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224 pages, Paperback
First published April 22, 2002
… Lucas' request that the Jedi temple towers rise up into smoggy skies. 'That smog effect not only provided great atmosphere for lighting, but also set the mood … A storm is brewing, and the bright world seen in Episode I is becoming darker.' The art department's designs also subtly reflected the chronological linkup of the prequels with the original trilogy, as the sunset years of the Republic give way to the battered, 'used universe' Look of the Galactic Civil War era. … 'With Episode II, we're starting to cross that line; some of the original shapes are showing up. The theme of Episode II is definitely an integration of the [prequels] into the original films.'The designs [of Episode II] "emphasized flowing lines, a design element subtly distinguishing the prequel culture. 'Instead of rigid, straight lines, there are more free-flowing forms … As we approach the timeline of the original trilogy, things will get more angular.'"
Just as old aerial combat footage inspired George Lucas' design of the Rebel and Imperial fighters battling in A New Hope, Erik Tiemens and Ryan Church studied World War II and Vietnam War films for a sense of everything from artillery firing to combat copters landing. Even footage of the burning oil fields of Kuwait from the Persian Gulf War provided inspiration.