliesacres/items/369683/calendar/2024/05/?flow=765589&full-items=yes\">goat yoga\u003c/a> while you’re at it?\u003c/p>\n\u003cp>Since 2016, Charlie’s Acres founder Tracy Vogt has been introducing the public to her menagerie of rescued farm animals in ever more creative ways. All year round, the non-profit offers farm tours, photoshoot opportunities, plant-based picnics and yes, sheep meditation and goat yoga. On June 21, 2024 though, everything is combining into one very \u003ca href=\"https://fareharbor.com/embeds/book/charliesacres/items/538954/calendar/2024/06/?flow=717046&full-items=yes\">special retreat\u003c/a> to coincide with the summer solstice.\u003c/p>\n\u003cp>“Sheep meditation is a really lovely experience,” Sanctuary director Kaleigh Rhoads told KQED Arts. “We work with instructors who use a collection of crystal singing bowls along with their meditation. It’s a great opportunity to have a peaceful experience with typically shy animals.”\u003c/p>\n\u003cp>As for the yoga, Charlie’s Acres goats are adults, so they don’t jump on class participants. “They just love having visitors,” Rhoads explained. “It’s pretty silly and definitely more about the goats than yoga.”\u003c/p>\n\u003cfigure id=\"attachment_13957331\" class=\"wp-caption aligncenter\" style=\"max-width: 1876px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957331\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals.jpeg\" alt=\"A black seal pup and a white seal pup nap on a floating platform.\" width=\"1876\" height=\"1229\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals.jpeg 1876w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-800x524.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-1020x668.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-160x105.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-768x503.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-1536x1006.jpeg 1536w\" sizes=\"(max-width: 1876px) 100vw, 1876px\">\u003cfigcaption class=\"wp-caption-text\">Two young seals sun themselves on Sea Trek’s dock in Sausalito. \u003ccite>(Courtesy of Laura Zulliger, Sea Trek)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kayaking with seals\u003c/h2>\n\u003cp>\u003cem>Sea Trek\u003c/em>\u003cbr>\n\u003cem>1120 Ballena Blvd., Suite 200, \u003ca href=\"https://www.seatrek.com/alameda-location/\">Alameda\u003c/a>\u003cbr>\n2100 Bridgeway, \u003ca href=\"https://www.seatrek.com/\">Sausalito\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sea Trek, a kayak rental and excursion company, is so perfectly positioned to see Bay Area wildlife, it’s not unusual for employees to show up to work and find newborns on their Sausalito dock.\u003c/p>\n\u003cp>“The seal pups are not only super cute, but you can see them learning with their moms how to do basic things, like wiggle up on the dock and nurse,” Sea Trek kayaking instructor Laura Zulliger noted. “You can see the baby seals being cute and curious all throughout the summer.”\u003c/p>\n\u003cp>Sea Trek offers guided scenic tours from its \u003ca href=\"https://www.seatrek.com/tours-sausalito/#guided-tours\">Sausalito\u003c/a> and \u003ca href=\"https://www.seatrek.com/tours-alameda/#guided-tours\">Alameda\u003c/a> locations, both of which explore local sea and wildlife along the 2.5-hour paddle. During June, July and August, however, there are additional, summer-specific tours from both locations. Special Sausalito outings include monthly \u003ca href=\"https://www.seatrek.com/tours-sausalito/#guided-tours\">Angel Island Crossing\u003c/a> tours and bi-monthly \u003ca href=\"https://www.seatrek.com/tours-sausalito/#guided-tours\">Golden Gate Tours\u003c/a>. Both take kayakers in search of sea lions, porpoises, whales, birds and other wildlife. From Alameda, a \u003ca href=\"https://www.seatrek.com/trips/sausalito-take-the-kids-kayak-tour/\">kid-friendly outing\u003c/a> is paired with a fun and interactive trip to \u003ca href=\"https://www.ebparks.org/parks/visitor-centers/crab-cove\">Crab Cove’s Visitor Center\u003c/a>, while adult-specific scenic tours end in a visit to a \u003ca href=\"https://www.alamedaca.gov/RESIDENTS/Visiting-Alameda/Attractions-in-Alameda/Spirits-Alley\">Spirits Alley\u003c/a> brewery.\u003c/p>\n\u003cp>Sea Trek is dedicated to treating all wildlife and ecologies in the Bay with respect, while making their guided tours as fun and educational as possible. “We want to instill in paddlers that we need to give these animals space for their survival,” Zulliger emphasized.\u003c/p>\n\u003cfigure id=\"attachment_13957380\" class=\"wp-caption aligncenter\" style=\"max-width: 1648px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957380\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM.png\" alt=\"A group of people in beekeeping suits gather around a hive, as one beekeeper holds up part of a hive.\" width=\"1648\" height=\"1060\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM.png 1648w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-800x515.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-1020x656.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-160x103.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-768x494.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-1536x988.png 1536w\" sizes=\"(max-width: 1648px) 100vw, 1648px\">\u003cfigcaption class=\"wp-caption-text\">Students get a beekeeping 101 from the owner of San Francisco Honey & Pollen Company. \u003ccite>(Courtesy of San Francisco Honey & Pollen Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Beekeeping\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.sfhoneyandpollen.com/\">San Francisco Honey & Pollen Company\u003c/a>\u003c/em>\u003cbr>\n\u003cem>1176 Shafter Ave., San Francisco\u003c/em>\u003c/p>\n\u003cp>San Francisco’s Bayview is probably not the first destination folks have in mind when they think about getting in touch with wildlife. But on select weekends this summer, lifelong beekeeper Christina McDonald will be teaching beginners how to start beekeeping in their own backyards.\u003c/p>\n\u003cp>McDonald’s dad started beekeeping in the city 20 years ago, teaching her how to build and maintain hive boxes throughout her childhood. Her \u003ca href=\"https://www.sfhoneyandpollen.com/classes/beginner-beekeeping/\">Introduction to Beekeeping\u003c/a> class gives visitors an insight into the importance of bees in our local environment and then assists them in exploring some of SF Honey & Pollen Co.’s apiaries. After hands-on training, each course culminates in a honey and pollen tasting session.\u003c/p>\n\u003cp>If the beginner class gives you the bug, you can return for McDonald’s \u003ca href=\"https://www.sfhoneyandpollen.com/classes/advanced-beekeeping/\">advanced class\u003c/a>, where students learn how to extract honey from the hive and bottle it.\u003c/p>\n\u003ch2>Birdwatching\u003c/h2>\n\u003cfigure id=\"attachment_13957393\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957393\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1347414026-scaled-e1715123503905.jpg\" alt=\"A medium sized blue and white bird sits on a bare tree branch.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">A California Scrub-Jay — just one of the 414 species of birds spotted in Santa Clara County. \u003ccite>(Dukas/Universal Images Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://scvas.org/\">\u003cem>Santa Clara Valley Audubon Society\u003c/em>\u003c/a>\u003cbr>\n\u003cem>22221 McClellan Rd., Cupertino\u003c/em>\u003c/p>\n\u003cp>The members of the Santa Clara Valley Audubon Society just want you to love birds as much as they do, so they offer a huge range of free resources to make that happen. The SCVAS website walks you through \u003ca href=\"https://scvas.org/self-guided-field-trips\">self-guided birding outings\u003c/a>, categorized by area and season, but also offers regular (and frequently free) group excursions.\u003c/p>\n\u003cp>This summer, SCVAS outings are planned in \u003ca href=\"https://scvas.org/event-calendar/field-trip-sanborn-county-park-main-entrance-2-594tc\">Saratoga\u003c/a>, \u003ca href=\"https://scvas.org/event-calendar/field-trip-charleston-slough-mountain-view\">Mountain View\u003c/a>, \u003ca href=\"https://scvas.org/event-calendar/field-trip-lunchtime-birding-at-sunnyvale-water-pollution-control-plant-2-j36ts-d5y9a-z767y\">Sunnyvale\u003c/a>, \u003ca href=\"https://scvas.org/event-calendar/field-trip-stanford-arboretum-and-cactus-garden-3-ybs3p\">Stanford\u003c/a> and even the \u003ca href=\"https://scvas.org/event-calendar/farallon-islands-pelagic-trip\">Farallon Islands\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>On June 15, in a special celebration for Pride Month, the bird-lovers are also hosting a \u003cem>Queers of a Feather\u003c/em> field trip: a bird outing specifically for LGBTQ+ folks. \u003cem>Queers of a Feather\u003c/em> will be co-hosted by the \u003ca href=\"https://openspacetrust.org/\">Peninsula Open Space Trust\u003c/a>. That’s fitting, given that POST is hosting an online event on June 5 titled \u003ca href=\"https://openspacetrust.org/event/queer-is-natural-online-event/\">\u003cem>Queer Is Natural\u003c/em>\u003c/a>, which will explore queerness in nature. Clearly everyone involved heartily believes in flocking together.\u003c/p>\n\n","blocks":[],"excerpt":"In search of wildlife this summer? Where to find whales, seals, farmyard friends and even meditative sheep.","status":"publish","parent":0,"modified":1715724732,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":35,"wordCount":1679},"headData":{"title":"Where to Find Seals, Whales and Other Wildlife in the Bay Area | KQE","description":"In search of wildlife this summer? Where to find whales, seals, farmyard friends and even meditative sheep.","ogTitle":"Get Wild With Bay Area Animal Adventures This Summer","ogDescription":"","ogImgId":"","twTitle":"Get Wild With Bay Area Animal Adventures This Summer","twDescription":"","twImgId":"","socialTitle":"Where to Find Seals, Whales and Other Wildlife in the Bay Area%%page%% %%sep%% KQE","schema":{"@context":"http://schema.org","@type":"Article","headline":"8 Bay Area Animal Adventures to Make Your Summer More Wild","datePublished":"2024-05-14T16:00:18.000Z","dateModified":"2024-05-14T22:12:12.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Summer Guide 2024","sourceUrl":"https://www.kqed.org/arts/tag/summer-guide-2024","sticky":false,"nprStoryId":"kqed-13956635","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956635/bay-area-whale-watching-beekeeping-petting-zoo-horse-riding-goat-yoga","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When it comes to the great outdoors, there are two kinds of humans: those who can get lost in the scenery, and those that are there purely to catch a glimpse of the beautiful animals in our midst.\u003c/p>\n\u003cp>For those in the latter camp, here are the best Bay Area activities to get outdoors and see something a little wild this summer.\u003c/p>\n\u003cfigure id=\"attachment_13956885\" class=\"wp-caption aligncenter\" style=\"max-width: 1368px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956885\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2.jpg\" alt=\"The front half of a whale's body emerges from water as a boat carrying passengers watches from a short distance.\" width=\"1368\" height=\"914\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2.jpg 1368w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/image2-768x513.jpg 768w\" sizes=\"(max-width: 1368px) 100vw, 1368px\">\u003cfigcaption class=\"wp-caption-text\">Humpback whales are very active in San Francisco Bay during the summer months. \u003ccite>(Photo by Michael Pierson; Courtesy of San Francisco Whale Tours)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Whale watching\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://sanfranciscowhaletours.com/whale-watching/golden-gate-whale-watch/\">San Francisco Whale Tours\u003c/a>\u003c/em>\u003cbr>\n\u003cem>Pier 39, San Francisco\u003c/em>\u003c/p>\n\u003cp>After spending the winter mating and calving off the coast of Mexico, humpback whales spend their summers in the San Francisco Bay. A great way to see these majestic mammals is to catch a ride with San Francisco Whale Tours. Every day, at noon and 3 p.m., the catamaran Kitty Kat sets sail from Pier 39 for a 2.5-hour tour that might also include sightings of harbor seals, dolphins and porpoises, plus a wide variety of sea bird colonies.\u003c/p>\n\u003cp>“Every tour is a unique experience,” Kat Nazar, owner of San Francisco Whale Tours, told KQED Arts. “Many times we have intel from vessel traffic control that will tell us where other boaters have reported sightings around the bay so we head to that area. Other times we head out blind, generally towards the Golden Gate Bridge. We find whales on about 90% of our tours.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And if you don’t see a whale on your tour? San Francisco Whale Tours will take you back out on the water for free. You can’t lose!\u003c/p>\n\u003cfigure id=\"attachment_13957307\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957307\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-2148681554-scaled-e1715035097581.jpg\" alt=\"Three rabbit lie snuggled close together in a pen.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Who wouldn’t want a ‘Rabbit Rendezvous’? \u003ccite>(Massimo Insabato/Archivio Massimo Insabato/ Mondadori Portfolio via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Learning about farmyard friends\u003c/h2>\n\u003cp>\u003ca href=\"https://www.ebparks.org/parks/visitor-centers/ardenwood\">\u003cem>Ardenwood Historic Farm\u003c/em>\u003c/a>\u003cbr>\n\u003cem>34600 Ardenwood Blvd., Fremont\u003c/em>\u003c/p>\n\u003cp>Throughout the summer, kids (and their adults) can get up close to rabbits, poultry and goats at the visitor center of Ardenwood Historic Farm. Dedicated weekend events include “Rabbit Rendezvous,” “Meet the Chickens” and “Farmyard Story Time.” On select Sunday mornings, “Wake Up the Farm” gives kids the opportunity to meet sheep and goats and take part in feeding them. Plus, for children fascinated by creepy crawlies, “Garden Bug Safari” is a must-try, getting kids to look closer at the miniature worlds at their feet.\u003c/p>\n\u003cp>Ardenwood is dedicated to education, so short classes about bees, cows and other living things are also on offer. They offer a wholesome day that’s great for animal lovers of all ages — even if you’re pretending it’s just for the little ones.\u003c/p>\n\u003cfigure id=\"attachment_13957386\" class=\"wp-caption aligncenter\" style=\"max-width: 1444px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957386\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM.png\" alt=\"An adult giraffe leans down and licks the ear of its smaller offspring.\" width=\"1444\" height=\"940\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM.png 1444w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM-800x521.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM-1020x664.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM-160x104.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.48.29-PM-768x500.png 768w\" sizes=\"(max-width: 1444px) 100vw, 1444px\">\u003cfigcaption class=\"wp-caption-text\">Two of Safari West’s resident giraffes. \u003ccite>(Sarah Jane Tarr/ Safari West)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Going on safari\u003c/h2>\n\u003cp>\u003ca href=\"https://safariwest.com/\">\u003cem>Safari West\u003c/em>\u003c/a>\u003cbr>\n\u003cem>3115 Porter Creek Rd., Santa Rosa\u003c/em>\u003c/p>\n\u003cp>If you’ve always wanted to go on safari, the destination you have in mind is probably very much \u003cem>not\u003c/em> Santa Rosa. However, Safari West’s 400 acres and 900 animals work hard to bring the Serengeti to Sonoma County. Here, you can see giraffes, gazelles, hyenas, zebras and a \u003ca href=\"https://safariwest.com/wildlife/\">variety of other fascinating creatures\u003c/a> from the back or top of customized open-sided vehicles under the guidance of the park’s researchers and conservationists.\u003c/p>\n\u003cp>Even better? The wildlife park offers a range of special events and \u003ca href=\"https://safariwest.com/plan-your-visit/behind-the-scenes/\">behind the scenes\u003c/a> experiences to get you in touch with your own wild side. The truly committed can \u003ca href=\"https://safariwest.com/plan-your-visit/spend-the-night/\">stay in a luxury tent overnight\u003c/a> on the property, but day-trippers can sign up for special small-group experiences with the on-site rhinos, cheetahs and other animals. Hot tip for those visiting in adults-only groups: Safari West also hosts safari experiences that double as wine and beer tastings.\u003c/p>\n\u003cfigure id=\"attachment_13957332\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957332\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM.png\" alt=\"A line of riders on horses walk down a beach in line.\" width=\"1200\" height=\"786\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM-800x524.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM-1020x668.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM-160x105.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-06-at-11.29.57-PM-768x503.png 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Ocean View Stables offers horseback riding for beginners. \u003ccite>(Courtesy of Ocean View Stables)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Horseback riding\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.oceanviewstables.com/\">Ocean View Stables\u003c/a>\u003c/em>\u003cbr>\n\u003cem>2152 Olympic Way, Daly City\u003c/em>\u003c/p>\n\u003cp>If you’ve recently lapsed into fullblown, Beyoncé-inspired \u003cem>Cowboy Carter\u003c/em> fantasies, Ocean View Stables is here to make all your horsey, trail-riding dreams come true. Whether you’re a beginner or already have some horseback experience, this Daly City stable has multiple options to make sure you get to ride ’em (cowboy) this summer. Probably the greatest summer option is an introductory lesson followed by a relaxing one-hour group ride on the beach.\u003c/p>\n\u003cp>If horses aren’t for you, but you’d like to turn the kids into young equestrians, there are also quick pony rides for the littles and a week-long horseback summer camp for children aged eight to 17.\u003c/p>\n\u003cfigure id=\"attachment_13957018\" class=\"wp-caption aligncenter\" style=\"max-width: 1634px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957018\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM.png\" alt=\"A shorn sheep stands on a yoga mat with humans sat on the ground next to her.\" width=\"1634\" height=\"1076\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM.png 1634w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-800x527.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-1020x672.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-160x105.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-768x506.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-01-at-5.01.35-PM-1536x1011.png 1536w\" sizes=\"(max-width: 1634px) 100vw, 1634px\">\u003cfigcaption class=\"wp-caption-text\">Sheep meditation and goat yoga are both on offer from Charlie’s Acres this summer. \u003ccite>(Courtesy of Charlie's Acres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Meditating with sheep\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.charliesacres.org/\">Charlie’s Acres Farm Animal Sanctuary\u003c/a>\u003c/em>\u003cbr>\n\u003cem>3201 Napa Rd., Sonoma\u003c/em>\u003c/p>\n\u003cp>Meeting farm animals is fantastic, but have you ever tried \u003ca href=\"https://fareharbor.com/embeds/book/charliesacres/items/369712/calendar/2024/05/?flow=765589&full-items=yes\">meditating with sheep\u003c/a>? The animal lovers of Charlie’s Acres want to give you the opportunity to try both this summer. And, if you love those activities, why not sign up for some \u003ca href=\"https://fareharbor.com/embeds/book/charliesacres/items/369683/calendar/2024/05/?flow=765589&full-items=yes\">goat yoga\u003c/a> while you’re at it?\u003c/p>\n\u003cp>Since 2016, Charlie’s Acres founder Tracy Vogt has been introducing the public to her menagerie of rescued farm animals in ever more creative ways. All year round, the non-profit offers farm tours, photoshoot opportunities, plant-based picnics and yes, sheep meditation and goat yoga. On June 21, 2024 though, everything is combining into one very \u003ca href=\"https://fareharbor.com/embeds/book/charliesacres/items/538954/calendar/2024/06/?flow=717046&full-items=yes\">special retreat\u003c/a> to coincide with the summer solstice.\u003c/p>\n\u003cp>“Sheep meditation is a really lovely experience,” Sanctuary director Kaleigh Rhoads told KQED Arts. “We work with instructors who use a collection of crystal singing bowls along with their meditation. It’s a great opportunity to have a peaceful experience with typically shy animals.”\u003c/p>\n\u003cp>As for the yoga, Charlie’s Acres goats are adults, so they don’t jump on class participants. “They just love having visitors,” Rhoads explained. “It’s pretty silly and definitely more about the goats than yoga.”\u003c/p>\n\u003cfigure id=\"attachment_13957331\" class=\"wp-caption aligncenter\" style=\"max-width: 1876px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957331\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals.jpeg\" alt=\"A black seal pup and a white seal pup nap on a floating platform.\" width=\"1876\" height=\"1229\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals.jpeg 1876w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-800x524.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-1020x668.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-160x105.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-768x503.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/seals-1536x1006.jpeg 1536w\" sizes=\"(max-width: 1876px) 100vw, 1876px\">\u003cfigcaption class=\"wp-caption-text\">Two young seals sun themselves on Sea Trek’s dock in Sausalito. \u003ccite>(Courtesy of Laura Zulliger, Sea Trek)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kayaking with seals\u003c/h2>\n\u003cp>\u003cem>Sea Trek\u003c/em>\u003cbr>\n\u003cem>1120 Ballena Blvd., Suite 200, \u003ca href=\"https://www.seatrek.com/alameda-location/\">Alameda\u003c/a>\u003cbr>\n2100 Bridgeway, \u003ca href=\"https://www.seatrek.com/\">Sausalito\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sea Trek, a kayak rental and excursion company, is so perfectly positioned to see Bay Area wildlife, it’s not unusual for employees to show up to work and find newborns on their Sausalito dock.\u003c/p>\n\u003cp>“The seal pups are not only super cute, but you can see them learning with their moms how to do basic things, like wiggle up on the dock and nurse,” Sea Trek kayaking instructor Laura Zulliger noted. “You can see the baby seals being cute and curious all throughout the summer.”\u003c/p>\n\u003cp>Sea Trek offers guided scenic tours from its \u003ca href=\"https://www.seatrek.com/tours-sausalito/#guided-tours\">Sausalito\u003c/a> and \u003ca href=\"https://www.seatrek.com/tours-alameda/#guided-tours\">Alameda\u003c/a> locations, both of which explore local sea and wildlife along the 2.5-hour paddle. During June, July and August, however, there are additional, summer-specific tours from both locations. Special Sausalito outings include monthly \u003ca href=\"https://www.seatrek.com/tours-sausalito/#guided-tours\">Angel Island Crossing\u003c/a> tours and bi-monthly \u003ca href=\"https://www.seatrek.com/tours-sausalito/#guided-tours\">Golden Gate Tours\u003c/a>. Both take kayakers in search of sea lions, porpoises, whales, birds and other wildlife. From Alameda, a \u003ca href=\"https://www.seatrek.com/trips/sausalito-take-the-kids-kayak-tour/\">kid-friendly outing\u003c/a> is paired with a fun and interactive trip to \u003ca href=\"https://www.ebparks.org/parks/visitor-centers/crab-cove\">Crab Cove’s Visitor Center\u003c/a>, while adult-specific scenic tours end in a visit to a \u003ca href=\"https://www.alamedaca.gov/RESIDENTS/Visiting-Alameda/Attractions-in-Alameda/Spirits-Alley\">Spirits Alley\u003c/a> brewery.\u003c/p>\n\u003cp>Sea Trek is dedicated to treating all wildlife and ecologies in the Bay with respect, while making their guided tours as fun and educational as possible. “We want to instill in paddlers that we need to give these animals space for their survival,” Zulliger emphasized.\u003c/p>\n\u003cfigure id=\"attachment_13957380\" class=\"wp-caption aligncenter\" style=\"max-width: 1648px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957380\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM.png\" alt=\"A group of people in beekeeping suits gather around a hive, as one beekeeper holds up part of a hive.\" width=\"1648\" height=\"1060\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM.png 1648w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-800x515.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-1020x656.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-160x103.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-768x494.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-07-at-12.26.05-PM-1536x988.png 1536w\" sizes=\"(max-width: 1648px) 100vw, 1648px\">\u003cfigcaption class=\"wp-caption-text\">Students get a beekeeping 101 from the owner of San Francisco Honey & Pollen Company. \u003ccite>(Courtesy of San Francisco Honey & Pollen Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Beekeeping\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.sfhoneyandpollen.com/\">San Francisco Honey & Pollen Company\u003c/a>\u003c/em>\u003cbr>\n\u003cem>1176 Shafter Ave., San Francisco\u003c/em>\u003c/p>\n\u003cp>San Francisco’s Bayview is probably not the first destination folks have in mind when they think about getting in touch with wildlife. But on select weekends this summer, lifelong beekeeper Christina McDonald will be teaching beginners how to start beekeeping in their own backyards.\u003c/p>\n\u003cp>McDonald’s dad started beekeeping in the city 20 years ago, teaching her how to build and maintain hive boxes throughout her childhood. Her \u003ca href=\"https://www.sfhoneyandpollen.com/classes/beginner-beekeeping/\">Introduction to Beekeeping\u003c/a> class gives visitors an insight into the importance of bees in our local environment and then assists them in exploring some of SF Honey & Pollen Co.’s apiaries. After hands-on training, each course culminates in a honey and pollen tasting session.\u003c/p>\n\u003cp>If the beginner class gives you the bug, you can return for McDonald’s \u003ca href=\"https://www.sfhoneyandpollen.com/classes/advanced-beekeeping/\">advanced class\u003c/a>, where students learn how to extract honey from the hive and bottle it.\u003c/p>\n\u003ch2>Birdwatching\u003c/h2>\n\u003cfigure id=\"attachment_13957393\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957393\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1347414026-scaled-e1715123503905.jpg\" alt=\"A medium sized blue and white bird sits on a bare tree branch.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">A California Scrub-Jay — just one of the 414 species of birds spotted in Santa Clara County. \u003ccite>(Dukas/Universal Images Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://scvas.org/\">\u003cem>Santa Clara Valley Audubon Society\u003c/em>\u003c/a>\u003cbr>\n\u003cem>22221 McClellan Rd., Cupertino\u003c/em>\u003c/p>\n\u003cp>The members of the Santa Clara Valley Audubon Society just want you to love birds as much as they do, so they offer a huge range of free resources to make that happen. The SCVAS website walks you through \u003ca href=\"https://scvas.org/self-guided-field-trips\">self-guided birding outings\u003c/a>, categorized by area and season, but also offers regular (and frequently free) group excursions.\u003c/p>\n\u003cp>This summer, SCVAS outings are planned in \u003ca href=\"https://scvas.org/event-calendar/field-trip-sanborn-county-park-main-entrance-2-594tc\">Saratoga\u003c/a>, \u003ca href=\"https://scvas.org/event-calendar/field-trip-charleston-slough-mountain-view\">Mountain View\u003c/a>, \u003ca href=\"https://scvas.org/event-calendar/field-trip-lunchtime-birding-at-sunnyvale-water-pollution-control-plant-2-j36ts-d5y9a-z767y\">Sunnyvale\u003c/a>, \u003ca href=\"https://scvas.org/event-calendar/field-trip-stanford-arboretum-and-cactus-garden-3-ybs3p\">Stanford\u003c/a> and even the \u003ca href=\"https://scvas.org/event-calendar/farallon-islands-pelagic-trip\">Farallon Islands\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On June 15, in a special celebration for Pride Month, the bird-lovers are also hosting a \u003cem>Queers of a Feather\u003c/em> field trip: a bird outing specifically for LGBTQ+ folks. \u003cem>Queers of a Feather\u003c/em> will be co-hosted by the \u003ca href=\"https://openspacetrust.org/\">Peninsula Open Space Trust\u003c/a>. That’s fitting, given that POST is hosting an online event on June 5 titled \u003ca href=\"https://openspacetrust.org/event/queer-is-natural-online-event/\">\u003cem>Queer Is Natural\u003c/em>\u003c/a>, which will explore queerness in nature. Clearly everyone involved heartily believes in flocking together.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956635/bay-area-whale-watching-beekeeping-petting-zoo-horse-riding-goat-yoga","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_11615"],"tags":["arts_9124","arts_10278","arts_2832","arts_22150","arts_585","arts_5878"],"featImg":"arts_13957013","label":"source_arts_13956635"},"arts_13957691":{"type":"posts","id":"arts_13957691","meta":{"index":"posts_1591205157","site":"arts","id":"13957691","found":true},"guestAuthors":[],"slug":"mosquito-lady-short-film-kristine-gerolaga-caamfest","title":"‘Mosquito Lady’ Shows the Horror of Losing Reproductive Freedom","publishDate":1715635218,"format":"aside","headTitle":"‘Mosquito Lady’ Shows the Horror of Losing Reproductive Freedom | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cfigure id=\"attachment_13957695\" class=\"wp-caption aligncenter\" style=\"max-width: 3584px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957695\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01.png\" alt=\"A still from 'Mosquito Lady' showing the main character with a look of terror on her face in a dimly lit room.\" width=\"3584\" height=\"1497\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01.png 3584w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-800x334.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-1020x426.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-160x67.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-768x321.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-1536x642.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-2048x855.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-1920x802.png 1920w\" sizes=\"(max-width: 3584px) 100vw, 3584px\">\u003cfigcaption class=\"wp-caption-text\">Hanna Lorica stars in ‘Mosquito Lady’ as Gemma, a pregnant teenager who turns to a mysterious neighbor for help. \u003ccite>(Kristine Gerolaga)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Imagine being a teenager with a belly bump the size of a basketball, barely hidden underneath a baggy shirt. Google searches for an escape from motherhood feel like dead ends, and no one else your age knows any better.\u003c/p>\n\u003cp>Vallejo-bred actress and filmmaker \u003ca href=\"https://www.kristinegerolaga.com/\">Kristine Gerolaga\u003c/a>’s latest horror film, \u003ca href=\"https://www.kristinegerolaga.com/mosquitolady\">\u003cem>Mosquito Lady\u003c/em>\u003c/a>, follows a pregnant girl named Gemma who, in lieu of parental support, turns to the creepy neighbor they warned her about — even if that means her life’s on the line.\u003c/p>\n\u003cp>This short film is nothing like \u003cem>Juno\u003c/em>. \u003ca href=\"https://caamfest.com/2024/movies/mosquito-lady/\">Screening May 18 at CAAMFest\u003c/a>, \u003cem>Mosquito Lady\u003c/em> dives into topics like bodily autonomy and reproductive rights, and builds a sense of true dread with a twist from Filipino folklore.\u003c/p>\n\u003cp>https://vimeo.com/866459770\u003c/p>\n\u003cp>The film’s mythological element takes the shape of the manananggal, a baby-eating, vampire-esque monster with wings. “Sightings” have been reported in provincial regions of the Philippines. Its kryptonite? Sunlight.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sure, there’s terror in a blood-sucking, flying woman with no legs, but the cryptic fear in \u003cem>Mosquito Lady\u003c/em> lurks between what’s said and what isn’t. In Gemma’s case, that stems from being an overwhelmed kid without guidance or resources — plus the shackles of familial expectations to keep things under wraps and not end up like cousin so-and-so.\u003c/p>\n\u003cfigure id=\"attachment_13957696\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957696\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/KRISTINE_GEROLAGA.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/KRISTINE_GEROLAGA.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/KRISTINE_GEROLAGA-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/KRISTINE_GEROLAGA-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker Kristine Gerolaga. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Without access to reproductive care, Gemma visits the manananggal’s house and, to no surprise, finds some truth to the eerie stories.\u003c/p>\n\u003cp>Gerolaga’s idea for the short film sparked around 2016, when 18 states adopted new abortion restrictions. In 2022, Roe v. Wade was overturned, ending federal abortion rights altogether. (California, Hawaii and Illinois are \u003ca href=\"https://www.usnews.com/news/best-states/articles/a-guide-to-abortion-laws-by-state\">among the states\u003c/a> that still allow abortions until fetal viability, or until a fetus can live on its own outside of the uterus.)\u003c/p>\n\u003cp>Currently, only 39 states \u003ca href=\"https://www.plannedparenthood.org/learn/for-educators/whats-state-sex-education-us\">mandate some form of sexual education\u003c/a> in the school curriculum. Personally, I couldn’t tell you what we learned in what was probably a one-day workshop when I was in school over a decade ago.\u003c/p>\n\u003cp>For Gerolaga, it was the same story. “The way we were taught about sexual health and our bodies, it was limited to, ‘Don’t have sex,’” Gerolaga says. “‘If you do — if you get pregnant — we’re gonna kick you out.’ You know, like, your life is over.”\u003c/p>\n\u003cp>She continues, “I tried to put into \u003cem>Mosquito Lady\u003c/em>, you know, as loving as my family is and as supportive as they are, it made me realize what it must have been like for them to grow up as well with expectations placed on them by their own parents — and their parents and their parents. And how it’s just been an ongoing cycle.”\u003c/p>\n\u003cp>In the film, Gemma, played by Bay Area local Hanna Lorica, sits across her parents like a child on timeout. The scene cuts between close-up shots of Gemma’s anxious reactions and her point of view. The sound design is so on point that the viewer vividly experiences her fear — holding your breath in hopes that the chaos will die down if you wait long enough.\u003c/p>\n\u003cfigure id=\"attachment_13957697\" class=\"wp-caption aligncenter\" style=\"max-width: 3584px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957697\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02.png\" alt=\"\" width=\"3584\" height=\"1499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02.png 3584w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-800x335.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-1020x427.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-160x67.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-768x321.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-1536x642.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-2048x857.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-1920x803.png 1920w\" sizes=\"(max-width: 3584px) 100vw, 3584px\">\u003cfigcaption class=\"wp-caption-text\">The manananggal, a blood-sucking creature from Filipino folklore, isn’t the only terrifying thing about ‘Mosquito Lady.’ \u003ccite>(Kristine Gerolaga)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“As an adult now, [I’m] thinking back to those times of just how ashamed and scared I was,” reflects Gerolaga, “of being a girl, being someone who could get pregnant, being someone who could be blamed for getting pregnant… and just having to deal with that at a young age and the consequences of those things.” [aside postid='arts_13957410']\u003c/p>\n\u003cp>Looking towards the future, she continues, “We’re now of the age that we’re having kids, right? Our generation. I hope it does make us think about how we’re going to talk to our own kids about their bodies, their sexual health, their sexuality, their rights. And maybe break that cycle of shame, right?”\u003c/p>\n\u003cp>In addition to Mosquito\u003cem> Lady \u003c/em>— which premiered at Beyond Fest 2023 and won Best Effects at Brooklyn Horror Film Festival — Gerolaga has written and directed a variety of projects, including her short film \u003cem>Concealer\u003c/em> and a micro-series titled \u003ca href=\"https://www.youtube.com/@krimstine8835\">@starringkristine on YouTube\u003c/a>. She’s now developing her debut feature film, \u003cem>LAMOK\u003c/em>, with support from Sundance Institute’s Screenwriters Lab and Horror Fellowship. [aside postid='arts_13957514']\u003c/p>\n\u003cp>Her biggest takeaway from bringing her vision for \u003cem>Mosquito Lady\u003c/em> to life? Gerolaga says, “We deserve to be healthy and happy — and understand our bodies.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>As part of this year’s \u003ca href=\"https://caamfest.com/2024/\">CAAMFest\u003c/a>, ‘Mosquito Lady’ will have its Bay Area premiere on May 18 at San Francisco’s Roxie Theater. \u003ca href=\"https://caamfest.com/2024/movies/mosquito-lady/\">Details and tickets here\u003c/a>. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The short film, screening at CAAMFest, tells a story of a teen pregnancy — with a twist from Filipino folklore. ","status":"publish","parent":0,"modified":1715635218,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":860},"headData":{"title":"‘Mosquito Lady’ Shows the Horror of Losing Reproductive Freedom | KQED","description":"The short film, screening at CAAMFest, tells a story of a teen pregnancy — with a twist from Filipino folklore. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"‘Mosquito Lady’ Shows the Horror of Losing Reproductive Freedom","datePublished":"2024-05-13T21:20:18.000Z","dateModified":"2024-05-13T21:20:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Amyra Soriano","nprStoryId":"kqed-13957691","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957691/mosquito-lady-short-film-kristine-gerolaga-caamfest","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13957695\" class=\"wp-caption aligncenter\" style=\"max-width: 3584px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957695\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01.png\" alt=\"A still from 'Mosquito Lady' showing the main character with a look of terror on her face in a dimly lit room.\" width=\"3584\" height=\"1497\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01.png 3584w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-800x334.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-1020x426.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-160x67.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-768x321.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-1536x642.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-2048x855.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_01-1920x802.png 1920w\" sizes=\"(max-width: 3584px) 100vw, 3584px\">\u003cfigcaption class=\"wp-caption-text\">Hanna Lorica stars in ‘Mosquito Lady’ as Gemma, a pregnant teenager who turns to a mysterious neighbor for help. \u003ccite>(Kristine Gerolaga)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Imagine being a teenager with a belly bump the size of a basketball, barely hidden underneath a baggy shirt. Google searches for an escape from motherhood feel like dead ends, and no one else your age knows any better.\u003c/p>\n\u003cp>Vallejo-bred actress and filmmaker \u003ca href=\"https://www.kristinegerolaga.com/\">Kristine Gerolaga\u003c/a>’s latest horror film, \u003ca href=\"https://www.kristinegerolaga.com/mosquitolady\">\u003cem>Mosquito Lady\u003c/em>\u003c/a>, follows a pregnant girl named Gemma who, in lieu of parental support, turns to the creepy neighbor they warned her about — even if that means her life’s on the line.\u003c/p>\n\u003cp>This short film is nothing like \u003cem>Juno\u003c/em>. \u003ca href=\"https://caamfest.com/2024/movies/mosquito-lady/\">Screening May 18 at CAAMFest\u003c/a>, \u003cem>Mosquito Lady\u003c/em> dives into topics like bodily autonomy and reproductive rights, and builds a sense of true dread with a twist from Filipino folklore.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"vimeoLink","attributes":{"named":{"vimeoId":"866459770"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The film’s mythological element takes the shape of the manananggal, a baby-eating, vampire-esque monster with wings. “Sightings” have been reported in provincial regions of the Philippines. Its kryptonite? Sunlight.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sure, there’s terror in a blood-sucking, flying woman with no legs, but the cryptic fear in \u003cem>Mosquito Lady\u003c/em> lurks between what’s said and what isn’t. In Gemma’s case, that stems from being an overwhelmed kid without guidance or resources — plus the shackles of familial expectations to keep things under wraps and not end up like cousin so-and-so.\u003c/p>\n\u003cfigure id=\"attachment_13957696\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957696\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/KRISTINE_GEROLAGA.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/KRISTINE_GEROLAGA.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/KRISTINE_GEROLAGA-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/KRISTINE_GEROLAGA-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker Kristine Gerolaga. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Without access to reproductive care, Gemma visits the manananggal’s house and, to no surprise, finds some truth to the eerie stories.\u003c/p>\n\u003cp>Gerolaga’s idea for the short film sparked around 2016, when 18 states adopted new abortion restrictions. In 2022, Roe v. Wade was overturned, ending federal abortion rights altogether. (California, Hawaii and Illinois are \u003ca href=\"https://www.usnews.com/news/best-states/articles/a-guide-to-abortion-laws-by-state\">among the states\u003c/a> that still allow abortions until fetal viability, or until a fetus can live on its own outside of the uterus.)\u003c/p>\n\u003cp>Currently, only 39 states \u003ca href=\"https://www.plannedparenthood.org/learn/for-educators/whats-state-sex-education-us\">mandate some form of sexual education\u003c/a> in the school curriculum. Personally, I couldn’t tell you what we learned in what was probably a one-day workshop when I was in school over a decade ago.\u003c/p>\n\u003cp>For Gerolaga, it was the same story. “The way we were taught about sexual health and our bodies, it was limited to, ‘Don’t have sex,’” Gerolaga says. “‘If you do — if you get pregnant — we’re gonna kick you out.’ You know, like, your life is over.”\u003c/p>\n\u003cp>She continues, “I tried to put into \u003cem>Mosquito Lady\u003c/em>, you know, as loving as my family is and as supportive as they are, it made me realize what it must have been like for them to grow up as well with expectations placed on them by their own parents — and their parents and their parents. And how it’s just been an ongoing cycle.”\u003c/p>\n\u003cp>In the film, Gemma, played by Bay Area local Hanna Lorica, sits across her parents like a child on timeout. The scene cuts between close-up shots of Gemma’s anxious reactions and her point of view. The sound design is so on point that the viewer vividly experiences her fear — holding your breath in hopes that the chaos will die down if you wait long enough.\u003c/p>\n\u003cfigure id=\"attachment_13957697\" class=\"wp-caption aligncenter\" style=\"max-width: 3584px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957697\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02.png\" alt=\"\" width=\"3584\" height=\"1499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02.png 3584w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-800x335.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-1020x427.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-160x67.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-768x321.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-1536x642.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-2048x857.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/MOSQUITOLADY_02-1920x803.png 1920w\" sizes=\"(max-width: 3584px) 100vw, 3584px\">\u003cfigcaption class=\"wp-caption-text\">The manananggal, a blood-sucking creature from Filipino folklore, isn’t the only terrifying thing about ‘Mosquito Lady.’ \u003ccite>(Kristine Gerolaga)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“As an adult now, [I’m] thinking back to those times of just how ashamed and scared I was,” reflects Gerolaga, “of being a girl, being someone who could get pregnant, being someone who could be blamed for getting pregnant… and just having to deal with that at a young age and the consequences of those things.” \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13957410","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Looking towards the future, she continues, “We’re now of the age that we’re having kids, right? Our generation. I hope it does make us think about how we’re going to talk to our own kids about their bodies, their sexual health, their sexuality, their rights. And maybe break that cycle of shame, right?”\u003c/p>\n\u003cp>In addition to Mosquito\u003cem> Lady \u003c/em>— which premiered at Beyond Fest 2023 and won Best Effects at Brooklyn Horror Film Festival — Gerolaga has written and directed a variety of projects, including her short film \u003cem>Concealer\u003c/em> and a micro-series titled \u003ca href=\"https://www.youtube.com/@krimstine8835\">@starringkristine on YouTube\u003c/a>. She’s now developing her debut feature film, \u003cem>LAMOK\u003c/em>, with support from Sundance Institute’s Screenwriters Lab and Horror Fellowship. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13957514","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Her biggest takeaway from bringing her vision for \u003cem>Mosquito Lady\u003c/em> to life? Gerolaga says, “We deserve to be healthy and happy — and understand our bodies.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>As part of this year’s \u003ca href=\"https://caamfest.com/2024/\">CAAMFest\u003c/a>, ‘Mosquito Lady’ will have its Bay Area premiere on May 18 at San Francisco’s Roxie Theater. \u003ca href=\"https://caamfest.com/2024/movies/mosquito-lady/\">Details and tickets here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957691/mosquito-lady-short-film-kristine-gerolaga-caamfest","authors":["byline_arts_13957691"],"programs":["arts_140"],"categories":["arts_1","arts_74"],"tags":["arts_4762","arts_10278","arts_585"],"featImg":"arts_13957694","label":"arts_140"},"arts_12767491":{"type":"posts","id":"arts_12767491","meta":{"index":"posts_1591205157","site":"arts","id":"12767491","found":true},"guestAuthors":[],"slug":"director-simon-saveylev-on-his-cynical-rom-com-googly-eyes","title":"Director Simon Saveylev on his Cynical Rom-Com ‘Googly Eyes’","publishDate":1487106780,"format":"standard","headTitle":"Director Simon Saveylev on his Cynical Rom-Com ‘Googly Eyes’ | KQED","labelTerm":{},"content":"\u003cp>Simon Savelyev’s \u003cem>Googly Eyes\u003c/em> is the perfect cynical romantic comedy for Valentine’s Day. Or, really, any day of the year. Starring \u003ca target=\"_blank\" href=\"http://www.imdb.com/name/nm1640173/\" rel=\"noopener\">Cooper Barnes\u003c/a> as Gary (Nickelodeon’s \u003cem>Henry Danger\u003c/em>) and \u003ca target=\"_blank\" href=\"http://www.imdb.com/name/nm3189010/?ref_=tt_cl_t2\" rel=\"noopener\">Laura Spencer\u003c/a> as Suzy (\u003cem>The Big Bang Theory\u003c/em>), this wry short follows a newly broken-up couple as they try \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2017/02/14/director-simon-saveylev-on-his-cynical-rom-com-googly-eyes/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2017/02/14/director-simon-saveylev-on-his-cynical-rom-com-googly-eyes/\" target=\"_blank\" title=\"Director Simon Saveylev on his Cynical Rom-Com ‘Googly Eyes’\" rel=\"noopener\">Films School Shorts News\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Simon Savelyev's \u003cem>Googly Eyes\u003c/em> is the perfect cynical romantic comedy for Valentine's Day. Or, really, any day of the year. ","status":"publish","parent":0,"modified":1705031556,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":65},"headData":{"title":"Director Simon Saveylev on his Cynical Rom-Com ‘Googly Eyes’ | KQED","description":"Simon Savelyev's Googly Eyes is the perfect cynical romantic comedy for Valentine's Day. Or, really, any day of the year. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Director Simon Saveylev on his Cynical Rom-Com ‘Googly Eyes’","datePublished":"2017-02-14T21:13:00.000Z","dateModified":"2024-01-12T03:52:36.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"},"authorsData":[{"type":"authors","id":"8652","meta":{"index":"authors_1591205172","id":"8652","found":true},"name":"Film School Shorts","firstName":"Film","lastName":"School Shorts","slug":"filmss","email":"filmschoolshorts@KQED.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":null,"avatar":"https://secure.gravatar.com/avatar/cb10b2f540e071dd03f4b8862a7272ca?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]}],"headData":{"title":"Film School Shorts | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/cb10b2f540e071dd03f4b8862a7272ca?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/cb10b2f540e071dd03f4b8862a7272ca?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/filmss"}],"imageData":{"ogImageSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/02/12767491-thumb-1020x677.jpg","width":1020,"height":677,"mimeType":"image/jpeg"},"ogImageWidth":"1020","ogImageHeight":"677","twitterImageUrl":"https://ww2.kqed.org/app/uploads/sites/2/2017/02/12767491-thumb-1020x677.jpg","twImageSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/02/12767491-thumb-1020x677.jpg","width":1020,"height":677,"mimeType":"image/jpeg"},"twitterCard":"summary_large_image"},"tagData":{"tags":[]}},"rssmiSourceLink":"http://blogs.kqed.org/filmschoolshorts/2017/02/14/director-simon-saveylev-on-his-cynical-rom-com-googly-eyes/","sticky":false,"path":"/arts/12767491/director-simon-saveylev-on-his-cynical-rom-com-googly-eyes","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Simon Savelyev’s \u003cem>Googly Eyes\u003c/em> is the perfect cynical romantic comedy for Valentine’s Day. Or, really, any day of the year. Starring \u003ca target=\"_blank\" href=\"http://www.imdb.com/name/nm1640173/\" rel=\"noopener\">Cooper Barnes\u003c/a> as Gary (Nickelodeon’s \u003cem>Henry Danger\u003c/em>) and \u003ca target=\"_blank\" href=\"http://www.imdb.com/name/nm3189010/?ref_=tt_cl_t2\" rel=\"noopener\">Laura Spencer\u003c/a> as Suzy (\u003cem>The Big Bang Theory\u003c/em>), this wry short follows a newly broken-up couple as they try \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2017/02/14/director-simon-saveylev-on-his-cynical-rom-com-googly-eyes/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2017/02/14/director-simon-saveylev-on-his-cynical-rom-com-googly-eyes/\" target=\"_blank\" title=\"Director Simon Saveylev on his Cynical Rom-Com ‘Googly Eyes’\" rel=\"noopener\">Films School Shorts News\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12767491/director-simon-saveylev-on-his-cynical-rom-com-googly-eyes","authors":["8652"],"programs":["arts_569"],"categories":["arts_74"],"featImg":"arts_12767492","label":"arts","isLoading":false,"hasAllInfo":true}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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