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A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino.



The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films.

Now, with
CINEMA SPECULATION, the time has come, and the results are everything his passionate fans - and all movie lovers - could have hoped for.

Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.

At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

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From the Publisher

CINEMA SPECULATION by Quentin Tarantino
A unique joyride of personal memoir, cultural criticism and hollywood history
From the author of ONCE UPON A TIME IN HOLLYWOOD

Product description

Book Description

The long-awaited first work of non-fiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

About the Author

QUENTIN TARANTINO was born in 1963 in Knoxville, Tennessee. He is the writer-director of nine feature films, the winner of two Academy Awards for Best Original Screenplay, and the author of the novel ONCE UPON A TIME IN HOLLYWOOD. CINEMA SPECULATION is his first work of nonfiction.

Product details

  • Publisher ‏ : ‎ W&N (1 Nov. 2022)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 400 pages
  • ISBN-10 ‏ : ‎ 1474624227
  • ISBN-13 ‏ : ‎ 978-1474624220
  • Dimensions ‏ : ‎ 16.4 x 4 x 23.6 cm
  • Customer reviews:

About the author

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Quentin Tarantino
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With his vibrant imagination and dedication to richly layered storytelling QUENTIN TARANTINO is one of the most celebrated filmmakers of his generation. He made his directorial debut in 1992 with RESERVOIR DOGS, and then co-wrote, directed and starred in one of his most beloved films, PULP FICTION, which won his first Oscar® for Best Screenplay. Followed by the highly acclaimed films JACKIE BROWN, KILL BILL VOL. 1 and VOL. 2, and DEATH PROOF, Tarantino then released his World War II epic, INGLOURIOUS BASTERDS, DJANGO UNCHAINED (which won his second Oscar® for Best Screenplay), and the HATEFUL EIGHT. Tarantino’s most recent film, ONCE UPON A TIME...IN HOLLYWOOD, was nominated for five Golden Globes, ten BAFTAS, and ten Academy Award nominations.

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Top reviews from United Kingdom

Reviewed in the United Kingdom on 16 November 2022
Oh Lordy, you've got me (again) Quentin! This is a REMARKABLE non-fiction debut, hard on the back of the brilliant novelisation of his latest and equally brilliant movie. I literally couldn't put this thing down and devoured it in just a few days. It's a treasure trove of insight, observation, reflection and... well, yes, 'speculation' on the greatest decade of commercial cinema EVER - the 1970s. I learned SO MUCH here about what I thought I knew quite a bit about. There are a bunch of pictures here that I hadn't even heard of let alone seen. I was forever reaching for a notepad to harness the details and now have a serious (back) catalogue to contend with.

Tarantino is nothing if not opinionated and he doesn't hold back here. It's written in that breathless, quick-witted, archly intelligent chit-chat he comes out with whenever a microphone is shoved in his face, with the liberal deployment of expletives used to good effect. He's literally falling over his words to get his points across. He digresses and disappears down various rabbit holes as his references distract him in the most charming way. These 'speculations' head out to explore a particular film but work up a head of steam on any number of areas before he arrives! You cannot help but be carried along by the man's massive appetite and enthusiasm for his subject matter. At times he gets bogged down in his own obsessions (how Scorsese's pimp in Taxi Driver is white and not black, for example, an argument which spills out across the whole book in various forms) but invariably he makes a good case and it only adds to the charm and force of these speculations.

I think it has all the hallmarks of a dyed-in-the-wool classic. But then I must confess to being a massive fan of the man's work. Reading it actually helped me appreciate that (current) body work as a 'genre director' a lot more because that's very much reflected in his own enjoyment of the work of the great genre directors of the 70s (Don Siegel, Sam Peckinpah, John Flynn et al). As he discussed these films and directors, I could see how he's been mining this particular decade of film-making for ideas, inspiration, and impetus these past 30-odd years and doing so in such an original and arresting fashion.

If I had one slight reservation about the book it would be the relative paucity of 'technical' insights it offered around the art of film-making. Tarantino is (I think) a great film director in complete control of the medium and yet he rarely refers to the science and technology of the art form. Instead he is more concerned with narrative, casting, characterisation, conflict, and drama which though undeniably important (and infinitely accessible) leaves his speculations lacking in some way, for me at least. Just a bit more on what defines the technical style and approach of some of these film-makers might've been nice but hey, that's really a small criticism and we hope this is only the prelude for a number of contributions which might address this in the future.

And I can see him moving on from this in any number of ways. He might focus in on specific genres, directors, even actors and do so with a more technical focus. Anything he writes about, technical or otherwise, is sure to be entertaining. All us Tarantino fans eagerly await a work on his own filmography as he now openly 'speculates' wrapping that up with his next picture. I would even love to read a book of his focused entirely on the various cinemas/movie theatres that have featured in his life, for example. He refers to many of them in these pages and it made me reflect on how important they are in our own personal film-going history and the influence they have on our consumption of films. They have clearly had a massive influence on him and his work.

This is a great contribution, thanks for the ride Quentin, and do keep it coming!
37 people found this helpful
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Reviewed in the United Kingdom on 27 December 2022
I can only add to the chorus of approval for this book- it is fun and riveting to read, and like his films, grabs your attention not just with the plot line of each chapter but also with the unpretentious deep knowledge he has for the medium of film ( and of course some of his pointed insights come from the fact that he is now an insider himself- as with Walter Hill's discussion with him about The Getaway script). If you are a cinephile it is also downright educational. His first chapter about his liberal mum taking him (aged 6 or 8) to cinema meant for adults, along with her partner or her dates it a moving autobiographical tribute not just to her but also to the kind of parenting that came with those forward thinking times ( not always of course, but well remembered by me, being of a similar age). His tribute to a 2nd tier film critic for the L.A. Times Kevin Thomas is just superb and after reading his chapter on 'The Outfit' (1973) I was eager to order it from Amazon right away (as eager he once was to see any film that Kevin Thomas had once praised in a review) only to find the The Outfit DVD is out of print and a Blu Ray of this film has never existed!

My reading of this book coincided with the Sight and Sound 2022 poll issue just coming out. How much better (and educative) it would have been if Quentin Tarantino had brought out his own 100 all time list, rather than that ossified, meretricious (and now politically correct) listing!
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Reviewed in the United Kingdom on 21 March 2023
I really enjoyed this cinema book by Quentin Tarantino. Written in his familiar sweary scatter gun style of speech. I even bought ' Rolling Thunder' as QT had raved about it. Some great insights into some known and not so well known films. I disagreed with his opinion that the character of Travis Bickle, as played by Robert De Niro, was not a real vietnam veteran. Paul Shrader wrote Bickle as exactly that. What about the scenes showing Bickle making dum dum bullets and a sliding mechanism made out of a old suitcase to hide a gun? It obviously shows he was trained in some kind of special unit. Bickle would not have got it out of a book. He comments on Bickle's " fake" karate stance he takes up when Albert Brooks is trying to get him out of the campaign office. Anyone trained in self defence can see its genuine. Sometimes, as we know, QT doesn't always do his research and shoots his mouth off before putting his brain in gear. That aside, I loved his stories about Floyd, his cinephile friend, who would talk about films with him when he was a boy. This guy could have been a very funny movie critic if he hadnt been such a dodgy character. Tarantino saw hundreds of films when he lived in L.A. He knew what types of theaters showed the kind of films he wanted to see. Especially those giving repeat viewings. Not all films get the full treatment. And that will probably let a few readers down who are dying to know his full blown thoughts on their favourite cult film. ' Enter The Dragon' just gets a fleeting mention - despite QT's love of the Kung Fu genre. Although Bruce Lee's friend and film rival, Steve McQeen, does get more attention when QT speculates on films ' Bullitt' and ' The Getaway' which are both exciting chapters. The classic ' Deliverance' also gets the full treatment. This is a really entertaining book on cinema by a master of cinema. Buy it, sit back and enjoy it because I promise you will be seeking out a lot of the films that he casts his cinematic eye over.
10 people found this helpful
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Reviewed in the United Kingdom on 25 April 2024
Tarantino writes not like an exceptional and experienced film maker but like a true aficionado of movies. A fan to his core. This is a story of a young man spending his life in the grimehouses of LA watching the more seedier of life unfold on the silver screen. It's his enthusiasm and his knowledge that makes this book such a good read.
Reviewed in the United Kingdom on 28 March 2024
I bought this book as a gift for my friend but needed it sooner than expected. I contacted the seller, who responded immediately and arranged next-day delivery. The book arrived in perfect condition! Overall, exceptional service and great product!

Top reviews from other countries

Studio Creations
5.0 out of 5 stars A great insight into one of the most iconic American Film Directors of the late 20th century.
Reviewed in the United States on 23 March 2024
This autobiographical book gives a rare glimpse into what influenced and helped create the masterful storyteller Quentin Tarantino. The book gives a very personal look into a number of the films that shaped his early views on filmmaking and cinema, the people who influenced his early life leading up to his writing of his first scripts, and his current thoughts on how some classic films could have been done better (or worse) if the creators of those films had followed other paths of thought that they showed earlier in their careers. This tome has a very unique approach to the study of film, very much like the author himself.
2 people found this helpful
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Zeka Sixx
5.0 out of 5 stars Imperdível, especialmente para fãs do cinema dos anos 70
Reviewed in Brazil on 6 December 2023
Este fantástico livro reúne uma coleção de ensaios escritos por Quentin Tarantino, em geral sobre filmes que ele viu no cinema em sua infância/adolescência, entre o início dos anos 70 e o início dos 80. O renomado diretor, logicamente, não se atém a apenas analisar os filmes que dão nome a cada capítulo. No legítimo espírito "uma coisa puxa a outra", eles são apenas uma desculpa para Tarantino dar seus pitacos sobre toda a carreira de alguns de seus diretores (Don Siegel, Sam Peckinpah), roteiristas (Paul Schrader) e atores favoritos (Clint Eastwood, Steve McQueen), especular e resgatar inúmeras fofocas de bastidores da fervilhante "Nova Hollywood" dos anos 70.

Logicamente, dada a quantidade de citações a filmes e artistas da época, é um livro que será bem melhor saboreado por quem assistiu aos diversos filmes mencionados, ou pelo menos leu sobre eles. Eu inclusive me arrisco a dizer que ter lido "Easy Riders, Raging Bulls" é quase que um pré-requisito para ler este livro.

Um dos capítulos mais legais do livro é aquele em que Tarantino se dedica a imaginar como seria "Taxi Driver" se tivesse sido dirigido por Brian de Palma (um dos cineastas a quem o filme foi oferecido antes de chegar às mãos de Scorsese).

Outra coisa legal são as pequenas descobertas sobre os gostos peculiares do autor, como descobrir que Tarantino foi um enorme fã de Stallone e de "Rocky" (e que gosta ainda mais de "Rocky II"), ou que ele considera "O Massacre da Serra Elétrica" um dos pouquíssimos filmes PERFEITOS da história do cinema.

Eis aqui a lista dos filmes que dão a partida em cada capítulo do livro (alguns eu já havia visto, outros já estou louco para ver devido ao entusiasmo com que Tarantino escreveu sobre eles):

- "Bullit", de 1968 - já vi;
- "Perseguidor Implacável" (Dirty Harry), de 1971 - já vi;
- "Amargo Pesadelo" (Deliverance), de 1972 - já vi;
- "Os Implacáveis" (The Getaway), de 1972 - quero ver;
- "A Quadrilha" (The Outfit), de 1973 - quero ver;
- "Irmãs Diabólicas" (Sisters), de 1973 - quero ver;
- "Daisy Miller", de 1974 - quero ver;
- "Taxi Driver", de 1976 - já vi;
- "A Outra Face da Violência" (Rolling Thunder), de 1977 - quero MUITO ver;
- "A Taberna do Inferno" (Paradise Alley), de 1978 - quero ver;
- "Fuga de Alcatraz", de 1979 - já vi;
- "Hardcore", de 1979 - já vi;
- "Pague para Entrar, Reze para Sair" (The Funhouse), de 1981 - já vi.
7 people found this helpful
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Tete
5.0 out of 5 stars Excelente
Reviewed in Mexico on 13 June 2023
Un muy buen libro
Fiona
5.0 out of 5 stars A singular voice
Reviewed in Canada on 11 November 2022
I devoured this book and felt a pang of sadness as I reached the last page. Even if you’ve never seen any of the films discussed in the book, you’ll enjoy the history and critical lens applied to them all.
2 people found this helpful
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Great book
5.0 out of 5 stars Great book
Reviewed in Germany on 11 May 2024
Great book