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The Warlord Of Mars: Illustrated Kindle Edition
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- LanguageEnglish
- Publication dateOctober 24, 2023
- Reading age16 - 18 years
- File size530 KB
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Product details
- ASIN : B0CLT357TY
- Publication date : October 24, 2023
- Language : English
- File size : 530 KB
- Simultaneous device usage : Unlimited
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 202 pages
- Customer Reviews:
About the authors
I wrote my first novel at age 3, taking a ream of paper and a pen and mimicking the squiggly writing that I had observed grown-ups using. Okay, it was twenty pages of scribbles, but to me it was the Great American Novel, and my grandmother seemed to be pleased with it. Today I still enjoy writing novels, short stories, novellas, screenplays, stage plays, and lyric plays. Perhaps the mark of the writer is not what he writes, but that he writes. I always enjoyed comedy, so my first few efforts were of a comedic nature, and I will always instill some humor even into my more serious, mainstream works.
I have been trying to crack the secret to writing classics; I try to read mostly authors whose works have remained in print for eighty years or more. Still, I have time for more contemporary works, like those of Kurt Vonnegut, Tom Robbins, and Douglas Adams, to name but a few. I think I may have struck upon the crucial sequence, plots, characters, writing style and everything to keep me published for a hundred years or more. Now I just need to sell some books.
I have recently resettled in San Antonio, Texas, to try to remember the Alamo. No matter how deeply I concentrate, it still feels a little before my time.
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++++++++++++ caution contains what some might construe as spoilers++++++++++++++++++
The Warlord of Mars is a science fiction novel written by Edgar Rice Burroughs, the third of his famous Barsoom series following The Gods of Mars (Townsend Library Edition) . Burroughs began writing it in June, 1913, going through five working titles; Yellow Men of Barsoom, The Fighting Prince of Mars, Across Savage Mars, The Prince of Helium, and The War Lord of Mars.
The finished story was first published in All-Story Magazine as a four-part serial in the issues for December, 1913-March, 1914. It was later published as a complete novel by A. C. McClurg in September, 1919
This novel continues where the previous one in the series, The Gods of Mars abruptly ended. At the end of the previous book, John Carter's wife, the princess Dejah Thoris, is imprisoned in the Temple of the Sun by the vile pretender goddess Issus. It is said one has to wait an entire Barsoomian year before the room the prisoner is in revolves back to the entrance
John Carter discovers that a First Born knows the secret of the Temple of the Sun and he and the Holy Hekkador Matai Shang want to rescue the Holy Thern's daughter, who is imprisoned with Dejah Thoris and another Barsoomian princess, Thuvia of Ptarth. John Carter follows them in the hope of liberating his beloved wife. His antagonists flee to the north, taking the three women along. Thereafter John Carter follows them untiring into the north polar regions where he discovers more fantastic creatures and ancient, mysterious Martian races. These he overcomes in battle, and is later proclaimed "Warlord of Barsoom" by his allies. This book is the last to feature Tars Tarkas, John Carter's ally, in any major role; indeed, the green Barsoomians of whom Tars Tarkas is an oligarch disappear altogether from most of the later novels.
Characters
* John Carter: Protagonist of the first three novels. Carter is an American Civil War veteran, transported to the planet Mars by a form of astral projection. There, he encounters both formidable alien creatures and various waring Martian races, wins the hand of Martian princess Dejah Thoris, and rises to the position of Warlord of Mars.
* Dejah Thoris: A Martian Princess of Helium, who is courageous, tough and always holds her resolve, despite being frequently placed in both mortal danger and the threat of being dishonored by the lust of villains. She is the daughter of Mors Kajak, jed of Lesser Helium and granddaughter of Tardos Mors, jeddak of Helium; highly aristocratic; and fiercely proud of her heritage. She is the love interest of John Carter. She was imprisoned by the Martian false deity Issus, at the end of The Gods of Mars. A central character in the first three Barsoom novels, whose capture by various enemies, and subsequent pursuit by John Carter, is a constant motivating force in these tales.
* Tars Tarkas: A Green Martian, who becomes the ally of John Carter and at his behest, the overlord of his clan. An archetypal noble savage, and considered John Carter's first and closest friend upon Barsoom.
* Thuvia of Ptarth: A Princess of Ptarth, who appears in The Gods of Mars as a slave girl rescued by John Carter from the Therns. She is later imprisoned with Carter's wife Dejah Thoris, in a prison which can only be opened once per year and remains by her side until the conclusion of The Warlord of Mars. Like many of Burroughs' heroines, she is tough, courageous, proud, and strongly identified with her aristocratic position in Martian society.
Burroughs vision of Mars was loosely inspired by astronomical speculation of the time, especially that of Percival Lowell, who saw the planet as a formerly Earthlike world now becoming less hospitable to life due to its advanced age, whose inhabitants had built canals to bring water from the polar caps to irrigate the remaining arable land. [ Lowell was influenced by Italian astronomer, Giovanni Virginio Schiaparelli, who in 1878, had observed features on Mars he called canali (Italian for "channels"). Mistranslated of this into English as "canals" fueled belief the planet was inhabited. The theory of an inhabited planet with flowing water was disproved by data provided by Russian and American probes such as the two Viking missions which found a dead, frozen world where water could not exist in a fluid state
A million years before the narrative commences, Mars was a lush world with oceans. As the oceans receded, and the atmosphere grew thin, the planet has devolved into a landscape of partial barbarism; living on an aging planet, with dwindling resources, the inhabitants of Barsoom have become hardened and warlike, fighting one another to survive. Barsoomians distribute scarce water supplies via a worldwide system of canals, controlled by quarreling city-states. The thinning Martian atmosphere is artificially replenished from an "atmosphere plant".
Race
The world of Barsoom is divided by the territory of White, Yellow, Black, Red and Green skinned races. Each has particular traits and qualities, which seem to define most individuals within them. This concept of race is more like a division between species than ethnicity.
The Warlord of Mars introduces the Yellow Martians, supposedly extinct, whom John Carter finds in secret domed cities at the poles. They are black-bearded, exceptionally cruel, and keep slaves, acquiring these by using a giant magnetic device which sends fliers off course, and allows the Yellow Martians to capture the occupants
Numerous novels and series by others were inspired by Burroughs' Mars books: the Radio Planet trilogy of Ralph Milne Farley; the Mars and Venus novels of Otis Adelbert Kline; Almuric by Robert E. Howard; Warrior of Llarn and Thief of Llarn by Gardner Fox; Tarzan on Mars, Go-Man and Thundar, Man of Two Worlds by John Bloodstone; the Michael Kane trilogy of Michael Moorcock; The Dream-Quest of Unknown Kadath, Through the Gates of the Silver Key by H.P. Lovecraft, the Gor series of John Norman; the Callisto series and Green Star series of Lin Carter; The Goddess of Ganymede and Pursuit on Ganymede by Mike Resnick; and the Dray Prescot series of Alan Burt Akers (Kenneth Bulmer). In addition, Leigh Brackett, Ray Bradbury, Andre Norton, Marion Zimmer Bradley, and Alan Dean Foster show Burroughs' influence in their development of alien cultures and worlds.
A. Bertram Chandler's pulp novels The Alternate Martians and The Empress of Outer Space overtly borrow a number of characters and situations from Burroughs' Barsoom series.
Robert A. Heinlein's novels Glory Road and , and Alan Moore's graphic novels of Allan and the Sundered Veil and The League of Extraordinary Gentlemen, Volume II directly reference Barsoom.
In Philip José Farmer's World of Tiers series (1965-1993) Kickaha, the seri The Number of the Beast es' adventurer protagonist, asks his friend The Creator of Universes to create for him a Barsoom. The latter agrees only to make an empty world, since "It would go too far for me to create all these fabulous creatures only for you to amuse yourself by running your sword through them." Kickaha visits from time to time the empty Barsoom, complete with beautiful palaces in which nobody ever lived, but goes away frustrated.
L. Sprague de Camp's story "Sir Harold of Zodanga" recasts and rationalizes Barsoom as a parallel world visited by his dimension-hopping hero Harold Shea. De Camp accounts for Burroughs' departures from physics or logic by portraying both Burroughs and Carter as having a tendency to exaggerate in their storytelling, and Barsoomian technology as less advanced than usually presented.
Furthermore, his Viagens Interplanetarias series of novels and short stories, especially those set on Krishna, one of Tau Ceti's inhabited planets, owe much to the premise of feudal co-existence alongside advanced technology pioneered within the Barsoom series.
In 1989 Larry Niven and Steven Barnes published "The Barsoom Project", where a futuristic form of live action role-playing games (LARPs) is based on the Barsoom books.
The Mars-based novels of Kim Stanley Robinson (published from 1992 to 1999) also offer several nods in Burroughs' direction.
The 2008 novel In the Courts of the Crimson Kings by S.F. writer S. M. Stirling is an alternate telling of the Princess of Mars story but this time the princess is a very powerful character indeed.
DC Comics character Adam Strange's method of transportation, the Zeta Beam, recalls the way Carter is transported to Mars.
In the Commonwealth Saga novels by Peter F. Hamilton a group of humans who undertake unprecedented and often illegal genetic modifications of their own bodies are known as the Barsoomians, in apparent reference to Burroughs' creation.
Richard Corben's Den series also appears to be inspired by the Barsoom series. It features a hero, Den, who mysteriously arrives naked on a (largely) desert planet where he becomes a great warrior and where the humanoids wear no clothes. Many of the creatures resemble the description of the white apes of the Gods of Mars. Like John Carter, he also receives great physical prowess from arriving in Neverwhere, although Carter's prowess stems from gravity, whereas Den undergoes a complete physical transformation.
In Stephen King's novel The Dark Tower II: The Drawing of the Three, Eddie Dean compares the All-World and the quest for the Dark Tower to a Barsoom novel.
The John Carter of Mars series was also felt to be one of the inspirations for the Dark Sun Dungeons & Dragons game world setting.
In A Wizard of Mars by Diane Duane, the main character Kit is a major fan of the Barsoom series and a long dormant wizard artifact recreates Barsoom as Kit imagines it to communicate with him.
I highly recommend this book and series to 12 -18 year olds who enjoy swashbuckling adventures and tales of derring-do.
Gunner March, 2012
The Warlord of Mars is the slimmest of the first three volumes in Burroughs's John Carter of Mars series, but it is every bit as action-packed as its predecessors. Unlike the first two Carter novels, there is no prologue from Edgar Rice Burroughs, no preface to the following action from Carter to his "nephew" and guardian. The action opens a few months after Carter deposed the fake goddess Issus , with our hero deep in the throes of his search for a way to rescue the imprisoned Dejah and Thuvia, the latter a former Thern slave instrumental in aiding Carter when he returned to Mars in hostile territory at the beginning of the second novel. Whereas the previous novel saw Carter dealing essentially a death blow to the age-old Martian religion, exposing it as a cult, this follow-up adventure is largely concerned with the fall-out of that successful assault and sets up endless possibilities for future battle with the false religion's deposed leaders. Is there ever any question of Carter's ultimate success? No -- but that is part of the fun and magic of these books. Burroughs was a master craftig non-stop action sequences and building tension and suspense in his novels. Just when you think that surely Burroughs's imagination must be tapped out, he introduces new people, places, and customs to challenge Carter's seeming invincibility. Predictable? Sure, such is perhaps the nature of pulp fiction. But in the hands of a master like Burroughs, he proves that the journey is always a worthwhile and entertaining ride.
John Carter's third Martian adventure is just as fast-paced a rollicking adventure ride as its predecessors, and serves as a fitting capstone to the first "trilogy" within the overall series. When he was first introduced in A Princess of Mars, Carter was a man without a country or purpose, forced to make his way in a wholly alien world. In The Gods of Mars, Carter returns to Barsoom after an absence of ten years, and has to fight to reclaim the life he built with Dejah Thoris's people. The Warlord of Mars brings Carter full circle, forcing him to fight for the life he wants on his new home, culminating in a rather touching recognition of Carter's place and the esteem in which he's held by his adopted countrymen and friends. Having never explored pulp fiction of this ilk until recently, I remain thorougly impressed by Burroughs's work and in no little awe of his standing as a trailblazer in the science-fiction world. Barsoom is peopled with colorful peoples of wildly varied cultures, fascinating landscapes, and never-ending posibilities for adventure and death-defying escapades.
These novels are sheer fun from start to finish. I adore John Carter's completely over-the-top, unbelievable invincibility and his old-fashioned heroic charm. I love how much he adores Dejah Thoris -- it could be argued that he's the anti-James Bond, since Carter is just as ridiculously perfect and appealing to women, but he's very much a one-woman man, and his love story appeals to the old-fashioned romantic in me. :) Snappily plotted, well-written, imaginative, and endlessly adventurous, The Warlord of Mars confirms me as an avid John Carter fan, and happily there is no end in sight when it comes to exploring Burroughs's backlist. Barsoom and its people are a world I love getting lost in -- escapist entertainment of the highest order.
I often thought of John Carter, and even started a book of my own based on similar principles. Nothing much came of it, except that my son and his friends would pass around and read each chapter as soon as I finished typing. I would sit with them and tell them about John Carter of Mars. They were very interested but, unfortunately, the local library did not stock any of the series.
When I searched Burroughs on Amazon, I came across the John Carter series and felt as if I had found an old friend, missing for sixty years. I downloaded them and once again read every volume, almost straight through.
Burroughs knew how to tell a story, and freed himself from the constraints of earth gave free rein to his imagination -- which never was that much tethered. A key attraction to Burroughs is that he feels no need to be politically correct. Even in his own time, much of his theories were out-of-date. His concepts of race, honor and merit cannot be expressed today, even in fiction. I suspect this is why the libraries do not make his books as available as they should be.
I particularly think these books make good reading for young teenage boys. Some would object to the racial overtones, but these are part of the plot. Mainly, Burroughs teaches honor, bravery and loyalty -- traits that are considered quaint and antiquated today.
This is the last of the series, and should be read last. Once done, you may feel as I do, having rediscovered an old friend.