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The Artist [DVD]

Jean Dujardin (Actor), Bérenice Bejo (Actor), Michel Hazanavicius (Director) Clasificado: Apta para todos los públicos Formato: DVD

4,6 1.279 valoraciones

6,90€

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Formato	DVD, Mudo, Blanco y negro
Colaborador	Bérenice Bejo, Penelope Ann Miller, Michel Hazanavicius, James Cromwell, Jean Dujardin, Missi Pyle, John Goodman Ver más
Idioma	Inglés
Duración	1 hora y 36 minutos

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Descripción del producto

Hollywood, 1927. George Valentin (Jean Dujardin) es una estrella del cine mudo al que todo le sonríe. La llegada del cine sonoro marca el final de su carrera y lo lleva a caer en el olvido. Pero la joven extra Peppy Miller (Bérénice Béjo) empieza a ser propulsada hacia el firmamento de las estrellas. THE ARTIST cuenta la historia de estos dos destinos entrelazados.

Detalles del producto

Relación de aspecto ‏ : ‎ 1.33:1
Descatalogado por el fabricante ‏ : ‎ No
Clasificado ‏ : ‎ Apta para todos los públicos
Dimensiones del paquete ‏ : ‎ 18,03 x 13,76 x 1,48 cm; 83,16 gramos
Director ‏ : ‎ Michel Hazanavicius
Formato multimedia ‏ : ‎ DVD, Mudo, Blanco y negro
Tiempo de ejecución ‏ : ‎ 1 hora y 36 minutos
Fecha de lanzamiento ‏ : ‎ 23 mayo 2012
Actores ‏ : ‎ Jean Dujardin, Bérenice Bejo, John Goodman, James Cromwell, Penelope Ann Miller
Subtitulado: ‏ : ‎ Ninguno
Subtítulos: ‏ : ‎ Alemán, Alemán, Alemán
Idioma ‏ : ‎ Español (Dolby Digital 5.1)
Estudio ‏ : ‎ Cameo Media, S.L.
ASIN ‏ : ‎ B007R9P86S
Número de discos ‏ : ‎ 1

Clasificación en los más vendidos de Amazon: nº39,096 en Películas y TV (Ver el Top 100 en Películas y TV)
- nº2,198 en Romántico
- nº6,334 en Comedia
- nº11,244 en Drama

Opiniones de los clientes:
4,6 1.279 valoraciones

Opiniones de clientes

4,6 de 5

1.279 valoraciones globales

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UNA JOYA DE PELÍCULA PARA EXPONERLA EN UN MUSEO

Revisado en España el 5 de diciembre de 2019

Compra verificada

Estoy muy sorprendida con la rapidez. En teoría tenía que esperar un poco más de una semana y ha aparecido en el buzón en dos días. He cogido una de segunda mano y, según dicen, muy bueno. Espero que no esté estropeado: evaluando a ojo tiene pinta de estar en muy buenas condiciones, además de que la he reproducido rápidamente; en fin no parece rayada. No la puedo comprobar detenidamente porque no la podemos ver hasta las vacaciones navideñas, jeje.
Sin embargo, ya vi la película antes. Es preciosa y muy buena. Por eso me la he comprado. Una joya como para guardarla en un museo. No imaginaba lo especial que iba a ser. La recomiendo muchísimo. ¡No puede desaparecer esta maravilla!

A una persona le ha parecido esto útil

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Eduardo

Perfecto

Revisado en España el 20 de septiembre de 2021

Compra verificada

Todo bien

Útil

Fernando Sanchez Fernandez

Película extremadamente original

Revisado en España el 8 de febrero de 2017

Compra verificada

He marcado las cinco estrellas porque me parece una idea muy original volver a los planteamientos escénicos y sonoros de principios del siglo XX. No tengo que decir nada sobre cosas que me han gustado o no; insito en que la película me encanta. La recomendaría a mi madre. Creo que le encantaría.

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Útil

Francés absoluto

Revisado en España el 10 de diciembre de 2017

Compra verificada

Maravillosa película y recomendable a todo el mundo que, en la versión francesa, que es la que compré por su precio, está en total francés (y holandés). No en castellano ni en inglés como decían algunos comentarios. El problema creo que lo tiene Amazon cuando suma los comentarios de todas las ediciones, y, en el caso de los que compramos películas de importación, esto puede ser determinante. Yo esperaba encontrar el inglés, y no ha habido suerte. Amazon, a mejorar.

A 3 personas les ha parecido esto útil

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Maria Jose

Genial

Revisado en España el 24 de agosto de 2015

Compra verificada

Buena película, bien hecha, original, buenos actores, buen homenaje al cine mudo, a viejo hollywood, al cine en blanco y negro y la cine musical. Historia bien contada, con ciertos momentos buenos, aunque un poco larga en algunos tramos, pero en general bastante simple y lineal

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Rosa Maria Montes Domínguez

Película The Artist

Revisado en España el 3 de enero de 2020

Compra verificada

A mí me ha parecido una excelente película de cine mudo, me ha encantado y la recomiendo.

Revisado en España el 22 de marzo de 2018

Compra verificada

buena edicion de esta magnifica pelicula. calidad de imagen y sonido excelentes. aunque sonido hay bien poco pero el que hay es muy bueno. contiene varios extras.

A una persona le ha parecido esto útil

Útil

Luis

PELÍCULA MUDA QUE TE DEJA SIN PALABRAS

Revisado en España el 21 de diciembre de 2017

Compra verificada

Una gran película, tiene humor, drama y amor. Nos transporta al cine clásico con sus mejores películas en blanco y negro

Útil

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Franouch

Un film excellent !

Revisado en Francia el 19 de septiembre de 2023

Compra verificada

Que dire sur ce film : génial, fabuleux, atmosphère recrée parfaitement, décors, costumes... Tout est simplement GÉNIAL ! Jean Dujardin et Bérénice Béjo forment un très beau couple à l'écran ! Petit regret que le visuel de la pochette est différent du modèle présenté.

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Joseph L. Ponessa

Might Not Want to Do Without It

Revisado en los Estados Unidos el 22 de julio de 2012

Compra verificada

I sat down this evening to watch THE ARTIST on blu-ray. First there were five previews of other films, such as IRON LADY, with blaring soundtrack, which hurt my ears, but I left the volume on my usual setting. Finally the menu arrived, with a snappy bit of music. I selected PLAY, which is what I wanted to do in the first place, and then the film began. The opening credits were fuzzy, on purpose, to simulate how silent films look on VHS. Great! Blu-ray for this? Then I noticed that the soundtrack was set on a very low volume. Checking, yes, it's supposed to be a HD-Master 5.1 soundtrack, but what little sound there is seems to be coming out of the center speaker. There have been Dolby Digital 2.0 soundtracks for silent-film DVDs with much better quality sound. Then, just as I was hunkering down really to dislike this film, here comes the magnificent opening scene with the screening of the fictional RUSSIAN AFFAIR film in a movie theater with live orchestra, followed by the vaudeville routine with the dog. The hostility between the wife and the dog is something palpable. They don't want to share the same man! I did laugh. There then unfolds a series of scenes with really impressive cinematography--and silent films above all are nothing without the cinematographer. About half an hour into the movie is an incredible side-shot of a complex stairwell, with people coming and going, all as a backdrop for a meeting between the two principals. For that scene alone, the film deserves all the honors it can get, and takes a place in film history, IMHO. Yes, I'm still a bit cranky. Sound was introduced into movies in 1927, not in 1929 as the film portrays. The target audience for a film like this will surely know this, so why bend their universe? The HOLLYWOODLAND sign above the studios tell us that this is an alternative universe. Yet the script's conflation of four tragedies on October 25, 1929--financial, marital, professional and personal--seems like piling on. As you see, I try to talk myself into disliking this film. The trouble is, I don't convince myself. Otherwise, why would I be upset that the film was not widescreen, unless I really wanted to see more of it? I think it is a great film that was over-tampered with in post-production. But then, much more drastic things of the same kind happened to GREED, FOOLISH WIVES and MAGNIFICENT AMBERSONS, and yet each of them remains a masterpiece. This is a film I will have to see two or three times to know if it grows on me. At this point I think I might not want to do without it.
AFTER SECOND VIEWING:
Well, I found out after posting my review that the film had won five Oscars--"That's a horse on me!" (Tim Holt in MAGNIFICENT AMBERSONS). Give me time--I may catch up with events! (Is this film about me?) Last night I put the blu-ray in to watch a second time. This time I skipped the previews, and that helped get into the film itself, but the menu music should have been turned down to match the volume on the film itself. For the menu music to spoil the opening mood is a frequent fault of DVD and blu-ray mastering. The soundtrack didn't seem so muted this time as before, but still--if the soundtrack won an Oscar, then it is nothing to be shy about. Bring it on! The opening titles were still too fuzzy, but the intertitles within the film itself were crisp and clear. The title character is a little bit of Rudolph Valentino (the name), Douglas Fairbanks (the swashbuckling sequence), Ramon Novarro (the silent star with a foreign accent), Maurice Chevalier (a French accent) and Fred Astaire (the dance routine--very well done). The female lead is closest, I think, to Clara Bow's in WINGS. During the late Twenties, films were featuring fallen women or liberated women, and even Clara Bow had a scene in WINGS where she impersonated a fallen women. But the female lead in THE ARTIST is a "good person" as the butler says. She avoids all their character flaws while combining the awestruck fan, the ambitious understudy, etc. She avoids every cliché and is always a real person at every stage of the film. Her one lapse is talking silly in an interview, but that is certainly an easy temptation to fall into. Even career politicians put their feet into their mouths often enough. I do not consider her having "toy boys" around her a character lapse, since she labels it herself. They are caricatures, but she is not.
About the widescreen issue. There were experiments with widescreen in the late Twenties and early Thirties. One concluding reel of Abel Gance's NAPOLEON (1927) is split-screen, a triptych of images. BAT WHISPERS (1932) was released in both standard and Magnoscope versions. I tried streching THE ARTIST out to the width of my TV, and it worked well nearly all of the time. I felt that it enhanced the effect of the film, except when it chopped off people's foreheads or feet. I hate that sort of thing, so I won't try it again.
So I am sorry that the award-winning soundtrack and award-winning cinematography are kept muted, but the film won the top awards anyway, so who am I to complain? Only two silent films have ever won the Best Film award--THE ARTIST and WINGS, both of them now on fine blu-rays (WINGS skipped DVD altogether and leapfrogged directly from laserdisc to blu-ray). Both films had recorded soundtracks so they weren't entirely soundless. For those of us who love silent film and have collected whatever fragments survive of the film heritage of that era, it is a great thing to see a year like 2012 in which a new silent film takes the top honors. I'm glad I found out before the year was over. I will try to pay better attention next year.
Anyway, after the second viewing, I am sure there will be a third and a fourth and so on. THE ARTIST is an instant classic, and I most assuredly will not want to do without it.

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D. J. Pascua

Michel Hazanivicious's Masterpiece! The little film that could!

Revisado en los Estados Unidos el 28 de julio de 2012

Compra verificada

I wanted to see this film from the moment I saw a trailer on TV last December. As a lover of William Powell(The Thin Man), an american actor who went successfully from silent movies to talkies, the short glimpse I got of the character reminded me of him. And it looked like a compelling story. I got all that in a 20 second ad? Now that's editing!
By now, you are all familiar with the plot - if not, check out MANY MANY reviews that will tell you what it is. But more than that, writer-director Michel Hazanivicious has created an experience that transcends just a melodrama and/or novelty movie. For those who have not watched many silent movies (or EVER seen one) if you will just relax, turn off the cell phone, stop playing with the dog or WHATEVER for the first couple of minutes, you'll be drawn in to 1927 Hollywood, and a sweet story of famed actor who is atop the world, meets girl, loves girl, loses job, fights change, loses self worth, and is redeemed. But it's so much more.
It is the many moments that make you smile, laugh out loud, and hold your breath in anticipation. A few of my favorite scenes are of transition - when superstar George Valentin (a most deserving Oscar winner Jean Dujardin)realizes the pretty extra he's dancing with take after take is more than just cute. When ingenue Peppy Miller (French Cesar Winner and Oscar Nominee Berenice Bejo) realizes the man she's smitten with is not only handsome, playful and kind, but married. When George has just had a terrible meeting with studio mogul Al Zimmer(John Goodman is perfect),comes down a staircase and runs into Peppy, who, having just signed with his studio is thrilled because she thinks she and George can now do movies together. He's angry and upset and yet can look her in the eye and be happy for her. She makes him forget his misery. Their affection is genuine, so much so that when new star Peppy, on the eve of the opening of their competing films, makes comments about "old actors mugging for the camera" to reporters in a restaurant, not knowing until too late that George has heard her and is deeply wounded. I felt badly for both of them. George struggles and falls and goes into depression, yet Peppy(nor his swell little dog Uggie)never gives up on him. When he finally does go to see a talkie, it stars her, and he is charmed. On screen, she pulls him into smiles the way she does with audiences.

I love every frame of this film and was really thrilled when Oscars were awarded to Ludovic Bource for his PERFECT score that I enjoy listening to in my car still; to Mark Bridges for what must have been more than 100 fully completed 1920's era costumes that were gorgeous to look at, and of course to the man who believed - Thomas Langman as producer. I wish it would have won the other nominated Oscars for art direction, editing, cinematography and Berenice Bejo's performance. Other movies can throw millions of dollars into a set piece, but if it overpowers the actors within it, all the stuff is just clutter. The actors in this story never get lost because all the elements of this movie are perfectly executed and balanced. They enhance one another.

Under Michel Hazanivicious's Oscar winning direction, the performances are gorgeous and always pitch perfect, right down to every extra, every bit part. Berenice Bejo is magic in this role. And I defy you to find a more captivating sequence in any movie than Uggie's run for help in a pivotal scene! The look of this movie is perfect and lovingly crafted.

I could go on another 300 words about Jean Dujardin's tour de force as George Valintin. It is a beautifully layered, sexy, powerful, sometimes heartwrenching and ultimately stellar performance. Played against Berenice Bejo's loving Peppy Miller, he comes through as the nice guy and the superstar we know he is, even though his pride has interfered with his willingness to try something new. The issue was not that George Valentin wouldn't make it in talkies - he has way too much charm and talent to fail. But after seeing another star's awful sound test he didn't think talkies could ever be good!!

I do wish all the bonus features in the DVD release were longer. I would have been thrilled with a second DVD just to hear about more about the making of this charming homage to Hollywood and love stories; more from the director and actors. It would be interesting to have see some of his storyboards and Mark Bridges' costume studies, and of course would have loved a longer blooper reel. It did seem as though there was some excessive yakking it up commentary by James Cromwell in the Q&A section (MORE JEAN DUJARDIN PLEASE!!) but it's obvious he's very proud of this film and the entire cast and production company must be as well. Thanks to the Weinstein Company for bringing it to the world! Best Picture - OUI!!! Merci beaucoups, beaucoups!! As Jean Dujardin called him, Michel Hazanavigenius!!"
*** Word of warning when viewing the movie. I had to turn the sound WAY UP once it began in order to get the benefit of the wonderful music. Also, though tempted to make the picture as large as possible, please leave it in it's 1:33 ratio to get the picture as it was intended. It looks better and is closer to what a real silent movie looks like. (yes, they were square!!) Finally, I changed my TV's picture mode from "cinema" to "standard" and lo and behold, it looks just like it did in the theater!! Enjoy!

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Edelweiss

Un bel hommage aux films muets des années 20

Revisado en Francia el 30 de enero de 2020

Compra verificada

No se ha podido cargar el contenido multimedia.

Un film de Michel HAZANAVICIUS, sortie le 12 octobre 2011. et tourné entièrement à Hollywood,
ce qui est plutôt rare maintenant . Sommes à Hollywood, à la fin des années 20.
Le cinéma est encore muet, et George Valentin est un acteur en pleine gloire , le public l’aime.
Les producteurs veulent arrêter le muet, pour le parlant,
la sublime Peppy Miller, une jeune actrice monte en flèche.
Il y a des moments drôles dans the Artist surtout avec son chien, Uggie
top comique, d’autres plus graves .
Georges Valentin est une célébrité, il a la grosse tête, un acteur très connu et reconnu,
il propose à la jolie Peppy de faire un film avec elle.
Et puis , le cinéma muet n'a plus la côte. Cependant Valentin veut continuer dans le muet.
Alors que Peppy monte enflèche, pour lui, c'est la descente aux enfers.
Il perd tout : son épouse, ( pas de communication entre lui et sa femme qui reste à la maison e
t ne semble pas accepter la célébrité de son mari), ses biens et veut en finir quand il voit sa déchéance.
Aux enchères on lui lance : "tout est parti vous n’avez plus rien”
c’est drôle en même temps, car c'est réussi, tout es vendu mais très triste bien sûr pour lui !
Contrairement à lui, Peppy Miller gravit les marches, elle a beaucoup de succès, c’est l'ascension.
J’aime ce film en noir et blanc, il est magnifique. et rend hommage au cinéma muet des années 20
avec des acteurs de 2011,ce qui n'est pas évident, c'est un vrai succès en ce sens .
J'ai aimé les chapeaux des dames et leur robes de cette époque .
C’est l’amour et la générosité de Peppy qui arriveront à sauver Georges Valentin.
C’était osé de faire un film en noir et blanc en 2011
ça change des images de synthèse, de la 3D etc. revenir e connaître le passé, ce n'est pas mal.
Je l’ai acheté en 2014 et vu seulement en 2020 !
Je le reverrai , je vois toujours plus de choses la seconde ou troisième fois.
Le jeu des acteurs est très semblable aux acteurs de 1920,
la danse des claquettes aussi en cela aussi c'est une réussite.

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steve_manassas

A fabulous film that deserved Best Picture

Revisado en los Estados Unidos el 1 de julio de 2012

Compra verificada

I saw THE ARTIST in a theater in Fairfax, VA, in January, and the audience loved it so much that they stood up and cheered at the end, which I haven't seen in a movie theater in many a year. I'm so glad that the film is finally out on DVD and Blu-ray.

The film, which deservedly won the Oscar for Best Picture, is set in late 1920s-early 1930s Hollywood. It follows the career of silent-film vaudevillian George Valentin (Jean Dujardin), once a big star at Kinograph Studios, as he struggles with the transition to talking pictures. He also seems to be more devoted to his dog (Uggie), than to his wife, Doris (Penelope Ann Miller). Along the way, he meets a young film extra, Peppy Miller (Bérénice Bejo), at a premiere. When Variety, the show-biz paper (then and now), prints a picture of Peppy kissing George, Doris is fit to be tied, and that incident, along with his excessive devotion to his dog, eventually leads to the breakup of his marriage.

When Kinograph Studios phases out silent films in favor of talkies, George blows them off, saying that talkies are a gimmick that will never catch on, and leaves the studio to produce his own independent silent film (which flops). Meanwhile, Peppy signs with Kinograph and becomes a huge star in the early talkies. George has a nightmare about sound films in which the extras laugh at him (the only sound sequence until the end of the film), his marriage is over, he is forced to fire his longtime butler (James Cromwell), and he becomes despondent and attempts suicide by burning his silent-film collection (which sets his house on fire). Fortunately, the dog escapes from the house and manages to get his master rescued.

Meanwhile, Peppy, who has fallen in love with George, offers him a place to stay at her house to enable him to recover from his injuries. After blackmailing the executives at Kinograph Studios, she convinces them to give Valentin the script for the studio's new musical. Valentin still does not want to do it, and attempts suicide again (this time with a gun) while Peppy is at the studio. Fortunately, the attempt is unsuccessful, and Peppy arrives at the house, insisting that she help him. Although George finally realizes that Peppy loves him (and vice versa), he still believes that no one wants to hear him talk, but she insists that he try something and asks him to trust her. Back at Kinograph Studios, the two perform a stunning tap-dance number, and the studio executives love it, which brings the film to a satisfying conclusion that brought the theater's audience to its feet. Dujardin and Bejo, who are not professionally trained dancers, took five months of intensive tap instruction to learn the two-minute routine, yet they look like they have danced their whole lives. The routine reminds me of Fred Astaire and Eleanor Powell's famous tap duet, which appeared originally in Broadway Melody of 1940 , and was also featured in That's Entertainment , although the Dujardin-Bejo number is not as long as the Astaire-Powell number, and does not have an "a cappella" sequence.

Dujardin and Bejo are superb, as are the rest of the film's cast, including Cromwell, Miller, Uggie the dog, John Goodman, Missi Pyle, and others. The film's soundtrack (which I discuss in my review of The Artist CD) is absolutely marvelous.

Extras on the DVD include three featurettes, a blooper reel, and a very interesting Q&A session with some of the cast members.

Purchase of this film is an absolute must, and the soundtrack CD is recommended also.

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Detalles de cumplimiento de productos

Consulta los detalles de conformidad de este producto(Persona responsable de la UE).

Amazon Music Transmite millones de canciones	IberLibro Libros, arte & artículos de colección	Amazon Web Services Servicios Cloud Computing de Amazon	Kindle Direct Publishing Publica tu libro en papel y digital de manera independiente

Amazon Segunda mano Productos devueltos y como nuevos	Shopbop Marcas de moda de diseño	Amazon Business Servicio para clientes de empresa	Audible Disfruta de miles de audiolibros y podcasts originales