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Apropos of Nothing Hardcover – March 23 2020
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Los Angeles Times, and Publisher’s Weekly Bestseller.
In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure.
This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.
- Print length400 pages
- LanguageEnglish
- PublisherArcade
- Publication dateMarch 23 2020
- Dimensions15.24 x 3.81 x 22.86 cm
- ISBN-101951627342
- ISBN-13978-1951627348
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Product description
Review
“He has an authentic and easygoing voice on the page.” —New York Times
“An absolute delight, hilarious and endearing and glistening with stardust.” —National Review
“Master, from youth, at self-deprecating humor, and born with New York City cojones, Allen says what others just think, controversy be damned.” –New York Journal of Books
“It was a laugh a minute…” –Newark Star-Ledger
“His wit is on full display.” –The Federalist
“A brisk, vivid, and extremely funny account..” –Commentary Magazine
“Allen’s style is gossipy and spry.” –The Guardian
“Brilliant.” –Deadline
“it’s a fantastic book, so funny. . . . You feel like you’re in the room with him and yeah, it’s just a great book and it’s hard to walk away after reading that book thinking that this guy did anything wrong.”—Larry David
"If you love Woody Allen, you’ll love the book."—Sam Wasson, Air Mail
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
So after this buildup, we’re all sitting in the theater waiting for Keaton to audition. In walks a lanky young girl. Let me put it this way: If Huckleberry Finn had been a very beautiful woman, that’s who was up there onstage. Keaton, who apologizes for waking up in the morning, a rube from Orange County, denizen of swap meets and tuna melts; an emigrant to Manhattan who came here and works as a coat-check girl, who had worked the candy concession in a movie house in Orange County and was fired for eating all the candy herself, tried making the few obligatory hello lines to us all. This was a yokel who spoke of her Grammy Hall, the boarder George who got a free turkey from his union every Christmas, and answered compliments with “Honest injun?” But what can I tell you, she was great. Great in every way. One talks about a personality that lights up a room, she lit up a boulevard. Adorable, funny, totally original in style, real, fresh. When she left we knew we had to go through the other scheduled actresses, but in our minds she had the part.
Rehearsals under Joe Hardy went smoothly. Tony Roberts was like a kid in a candy store, since the show had a half-dozen pretty girls who’d appear in the lead character’s fantasies. Tony sprang into action the first day, complicating his already baroque social life. I was getting friendlier and friendlier with Tony, but Keaton and I were each pursuing our own social agendas, chatting politely but sparsely. A guy called for her every day, which I naturally thought was her boyfriend but later found out was her manager. I was dating whoever would say yes to my desperate pleas to let me feed them. One time, a week before going to Washington, DC, for our opening I had a date with a very beautiful brunette. I took her to dinner and we had a nice time, and we made another date two nights down the line.
In the intervening night I was rehearsing with Keaton, and Joe Hardy suggested we run lines to memorize them more fluently. She of course knew hers like Eve Harrington but I, despite having written them, needed more time to get them down pat. We broke for dinner, and she and I hopped across the street to a joint next to McGirr’s Billiards, where I sometimes shot pool. At that impromptu dinner she was so charming, so lovely, so pretty, so scintillating, that I sat there thinking, Why the hell am I going out with that other woman tomorrow night? Keaton is magical. Of course she ate like Primo Carnera. I never saw a person outside of a logging camp tuck it away like that.
Anyway, to cut to the chase, by the time Play It Again, Sam opened in DC, we were lovers. We remained lovers in Boston and back in New York. I had just purchased a penthouse on Fifth Avenue and she lived in a hovel all the way east, a single room made homey and pretty without spending a nickel on it. She clearly had an artist’s eye. You can tell by the way she dresses, which is trendsetting if you happen to think a dead monkey’s paw pinned to the lapel of your sweater is chic. Let’s just say Keaton always suited up with a certain eccentric imagination, as if her personal shopper was Buñuel. But it was not just a fashion flair. She takes great photos, can act, sings beautifully, dances, writes well. We’ve remained close friends since we met. When I finished recutting Take the Money with Ralph Rosenblum, I screened it for her and she said it was good and funny and not to be so worried, and she’s been my North Star, go-to person ever since. Because in addition to tasteful and bright, she’s totally inner directed. You can intone Shakespeare’s praises all day, but if she finds something of his a bore, she doesn’t care how revered his poetry is or what the professors or the public says. She’s her own person. I have always shown her my work, and she’s one of the only people whose opinion I really care about.
Product details
- Publisher : Arcade (March 23 2020)
- Language : English
- Hardcover : 400 pages
- ISBN-10 : 1951627342
- ISBN-13 : 978-1951627348
- Item weight : 590 g
- Dimensions : 15.24 x 3.81 x 22.86 cm
- Best Sellers Rank: #53,781 in Books (See Top 100 in Books)
- #28 in Individual Directors
- #53 in Film Direction & Production (Books)
- #75 in Film History & Criticism (Books)
- Customer Reviews:
About the author
Woody Allen’s prolific career as a comedian, writer, and filmmaker has now spanned more than six decades and multiple award winning films. Mr. Allen’s first screenplay was for What’s New Pussycat?, which was released in 1965. He has written and directed more than 45 feature films, including Annie Hall, Manhattan and more recently, Midnight in Paris, Blue Jasmine & Rainy Day in New York. Woody Allen is the author of Getting Even, Without Feathers, and Side Effects, among numerous other books.
Customer reviews
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Top reviews
Top reviews from Canada
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It is unfortunate that an autobiography of someone as gifted as Woody Allen, has garnered most of its attention due to false allegations peddled by a vindictive ex-girlfriend. Alas, C’est la vie. Presented with all the facts on the case (for which you don’t have to read the book by the way; they have been available in the public domain for more than 2 decades now), only someone with the intellectual capacity lesser than that of a housefly would consider Mr Allen to be guilty.
With that said, the book is a treat to read not just for fans of Woody, but for anyone interested in films in general. Woody has been a writer, stand up performer and movie director for around 6 decades now, so there’s plenty of experiences to fill the pages with. He is obviously hilarious throughout the book and it was a treat to read about one of the most influential filmmakers in the history of American movies.
The book was slow in parts mainly when discussing all his films - interesting but boring at times. He mainly wanted to get his side of the story out and that he did with a very believable ending. There was humour that I enjoyed but he mainly threw it in to lighten the story up. Very sad.
Top reviews from other countries
His writing, as always, is brilliant and turns this book into a page turner. Loved everything he shared about making his movies and the artists he’s worked with!
I did find it a pity that he felt he needed to expose himself so much due to the wrongful (and periodical) accusations of something he was already proven innocent of. But I understand the need to finally tell his side of the story, without being interrupted.
This is a must read for so many people, especially life long fans of his work (writing, directing and playing wonderful music as well!).
Ce livre est un recueil d'essais courts et variés, couvrant une large gamme de sujets. Allen aborde des thèmes tels que la religion, la philosophie, la politique, les relations humaines et bien sûr, le cinéma.
Son style d'écriture est unique et reconnaissable. Il utilise l'ironie, l'autodérision et l'humour noir pour explorer des sujets souvent sérieux avec une légèreté désarmante.
Même si certains de ses propos peuvent être provocateurs, il est indéniable que Woody Allen est un observateur perspicace de la condition humaine. Ses réflexions sur la vie sont souvent drôles, mais elles sont également profondes et invitent à la réflexion.
J'ai particulièrement apprécié les essais sur ses expériences en tant que cinéaste. Il offre un aperçu fascinant de son processus créatif et partage ses pensées sur ses films les plus célèbres.
Si vous êtes à la recherche d'un livre qui vous fera rire et réfléchir, je vous recommande vivement "À propos de rien". C'est un recueil d'essais divertissant et intelligent qui vous donnera un nouveau regard sur le monde.
Points positifs:
Drôle et intelligent
Réflexions perspicaces sur la vie
Style d'écriture unique et reconnaissable
Aperçu fascinant du processus créatif de Woody Allen
Points négatifs:
Certains propos peuvent être provocateurs
Peut ne pas convenir à tous les goûts
Note: 5 étoiles sur 5
Recommandation: Je recommande ce livre aux fans de Woody Allen et à tous ceux qui recherchent un livre divertissant et intelligent.