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Cinema Speculation Hardcover – 1 Nov. 2022
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A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino.
The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.
In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films.
Now, with CINEMA SPECULATION, the time has come, and the results are everything his passionate fans - and all movie lovers - could have hoped for.
Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.
At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.
- Print length400 pages
- LanguageEnglish
- PublisherW&N
- Publication date1 Nov. 2022
- Dimensions16.4 x 4 x 23.6 cm
- ISBN-101474624227
- ISBN-13978-1474624220
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- Publisher : W&N (1 Nov. 2022)
- Language : English
- Hardcover : 400 pages
- ISBN-10 : 1474624227
- ISBN-13 : 978-1474624220
- Dimensions : 16.4 x 4 x 23.6 cm
- Best Sellers Rank: 17,877 in Books (See Top 100 in Books)
- 3 in United States Film History
- 4 in Film Westerns
- 5 in United States Cinema
- Customer reviews:
About the author
With his vibrant imagination and dedication to richly layered storytelling QUENTIN TARANTINO is one of the most celebrated filmmakers of his generation. He made his directorial debut in 1992 with RESERVOIR DOGS, and then co-wrote, directed and starred in one of his most beloved films, PULP FICTION, which won his first Oscar® for Best Screenplay. Followed by the highly acclaimed films JACKIE BROWN, KILL BILL VOL. 1 and VOL. 2, and DEATH PROOF, Tarantino then released his World War II epic, INGLOURIOUS BASTERDS, DJANGO UNCHAINED (which won his second Oscar® for Best Screenplay), and the HATEFUL EIGHT. Tarantino’s most recent film, ONCE UPON A TIME...IN HOLLYWOOD, was nominated for five Golden Globes, ten BAFTAS, and ten Academy Award nominations.
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Tarantino is nothing if not opinionated and he doesn't hold back here. It's written in that breathless, quick-witted, archly intelligent chit-chat he comes out with whenever a microphone is shoved in his face, with the liberal deployment of expletives used to good effect. He's literally falling over his words to get his points across. He digresses and disappears down various rabbit holes as his references distract him in the most charming way. These 'speculations' head out to explore a particular film but work up a head of steam on any number of areas before he arrives! You cannot help but be carried along by the man's massive appetite and enthusiasm for his subject matter. At times he gets bogged down in his own obsessions (how Scorsese's pimp in Taxi Driver is white and not black, for example, an argument which spills out across the whole book in various forms) but invariably he makes a good case and it only adds to the charm and force of these speculations.
I think it has all the hallmarks of a dyed-in-the-wool classic. But then I must confess to being a massive fan of the man's work. Reading it actually helped me appreciate that (current) body work as a 'genre director' a lot more because that's very much reflected in his own enjoyment of the work of the great genre directors of the 70s (Don Siegel, Sam Peckinpah, John Flynn et al). As he discussed these films and directors, I could see how he's been mining this particular decade of film-making for ideas, inspiration, and impetus these past 30-odd years and doing so in such an original and arresting fashion.
If I had one slight reservation about the book it would be the relative paucity of 'technical' insights it offered around the art of film-making. Tarantino is (I think) a great film director in complete control of the medium and yet he rarely refers to the science and technology of the art form. Instead he is more concerned with narrative, casting, characterisation, conflict, and drama which though undeniably important (and infinitely accessible) leaves his speculations lacking in some way, for me at least. Just a bit more on what defines the technical style and approach of some of these film-makers might've been nice but hey, that's really a small criticism and we hope this is only the prelude for a number of contributions which might address this in the future.
And I can see him moving on from this in any number of ways. He might focus in on specific genres, directors, even actors and do so with a more technical focus. Anything he writes about, technical or otherwise, is sure to be entertaining. All us Tarantino fans eagerly await a work on his own filmography as he now openly 'speculates' wrapping that up with his next picture. I would even love to read a book of his focused entirely on the various cinemas/movie theatres that have featured in his life, for example. He refers to many of them in these pages and it made me reflect on how important they are in our own personal film-going history and the influence they have on our consumption of films. They have clearly had a massive influence on him and his work.
This is a great contribution, thanks for the ride Quentin, and do keep it coming!
My reading of this book coincided with the Sight and Sound 2022 poll issue just coming out. How much better (and educative) it would have been if Quentin Tarantino had brought out his own 100 all time list, rather than that ossified, meretricious (and now politically correct) listing!
Top reviews from other countries
Logicamente, dada a quantidade de citações a filmes e artistas da época, é um livro que será bem melhor saboreado por quem assistiu aos diversos filmes mencionados, ou pelo menos leu sobre eles. Eu inclusive me arrisco a dizer que ter lido "Easy Riders, Raging Bulls" é quase que um pré-requisito para ler este livro.
Um dos capítulos mais legais do livro é aquele em que Tarantino se dedica a imaginar como seria "Taxi Driver" se tivesse sido dirigido por Brian de Palma (um dos cineastas a quem o filme foi oferecido antes de chegar às mãos de Scorsese).
Outra coisa legal são as pequenas descobertas sobre os gostos peculiares do autor, como descobrir que Tarantino foi um enorme fã de Stallone e de "Rocky" (e que gosta ainda mais de "Rocky II"), ou que ele considera "O Massacre da Serra Elétrica" um dos pouquíssimos filmes PERFEITOS da história do cinema.
Eis aqui a lista dos filmes que dão a partida em cada capítulo do livro (alguns eu já havia visto, outros já estou louco para ver devido ao entusiasmo com que Tarantino escreveu sobre eles):
- "Bullit", de 1968 - já vi;
- "Perseguidor Implacável" (Dirty Harry), de 1971 - já vi;
- "Amargo Pesadelo" (Deliverance), de 1972 - já vi;
- "Os Implacáveis" (The Getaway), de 1972 - quero ver;
- "A Quadrilha" (The Outfit), de 1973 - quero ver;
- "Irmãs Diabólicas" (Sisters), de 1973 - quero ver;
- "Daisy Miller", de 1974 - quero ver;
- "Taxi Driver", de 1976 - já vi;
- "A Outra Face da Violência" (Rolling Thunder), de 1977 - quero MUITO ver;
- "A Taberna do Inferno" (Paradise Alley), de 1978 - quero ver;
- "Fuga de Alcatraz", de 1979 - já vi;
- "Hardcore", de 1979 - já vi;
- "Pague para Entrar, Reze para Sair" (The Funhouse), de 1981 - já vi.