Tracklist
Take Me To The Mardi Gras | 5:50 | ||
I Feel A Song (In My Heart) | 5:26 | ||
The Golden Apple | 7:20 | ||
Farandole | 8:24 | ||
You're As Right As Rain | 5:29 | ||
Dream Journey | 5:57 |
Credits (49)
- Bob JamesArranged By, Conductor
- Eric GaleBass
- Alan ShulmanCello
- Alla GoldbergCello
- Tony Sophos*Cello
- George RicciCello
Versions
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71 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
Two LP, Album, Stereo, Terre Haute Pressing, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | Recently Edited | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 | Italy | 1975 | Italy — 1975 | Recently Edited | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 | UK | 1975 | UK — 1975 | Recently Edited | ||||
Two LP, Album, Promo | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album | CTI Records – CTI 6057, CTI Records – 0006.057 | Italy | 1975 | Italy — 1975 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 | Canada | 1975 | Canada — 1975 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057, CTI Records – CTI 6057 S1 | New Zealand | 1975 | New Zealand — 1975 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album, Gatefold Sleeve | CTI Records – GP-3010 | Japan | 1975 | Japan — 1975 | New Submission | ||||
Two LP, Album, Gatefold | Gamma (4) – GX 01-830 | Mexico | 1975 | Mexico — 1975 | Recently Edited | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album, Terre Haute Pressing | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | |||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 S1 | Netherlands | 1975 | Netherlands — 1975 | Recently Edited | ||||
Two LP, Album | CTI Records – CTI 60.57 | Netherlands | 1975 | Netherlands — 1975 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 S1, CTI Records – CTI 6057 | Canada | 1975 | Canada — 1975 | New Submission | ||||
Two LP, Album, Label Variation | CTI Records – CTI 60.57 | Netherlands | 1975 | Netherlands — 1975 | New Submission | ||||
Two LP, Album | CTI Records – CTI 6057 | Germany | 1975 | Germany — 1975 | Recently Edited | ||||
Two LP, Album, Santa Maria, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Bob James Two LP, Album, Stereo, Gatefold | CTI Records – CTI 6057S1, CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | Recently Edited | ||||
Two 8-Track Cartridge, Album | CTI Records – CT8 6057 | Canada | 1975 | Canada — 1975 | New Submission | ||||
Two LP, Album, Promo | CTI Records – GP-3010 | Japan | 1975 | Japan — 1975 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 | Canada | 1975 | Canada — 1975 | New Submission | ||||
Two Cassette, Album, Stereo, Beige Shell, Green Paper Labels | CTI Records – 30 CTI 6057 | Italy | 1975 | Italy — 1975 | New Submission | ||||
Two LP, Album | CTI Records – CTI 6057 S1, CTI Records – RVG 87717 | Israel | 1975 | Israel — 1975 | Recently Edited | ||||
Two LP, Album | CTI Records – CTI 6057 S1 | Philippines | 1975 | Philippines — 1975 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album, Santa Maria Pressing, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two 8-Track Cartridge, Album, Blue | CTI Records – CT8 6057 HT | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album, Stereo, Santa Maria Pressing, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album, Promo, Stereo, Santa Maria Pressing | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album, Stereo, Gatefold | CTI Records – CTI 6057 S1 | US | 1975 | US — 1975 | New Submission | ||||
Two LP, Album | CTI Records – HCTS 731-24, Hispavox – HCTS 731-24 | Spain | 1976 | Spain — 1976 | New Submission | ||||
Two Cassette, Album, Reissue, Stereo | CTI Records – GCT 01-830, Gamma (4) – GCT 01-830 | Mexico | 1976 | Mexico — 1976 | New Submission | ||||
Two LP, Album, Gatefold | CTI Records – 3.42-404-006 | Brazil | 1977 | Brazil — 1977 | New Submission | ||||
Two LP, Album | CTI Records – CTI 63-009 | Colombia | 1977 | Colombia — 1977 | New Submission | ||||
Two LP, Album, Limited Edition, Reissue, Stereo | CTI Records – LAX-3188 | Japan | 1978 | Japan — 1978 | Recently Edited | ||||
Two LP, Album, Reissue | Tappan Zee Records – FC 36836, Columbia – FC 36836 | US | 1981 | US — 1981 | Recently Edited | ||||
Two LP, Album, Reissue, Gatefold | CBS/Sony – 20AP 2006 | Japan | 1981 | Japan — 1981 | New Submission |
Recommendations
Reviews
referencing Two (LP, Album, Reissue) FC 36836
Confirming that this is an awesome pressing. The cover isn't gatefold like it was originally, but it's not much of an issue when the record sounds this good...- Take Me To The Mardi Grass is famous because it is one of the most used samples of hiphop in the 80s. In those days I was desparate to find the original sample. Until (I believe in 86) the hiphop documentry "Big Fun In The Big Town" came out (you should check it out on youtube). In wich the master himself Grandmaster Flash revealed the name of the sample. It took me more than 10 years but I finally got the record.
- Edited 8 years ago
referencing Two (LP, Album, Reissue) FC 36836
Recommended as it is a cool loud pressing ! Especially for the Mardi Gras tune !!! - Edited 11 years agoBJ's second album is yet another inconsistent record, but it contains two of his greatest tracks, the gorgeously-done "You're As Right As Rain" and the awesome "Dream Journey."
The former is the definitive version of the Stylistics track, but played in a different key, and just extremely well performed and produced. It is much better than the original. The emotion pours out of it.
The latter is a great, powerful mid-70s fusion excursion.
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