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Empty Glass
Extra Tracks, Remastered
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Empty Glass
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MP3 Music, April 21, 1980
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Track Listings
1 | Rough Boys |
2 | I Am An Animal |
3 | And I Moved |
4 | Let My Love Open the Door |
5 | Jools and Jim |
6 | Keep on Working |
7 | Cat's in the Cupboard |
8 | Little Is Enough |
9 | Empty Glass |
10 | Gonna Get Ya |
11 | I Am An Animal [Alternate Vocal] |
12 | Keep on Working [Alternate Vocal] |
13 | And I Moved [Alternate Vocal] |
14 | Gonna Get Ya [Long Version] |
Editorial Reviews
Digitally remastered expanded edition of the 1980 album by the Who's main songwriter, including bonus tracks. This commercially and critically successful album features the hits 'Rough Boys' and 'Let My Love Open the Door'. Features musical assistance from Rabbit Bundrick, Kenny Jones, Simon Phillips and Mark Brzesicki & Tony Butler (later 1/2 of Big Country).
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.59 x 0.39 x 4.92 inches; 3.46 ounces
- Manufacturer : Hip-O
- Item model number : 2073878
- Original Release Date : 2006
- Date First Available : October 22, 2006
- Label : Hip-O
- ASIN : B000FZESW6
- Number of discs : 1
- Best Sellers Rank: #214,318 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #953 in Rock Singer-Songwriters
- #2,126 in British Music
- #3,636 in Progressive Rock
- Customer Reviews:
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What may be added that already hasn't been said about this album? Alright, it was a "coming out" album. No, not his somewhat dubious admission of "bisexuality," but his "coming out" album away from The Who. By 1980, it seems, The Who had been exhausted, and Pete was on his own, or, at least wanted to be on his own. With this album (now CD), Pete stands on his own musically, and not that he didn't before. One must admit that "Tommy" and "Quadrophenia" are monster works. One can say of somewhat twentieth-century operatic value. But, with this album, Pete can still cut some good tunes, and they are much more mature than the "Meaty, Beaty, Big, and Bouncy" days. No, these songs are polished gems, and nothing reminiscent of his London club gig days. They are mature works and more reflective upon life's "issues."
Say and infer what you want about "Rough Boys" and "Jools and Jim," but I will focus on four of his other tunes from this album. The first, "I Am an Animal." Now, what is this song about? The animalistic nature of humankind? The lighter, more vulnerable side of Pete Townshend? I don't know, but I think it's a good tune. Yes, it's not crash/bash, like what we have come to expect of The Who or Pete Townshend, but is a bit more reflective. What's even better, included on this album as bonus tracks, is a demo of this song, still sounding vulnerable and even witty. Both tracks are good stuff.
Now, what about "And I Moved"? Okay, meant for Bette Midler, but deemed to "smutty" at the time, so a guy must sing it? Okay, that's believable in the sense that Jobim's "Girl from Ipanema" is a man's song, but sung by a woman (Astrud Gilberto). Okay, I will buy that. But, I think there is more to it than just some sexual encounter. If you listen to the music, it's quite spiritual. An ethereal piano motif played by Rabbit Bundrick permeates the entire song. It has a minimalist, if not spiritual, quality to it. Could that figure that "laid me back just like an empty dress" be God or Jesus or some other relaxing entity, weeping, also? I think that too much of a sexuality "issue" has been read by other reviewers into this album. Could it be something more "spiritual" which Pete Townshend is trying to convey to us in his music?
Lastly, now if you or I were to compose "Gonna Get Ya," wouldn't this tune be fine evidence that we were either too obsessive or were stalking someone? It has been said that Beethoven, in his music, has been a bit obsessive, even compulsive, and I think of his 3rd Symphony. With a tune entitled "Gonna Get Ya," it sounds like a one-way ticket to the head doc's office to me. Could Mr Townshend be that obsessive/compulsive, or is it his audience which would identify the most with such a tune?
Lastly, for all the banality that a working class, "garden song," like "Keep On Working" seems to be, it offers much reflection, even redemption for Mr Townshend. Words like:
And there's another thing, that they'll never touch.
Just need a boy and girl, and it won't cost you much.
And if your luck is in, then you'll have kids at play.
To make you laugh and sing, when you're old and grey.
Words like this couldn't be truer. Pete was a family man, had two daughters and a son, so, in conclusion, he can't be all that bad. For all of Pete's "seeking," and he seems to have spent a life-time doing just that, I can't think of any of his words which ring more true than the previous four lines above. Pete the Seeker (and not Pete Seeger), has found home at last with these words in the most Odyssean fashion.
Bowie left $100 million to his family and nanny. I understand that Pete is worth a little bit more than half of that. I guess this isn't too bad for a life spent seeking with the knowledge of a few chords, playing the guitar "hard," and knowing a few good synthesizer riffs. The rest of us all know the 9 to 5 grind, if some of us even have that, all too well.
Uh, buy this album? I don't know. That's up to you. I guess we have all had about thirty-six years now to reflect upon it. I guess it is better than the current mash of what's being poured out by even lesser musicians. At least these fine musicians were all in the same studio when it was recorded. Enough said. Out . . .