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The September Issue
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Descripción del producto
RJ Cutler documental que sigue a Anna Wintour, editora de Vogue reconocido, mientras se prepara la edición de septiembre de 2007. Con un peso de un récord de 840 páginas, que también es el tema más importante de revistas, anunciando la moda de otoño. Con su melena y gafas oscuras marca comercial omnipresentes, Wintour se acerca como una mujer que es un éxito porque sabe exactamente lo que el lector quiere, mientras se supervisa cada página.
Detalles del producto
- Relación de aspecto : 16:9
- Descatalogado por el fabricante : No
- Dimensiones del paquete : 18,03 x 13,76 x 1,48 cm; 81,65 gramos
- Referencia del fabricante : N01-0143185
- Subtítulos: : Francés
- Idioma : Sin calificar (DTS ES 6.1)
- ASIN : B002ZSUESI
- País de origen : EE. UU.
- Número de discos : 1
- Opiniones de los clientes:
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Con bastantes extras.
Con respecto al "The September Issue" debo decir que es un buen documental, y que cualquier amante del mundo de la moda debería verlo. El DVD ha venido en perfectas condiciones y tiene muchos extras. Mi "pero" es por el documental en sí, no viene del todo traducido al castellano, me refiero a que hay partes que se oyen en audio castellano y otras en las que el audio está inglés con subtítulos. Hubiera preferido el documental completo en castellano, como el que pasaron por la 2 hace unos años.
Reseñas más importantes de otros países
Documentario di altissimo livello basato su immagini più uniche che rare montate con destrezza e accompagnate di una colonna sonora gioiosa. Ci trasporta nel mondo reale di Anna Wintour, mostrandoci l'incredibile macchina dietro le pagine di una delle più famose riviste al mondo.
We accompany Wintour to the shows, where she is treated like an icon, but we get to see more of her personality when she visits the fashion designers. I thought she was pretty icy with the Yves Saint Laurent designer, who comes off as a bit flaky - he's not ready with everything, he does not seem secure, he is not showing colour this season - and Wintour is visibly impatient with this, as someone in her position probably should be. Contrast with the meeting with Karl Lagerfeld who appears to be ready to show her things, he is personable with her, she is accompanied by her daughter, who always seems to have a softening effect on her whenever she appears. Wintour is clearly defensive about her career choice, even though she is so influential in her milieu, we get the idea that her family sees her job as trivial. This is a chip on her shoulder. She appears to be very displicined, very decisive. She does not come off as being as tyrannical as the character in The Devil Wears Prada, but her decisiveness and directness will have people saying that she is icy. However, to have that job means making fast, tough choices. She appears to have a good team to count on, but you rarely get the feeling of her generating team spirit within her group - watching Coddington and Wintour wait for an elevator, the silence is awkward. They seem to respect each other, but do they like each other? We get to watch a photo shoot in Rome with Sienna Miller by Maria Testino - even a photographer of his calibre gets the gears from Wintour, asking `is that it', `where are the clothes'. We are let inside a retailers breakfast where Vogue is being asked by a top fashion retailer to use their clout to get designers to deliver on time, because it is hurting their business - you can see how important they feel Vogue's influence is. It is a great view inside the world of fashion, no question - entertaining, lots of flash, lots of back room drama. Highly recommended.
The magazine is built, literally photo by photo, on photo "boards." As editor, Wintour must keep the whole issue in mind, balancing stories, developing themes, and instructing the stylists who go out on shoots. In addition, with the help of her editors, Wintour must keep her eye out for new designers and fashion trends. It's a multi-billion dollar business, reflected in a few hundred pages of editorial work and advertisements. Yet at the same time, fashion is sociology, psychology and art. The editor knows this, which is why she excels at her job.
Many reviewers have commented that "human" side of Wintour comes through in this documentary. Yet, disappointed assistants aside (and you know what -- it was one of the best jobs in the world -- what was her problem?), I've always believed that Wintour's demeanor and attitudes are no more harsh than that of any top executive running a successful, mega-dollar corporation. In that respect, fashion is no different than auto production; the executive has to wear many hats and always consider the bottom line. Wintour is running the top fashion magazine in the world; she'd be an idiot (which she surely is not) if she did not strategize and play tough.
The big surprise in the film, however, and the Vogue editor who steals the show is, of course, Grace Coddington. I have to say that I had never heard of Grace. Yet I see that, if Wintour is the heart of Vogue, Coddington is the soul. I agree with Wintour; Grace is a genius. She comes across as a true artist: sensitive, warm, open, testy and rude at times, angry when her vision is not appreciated; yet endlessly creative and very beautiful. I loved her untamed red hair, long black dresses or pants, and sandals. While I'd expected that Cutler's film would be fun and and informative, Grace was a treasure that I hadn't anticipated.
So I've now ordered the DVD (but from B&N, not Amazon -- I wanted the extra DVD). This documentary is a keeper.
ご注意;このDVDはリージョン1(日本はリージョン2)なので、マルチリージョンのプレーヤーでないと再生出来ません。また、日本語字幕もありません。
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