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Kowloon Tong: A Novel of Hong Kong Paperback – July 6, 1998
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Ninety-nine years of colonial rule are ending as the British prepare to hand over Hong Kong to China. For Betty Mullard and her son, Bunt, it doesn't concern them - until the mysterious Mr. Hung from the mainland offers them a large sum for their family business. They refuse, yet fail to realize Mr. Hung is unlike the Chinese they've known: he will accept no refusals. When a young female employee whom Bunt has been dating vanishes, he is forced to make important decisions for the first time in his life - but his good intentions are pitted against the will of Mr. Hung and the threat of the ultimate betrayal.
- Print length256 pages
- LanguageEnglish
- PublisherMariner Books
- Publication dateJuly 6, 1998
- Dimensions5.5 x 0.69 x 8.25 inches
- ISBN-100395901413
- ISBN-13978-0395901410
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"A compact, provocative gem of a novel." Boston Globe
"A moody thriller . . . cleverly, tightly constructed, fast-paced." The New York Times
"A taunt, illuminating story that trancends it's timely subject . . . A bravura performance." The Washington Post —
About the Author
PAUL THEROUX is the author of many highly acclaimed books. His novels include The Bad Angel Brothers, The Lower River, Jungle Lovers, and The Mosquito Coast, and his renowned travel books include Ghost Train to the Eastern Star and Dark Star Safari. He lives in Hawaii and on Cape Cod.
Excerpt. © Reprinted by permission. All rights reserved.
Kowloon Tong
By Paul TherouxHoughton Mifflin Harcourt Publishing Company
Copyright © 1997 Paul TherouxAll rights reserved.
ISBN: 978-0-395-90141-0
CHAPTER 1
Some days Hong Kong seemed no different from the London suburb she had lived in before the war. Today, for example, the cold early morning with fragments of fog at the windows, she was back in Balham. The gray sky was falling in big soft wisps of tumbled stuffing, like a cushion torn open — but not one of those stinky straw-filled Chinese cushions. When the wind gusted, the drops of rain, as though flushed from just above her, plopped harder on the roof, which was also the ceiling of the parlor at Albion Cottage. The sky, the roof, the ceiling — on a wet day like this they were one thing.
Betty Mullard sat in what she called the lounge waiting for her son, Bunt, to come in to breakfast.
"Fancy that," she said softly to the plip-plop of the rain. "Chinky-Chonks."
And she went on thinking: Chinese relatives? What Chinese relatives?
She had just put the phone down after speaking to Monty, who was Mr. Chuck's solicitor, and also hers — theirs, the firm's, everyone trusted Monty Brittain. He was a Londoner too, a lad, sported a bowler hat, and he just laughed and looked at her with dead eyes when she said, "I trust you because you're a Jewboy."
Mr. Chuck had never mentioned Chinese relatives.
The question was, How to tell Bunt?
Hearing another sudden clatter of raindrops, she was back in Balham again. She looked up and saw the Queen, the portrait over the mahogany sideboard, a larger photograph than that of Betty's late husband, George, in his RAF uniform on the same wall. The portrait had been part of the room, as permanent a fixture as the lamps and candle brackets, but lately Betty had begun to look closely at the Queen's face, querying it. The Queen was practically a goddess, but she was also a mother, and a ruler. Her kingdom was established and serene and orderly. "She works so hard" was all Betty had ever said, a kind of benediction.
The greatest change Betty had known in her life, keener than the death of her father, worse than the war but with the same unexpected surprises and hurts (all her sighs of "Whatever next!"), was the seismic shift in the domestic life of the royal family. Her father had been old and sick: his time had come. The war had been won. But in these past years Betty had felt a sense of overwhelming disillusionment — loss and grief and bewilderment of an almost blaspheming sort that had very nearly unhinged her — at the news of divorces and muddles and adulteries and scandals and secrets of the royal family. Her Majesty excepted, they were human and horrible, and they were naked, exposed for all the world to see. For the first time in her life she saw their flesh, the common freckles on Fergie's moo-cow face, Diana's skinny arms, even Charles, his white legs. To Bunt, who had no idea of the majesty of the Queen and how much had changed, his mother said, "And the youngest — just a shame — he's a nancy boy, no question."
The rain shaken from the overhanging trees fell noisily on the cobbles out front and on the crazy paving that George and Wang had put in. Betty looked in that direction too when she heard the loud dribbling spatter of the drizzle, and she saw the lily cluster, big leaves hit by the falling rain, and, nodding, the blossoms seemed to grieve like girls in white bonnets, to share her sorrow.
In her purple woolly sweater Betty matched the tea cozy that lay thick on the contours of the teapot before her, and the egg cozies, two of them, that sat on the soft-boiled eggs like bobble hats. On mornings like this Wang always fitted the items with these accessories that Betty had made. The color was unfortunate but the wool had been cheap, bought in bulk through one of the company's wholesalers, which explained the amount of yarn. There were also purple coasters for the souvenir glasses on the sideboard, where they stood with the souvenir saucers and the letter holder and the sturdy thermos flask and the tiny ceramic wine barrel from Spain, with its clutch of toothpicks, and the various items (brass jar, crystal bear, enamel ashtray) she had bought in the gift shops of transit lounges on her London flights.
With the same wool she had made cuffs for the chairs and collars for the lamps, and the pictures too — of George and Ivy in Carshalton, of Reeny and Ken, of Bunt in his pram at Southend, and of an odd foursome, mothers and sons on the beach at Silver Mine Bay in Lantau: Betty and little Bunt with Jia-Jia and her small son Wang — the frames had purple knitted sleeves. They held the damp and filled the bungalow's lounge with the smell of clammy wool. And cold toast and bacon fat and the savory sourness of just-sliced papaya — Wang had left the kitchen door ajar.
Albion Cottage was off Lugard Road, on a bluff above the Peak fire station. The fire brigade was inside today with the windows and doors shut. No voices, no music, no sirens. Everything in the bungalow on a morning like this had a film of dampness, and the dampness seemed to liven the mildew and gave the interior the ripe cheesy odor of a mortuary. Varnished wood was affected: a dampness dulled the case of the wind-up clock with its ponderous ticking and its iffy mainspring, caused a slick on the oak box of silver cutlery with its small silver plate, engraved George and Betty, 1946. There was damp on the newly twisted mechanical calendar that needed a turn every day, reading THU 7 MAR 96; on the sofa and the needlepoint cushion covers; on the leather footstool (still showing George's heel marks), the jam jars, the tea tray, the old magazines stacked beside the armchair, and the armchair itself — it all ponged.
Yet on a clear morning, like a hallucination from the eastfacing windows, where heavy with blackflies and aphids there were nasturtiums tumbling from a window box, Betty could see China — Red China, as they used to call it. Shum Chun was an hour by train from the factory in Kowloon Tong across the harbor. In forty-five years she had never visited, nor had George when he was alive, nor had Bunt, for — near or far — what was the point in going to China?
Bunt came in blowing his nose, saying, "Did you hear the phone ring at six o'clock? Imagine a twit calling that early!"
Wang hurried after him with the toast rack and a plate of bacon, the papaya she had smelled, and a napkin bundle.
Bunt folded his handkerchief into his pocket and went to the table and hesitated. He was forty-three and balding, and he touched his scalp lightly with Braille-reading taps and tracings of his fingertips, as though for luck, or searching for hair — or was it perhaps a reflex from the time he had had hair?
"Wang made some fresh oaties. Have an oatie, Bunt. Give him an oatie, Wang, there's a good chap."
There was an element of pride in Betty's encouragement. It was not really Wang's food. She had taught the man her own recipes and so it was her food.
Wang was tall — taller than Bunt, with a broad north China face, a flattish head, and wide-apart eyes that gave him a snake's features. He looked even more snakelike when he smiled, but that was seldom. His laughter was more frequent but even more sinister, since it never indicated pleasure, only anxiety and fear. He seemed to be on the verge of laughing this morning. Had he heard anything of the phone call?
Wang said nothing. He put the food on the table and withdrew. He had a sloping sideways walk which Betty blamed on his height. He was solitary. He was not mysterious. He jogged.
Bunt also said nothing. He was dealing with his egg, his mouth was full, a fleck of egg clung to his cheek.
"There's a wee scrap of bacon going spare," Betty said.
"If it's going spare." Bunt motioned with his spoon.
"I'll do the honors."
His mother slid the three stiff rashers onto his plate and then switched on the radio. It was green-painted bakelite with a yellow illuminated dial, as big as a breadbox, and it crackled. George had bought the radio. "It's a pup," Betty always said, and Bunt still boasted about it for its not being Japanese. It was a Roberts. Like the sturdy John Bull thermos flask on the sideboard it was English-made. "We manufactured radios once!" The TV was a Bush. The gramophone was a Bush. The toaster was a Dualite. The bathroom porcelain, basin, bath, and hopper were all Twyford Adamants. "And cars." The Milliards' car was a black 1958 Rover that George had bought. He'd been proud of these English goods because, he'd said, though they might need repair they would never need to be replaced in his lifetime. George was fond of saying, whether of these appliances or of his sturdy clothes, "These will see me out."
The sounds the Roberts made were like those of an old dear who had had to learn a new language. This morning it was saying, In the run-up to 1997 ...
The Hand-over: they called it "the Chinese take-away," and it was now the old refrain. It was the only news in Hong Kong, and any news related to it — the economy, land reclamation, sales of commercial property, the price of petrol, the new airport, the noisy fears of anxious politicians — was tied to the Hand-over. Because it was the same every day and had been for so long, Bunt never commented. Besides, they had vowed they were going to stay, just to see. There was no risk. They had British passports. And they were not so free as others in the colony, for they had a half-share in the factory; the other half belonged to Mr. Henry Chuck.
"You'll want your U.K. woolly," Betty said. It was one she had made. "And don't forget your gamp."
Anticipating that Bunt would say "Soldiers, Mum?," meaning bread fingers, Betty was buttering bread. She did it her usual way, standing with her feet apart, holding the whole loaf and spreading the butter on the end. When the buttering was completed, she worked her knife through the bread and cut off the buttered end as a slice. But as she did this Bunt was wagging his finger, no, no, no, because his mouth was full, his cheeks bulging with tea.
Sensing that he could not deny it, Betty said, "You're nid-nodding over your food. You look a little peaky."
She knew she would not get the truth from him, but she was curious to know what his lie would be. She watched him closely as he swallowed. She had kept track of what he had eaten: a soft-boiled egg, five rashers of streaky bacon, an oatie, half the papaya, two slices of toast to one of which he had added jam, no soldiers.
Bunt's reaction this morning was not to lie or make an excuse but to smile and pluck his umbrella from the stand and say he had to go.
"You were late last night," his mother said, trying to provoke a lie.
Bunt smiled and said, "Cricket Club. Had a drink with Mr. Chuck."
It was the worst lie he could have told, but perhaps it did not matter what he said. When she had put his shirt in the laundry basket, she had smelled cheap perfume — a hairy, cat-like odor of a sluttish woman. If she asked he would only deny it, but who was the woman? This was Hong Kong — it might be anyone, and the thought was alarming.
Bunt had gone thrashing into the rain and started the car. He was chafing some warmth into his hands and releasing the hand brake of his black lumpy Rover. He looked up and opened his mouth wide when he saw his mother coming towards him, buffeted by the wind and drizzle. She put her face and her lank rain-flecked hair against the passenger's side window.
"Mr. Chuck's dead," she said.
It sounded like an afterthought, though it was anything but. The news had been worrying her since six o'clock, when Monty called. She simply did not know how to tell her son of the death of their business partner.
Bunt was not superstitious, but he knew that thereafter, every time he hitched forward on the leather seat of the old Rover and released the hand brake, or perhaps even gripped it, he would think of those words. The satisfying lift and click to free the mechanism would always be linked in his mind with Mr. Chuck's death. He thought of death in the same way — the brakes are off, for that was how it seemed.
"I'm sorry," Bunt said. "I didn't really see him at the Cricket Club."
Betty made a face — twitching eyes, pursed lips — that meant Never mind.
She said, "Evidently he didn't have an earthly ..."
His mother was still talking but he was no longer listening. There was too much to do. Instead of the closely regulated schedule of the factory, Imperial Stitching in Kowloon Tong, the entire day had to be improvised. Bunt hated surprises, even pleasant ones. This was terrible — and worse, now everything in his life was in doubt.
And as someone who hated surprises, who was thrown by anything unplanned, Bunt had an English loathing for improvisation. Urgency made him anxious and inaccurate, and hurry left him speechless. Yet the death demanded his attention, and at the end of the day he was astonished by what he had managed to accomplish at such short notice.
He arranged for the funeral service at St. John's Cathedral, on Battery Path Road — Mr. Chuck, though Chinese, was a devout Anglican. Miss Liu at the factory took care of the flowers, and Mr. Cheung the insertion of death notices in all the papers, including the Chinese ones. Mr. Woo lowered the Union Jack on the roof of the factory to half-staff. Lily, Miss Liu's assistant, faxed some dates and club names to the South China Morning Post for its obituary. Bunt spent almost an hour at the Hong Kong Club with Monty, the solicitor. By late afternoon, Bunt felt he knew Mr. Chuck a great deal better. Apart from his father's death — but Bunt was young then, just eleven — this was his first proper funeral. He realized that death produced unexpected revelations.
They believed they knew the Chinese, he and his mother, knew them especially well because they knew Mr. Chuck and Wang so well. The Chinese were frugal first of all, but not mean; they were self-denying and Spartan, strangely cheese-paring and given to binges — also capable of going mental and throwing an entire fortune away at Happy Valley or Sha Tin. In the casinos of Macao they were melancholy and self-destructive. They might seem stern the rest of the time, but it was shyness, which was another reason they didn't look you in the eye. They could be sentimental, they did not shed tears — they had much to blub about and that was probably the reason they didn't. They could be tasteless, for frugality was the enemy of fashion. They did not care, they did not complain, they were totally predictable.
Whoever said the Chinese were enigmatic might have met one Chinese person but had not met two. They were nearly always the opposite — obvious, unsubtle, unambiguous, and what was the opposite of mysterious? They carried on their lives in whispers and their business in shouts. If they wanted you to accept a present, they rammed it down your throat. The present was never an expensive thing. They liked simplicity more than ingenuity, because ingenuity costs more. But novelty that was a bargain pleased them. Children pleased them, families generally. They hardly drank. They never gave speeches. Patience and long suffering were attributed to them. No, in Hong Kong they were animated by one emotion, and that was impatience. They were not timid — they could fight like cats. They were too shy to say it, but Hurry up was the angle and the statement in all their posture.
At the meeting, Monty had said, "And of course, as I told your mother, there are the Chinese relatives to consider."
And Bunt had raised his face to the man. Chinese relatives? Mr. Chuck had never spoken of them. He had refused to speak of China at all. That was Chinese — don't look back, don't even think about it. Mr. Chuck had come to Hong Kong in 1948 and had started Imperial Stitching with Bunt's father two years later. It was called Imperial Stitching and Labels then. Mr. Chuck had never gone back to China. Perhaps that had influenced Bunt in his not going. For many years it had been impossible, then it was merely difficult, but for the past fifteen years you had the impression that a visit to China was demanded of you. Americans went in their millions — and that convinced Bunt that he would never go, even though he was assured that he could easily manage the trip during his lunch hour.
"I've notified them," Monty said. "They will want to do something."
"I can't imagine what," Bunt said.
"And if they make demands?" "They can get stuffed."
Chinese relatives! Bunt saw himself with a hundred meddling Chinese partners, all named Chuck, in Imperial Stitching.
(Continues...)Excerpted from Kowloon Tong by Paul Theroux. Copyright © 1997 Paul Theroux. Excerpted by permission of Houghton Mifflin Harcourt Publishing Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Mariner Books; Reprint edition (July 6, 1998)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 0395901413
- ISBN-13 : 978-0395901410
- Item Weight : 8.5 ounces
- Dimensions : 5.5 x 0.69 x 8.25 inches
- Best Sellers Rank: #875,762 in Books (See Top 100 in Books)
- #9,458 in Contemporary Literature & Fiction
- #13,591 in Psychological Thrillers (Books)
- #40,786 in Literary Fiction (Books)
- Customer Reviews:
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About the author
Paul Theroux was born and educated in the United States. After graduating from university in 1963, he travelled first to Italy and then to Africa, where he worked as a Peace Corps teacher at a bush school in Malawi, and as a lecturer at Makerere University in Uganda. In 1968 he joined the University of Singapore and taught in the Department of English for three years. Throughout this time he was publishing short stories and journalism, and wrote a number of novels. Among these were Fong and the Indians, Girls at Play and Jungle Lovers, all of which appear in one volume, On the Edge of the Great Rift (Penguin, 1996).
In the early 1970s Paul Theroux moved with his wife and two children to Dorset, where he wrote Saint Jack, and then on to London. He was a resident in Britain for a total of seventeen years. In this time he wrote a dozen volumes of highly praised fiction and a number of successful travel books, from which a selection of writings were taken to compile his book Travelling the World (Penguin, 1992). Paul Theroux has now returned to the United States, but he continues to travel widely.
Paul Theroux's many books include Picture Palace, which won the 1978 Whitbread Literary Award; The Mosquito Coast, which was the 1981 Yorkshire Post Novel of the Year and joint winner of the James Tait Black Memorial Prize, and was also made into a feature film; Riding the Iron Rooster, which won the 1988 Thomas Cook Travel Book Award; The Pillars of Hercules, shortlisted for the 1996 Thomas Cook Travel Book Award; My Other Life: A Novel, Kowloon Tong, Sir Vidia's Shadow, Fresh-air Fiend and Hotel Honolulu. Blindness is his latest novel. Most of his books are published by Penguin.
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The story of the Handover plays out in the domestic and business dynamics of a Factory owning family, a middle aged mamma’s boy and his horrible controlling widowed mother. She’s bigoted, lower class, British; She uses her colonist privilege among the Hong Kong Chinese to effect the trappings of a repulsively genteel lifestyle. He is a repressed bachelor who uses his position as factory owner (he owns half the factory with a Chinese Hong Kong man) to seduce women who work at the factory. The mother wants to sell the factory to the Chinese and he wants to keep it in the family. And keep his lifestyle.
It’s a dramatic tale and an enjoyable read.
The author does write about what he knows about Hong Kong: the bars and the brothels. He goes on and on about his fantasies in the brothels, but those run thin very fast. From reading this book, you would never guess what a complex society Hong Kong actually is.
“Seeing Bunt get out of a taxi, a small Chinese child burst into tears at this fearful apparition of the balding devil and ran to clutch his mother’s legs to cower in terror.” Oh, come on! The 1990s? in Hong Kong?
My Western friends, both Western and Han from outside HK who live in there now (2018) enjoy it. Before the takeover, very few people besides thick-skinned tourists enjoyed Hong Kong. Even as an American, it was clear to me that I was a second class citizen because of my accent. It wasn’t until about 1990 that people were allowed to speak anything but English in HK courts, and all police records had to be written in English.
Mr Hung is a confusing picture who doesn’t ring true, and Mei-Ping doesn’t really hold together as a character.
The story ends with one foot in the air, without anything but vague hints about what may or may not have become of Mr Chuck, Ah-Fu, and other such forgettable characters.
I just hope there isn’t a sequel.
The story centers on Bunt and his mother Betty, who own a stitching factory. Bunt, in particular, was born in Hong Kong, does not know any Cantonese, basically hates anything Chinese (except some of the women), and looks with dread at the coming handover. To be honest, from about page 30 on I was hoping for the handover to come as soon as possible, just to get it over with and give Bunt and Betty their comeuppance. Their adversary, a Chinese named Hung connected to the PLA, may be even worse, but that character somehow seemed much less real than Bunt and Betty to me. Also troubling are the persistent racial stereotypes in the book, and it is not always clear if these are the author's or those of Bunt and Betty.
In summary, a disappointing read. Not completely awful, and clearly the author is a talented writer. But do not expect this book to tell you much about the real Hong Kong. As for Bunt and Betty, good riddance -- Hong Kong is better off without them.
Top reviews from other countries
Saint Jack is rather accurate of what Singapore was (still) in the 70s, at least the story is easily believable.
Here in Kowloon Tong, I had difficulties to picture the scenes (even though I've lived in HK) and the characters... Many situations are not believable, especially for a late 90s story. For instance, even if we assume such a person as the mother exists (a British elderly woman who despise all things and people Eastern but still lives in HK), her forty-something year old son, born and raised in HK, not speaking more than 10 words of Cantonese... after a few months in HK I had picked more than that, and I was not working with local people but with fellow nationals.
The 'these PRC will take over HK and break everything here' stance goes too far, even at the eve of the handover...
Did not feel at ease reading that...
enjoyable and I can recommend it.
I must say it's an amazing place to visit & the book may come in handy for tourists.