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Jim Morrison: 178 frases106 Me gusta
Frases célebres de Jim Morrison
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Frases de gente de Jim Morrison
Frases de arte de Jim Morrison
Original: «I could be a journalist. I think the interview is the new art form. I think the self-interwiew is the essence of creativity. Asking yourself questions and trying to find answer. The writer is just answering a series of unututtered questions».
“El amor no puede salvarte de tu propio destino.”
Fuente: Voces del exilio. Arte Nuevo S.R.L., 2004, p. 179.
Jim Morrison Frases y Citas
Fuente: Romero, Sara. «15 frases célebres de Jim Morrison.» Muy interesante. https://www.muyinteresante.es/cultura/arte-cultura/articulo/15-frases-celebres-de-jim-morrison-191417783307 Consultado el 16 de octubre de 2018.
Fuente: Angle, Alexander. El diario de Oliver Cruz. Editorial Lulu.com, 2012. ISBN 9781471685385, p. 7,
Original: «This other kingdom seems by far the best
Until it's other jaw reveals incest
And loose obedience to a vegetable law».
Fuente: Densmore, John. Riders on the Storm: My Life with Jim Morrison and the Doors. Editorial Random House Publishing Group, 2009. ISBN 9780307429025.
Fuente: Canción A feast of friends.
“De hecho, no recuerdo haber nacido, debió haber ocurrido durante una de mis borracheras.”
Fuente: Rodríguez, Miguel Ángel. Entre Menudos y Cantinas. Editorial Palibrio, 2016. ISBN 9781506518114.
Original: «A hero is someone who rebels or seems to rebel against the facts of existence and seems to conquer them».
Fuente: Hopkins, Jerry. The Lizard King: The Essential Jim Morrison. Editorial Plexus Publishing, 2014. ISBN 9780859658843.
“Yo no saldré ahí afuera, tú tendrás que entrar dentro de mí.”
Fuente: Melusina. Frases célebres para adolescentes. Edición ilustrada. Editorial Selector, S.a. De C.v., 2009. ISBN 9786074530254, p. 99.
“Podríamos planear un asesinato o comenzar una religión.”
Fuente: Marín, Martha; Muñoz, Germán. Secretos de mutantes: música y creación en las culturas juveniles. Editor Universidad Central, Departamento de Investigaciones, 2002. Procedencia del original Universidad de Texas. Digitalizado 6 marzo 2008. ISBN 9789586650496, p. 135.
“Soy el Rey Lagarto, puedo hacer lo que sea.”
«I'm the Lizard King, I can do anything».
Fuente: Vega-Gil, Armando. El ritual del lagarto. Ediciones B. Penguin Random House Grupo Editorial México, 2017. ISBN 9786075293530.
Fuente: Davis, Stephen. Jim Morrison: LIfe, Death, Legend. Editorial Penguin, 2005. ISBN 9781101218273.
“Quien controla los medios de comunicación, controla las mentes.”
Fuente: Linheira, Jorge. La cultura como reserva india: Treinta y seis años de políticas culturales en Galicia. Editorial Libros.com, 2018. ISBN 9788417236434.
“Queremos el Mundo, ¡y lo queremos ahora!”
Original en inglés: «We want the world and we want it now!»
Fuente: Forlenza, Rosario; Thomassen, Bjørn. «Italian Modernities: Competing Narratives of Nationhood.» Italian and Italian American Studies'. Edición ilustrada. Editorial Springer, 2016. ISBN 9781137492128, p. 216.
Fuente: Canción When the Music's Over de The Doors (Strange Days, 1967).
Original: «I always been attracted to ideas that were about revolt against authority —when you make your peace with authority you became an authority. I like ideas about the breaking away or overthrowing the estabilished order— I am interested in anything about revolt, disorder, chaos, specially activity that seems to have no meaning».
Fuente: Travers, Steven. Coppola's Monster Film: The Making of Apocalypse Now. Edición ilustrada. Editorial McFarland, 2016. ISBN 9781476664255, p. 71.
Hablando sobre la altura de la poesía.
Original: «It's so eternal. As long as there are people, they can remember words and combinations of words. Nothing else can survive a holocaust but poetry and songs. So long as there are human beings, songs and poetry can continue».
Fuente: Davis, Stephen. Jim Morrison: Life, Death, Legend. Editorial Penguin, 2005. ISBN 9781101218273, p. 333.
Fuente: Las "Notas" de Jim Morrison fueron reeditadas: cómo veía el mundo uno de los íconos más transgresores de los 60. 17 de octubre de 2018. https://www.infobae.com/america/cultura-america/2017/11/16/las-notas-de-jim-morrison-fueron-reeditadas-como-veia-el-mundo-uno-de-los-iconos-mas-transgresores-de-los-60/
Original: «I think in art, but especially in films, people are trying to confirm their own existences. Somehow things seem more real if they can be photographed and you can create a semblance of life on the screen».
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Jim Morrison: Frases en inglés
"Five to One" on the album Waiting for the Sun (1968)
Variante: Five to one, baby
One in five
No one here gets out alive
Contexto: Five to one, baby
One in five
No one here gets out alive, now
You get yours, baby
I'll get mine
Gonna make it, baby
If we try.
“I like people who shake other people up and make them feel uncomfortable.”
Fuente: Eyes: Poetry, 1967-1971
“Let me tell you about heartache and the loss of god”
An American Prayer (1978)
Contexto: Now listen to this...
Ill tell you about texas radio and the big beat
Soft driven, slow and mad Like some new language
Reaching your head with the cold, sudden fury of a divine messenger
Let me tell you about heartache and the loss of god
Wandering, wandering in hopeless night
Out here in the perimeter there are no stars...
Out here we is stoned...
Immaculate.
As quoted in Straight Whisky: A Living History of Sex, Drugs, and Rock 'n' Roll on the Sunset Strip (2003), by Erik Quisling, and Austin Lowry Williams p. 152
“People are strange when you're a stranger
Faces look ugly when you're alone”
"People Are Strange" on the album Strange Days (1967)
Contexto: People are strange when you're a stranger
Faces look ugly when you're alone
Women seem wicked when you're unwanted
Streets are uneven when you're down.
“Indian, Indian what did you die for?
Indian says, nothing at all.”
An American Prayer (1978)
An American Prayer (1978)
Contexto: The program for this evening
is not new. You have seen
This entertainment through and through.
You've seen your birth, your
life and death; you might recall
all of the rest — (did you
have a good world when you
died?) — enough to base
a movie on?
