The Traces of Jacques Derrida's Cinema
The Traces of Jacques Derrida's Cinema
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Abstract
Situated at the intersection of film and media studies, literary theory, and continental philosophy, The Traces of Jacques Derrida’s Cinema provides a trenchant account of the role of cinema in the oeuvre of one of the most influential philosophers of the twentieth century, Jacques Derrida (1930–2004). The book is animated by Derrida’s self-confessed passion for the movies, his reluctance to write about film despite the range of his corpus, and the generative encounters arising between his legacy and the field of film and media studies as a result. Given the expanse of its references, interdisciplinarity, and consideration of Derrida’s approach to the experience of both spectatorship and the act of being filmed, The Traces of Jacques Derrida’s Cinema contributes to the ongoing close analyses of the philosopher’s work while also providing a rigorous introduction to deconstruction. The book interweaves historical and speculative modes of research and writing to articulate the peripheral place of the cinematic medium for Derrida and his philosophical enterprise. The outcome is a meticulously detailed survey of the centers and margins of Derrida’s oeuvre that incorporate his appearances in films; his unrealized or hypothetical project on cinema and belief; the correspondences between the strategies of deconstruction and David Lynch’s cinematic media; and the questions wedded to both the legitimization and future of film studies amid the vicissitudes of the modern, virtual university.
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