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A Russian Journal (Classic, 20th-Century, Penguin) Paperback – Illustrated, December 1, 1999
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A Penguin Classic
Just after the Iron Curtain fell on Eastern Europe, Pulitzer Prize-winning author John Steinbeck and acclaimed war photographer Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travelers not only to Moscow and Stalingrad – now Volgograd – but through the countryside of the Ukraine and the Caucasus. Hailed by the New York Times as "superb" when it first appeared in 1948, A Russian Journal is the distillation of their journey and remains a remarkable memoir and unique historical document.
What they saw and movingly recorded in words and on film was what Steinbeck called "the great other side there … the private life of the Russian people." Unlike other Western reporting about Russia at the time, A Russian Journal is free of ideological obsessions. Rather, Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II—represented here in Capa’s stirring photographs alongside Steinbeck’s masterful prose.Through it all, we are given intimate glimpses of two artists at the height of their powers, answering their need to document human struggle. This edition features an introduction by Steinbeck scholar Susan Shillinglaw.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Print length256 pages
- LanguageEnglish
- PublisherPenguin Classics
- Publication dateDecember 1, 1999
- Dimensions7.72 x 5 x 0.57 inches
- ISBN-100141180196
- ISBN-13978-0141180199
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From the Back Cover
Just after the Iron Curtain fell on Eastern Europe, Pulitzer Prize -- winning author John Steinbeck and acclaimed war photographer Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travelers not only to Moscow and Stalingrad -- now Volgograd -- but through the countryside of the Ukraine and the Caucasus. Hailed by the New York Times as "superb" when it first appeared in 1948, A Russian Journal is the distillation of their journey and remains a remarkable memoir and unique historical document.
What they saw and movingly recorded in words and on film was what Steinbeck called "the great other side there ... [the] private life of the Russian people". Unlike other Western reporting about Russia at the time, A Russian Journal is free of ideological obsessions. Rather, Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. Through it all, we are given intimate glimpses of two artists at the height of their powers, answering their need to document human struggle.
About the Author
After marriage and a move to Pacific Grove, he published two California books, The Pastures of Heaven (1932) and To a God Unknown (1933), and worked on short stories later collected in The Long Valley (1938). Popular success and financial security came only with Tortilla Flat (1935), stories about Monterey’s paisanos. A ceaseless experimenter throughout his career, Steinbeck changed courses regularly. Three powerful novels of the late 1930s focused on the California laboring class: In Dubious Battle (1936), Of Mice and Men (1937), and the book considered by many his finest, The Grapes of Wrath (1939). The Grapes of Wrath won both the National Book Award and the Pulitzer Prize in 1939.
Early in the 1940s, Steinbeck became a filmmaker with The Forgotten Village (1941) and a serious student of marine biology with Sea of Cortez (1941). He devoted his services to the war, writing Bombs Away (1942) and the controversial play-novelette The Moon is Down (1942).Cannery Row (1945), The Wayward Bus (1948), another experimental drama, Burning Bright(1950), and The Log from the Sea of Cortez (1951) preceded publication of the monumental East of Eden (1952), an ambitious saga of the Salinas Valley and his own family’s history.
The last decades of his life were spent in New York City and Sag Harbor with his third wife, with whom he traveled widely. Later books include Sweet Thursday (1954), The Short Reign of Pippin IV: A Fabrication (1957), Once There Was a War (1958), The Winter of Our Discontent (1961),Travels with Charley in Search of America (1962), America and Americans (1966), and the posthumously published Journal of a Novel: The East of Eden Letters (1969), Viva Zapata!(1975), The Acts of King Arthur and His Noble Knights (1976), and Working Days: The Journals of The Grapes of Wrath (1989).
Steinbeck received the Nobel Prize in Literature in 1962, and, in 1964, he was presented with the United States Medal of Freedom by President Lyndon B. Johnson. Steinbeck died in New York in 1968. Today, more than thirty years after his death, he remains one of America's greatest writers and cultural figures.
Susan Shillinglaw is a professor of English San Jose State University. She is the author of On Reading the Grapes of Wrath and Carol and John Steinbeck: Portrait of a Marriage.
Product details
- Publisher : Penguin Classics; Illustrated edition (December 1, 1999)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 0141180196
- ISBN-13 : 978-0141180199
- Item Weight : 6 ounces
- Dimensions : 7.72 x 5 x 0.57 inches
- Best Sellers Rank: #275,391 in Books (See Top 100 in Books)
- #729 in Travelogues & Travel Essays
- #1,068 in Traveler & Explorer Biographies
- #1,143 in Author Biographies
- Customer Reviews:
About the author
John Steinbeck (1902-1968), winner of the Nobel Prize in Literature, achieved popular success in 1935 when he published Tortilla Flat. He went on to write more than twenty-five novels, including The Grapes of Wrath and Of Mice and Men.
Photo by JohnSteinbeck.JPG: US Government derivative work: Homonihilis (JohnSteinbeck.JPG) [Public domain], via Wikimedia Commons
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A Russian Journal showcases Steinbeck's many talents; writing, observation, humor, perseverance, empathy, communication with both the reader and the people he encountered, etc. Through all the obstacles one would expect to encounter (and many one could never expect or believe) in post-war Soviet Russia he was able to present the real Russian people after the brutal war. Steinbeck is so likeable. His relationship with Robert Capa is comical. I was thrilled to read Capa's perspective as well. What a duo they were! Capa's photos are magnificent. I have the paperback and was able to see what he saw. That was, I believe, his major goal. Reviewers have written that the hardcover is best. I'll have to get it.
The Russian Journal reads like a journal in that you're getting a very personal experience. Great, great, great book. Don't forget the introduction. It's remarkable.
Destruction and the remnants of war are all around. In Moscow, there is even an event where people congregate to inspect the military equipment the Germans left behind. In Stalingrad people are living in the rubble. German POWs help to rebuild the cities. Steinbeck notes the differences in cities that have been bombed or sieged in battle.
At a Ukraine collective farm, they eat a hearty breakfast and observe the team work in the fields. With so many men lost or wounded in war, the women shoulder this burden. It is hard to believe their cheerfulness as described by Steinbeck. There is simple entertainment in the evening and there are beautiful places to swim. Georgia had been relatively unscathed by the war, and some Georgians adopted Ukrainian orphans.
They are feted as important guests everywhere. The meetings of writers' groups sound deadly and 20 page manuscripts are read aloud (and then the translation is read). There is a so much food and drinking, the authors are frequently sick/hung over. Steinbeck gets so he can't handle vodka.
Airports are frustrating. The episode in leaving Georgia is only funny when the story is told.
While Stalin's portraits abound this seems to be an extreme bureaucracy and more than a police state. People speak to them freely and no one takes them aside to complain about the government. Outside of Moscow, besides being with their translator/guide/minder, there is no hint of their being watched. All the photos show well fed people and often well dressed and usually happy, but these were probably self-censored since Capa got all his photos back.
On the minus side, the prose, like most of the 1950's travel literature, is stilted. For a short book, too much space is devoted to the strained relations between the writer and the photographer, and the two of them with their Russian minder. While the pictures are not labeled, they are placed appropriately. Sometimes it is hard to know what you are looking at. For instance the photo on p. 34 must be of Lenin Hills, but the vista hardly looks like Moscow which the Hills are said to overlook; the photo on p. 43 appears to be a fashion show or maybe a quality control examination of clothing. Other photos, such as the 4 portraits on 78-79 would be better in an art gallery than a travel book.
This book fills an important niche because so little exists on daily life in Russia just after the devastation of WW2. Like many plans, the idea originated in a bar by two artists with nothing to do, but unlike most bar-hatched ideas, this one was followed up on.
Nuclear age just beginning. Horrific wartime death and destruction being reclaimed to enter a future, both promising and filled with new, more deadly dangers.
The semi archaic language of a generation most passed. A look at another world populated by people different but also like the writer and photographer. Promise for peace unfulfilled? Read it and decide for yourself.
Top reviews from other countries
Occhio perché questa è un'edizione economica, per cui la carta è quasi da elenco telefonico e contiene solo una mezza dozzina (e sgranata) delle foto di Robert Capa.