Tracklist
Help Is On The Way | 4:28 | ||
Scottsman | 3:40 | ||
Juice | 3:32 | ||
The Power | 4:18 | ||
Life Blood | 5:33 | ||
Days And Nights | 7:50 | ||
Lost Fame | 4:15 | ||
Thank You Daniel Ellsberg | 3:08 | ||
Fantasy | 5:16 |
Credits (6)
- Ed GrundyBass, Vocals, Producer
- R. Cobb III*Drums, Percussion
- Nick Taylor (4)Guitar, Vocals
- Steve Hill (6)Keyboards, Vocals
- Peter GranetProducer
- Warren HamVocals, Flute, Saxophone, Harmonica
Versions
Filter by
21 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
Passage LP, Album | Capitol Records – 1C 062-81 268 | Germany | 1972 | Germany — 1972 | Recently Edited | ||||
Passage LP, Album | Capitol Records – E-SW 11109 | UK | 1972 | UK — 1972 | New Submission | ||||
Passage LP, Album | Capitol Records – SW-11109 | Canada | 1972 | Canada — 1972 | |||||
Passage LP, Album | Capitol Records – SW-11109 | US | 1972 | US — 1972 | Recently Edited | ||||
Passage LP, Album | Capitol Records – SW-11109 | Canada | 1972 | Canada — 1972 | Recently Edited | ||||
Passage LP, Album, Club Edition, Superior Records Pressing | Capitol Records – SW-611109 | US | 1972 | US — 1972 | Recently Edited | ||||
Passage 8-Track Cartridge, Album, Stereo | Capitol Records – 8XW-11109, Capitol Records – 8XW 11109 | US | 1972 | US — 1972 | New Submission | ||||
Passage LP, Album | Capitol Records – 1J 062-81 268 | Spain | 1972 | Spain — 1972 | New Submission | ||||
Passage LP, Album, Jacksonville Pressing | Capitol Records – SW-11109 | US | 1972 | US — 1972 | New Submission | ||||
Passage Cassette, Album, Club Edition, RCOA | Capitol Records – 4XW-611109 | US | 1972 | US — 1972 | New Submission | ||||
Passage LP, Album, Winchester Pressing | Capitol Records – SW-11109 | US | 1972 | US — 1972 | New Submission | ||||
Passage LP, Album | Capitol Records – SW 11109 | New Zealand | 1972 | New Zealand — 1972 | New Submission | ||||
Passage Cassette | Capitol Records – 4XW-11109 | US | 1972 | US — 1972 | Recently Edited | ||||
Passage Cassette, Album | Capitol Records – 4XW-11109 | Canada | 1972 | Canada — 1972 | New Submission | ||||
Passage LP, Album, Los Angeles Press | Capitol Records – SW-11109 | US | 1972 | US — 1972 | New Submission | ||||
Passage LP, Album | Capitol Records – ST 11109 | UK | 1972 | UK — 1972 | New Submission | ||||
Passage LP, Single Sided, White Label | Capitol Records – E-SW 11109 | UK | 1972 | UK — 1972 | New Submission | ||||
Passage LP, Album | Capitol Records – ECP-80679 | Japan | 1973 | Japan — 1973 | New Submission | ||||
Passage LP, Album, Promo | Capitol Records – ECP-80679 | Japan | 1973 | Japan — 1973 | New Submission | ||||
Passage CD, Album, Reissue, Unofficial Release | Dogtoire – DGTR010916 | Russia | 2010 | Russia — 2010 | New Submission | ||||
Passage LP, Album, Stereo | Capitol Records – SW-11109 | Israel | Israel | New Submission |
Recommendations
Reviews
referencing Passage (LP, Album) 1C 062-81 268
Excellent Rock music for the 1971 time period. The original members of Bloodrock had mostly disbanded & this group should have come in under another name, as the Bloodrock name was synonymous w/ the D.O.A. success. This collection of songs is very bluesy...a fave of mine for 50 years & under appreciated music. The Daniel Elsberg tune is a great early Rock blues song. I feel lucky to have the original vinyl in my collection. I dare everyone to listen to the Passage album 3 times....you'll have 5-6 new deep track faves & regret it took you this long to be turned on to some unique Classic treasures.referencing Passage (LP, Album) SW-11109
Such a strange album. It's not the worst album I've ever heard by any means, but after listening, it begs the question : why did Capitol okay this album release? Did they hear it and thing they'd cash in on prog rock popularity? Because surely the American (Texas) fans of Bloodrock's heavy downer rock weren't thrilled with this new sound. If this was intended for the prog-head, it surely failed miserably, as the prog flourishes are pace-male and quite cheesy. It's as if the band said "right here let's sound like Tull", "okay here let's use an ELP type synth fill."
I love prog, but this just isn't good in terms of prog.
The band didn't totally abandon their hard rock roots for this record, but with 2 key members out of the band, it just isn't the same Bloodrock.
In all honesty I do enjoy some of the record, most notably the track "Juice".
But possibly the weirdest thing about this album is that the band ends up producing a sound that predates, and sounds eerily similar to the first Kansas albums. No, not the violin, but the tempo of the tracks and a similar vocal pitch make Kansas an immediate comparison. Truly makes me wonder if this mess of an album rubbed off on the great Kansas during their infancy. I can't say I'd be surprised, as they and Bloodrock occupied a similar region of the country.
Side note: really sweet looking album cover on this one. Great colors and a fun one to explore.
Master Release
Edit Master Release
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy137 copies from $1.00