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In God We Trust: All Others Pay Cash Hardcover – January 1, 1966
Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant--and utterly hilarious--works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.
In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.
A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.
- Print length264 pages
- LanguageEnglish
- PublisherDoubleday
- Publication dateJanuary 1, 1966
- ISBN-100006419321
- ISBN-13978-0006419327
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Product details
- ASIN : B00005W5S1
- Publisher : Doubleday; First Edition (January 1, 1966)
- Language : English
- Hardcover : 264 pages
- ISBN-10 : 0006419321
- ISBN-13 : 978-0006419327
- Item Weight : 1 pounds
- Best Sellers Rank: #5,673,352 in Books (See Top 100 in Books)
- Customer Reviews:
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Yet amidst his disparaging remarks about his childhood, his sentimentality is so thick it could be spread on a slice of bread. Add some strawberry jam and you have a sandwich. I don't mean that in a bad way. On one level he obviously cherishes his memories, and is very glad to see his friend Flick. Most of the book involves the two of them thinking back about the times they had and the people they knew while Flick tends the bar he owns.
To reiterate, the stories operate on several levels. Primarily the book is sweetly reminiscent. Behind that there's some lingering dispirited aversion to the small-mindedness and poverty of his childhood hometown and state. But behind that there's a vein of cynicism about his current life in the big city.
His writing style is such that I laughed out loud on more than one occasion - and I'm not very demonstrative. Shepherd is a great humorist and is able to capture both the innocence and bitter tang of having grown up during the depression, or in the sparse times just after the depression.
It's important to know that most of the stories were originally published in a magazine (Playboy). This is not a novel - it's a collection of stories. If you've seen A Christmas Story, you should know that he wrote the screenplay and is also the narrator. Supposedly, during the filming the cast had a great time EXCEPT when he was on the set, where they found him to be a grumpy old man. There are some differences between the book and the movie - in the book, for example, it's the holiday ham that's stolen by the Bumpus dogs, not a holiday turkey. But for the most part, if you like the movie, you'll love the book (and the counterpart).
I know I'll be reading these books over and over, and I hope that my brothers and sisters enjoy them as gifts. Recommended very highly.
Neat to see where some of the scenes for that originated.
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Es el libro de donde se hizo el guión para A Christmas Story, una película que ya ha tenido por mi parte su respectiva reseña, y que vale la pena ver y disfrutar. En mi caso, fue por esa razón que adquirí el libro,, para conocer la materia prima del filme, que mucho me gustó.
Fue escrito por Jean Sheperd; que cabe aclarar es un autor, no autora (aunque se llame Jean y no John).
La dedicatoria nos hace levantar la ceja: "A mi madre, a mi hermano menor, y al resto de la pandilla..." Traduje casi textual.
El levantamiento de ceja es porque en ella no se menciona al padre, pese a que, tanto en libro como en película, resulta importantísimo personaje... Mmmh... (de nuevo, levantamiento de ceja).
El libro se divide en 31 apartados, cada uno con un titulo como invitación a su lectura y señalado con número romano.
Realmente creo que se pueden leer en el orden que uno decida, porque no hay en el libro lo que conocemos como una narrativa lineal.
Más bien se trata de una serie de situaciones que, casi, cada una de ellas inician y terminan en su propio apartado.
El arranque es el bar de Flick, ya adulto, amigo de la infancia del narrador. Ambos rememorarán escenas y sucesos de su infancia. Es decir, cada apartado.
La gran mayoría de lo que presentó A Christmas Story en pantalla, se encuentra en el número X, que, (traduzco nuevamente) se llama Mi viejo y el premio especial lascivo , que anunció el nacimiento del arte pop. Y en el numero IV viene la anécdota del decodificador pedido por correo para descubrir secretos de un programa radial; y así podríamos hacer la relación entre libro y filme, pero ¿cuál sería el punto?
Creo que hay que leer el libro; en especial si se desea, como mencione al inicio, saber cuál fue la piedra primigenia que dio origen a la película. Pero aún si no, yo lo leería. Al menos una vez.