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Door to Door
Imported ed.
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Door To Door
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MP3 Music, October 1, 1969
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Track Listings
1 | Searchin' For A Woman |
2 | Bad Luck |
3 | So Close |
4 | Howlin' For My Darling |
5 | I Can't Stop |
6 | Won't Be Hangin' Around |
7 | I'm Satisfied |
8 | All Your Love |
9 | You Know My Love |
10 | Merry Way |
11 | Wild Women |
12 | Murder |
13 | So Many Roads |
14 | California |
Editorial Reviews
Product Description
King and Rush pushed themselves further toward interpretative wisdom and individuality with the 1960-61 recordings found in this blue-ribbon collection. The tone in King's low-down voice shifts between sternness and leniency while his rhythmically staggering guitar distills drama. Highlights include 'So Close', 'Bad Luck Blues' and 'Searching' for a Women'. Spectrum.
Review
Esquires King and Rush pushed themselves further toward interpretative wisdom and individuality with the 196~61 recordings found in this blue-ribbon collection. The tone in King's low-down voice shifts between sternness and leniency while his rhythmically staggering guitar distills drama. (Three 1953 Parrot singles, his earliest work, have been included, and they're notable for his up-high singing.) Rush, with "So Many Roads," "All Your Love," and four more gems, is also in fine form, his singing agonizingly pitched, his choking of the guitar neck beseeching and peremptory. -- © Frank John Hadley 1993 -- From Grove Press Guide to Blues on CD
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 4.92 x 5.51 x 0.39 inches; 4.94 ounces
- Manufacturer : Universal Uk
- Item model number : MCD 09322,
- Original Release Date : 1990
- Date First Available : December 8, 2006
- Label : Universal Uk
- ASIN : B000002OBE
- Number of discs : 1
- Customer Reviews:
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King had recorded his set for this LP in East St. Louis and used them as a demo for Chess. They weren't really interested. Otis Rush, who has had the worst luck of any Bluesman with record deals, had come out of favour with no follow up to his massive hit "I Can't Quit You Baby" on Cobra Records. The label had gone under due the the underworld dealings of its owner. So he was looking around too.
The result was this landmark record. Two left-handed guitarists on one record! Albert King sounds as raw and basic as you will ever hear him. His tunes (maybe due to Jimmy Reed's influence) don't match the titles. I think that's cool. For example "Wild Woman", a template for "Crosscut Saw" never mentions the title; "Looking For A Woman" never explains what it is about- but its a Blind Lemon Jefferson takeoff on "Matchbox Blues" that King did right up until his death and the most famous tune on this CD; "Won't Be Hangin Round" ,is the first recorded version of his most famous lick: The stop-break bends in the first four bars of the progression-yeah! It also never articulates the song title! This is top blues!
The Otis Rush set is more diverse with remakes of several of his Cobra tunes. Most memorable would have to be "All Your Love", made famous as a cover version on John Mayall's Bluesbreakers LP. I always liked his slow tune "So Close", almost as pop, do-wop blues and the remake of the Cobra tune "I'm Satisfied" with its Gospel overtones. Fantastic!
This record has an interesting history. It was released as CD from Europe, first France in 1986 and then the Charly Label in 1987. They were withdrawn and Chess issued this remaster in 1990.It is now getting harder to locate so do yourself a favour and get a copy now!
Update: 2007 - There is now a new remaster of this classic album just released from Japan. There is also a new German version as well.
It's great that this classic material will still be available for some time to come.
It's not, though. "Door To Door" is merely a collection of the few singles that King and Rush recorded during their short tenure with the Chess brothers in Chicago.
It's still a good album, however, and I suppose this way of re-issuing King's eight and Rush's six singles is better than putting out two seperate CDs.
Albert King, the older of the two men, does a great T-Bone Walker on "Bad Luck" (excellent piano playing on that one, courtesy of "Little" Johnny Jones), and "Won't Be Hangin' Around" is one of his greatest slow blues.
King also shines on the soulful, saxophone-driven "Searchin' For A Woman", and he does a very credible "Howlin' For My Darling" (originally written for Howlin' Wolf).
You should note that three of the six Otis Rush numbers are remakes of songs that he cut just a couple of years earlier with Cobra Records (not that they're not great), but this 1960 session also produced the original version of one of his best songs, the smouldering "So Many Roads, So Many Trains", which features what must be one of the greatest slow blues guitar solo of all time, as well as soulful blues piano playing by Lafayette Leake.
("Oddie" Payne is credited as Rush's drummer. It's "Odie". Like the dog!)
This is not an essential purchase perhaps (all the best songs can be found on other albums), but it is a very enjoyable collection of the few songs that these two excellent guitar players cut for the biggest blues label in town, and the quality of the material is high all the way through.
Top reviews from other countries
Che siano album ufficiali o raccolte come in questo caso poco importa, so che troverò sempre incisioni di grande livello, musicisti sopraffini, note interne accuratissime. Insomma se si vuole avere un'idea di cosa sia stato il jazz di Chicago (e non solo ovviamente) l'etichetta dei fratelli Chess è imprescindibile.
Prendete questa incisione per esempio.
Mette insieme Otis Rush con 6 sue incisioni del 1960 e Albert King con due sessions diverse una del 1953 (originariamente edite dalla Parriot) e una del 1961.
Parliamo di due immensi chitarristi, entrambi mancini, entrambi fonte d'ispirazione per una miriade di chitarristi blues e rock dai 60 ad oggi.
Nessuno dei due originario di Chicago, Rush veniva da Philadelphia e King da Indianola ma entrambi (dopo varie peregrinazioni) giunti alla nuova Mecca del blues elettrico, la Wind city appunto.
Come detto qui parliamo di due musicisti diversi e anche di sessions separate da un discreto lasso temporale eppure l'album ha una sua continuità che stupisce, che avvince. Certo il mutamento in King lo avverti, senti il suo stile chitarristico farsi più minaccioso e consistente e senti la voce che ha acquisito forza e sicurezza, ma davvero la linearità di questo album è stupefacente.
Eppure se provate a cercare notizie sullo stile e la tecnica di questi due chitarristi troverete voci autorevoli che insistono sulle divergenze tra i due.
Io che di tecnica capisco ben poco mi limito alle emozioni e al piacere d'ascolto che in questo caso è assoluto e quindi mi godo semplicemente la grandissima musica che mi viene offerta.
Una raccolta come questa ha ovviamente il chiaro intento di spingerci ad andare oltre, ad indagare ulteriormente questi due giganti. Io l'ho fatto, già da tempo, e vi assicuro che ne vale la pena.
doing some great songs on this album