PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Añade un argumento en tu idiomaWhen an itinerant reluctantly returns home to help his sickly mother run her shop, they are both tempted to turn to crime to help make ends meet.When an itinerant reluctantly returns home to help his sickly mother run her shop, they are both tempted to turn to crime to help make ends meet.When an itinerant reluctantly returns home to help his sickly mother run her shop, they are both tempted to turn to crime to help make ends meet.
- Ganó 1 premio Óscar
- 5 premios y 3 nominaciones en total
Ethel Barrymore
- Ma Mott
- (as Miss Ethel Barrymore)
Katherine Allen
- Millie Wilson
- (sin acreditar)
William Ambler
- Bus Driver
- (sin acreditar)
George Atkinson
- Man with Gramophone
- (sin acreditar)
Polly Bailey
- Ma Floom
- (sin acreditar)
Ted Billings
- Cockney Bum
- (sin acreditar)
Rosemary Blong
- Dancer
- (sin acreditar)
Sammy Blum
- Drunk in Funfair
- (sin acreditar)
Marina Bohnen
- Girl
- (sin acreditar)
Matthew Boulton
- First Police Desk Sergeant
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesAuthor Richard Llewellyn was strongly opposed to the casting of Cary Grant, demanding to know how the 40-year-old actor could play a teenager.
- PifiasAs Cary Grant and Barry Fitzgerald part at the end of the movie, a flute is playing a slow, sorrowful dirge. There is a flautist leaning against the wall, and it appears that he should be the one playing; however, his finger movements are more along the lines of a fast jig than a slow dirge.
- Citas
Ernie Mott: They say money talks... all it's ever said to me is goodbye.
- Versiones alternativasAlso shown in computer-colorized version.
- ConexionesFeatured in The 42nd Annual Academy Awards (1970)
- Banda sonoraRomance No.6, Op.6 (None But the Lonely Heart)
(1869) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
Played during the opening credits and often in the score
Played by Jane Wyatt on cello
Played by Cary Grant on piano
Reseña destacada
The Perils of Typecasting
Cary Grant wanted to do something different than being a comedic or romantic leading man. He'd have liked to do more serious things like None But the Lonely Heart a good deal more frequently.
In point of fact Grant understood the character of Ernie Mott far better than any of his other more upper class characters. Ernie Mott was the kind of fellow Cary would have run into back in the days when he was Archie Leach. Grant came from a hardscrabble background growing up in London. In many ways Cary Grant was the greatest role he ever played.
Grant had played cockneys before on the screen, but in a more comic vein in Sylvia Scarlett and Gunga Din. However what we've got in None But the Lonely Heart is far more serious.
It's an original screenplay by Clifford Odets and adapted from a novel by Richard Llewellyn who also wrote How Green Was My Valley. Odets was at that time a sensation on Broadway with a whole string of dramas of social significance from the Thirties. The grinding effects of poverty are just about the same whether it's the Lower East Side of New York or the cockney slums of London. Odets also directed this film, one of only two times he did that.
Grant understood that very well and he turned in one bravura performance as Ernie Mott who wants desperately to get ahead and makes a few bad choices in trying to do so. The only one who understands him is his mother played by Ethel Barrymore who returned to the screen for the first time in a decade.
It was a great performance for Cary Grant and it lost a fortune for RKO Studios as the public as Sam Goldwyn said, stayed away in droves. They would not accept Grant in a dramatic part. Cary got his second and last nomination for Best Actor, but lost the Academy Award to Bing Crosby in Going My Way.
Ethel Barrymore won a Best Supporting Actress Oscar that year for this film. It led to a permanent break from the stage and she spent the rest of her life in Hollywood in a variety of films. Unlike brother Lionel she wasn't tied down to a long term contract to one studio and she picked and chose wisely in roles when she stayed in Hollywood.
George Coulouris is the best from the rest of the cast as a small time racketeer in the neighborhood who Grant gets mixed up with. Coulouris always exudes menace, one of the best in doing that.
What happened to Cary Grant is the same thing that happened to Tyrone Power when he appeared in Nightmare Alley, great critical reviews and the public wouldn't buy it. Both of those guys were limited by type casting their entire careers. Power did manage to do Witness for the Prosecution at the premature end of his career, the closest Grant did to a dramatic part after this was Crisis which also was a commercial flop.
In point of fact Grant understood the character of Ernie Mott far better than any of his other more upper class characters. Ernie Mott was the kind of fellow Cary would have run into back in the days when he was Archie Leach. Grant came from a hardscrabble background growing up in London. In many ways Cary Grant was the greatest role he ever played.
Grant had played cockneys before on the screen, but in a more comic vein in Sylvia Scarlett and Gunga Din. However what we've got in None But the Lonely Heart is far more serious.
It's an original screenplay by Clifford Odets and adapted from a novel by Richard Llewellyn who also wrote How Green Was My Valley. Odets was at that time a sensation on Broadway with a whole string of dramas of social significance from the Thirties. The grinding effects of poverty are just about the same whether it's the Lower East Side of New York or the cockney slums of London. Odets also directed this film, one of only two times he did that.
Grant understood that very well and he turned in one bravura performance as Ernie Mott who wants desperately to get ahead and makes a few bad choices in trying to do so. The only one who understands him is his mother played by Ethel Barrymore who returned to the screen for the first time in a decade.
It was a great performance for Cary Grant and it lost a fortune for RKO Studios as the public as Sam Goldwyn said, stayed away in droves. They would not accept Grant in a dramatic part. Cary got his second and last nomination for Best Actor, but lost the Academy Award to Bing Crosby in Going My Way.
Ethel Barrymore won a Best Supporting Actress Oscar that year for this film. It led to a permanent break from the stage and she spent the rest of her life in Hollywood in a variety of films. Unlike brother Lionel she wasn't tied down to a long term contract to one studio and she picked and chose wisely in roles when she stayed in Hollywood.
George Coulouris is the best from the rest of the cast as a small time racketeer in the neighborhood who Grant gets mixed up with. Coulouris always exudes menace, one of the best in doing that.
What happened to Cary Grant is the same thing that happened to Tyrone Power when he appeared in Nightmare Alley, great critical reviews and the public wouldn't buy it. Both of those guys were limited by type casting their entire careers. Power did manage to do Witness for the Prosecution at the premature end of his career, the closest Grant did to a dramatic part after this was Crisis which also was a commercial flop.
útil•5610
- bkoganbing
- 9 jun 2006
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- How long is None But the Lonely Heart?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Un cor en perill
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.300.000 US$ (estimación)
- Duración1 hora 53 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Un corazón en peligro (1944) officially released in India in English?
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