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Trilogie des Mousquetaires #3.4
El Hombre de La Máscara de Hierro
Novela de aventuras de Alejandro Dumas. El personaje está basado en hechos reales mezclados con leyenda. El hombre de la máscara de hierro es un misterioso personaje francés de los siglos XVII-XVIII, que fue encarcelado por razones desconocidas en la prisión de la Bastilla. Mientras estuvo en prisión su rostro fue cubierto con una de hierro. La primera referencia a su existencia la hizo el filosofo de la Ilustración Voltaire, a través de su obra El siglo de Luis XIV.
332 pages, Paperback
First published January 1, 1850
About the author
Alexandre Dumas
11.6k books10.9k followersThis note regards Alexandre Dumas, père, the father of Alexandre Dumas, fils (son). For the son, see Alexandre Dumas fils.
Alexandre Dumas, père (French for "father", akin to Senior in English), born Dumas Davy de la Pailleterie, was a French writer, best known for his numerous historical novels of high adventure which have made him one of the most widely read French authors in the world. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, The Man in the Iron Mask, and The Vicomte de Bragelonne were serialized. Dumas also wrote plays and magazine articles, and was a prolific correspondent.
Dumas was of Haitian descent and mixed-race. His father, General Thomas-Alexandre Dumas Davy de la Pailleterie, was born in the French colony of Saint-Domingue (present-day Haiti) to Alexandre Antoine Davy de la Pailleterie, a French nobleman, and Marie-Cessette Dumas, a black slave. At age 14 Thomas-Alexandre was taken by his father to France, where he was educated in a military academy and entered the military for what became an illustrious career.
Dumas's father's aristocratic rank helped young Alexandre Dumas acquire work with Louis-Philippe, Duke of Orléans, then as a writer, finding early success. He became one of the leading authors of the French Romantic Movement, in Paris.
Excerpted from Wikipedia.
Alexandre Dumas, père (French for "father", akin to Senior in English), born Dumas Davy de la Pailleterie, was a French writer, best known for his numerous historical novels of high adventure which have made him one of the most widely read French authors in the world. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, The Man in the Iron Mask, and The Vicomte de Bragelonne were serialized. Dumas also wrote plays and magazine articles, and was a prolific correspondent.
Dumas was of Haitian descent and mixed-race. His father, General Thomas-Alexandre Dumas Davy de la Pailleterie, was born in the French colony of Saint-Domingue (present-day Haiti) to Alexandre Antoine Davy de la Pailleterie, a French nobleman, and Marie-Cessette Dumas, a black slave. At age 14 Thomas-Alexandre was taken by his father to France, where he was educated in a military academy and entered the military for what became an illustrious career.
Dumas's father's aristocratic rank helped young Alexandre Dumas acquire work with Louis-Philippe, Duke of Orléans, then as a writer, finding early success. He became one of the leading authors of the French Romantic Movement, in Paris.
Excerpted from Wikipedia.
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October 14, 2021
Homme au Masque de Fer = The Man in the Iron Mask, Alexandre Dumas
The Man in the Iron Mask, is the name given to an unidentified prisoner who was arrested in 1669 or 1670 and subsequently held in a number of French prisons, including the Bastille and the Fortress of Pignerol.
He was held in the custody of the same jailer, Bénigne Dauvergne de Saint-Mars, for a period of 34 years. He died on 19 November 1703 under the name "Marchioly", during the reign of King Louis XIV of France (1643–1715).
Since no one ever saw his face because it was hidden by a mask of black velvet cloth, the true identity of the prisoner remains a mystery; it has been extensively debated by historians, and various theories have been expounded in numerous books and films.
تاریخ نخستین خوانش: ماه آوریل سال 2001میلادی
عنوان: مردی در نقاب آهنین؛ نویسنده: الکساندر دوما؛ مترجم: علی فاطمیان؛ مشخصات نشر تهران، نشر چشم انداز وزارت فرهنگ و ارشاد، سازمان چاپ و انتشارات؛ 1379، در 240ص، مصور؛ شابک 9644220730؛ موضوع: داستانهای نویسندگان فرانسه - سده 19م، فرانسه، تاریخ، لوئی چهاردهم 1643م تا 1715میلادی
در روز نوزدهم ماه نوامبر سال 1703میلادی، در زمان سلطنت «لویی چهاردهم»، پادشاه «فرانسه»، یک زندانی مرموز، که هماره ماسکی به چهره داشت در زندان «باستیل» می‌میرد؛ چند روز پس از آن رخداد، مرد ناشناس را با نام «مارشیالی» در گورستان «سن پل پاریس» دفن میکنند؛ این پایان سرنوشت تلخ یک انسان بیگناه بود؛ هشت سال پس از مرگ مرد ماسک آهنین، «پرنسس پالاتین»، زن برادر پادشاه «فرانسه»، ادعا میکند، او یک لرد «انگلیسی» بود، که علیه «فرانسه» توطئه میکرد؛ از آن پس، افسانه و ادبیات، به شخصیت او پرداخته، و او را تحت نام «مردی با ماسک آهنین»، به شهرت میرسانند؛ در واقعیت، این مرد ناشناس، که هرگز فردی چهره اش را ندیده بود، یک ماسک از جنس مخمل، به چهره داشت، و نه یک ماسک آهنین، و گفته میشد: به دستور «لویی چهاردهم»، پادشاه «فرانسه»، او محکوم بود، همواره حتی هنگام خواب، ماسک را به چهره داشته باشد؛ «سن مارس»، در طول سی و چهار سال همواره مراقب اجرای این دستور «لویی چهاردهم» بود؛ درباره ی هویت این زندانی،، فرضیه های بسیاری وجود دارند؛ آیا همانگونه که «ولتر» ادعا کرده بود، او برادر دوقلوی «لویی چهاردهم» بود؟ یا براساس برخی شایعات، فرزند نامشروع پادشاه «فرانسه» بود؟ یا اینکه «دوک دوبوفور»، «کنت دو ورماندوا» یا «فوکه»، خزانه دار مغضوب شاه بود؟ آیا او…؟؛
تاریخ بهنگام رسانی 17/10/1399هجری خورشیدی؛ 21/07/1400هجری خورشیدی؛ ا. شربیانی
The Man in the Iron Mask, is the name given to an unidentified prisoner who was arrested in 1669 or 1670 and subsequently held in a number of French prisons, including the Bastille and the Fortress of Pignerol.
He was held in the custody of the same jailer, Bénigne Dauvergne de Saint-Mars, for a period of 34 years. He died on 19 November 1703 under the name "Marchioly", during the reign of King Louis XIV of France (1643–1715).
Since no one ever saw his face because it was hidden by a mask of black velvet cloth, the true identity of the prisoner remains a mystery; it has been extensively debated by historians, and various theories have been expounded in numerous books and films.
تاریخ نخستین خوانش: ماه آوریل سال 2001میلادی
عنوان: مردی در نقاب آهنین؛ نویسنده: الکساندر دوما؛ مترجم: علی فاطمیان؛ مشخصات نشر تهران، نشر چشم انداز وزارت فرهنگ و ارشاد، سازمان چاپ و انتشارات؛ 1379، در 240ص، مصور؛ شابک 9644220730؛ موضوع: داستانهای نویسندگان فرانسه - سده 19م، فرانسه، تاریخ، لوئی چهاردهم 1643م تا 1715میلادی
در روز نوزدهم ماه نوامبر سال 1703میلادی، در زمان سلطنت «لویی چهاردهم»، پادشاه «فرانسه»، یک زندانی مرموز، که هماره ماسکی به چهره داشت در زندان «باستیل» می‌میرد؛ چند روز پس از آن رخداد، مرد ناشناس را با نام «مارشیالی» در گورستان «سن پل پاریس» دفن میکنند؛ این پایان سرنوشت تلخ یک انسان بیگناه بود؛ هشت سال پس از مرگ مرد ماسک آهنین، «پرنسس پالاتین»، زن برادر پادشاه «فرانسه»، ادعا میکند، او یک لرد «انگلیسی» بود، که علیه «فرانسه» توطئه میکرد؛ از آن پس، افسانه و ادبیات، به شخصیت او پرداخته، و او را تحت نام «مردی با ماسک آهنین»، به شهرت میرسانند؛ در واقعیت، این مرد ناشناس، که هرگز فردی چهره اش را ندیده بود، یک ماسک از جنس مخمل، به چهره داشت، و نه یک ماسک آهنین، و گفته میشد: به دستور «لویی چهاردهم»، پادشاه «فرانسه»، او محکوم بود، همواره حتی هنگام خواب، ماسک را به چهره داشته باشد؛ «سن مارس»، در طول سی و چهار سال همواره مراقب اجرای این دستور «لویی چهاردهم» بود؛ درباره ی هویت این زندانی،، فرضیه های بسیاری وجود دارند؛ آیا همانگونه که «ولتر» ادعا کرده بود، او برادر دوقلوی «لویی چهاردهم» بود؟ یا براساس برخی شایعات، فرزند نامشروع پادشاه «فرانسه» بود؟ یا اینکه «دوک دوبوفور»، «کنت دو ورماندوا» یا «فوکه»، خزانه دار مغضوب شاه بود؟ آیا او…؟؛
تاریخ بهنگام رسانی 17/10/1399هجری خورشیدی؛ 21/07/1400هجری خورشیدی؛ ا. شربیانی
November 9, 2016
Parbleu! Morbleu! Corboeuf! Ma foi! Mordioux! Not to mention Cordieu! (I think they are variations of OMG).
I usually prefer to know as little as possible about the book I am about to read, including avoid reading the synopsis, or if I have read the synopsis in order to decide whether to read the book I try to forget it (and do very well in the forgetting department, there is a character in this book called M. Fouquet, a name I would like to adopt for future social media shenanigans). Anyway, sometimes this policy backfires. I thought The Man in the Iron Mask was the final volume of The D'Artagnan Romances, alas I was only one third right, The Man in the Iron Mask is the final part of a much longer book, The Vicomte of Bragelonne: Ten Years Later. However, it is the best known part and published in the UK separately as a separate book. This means that I missed out on quite a lot of backstory and plot developments. Fortunately, The Man in the Iron Mask can be read without much difficulty outside of its parent book. You should, however, at least read The Three Musketeers first. Anyway, by the time I realized my mistake I was already well into the book and I didn’t feel like backtracking.
The Man in the Iron Mask is set thirty-five years after The Three Musketeers. In that first book of The D'Artagnan Romances, D’Artagnan was something of a young cocky upstart musketeer, in this book he is in his fifties and the renowned captain of the king's musketeers. His three ex-musketeer BFFs, Aramis, Porthos and Athos, are also of advancing years and living lives of luxury. None of these three are working for King Louis XIV, not having much of a taste for this king who—from his playboy-like behavior—seems unworthy of their services and loyalty. In fact, Aramis is so unimpressed that he elaborately plots to replace Louise with his identical twin brother Philippe, his plan goes smoothly up to a point, the king is put in prison at Bastille and secretly replaced with Philippe. Unfortunately, he then makes the fatal error of confiding in Superintendent M. Fouquet, who, as astick in the mud an honorable man, refuses to allow the rightful king to be treated so shabbily. Fouquet goes off to rescue Louis XIV from Bastille, while Aramis makes a run for it, accompanied by poor, trusting Porthos, his unwitting coconspirator.
Looking likeLeonardo DiCaprio the king is not always a good thing.
You may be thinking I am spoiling the book terribly with the above summary but The Man in the Iron Mask is so densely plotted I have barely scratched the surface of the entire plot. It is not surprising that Dumas was so popular and remains so to this day, the man really knew how to write a fast pace narrative when he wants to, this book is stuffed to the gills with action and intrigues. The scene of D’Artagnan chasing M. Fouquet on horseback is particularly hair-raising, and the conclusion of the chase confounded my expectations. There are several other scenes of similar intensity, but, for me, this one is the most badass.
Dumas’ skill with character development is remarkable. His main characters are all lively, vibrant and believable. Of the original three musketeers the only real mover and shaker is Aramis, who is too clever and ambitious for his own good. His ingenious subterfuges and elaborate schemes are both audacious and hilarious in execution. Porthos is his lovable, not too bright, faithful sidekick who follows him blindly to his own detriment; as for Athos, he does not have much to do in the narrative except growing old and sad. The series’ hero, D’Artagnan, is loyal to the king to a fault, he would carry out the king's orders even if he knows them to be wrong and that innocents will suffer. However, he finally draws the line at killing any of his Three Musketeers friends.
The Man in the Iron Mask is much darker in tone than The Three Musketeers. Several good characters come to a bad end through no fault of their own. Philippe’s fate is particularly miserable (though there is no real evidence that the real historical mysterious Man in the Iron Mask is in anyway related to the king). While the book is a great read, I believe it suffers a bit from being serialized. As authors of serialized books are paid by the word it often cause them to overwrite (hello Mr. Dickens!). Dumas overwrote some parts which drag on unnecessarily, and some of the subplots do not really go anywhere, and have little relationship to the main storyline. Still, the book kept my interest throughout. The writing is a thing of beauty though the dialogue is over elaborate at times.
It has been decades since I read The Three Musketeers (this is my first reading of The Man in the Iron Mask) and it makes me want to reread it soon.
Notes:
• Fabulous Librivox free audio book, read by Mark F. Smith. Amazing job! Different character voices, and narrated with plenty of passion and enthusiasm. Thank you so much!
• I always thought the title of The Three Musketeers was something of a misnomer, as the book was about four of them; though it could be argued that it is really about D'Artagnan’s encounter and friendship with them. However, The Man in the Iron Mask is even more of a misnomer because the eponymous Man (poor Phillippe) is barely in the narrative, and by the second half of the book Dumas seems to have lost interest in him.
I have no idea who to credit for the translation of this public domain edition. It seems very good in term of conveying the story, whether it is a good translation of Dumas’ original text I am not in a position to evaluate.
Quotes:
“Then if you wish me to tell what crime I have committed, explain to me in what a crime consists. For as my conscience does not accuse me, I aver that I am not a criminal.”
“M. Mouston, whose personal corpulency, quite enough at any time to hide one man from another, was effectually doubled by a scarlet coat which the intendant was holding up for his master's inspection, by the sleeves, that he might the better see it all over.”
“D'Artagnan recoiled, as though the sesquipedalian syllables had knocked the breath out of his body.”
Driven insane by his undeserved incarceration, Philippe sayz "Come On Feel The Noize!"
I usually prefer to know as little as possible about the book I am about to read, including avoid reading the synopsis, or if I have read the synopsis in order to decide whether to read the book I try to forget it (and do very well in the forgetting department, there is a character in this book called M. Fouquet, a name I would like to adopt for future social media shenanigans). Anyway, sometimes this policy backfires. I thought The Man in the Iron Mask was the final volume of The D'Artagnan Romances, alas I was only one third right, The Man in the Iron Mask is the final part of a much longer book, The Vicomte of Bragelonne: Ten Years Later. However, it is the best known part and published in the UK separately as a separate book. This means that I missed out on quite a lot of backstory and plot developments. Fortunately, The Man in the Iron Mask can be read without much difficulty outside of its parent book. You should, however, at least read The Three Musketeers first. Anyway, by the time I realized my mistake I was already well into the book and I didn’t feel like backtracking.
The Man in the Iron Mask is set thirty-five years after The Three Musketeers. In that first book of The D'Artagnan Romances, D’Artagnan was something of a young cocky upstart musketeer, in this book he is in his fifties and the renowned captain of the king's musketeers. His three ex-musketeer BFFs, Aramis, Porthos and Athos, are also of advancing years and living lives of luxury. None of these three are working for King Louis XIV, not having much of a taste for this king who—from his playboy-like behavior—seems unworthy of their services and loyalty. In fact, Aramis is so unimpressed that he elaborately plots to replace Louise with his identical twin brother Philippe, his plan goes smoothly up to a point, the king is put in prison at Bastille and secretly replaced with Philippe. Unfortunately, he then makes the fatal error of confiding in Superintendent M. Fouquet, who, as a
Looking like
You may be thinking I am spoiling the book terribly with the above summary but The Man in the Iron Mask is so densely plotted I have barely scratched the surface of the entire plot. It is not surprising that Dumas was so popular and remains so to this day, the man really knew how to write a fast pace narrative when he wants to, this book is stuffed to the gills with action and intrigues. The scene of D’Artagnan chasing M. Fouquet on horseback is particularly hair-raising, and the conclusion of the chase confounded my expectations. There are several other scenes of similar intensity, but, for me, this one is the most badass.
Dumas’ skill with character development is remarkable. His main characters are all lively, vibrant and believable. Of the original three musketeers the only real mover and shaker is Aramis, who is too clever and ambitious for his own good. His ingenious subterfuges and elaborate schemes are both audacious and hilarious in execution. Porthos is his lovable, not too bright, faithful sidekick who follows him blindly to his own detriment; as for Athos, he does not have much to do in the narrative except growing old and sad. The series’ hero, D’Artagnan, is loyal to the king to a fault, he would carry out the king's orders even if he knows them to be wrong and that innocents will suffer. However, he finally draws the line at killing any of his Three Musketeers friends.
The Man in the Iron Mask is much darker in tone than The Three Musketeers. Several good characters come to a bad end through no fault of their own. Philippe’s fate is particularly miserable (though there is no real evidence that the real historical mysterious Man in the Iron Mask is in anyway related to the king). While the book is a great read, I believe it suffers a bit from being serialized. As authors of serialized books are paid by the word it often cause them to overwrite (hello Mr. Dickens!). Dumas overwrote some parts which drag on unnecessarily, and some of the subplots do not really go anywhere, and have little relationship to the main storyline. Still, the book kept my interest throughout. The writing is a thing of beauty though the dialogue is over elaborate at times.
It has been decades since I read The Three Musketeers (this is my first reading of The Man in the Iron Mask) and it makes me want to reread it soon.
Notes:
• Fabulous Librivox free audio book, read by Mark F. Smith. Amazing job! Different character voices, and narrated with plenty of passion and enthusiasm. Thank you so much!
• I always thought the title of The Three Musketeers was something of a misnomer, as the book was about four of them; though it could be argued that it is really about D'Artagnan’s encounter and friendship with them. However, The Man in the Iron Mask is even more of a misnomer because the eponymous Man (poor Phillippe) is barely in the narrative, and by the second half of the book Dumas seems to have lost interest in him.
I have no idea who to credit for the translation of this public domain edition. It seems very good in term of conveying the story, whether it is a good translation of Dumas’ original text I am not in a position to evaluate.
Quotes:
“Then if you wish me to tell what crime I have committed, explain to me in what a crime consists. For as my conscience does not accuse me, I aver that I am not a criminal.”
“M. Mouston, whose personal corpulency, quite enough at any time to hide one man from another, was effectually doubled by a scarlet coat which the intendant was holding up for his master's inspection, by the sleeves, that he might the better see it all over.”
“D'Artagnan recoiled, as though the sesquipedalian syllables had knocked the breath out of his body.”
Driven insane by his undeserved incarceration, Philippe sayz "Come On Feel The Noize!"
February 8, 2012
It pains me to write this because I am, at heart, a print person. My paycheck depends on people wanting and buying printed materials. But this is one instance where the movie far outshines the book and I'm glad there was a screenwriter with a vision to see beyond this dismal book.
I had just read Three Musketeers by Dumas when I read this book. Perhaps it was the pleasure I took in this early book that spoiled Man in the Iron Mask.
Man in the Iron Mask starts out well. There is all the chivalry and twice the intrigue of Dumas' earlier works. The dialog is fantastic with politics twisting every meaning and clearly communicating the rancor of the time. There is a fantastic scene with Porthos, Aramis and the tailor that made me laugh aloud. I truly like Dartangan, for he displays chivalry and honor even when ordered to do things against his honor.
Then the book starts to go downhill. Characters that one would think were essential to the book disappear midway through and are never heard from again. Aramis becomes less and less sympathetic until we finally view him as merely a court toady who cared little for the sacrifice of his friends.
There are moments in this book; moments of passion, of grief, of love. But they are merely moments. Eventually the book becomes so ponderous, one must force oneself to continue. There are few characters to like in this book. They get themselves into situations for stupid reasons and are too self-centered to get out of them. Sacrifices are made for foolish reasons.
I had just read Three Musketeers by Dumas when I read this book. Perhaps it was the pleasure I took in this early book that spoiled Man in the Iron Mask.
Man in the Iron Mask starts out well. There is all the chivalry and twice the intrigue of Dumas' earlier works. The dialog is fantastic with politics twisting every meaning and clearly communicating the rancor of the time. There is a fantastic scene with Porthos, Aramis and the tailor that made me laugh aloud. I truly like Dartangan, for he displays chivalry and honor even when ordered to do things against his honor.
Then the book starts to go downhill. Characters that one would think were essential to the book disappear midway through and are never heard from again. Aramis becomes less and less sympathetic until we finally view him as merely a court toady who cared little for the sacrifice of his friends.
There are moments in this book; moments of passion, of grief, of love. But they are merely moments. Eventually the book becomes so ponderous, one must force oneself to continue. There are few characters to like in this book. They get themselves into situations for stupid reasons and are too self-centered to get out of them. Sacrifices are made for foolish reasons.
February 5, 2024
So I read The Man in the Iron Mask, only that it was not a story of the "Man in the Iron Mask". I was already halfway into the book when I realized this, so I was left with no choice but to continue. The story of the iron mask is only a trifling subplot because this story is all about the Musketeers that we have come to know. I'm pretty sure that I haven't read this story, yet I remember reading a book by this title. Perhaps it was a children's version that I read. I don't know. All I know is that this book is not what I expected it was. Of course, I knew this is part of a sequel to the D'Artagnan series that began with The Three Musketeers , but I believed that it had a separate story of its own. There I was utterly disappointed.
I also wasn't impressed with the manner Dumas handled his three aging Musketeers. I was never fond of them. But they represented a certain dignity and fierce loyalty. This image was heavily mishandled and that somewhat ruined their characters. Was Dumas in a hurry to end their tale or was he too careless or too tired with them to care? My opinion is that he should have ended their long tale with more care and respect.
But looking at the bright side, I enjoyed the historical setting and characters, and I truly liked D'Artagnan's character. His loyalty to his King, his loyalty and love for his friends, and his fearlessness to act according to his conscience even at the risk of invoking royal wrath is admirable. In truth, it is his character, the light and humorous writing of Dumas, and the Royal Court of Louis XIV that helped me endure the read.
I also wasn't impressed with the manner Dumas handled his three aging Musketeers. I was never fond of them. But they represented a certain dignity and fierce loyalty. This image was heavily mishandled and that somewhat ruined their characters. Was Dumas in a hurry to end their tale or was he too careless or too tired with them to care? My opinion is that he should have ended their long tale with more care and respect.
But looking at the bright side, I enjoyed the historical setting and characters, and I truly liked D'Artagnan's character. His loyalty to his King, his loyalty and love for his friends, and his fearlessness to act according to his conscience even at the risk of invoking royal wrath is admirable. In truth, it is his character, the light and humorous writing of Dumas, and the Royal Court of Louis XIV that helped me endure the read.
April 2, 2022
All of the characters in 'The Man in the Iron Mask' by Alexandre Dumas live behind an iron mask-built of honor first and foremost. Honor is first before riches or political place or family or work.
I am torn. As much as I am in love with the Musketeers I cannot accept the code of honor they live by. Because they adhere so religiously to their honor code they are led into life threatening and adventurous episodes which entertain much in reading about them, but I was left mystified by the underlying dismal outcomes in most cases.
The characters who followed the fashion of honor, which was taught them how to be as a member of the French Musketeers, were all most pleased with themselves on that score and often had only their "honor" to comfort them when being honorable laid waste to their families, friends and fortunes. Our century's definition of satisfying honor is not about sacrificing all to it. Western culture anyway finds honor in sacrificing one to save many (remember Spock's death?).
Since the actual event of the man being masked is such a small part of the book I think my guess that the title is meant more metaphysically than literally is correct. Regardless, while the books entertain with adventure-war-sword fights-romantic love-silly and admirable and evil characters, along with thoughtful road trips into religion-politics-wealth-aristocrat and servant relationships-marriage, honor is the air, water, food, shelter and emotion underpinning all motivations, even those with selfish, mean or evil intentions. The only characters not given any sympathy by the author are those who behave without any of the aspects of honor as honor is believed to be in these books. Dumas forgives all else with understanding. The other thing I noticed is how heroic the heroes noticed themselves being by which they gave themselves permission to do everything. This kind of heroics seemed shockingly self-centered at times, sacrificing a hell of a lot needlessly in reality while our heroes glowed with self-appreciation. The musketeers are delusional with heroic intentions and ignore the actual failures of their heroism half of the time.
I would have had more fun in reading if I was a kid and male. As it was, my irritation with the cultural blindness so ably represented in these novels got in the way of my enjoyment. But I still felt grief for the characters too when I was supposed to as well as joy when they had success or fun. These guys are lovable to the max. This book is the last chapter of the Musketeers who are now in their 60's still living with honor at the end of their careers. Underneath all of it is disquiet at the messiness of being real heroes in a real world. (Yes, I know it's a fictional novel, but while it's a romantic history it's also NOT a fantasy or a Superman comic. The author wanted characters who were real people in the real world of the 17th century.) Dumas admired his heroes without reservations I think. Not so me, but I liked the adventure.
I am torn. As much as I am in love with the Musketeers I cannot accept the code of honor they live by. Because they adhere so religiously to their honor code they are led into life threatening and adventurous episodes which entertain much in reading about them, but I was left mystified by the underlying dismal outcomes in most cases.
The characters who followed the fashion of honor, which was taught them how to be as a member of the French Musketeers, were all most pleased with themselves on that score and often had only their "honor" to comfort them when being honorable laid waste to their families, friends and fortunes. Our century's definition of satisfying honor is not about sacrificing all to it. Western culture anyway finds honor in sacrificing one to save many (remember Spock's death?).
Since the actual event of the man being masked is such a small part of the book I think my guess that the title is meant more metaphysically than literally is correct. Regardless, while the books entertain with adventure-war-sword fights-romantic love-silly and admirable and evil characters, along with thoughtful road trips into religion-politics-wealth-aristocrat and servant relationships-marriage, honor is the air, water, food, shelter and emotion underpinning all motivations, even those with selfish, mean or evil intentions. The only characters not given any sympathy by the author are those who behave without any of the aspects of honor as honor is believed to be in these books. Dumas forgives all else with understanding. The other thing I noticed is how heroic the heroes noticed themselves being by which they gave themselves permission to do everything. This kind of heroics seemed shockingly self-centered at times, sacrificing a hell of a lot needlessly in reality while our heroes glowed with self-appreciation. The musketeers are delusional with heroic intentions and ignore the actual failures of their heroism half of the time.
I would have had more fun in reading if I was a kid and male. As it was, my irritation with the cultural blindness so ably represented in these novels got in the way of my enjoyment. But I still felt grief for the characters too when I was supposed to as well as joy when they had success or fun. These guys are lovable to the max. This book is the last chapter of the Musketeers who are now in their 60's still living with honor at the end of their careers. Underneath all of it is disquiet at the messiness of being real heroes in a real world. (Yes, I know it's a fictional novel, but while it's a romantic history it's also NOT a fantasy or a Superman comic. The author wanted characters who were real people in the real world of the 17th century.) Dumas admired his heroes without reservations I think. Not so me, but I liked the adventure.
October 1, 2019
Ok. Let me try to properly review the novel that concludes the chronicles of the greatest friendship of all time.
For a novel that claims to be about a tyrant king and his struggle for the throne against his identical brother, that's actually a pretty minor part of this novel. In fact, that whole storyline feels pretty incomplete by the end of the novel, but perhaps that's just because it's actually concluded so early that it seems to suggest further intrigue. However, I'm not complaining. These musketeers have the most epic bromance of all time and I love reading about it, especially in that typical Dumas way where they can be fighting for completely different things and still be loyal, honest and true to their friendship. This is more about how, despite the different paths their lives have taken, their friendship has endured. There are some absolutely gut-wrenching moments and I caught myself reading open-mouthed on several occasions. This has all the action of The Three Musketeers, but it's a much darker setting than the original, with much more villainy. Time has caught up with our friends and the original cast has mostly moved on to make way for others less appealing, making the France we return to appear almost as a washed out painting of former glory.
The action is much easier to follow than that of the intervening novels, so the pace matches that of the first novel. While the language is elegant and lengthy enough to sometimes lose track of the meaning, I never once lost the thread of the story. It's utterly absorbing, the way words can be used to communicate feeling and evoke vision. That being said, this particular version was terribly translated. I miss the cries of "Mon dieu!' and the various phrases that sounded so much better in French, the meanings of which always made perfect sense in their contexts. This translation made me cringe every time I had to read my 17th Century musketeers saying 'c'mon' and other such ugly, modern phrases.
Dumas is my favourite author for a reason. He manipulates words beautifully but uses them to tell stories full of action, intrigue, heroes and adventure. I always feel devastated when I remember he's no longer around to be producing works of such unique calibre.
This is a glorious conclusion to the series, but it's not for the faint of heart. Still, what kind of friends would we be if we abandoned our musketeer companions before their story concluded?
Read my most recent review here.
This entire review has been hidden because of spoilers.
October 22, 2020
Me quedé, pero con el ojo cuadrado, buena historia, diálogos profundos y las luchas un poco desesperantes porque te gustaría entrar y ayudar, pero claramente no puedes.
Un gran clásico.
Un gran clásico.
January 5, 2014
Perhaps the most surprising thing about The Man in the Iron Mask, to me, was just how quickly the title subplot was dealt with. Then again, this was not originally called The Man in the Iron Mask. This is the last chunk in a larger book. I can see why it gets cut up like that. This part alone was over 400 pages. And the introduction gave a coherent enough synopsis of what came before that I could follow. Maybe I should have read it all, since I do like reading Dumas the elder.
Back in the 90s, I saw the movie version, the one with Leonardo DiCaprio. Because Leo was soooo dreamy. And wow, did it ever depart from the source material. Sure, I expected that, but maybe not quite to that extent. I'm sure it doesn't surprise anyone that I think the original was far and away better. One of the things that I really liked, and was really surprised by, in The Three Musketeers was the level of nuance in the characters. Opposing a protagonist does not make a character evil, and an opponent can become a friend. It's refreshing, and far more realistic. But the ending is one hell of a downer, I have to say. It doesn't bother me, but it's something to keep in mind before you dive in.
Back in the 90s, I saw the movie version, the one with Leonardo DiCaprio. Because Leo was soooo dreamy. And wow, did it ever depart from the source material. Sure, I expected that, but maybe not quite to that extent. I'm sure it doesn't surprise anyone that I think the original was far and away better. One of the things that I really liked, and was really surprised by, in The Three Musketeers was the level of nuance in the characters. Opposing a protagonist does not make a character evil, and an opponent can become a friend. It's refreshing, and far more realistic. But the ending is one hell of a downer, I have to say. It doesn't bother me, but it's something to keep in mind before you dive in.
September 15, 2018
My insignificant words can hardly do justice to my love for this book, so I'll keep it short.
You can read my original review here.
If you are curious about this book because you're familiar with the title, or saw the (terrible) movie, or have read The Three Musketeers and can't be bothered with everything that comes in between, please don't bother with this book. You've hardly earned it, and as such it'll ring hollow for you.
If, however, you have loyally followed our musketeer friends over their 40 years of adventures; if you can comprehend the significance of Athos showing weakness, of Aramis's tears, of the words 'too heavy' ... read, and do justice to our friends by allowing their stories to conclude.
This is the book where four inseparable, energetic men find that time and politics have finally caught up with them. It's absolutely gut-wrenching at times to see how their stories have been influenced.
This book will live forever in my heart, as will its heroes.
You can read my original review here.
If you are curious about this book because you're familiar with the title, or saw the (terrible) movie, or have read The Three Musketeers and can't be bothered with everything that comes in between, please don't bother with this book. You've hardly earned it, and as such it'll ring hollow for you.
If, however, you have loyally followed our musketeer friends over their 40 years of adventures; if you can comprehend the significance of Athos showing weakness, of Aramis's tears, of the words 'too heavy' ... read, and do justice to our friends by allowing their stories to conclude.
This is the book where four inseparable, energetic men find that time and politics have finally caught up with them. It's absolutely gut-wrenching at times to see how their stories have been influenced.
This book will live forever in my heart, as will its heroes.
August 12, 2023
Absolutely thrilling. Although I didn't start with the first book, "The Three Musketeers", I could still feel the intensity of the position. I could feel the connections and all the sentiments they had for each other, and above all, for France. Thoroughly exhilarating piece of literature. Now going to rectify my mistake and start with the first book.
June 10, 2015
طبق این داستان لوئی چهاردهم برادر دوقلوئی داشته و برای اینکه در آینده هرج و مرج بر سر سلطنت پیش نیاید، یکی از دوقلو ها را در جزیره ای زندانی کرده اند با نقابی آهنین بر صورتش
این مرد نمیداند کیست و فقط در خاطرات کودکی اش ،زنی(مادرش ملکه) را بیاد می آورد که گاهی به دیدنش می آمد
بعدها بدون آنکه علتش را بداند عده ای وی را گرفتند و ماسکی بر صورتش زدند و سالها او را زندانی کرده اند
...بازهم تفنگداران بر می گردند
آتوس و آرامیس جزو جبهه ای هستند که میخواهند لوئی چهاردهم مستبد را از تخت سلطنت فرود بیاورند و برادر دوقلویش را جانشینش کنند بدون آنکه حتی کسی بوئی ببرد و بفهمد این لوئی آن لوئی نیست
؛)
دارتن یان و پورتوس هم برای لوئی چهاردهم خدمت می کنند
یکی برای اینکه مزد این همه خدمتی که سالها انجام داده را بگیرد و دیگری برای بدست آوردن نشان بارون
روبه رو شدن تفنگداران باهم تماشایی است
فیلمی بر اساس این کتاب ساخته شده ولی اصلا وفادار به داستان نیست
با این حال از ��یدن فیلمش هم لذت بردم
ژرارد دوپاردیو در نقش پورتوس و "گابریل بیرن" در نقش دارتانیان با چیزی که در کتاب خونده بودم شباهت زیادی داشتند ولی اصلا نمیتوانستم تصور کنم "جان مالکوویچ" آتوس است و "جرمی آیرونز " آرامیس
البته نقش لوئی چهاردهم بیشتر از برادر دوقلوی معصومش به دی کاپریو می آمد
بنظرم نقش هایی که لئوناردو دی کاپریو در فیلم هایی مثه "اگه میتونی منو بگیر" ، "گرگ وال استریت" ، "دارودسته نیویورکی" ، "الماس خونین" و و"جانگو"بازی کرده،خیلی بیشتر از دیگر نقشهای مثبت به چهره اش میاد
این مرد نمیداند کیست و فقط در خاطرات کودکی اش ،زنی(مادرش ملکه) را بیاد می آورد که گاهی به دیدنش می آمد
بعدها بدون آنکه علتش را بداند عده ای وی را گرفتند و ماسکی بر صورتش زدند و سالها او را زندانی کرده اند
...بازهم تفنگداران بر می گردند
آتوس و آرامیس جزو جبهه ای هستند که میخواهند لوئی چهاردهم مستبد را از تخت سلطنت فرود بیاورند و برادر دوقلویش را جانشینش کنند بدون آنکه حتی کسی بوئی ببرد و بفهمد این لوئی آن لوئی نیست
؛)
دارتن یان و پورتوس هم برای لوئی چهاردهم خدمت می کنند
یکی برای اینکه مزد این همه خدمتی که سالها انجام داده را بگیرد و دیگری برای بدست آوردن نشان بارون
روبه رو شدن تفنگداران باهم تماشایی است
فیلمی بر اساس این کتاب ساخته شده ولی اصلا وفادار به داستان نیست
با این حال از ��یدن فیلمش هم لذت بردم
ژرارد دوپاردیو در نقش پورتوس و "گابریل بیرن" در نقش دارتانیان با چیزی که در کتاب خونده بودم شباهت زیادی داشتند ولی اصلا نمیتوانستم تصور کنم "جان مالکوویچ" آتوس است و "جرمی آیرونز " آرامیس
البته نقش لوئی چهاردهم بیشتر از برادر دوقلوی معصومش به دی کاپریو می آمد
بنظرم نقش هایی که لئوناردو دی کاپریو در فیلم هایی مثه "اگه میتونی منو بگیر" ، "گرگ وال استریت" ، "دارودسته نیویورکی" ، "الماس خونین" و و"جانگو"بازی کرده،خیلی بیشتر از دیگر نقشهای مثبت به چهره اش میاد
April 6, 2013
Edited and annotated by David Coward, from an older translation. Well, the mammoth saga of the once-invincibles comes to a rather sad end. Porthos dies because his strength gives out. Aramis flees France in disgrace because his schemes come to ruin. And Athos dies because the one thing dearer to him to God, his son, leaves his company to go die in the Africa campaigns under the Duke of Beaufort. And d’Artagnan – well, d’Artagnan’s star does not decline under the sun king, but that’s only because this once so haughty Gascon spirit humbles itself rather abjectly before the iron will of Louis (chapter 81, simply and appropriately titled “King Louis XIV”). I have one complaint with this action-packed adventure, during which in the course of 570 pages the suspense hardly slackens. Why did Aramis, General of the Jesuits, master planner always with an out at his disposal, admit defeat instantly when Fouquet announced he would denounce him? Up to that point, Fouquet had been a pawn of Aramis. Suddenly, Aramis had to flee for his life on the word alone of Fouquet. Well, maybe it was the onset of age that weakens Aramis’ resolve.
June 24, 2019
It was not as bad as you would have expected it to be.
October 27, 2023
The usual Dumas stuff that made him so famous: history and fiction melted together.
Quite a good one indeed, the only reason of rating so low is the sadness of the story...
Quite a good one indeed, the only reason of rating so low is the sadness of the story...
December 13, 2009
Very good ending to the series. It was very fun. This book actually had quite a bit more sentiment and purpose than the others.
I got a little sick of Raoul's life-threatening love sickness, but other than that it was great. It actually had some nice lines in it, but I don't have time to add them like I would like.
I found the ending to be a bit of a let-down, but I don't know how else Dumas could have done it. I guess it was fitting, but all the same, it seemed a bit rushed.
All in all, great series, very entertaining. Loved the history (albeit a bit fudged by Dumas--but I read the footnotes too!!)
Btw, the Oxford Classics versions have very nice footnotes.
I got a little sick of Raoul's life-threatening love sickness, but other than that it was great. It actually had some nice lines in it, but I don't have time to add them like I would like.
I found the ending to be a bit of a let-down, but I don't know how else Dumas could have done it. I guess it was fitting, but all the same, it seemed a bit rushed.
All in all, great series, very entertaining. Loved the history (albeit a bit fudged by Dumas--but I read the footnotes too!!)
Btw, the Oxford Classics versions have very nice footnotes.
August 26, 2020
The End of Time
Ah, I have finally reached the ultimate pillar in my summer Dumas reading project: The d’Artagnan Romances. It has been quite a marathon, but it also feels like a dream with page after page unfolding this peculiar drama that Dumas focused upon. It felt like a good French wine slowly enjoyed under the shade of trees in a summer garden with crickets chirping in the distance. Dumas continues decorating the historical events of mid 17th century France ruled by the sun king Louis XIV. The thing is that one is likely to enter this novel having seen the film version with the same name. As a consequence, part of the story line is spoiled, but as it turns out Dumas goes off in new directions as well. I felt like the story line sizzled and became a bit cold towards the end (in particular the epilogue in which history took over and became a bit political – I felt like Dumas was suddenly on a soap box in the epilogue). Regardless, the whole experience of immersing oneself in these long novels over the summer has been quite enjoyable. These novels are uneven – parts can be like being in a doldrum – but there are also beautiful chapters and passages with dreamy poetic qualities making it all worth it.
It is also worth noting that The Man in the Iron Mask is in a sense the third part of a larger novel (preceded by Vicomte de Bragellone and Louise de Valliere). I would not recommend reading The Man in the Iron Mask without having read the previous two novels. There are simply too many characters previously introduced and too much plot building preceding the third part. I can imagine one feeling a bit at a loss if one just jumped into the Man in the Iron Mask without that knowledge.
I feel a bit sad that this reading marathon has ended as I enjoyed being in the world conjured by Dumas, the at times poetic prose as well as in the company of the iconic main characters of these novels. Ah, Athos, Artemis, Porthos and d'Artagnan! At the same time this is definitely not top-notch literature as it at times reads more like an uneven historical fiction soap opera. However, I would definitely recommend it to any Dumas fan or readers interested in French literature overall.
Ah, I have finally reached the ultimate pillar in my summer Dumas reading project: The d’Artagnan Romances. It has been quite a marathon, but it also feels like a dream with page after page unfolding this peculiar drama that Dumas focused upon. It felt like a good French wine slowly enjoyed under the shade of trees in a summer garden with crickets chirping in the distance. Dumas continues decorating the historical events of mid 17th century France ruled by the sun king Louis XIV. The thing is that one is likely to enter this novel having seen the film version with the same name. As a consequence, part of the story line is spoiled, but as it turns out Dumas goes off in new directions as well. I felt like the story line sizzled and became a bit cold towards the end (in particular the epilogue in which history took over and became a bit political – I felt like Dumas was suddenly on a soap box in the epilogue). Regardless, the whole experience of immersing oneself in these long novels over the summer has been quite enjoyable. These novels are uneven – parts can be like being in a doldrum – but there are also beautiful chapters and passages with dreamy poetic qualities making it all worth it.
It is also worth noting that The Man in the Iron Mask is in a sense the third part of a larger novel (preceded by Vicomte de Bragellone and Louise de Valliere). I would not recommend reading The Man in the Iron Mask without having read the previous two novels. There are simply too many characters previously introduced and too much plot building preceding the third part. I can imagine one feeling a bit at a loss if one just jumped into the Man in the Iron Mask without that knowledge.
I feel a bit sad that this reading marathon has ended as I enjoyed being in the world conjured by Dumas, the at times poetic prose as well as in the company of the iconic main characters of these novels. Ah, Athos, Artemis, Porthos and d'Artagnan! At the same time this is definitely not top-notch literature as it at times reads more like an uneven historical fiction soap opera. However, I would definitely recommend it to any Dumas fan or readers interested in French literature overall.
August 19, 2023
যেমন সুন্দর শুরু তেমন সুন্দর শেষ।
February 11, 2019
I was reluctant to read this due to the ubiquity of the Musketeers and because for whatever reason i had assumed Dumas to be a high-brow difficult author. Boy was i wrong, this had such an easy almost pulpy tone to it, perhaps a tad hard to parse during some dialogue but overall very smooth and a nice style.
I was in, the first 20% was 5-stars even with some interruptions to worldbuild, but then after a climax it suddenly switches characters. Which it will continue to do throughout the novel as there isn't actually any main character. Its a terrible structure where the momentum drops at each switch and has to start to build up again. Still Dumas manages to make it work, and the awful structure does at least mean you never know what might happen next.
Dumas even gets some use out of Raoul, the most worthless of side characters, in his first major section at least.
So not 5-stars but still a solid 4... until we reach the conclusion, if i can use that term since its about 10 chapters long. One major character goes through a complete personality switch for no reason and the rest is just turgid wrapping up and politic history lessons and absolutely none of it has anything to do with the actual title of the book.
An 80% of good to great with a soft squidgy mess at the end. Like driving a sports car into a swamp.
I was in, the first 20% was 5-stars even with some interruptions to worldbuild, but then after a climax it suddenly switches characters. Which it will continue to do throughout the novel as there isn't actually any main character. Its a terrible structure where the momentum drops at each switch and has to start to build up again. Still Dumas manages to make it work, and the awful structure does at least mean you never know what might happen next.
Dumas even gets some use out of Raoul, the most worthless of side characters, in his first major section at least.
So not 5-stars but still a solid 4... until we reach the conclusion, if i can use that term since its about 10 chapters long. One major character goes through a complete personality switch for no reason and the rest is just turgid wrapping up and politic history lessons and absolutely none of it has anything to do with the actual title of the book.
An 80% of good to great with a soft squidgy mess at the end. Like driving a sports car into a swamp.
April 30, 2011
I wish I could give this three stars, but this book truly was "just okay." The Three Musketeers and Twenty Years After must be read before this book, otherwise you will be very confused. I'm surprised that The Man in the Iron Mask is more famous than Twenty Years After (although neither are good stand-alone novels; they really require reading the previous novels first) because I found TYA to be much more humorous, more exciting, and more engaging all around. The only thing I liked more about TMitIM is that the particular translation I read, which is much newer than the translation of TYA that I had read, made for smooth and easy reading. (The translations of TTM and TYA I read were tiring to read at times.) The last ~300 pages of TMitIM are not very interesting, although I will give Dumas credit for always writing good "death and grieving" scenes. I read this trilogy because The Count of Monte Cristo is my favorite book and I was hoping for something similar, but these three books are nothing like it. The first two are humorous, light-hearted, and adventurous, but the last one (TMitIM) is not particularly engaging and its only purpose seems to be to conclude the story and lives of the four protagonists.
April 28, 2012
Magnificent, incredible, et cetera. I can't overstate how much I loved this story. I think Dumas is among the most entertaining of the classical writers. A huge cast of character and an epic story full of love, hate, friendship, betrayal, politics and actions. A favorite of mine.
October 30, 2012
I didn't know how to review this book and just started writing randomly until some thoughts about the book illuminated me and I could write some a proper rant about this book review.
So, here it is.
First, I never really figured out it was part of a series "The D'Artagnan Romances", so when I found this book free for being public domain I couldn't stop myself and got it immediately. I was really excited to start this book. I don't really remember the movie but I remember I liked it, that's why I thought I would absolutely adore this book.
I thought this book was going to be about Phillipe, the man in the iron mask and how he was being punished that way because the king Louis XIV wouldn't risk his royalty, and the battle to free him, something like that. The truth is this book was more about the musketeers and the man in the iron mask is only a subplot of it.
I didn't really enjoy the story, only in parts, small moments in the overall story that took forever to get to, and I can't find that appealing at all. I can't be bored reading for one hour and only enjoy 3 minutes of it, that's not what I call entertaining or interesting. I really cannot give it more than 2 stars.
I'm not sure if it has to do with the fact that I didn't read The Three Musketeers or Twenty Years After first, but I just didn't find the characters likeable at all, probably that's why I didn't like this book more.
There were some parts that I didn't understand and just feel stupid for some reason.
For example:
Aramis plotted all the thing to switch the king with the prisoner, and did it amazing, it worked, and then he has to go to M. Fouquet and tell him everything he did, so he would go and spoil everything.
Why did he do that???
It doesn't make any sense!
I mean, he goes there and says that he will tell him everything because he's a friend and he doesn't want to hide anything, but he knows if he do that he will go and liberate Louis XIV from the prison and send Phillipe back to it... That'snot NOT right!
If Aramis is so damn cunning that he could manage to switch them without anyone noticing, it doesn't make any sense why he went to reveal everything...
And that's about the most interesting thing that happens in this book, the rest is boring and I didn't like it.
And obviously this makes me mad.
So, here it is.
First, I never really figured out it was part of a series "The D'Artagnan Romances", so when I found this book free for being public domain I couldn't stop myself and got it immediately. I was really excited to start this book. I don't really remember the movie but I remember I liked it, that's why I thought I would absolutely adore this book.
I thought this book was going to be about Phillipe, the man in the iron mask and how he was being punished that way because the king Louis XIV wouldn't risk his royalty, and the battle to free him, something like that. The truth is this book was more about the musketeers and the man in the iron mask is only a subplot of it.
I didn't really enjoy the story, only in parts, small moments in the overall story that took forever to get to, and I can't find that appealing at all. I can't be bored reading for one hour and only enjoy 3 minutes of it, that's not what I call entertaining or interesting. I really cannot give it more than 2 stars.
I'm not sure if it has to do with the fact that I didn't read The Three Musketeers or Twenty Years After first, but I just didn't find the characters likeable at all, probably that's why I didn't like this book more.
There were some parts that I didn't understand and just feel stupid for some reason.
For example:
Aramis plotted all the thing to switch the king with the prisoner, and did it amazing, it worked, and then he has to go to M. Fouquet and tell him everything he did, so he would go and spoil everything.
Why did he do that???
It doesn't make any sense!
I mean, he goes there and says that he will tell him everything because he's a friend and he doesn't want to hide anything, but he knows if he do that he will go and liberate Louis XIV from the prison and send Phillipe back to it... That's
If Aramis is so damn cunning that he could manage to switch them without anyone noticing, it doesn't make any sense why he went to reveal everything...
And that's about the most interesting thing that happens in this book, the rest is boring and I didn't like it.
And obviously this makes me mad.
Read
June 11, 2020*closes book*
*cries in French*
*cries in French*
September 21, 2014
Curiously unengaging. The "Man in the Iron Mask" is dispensed with in the first half of the book. I read the other D'Artagnan Romances following Three Musketeers so that I could approach this book fully informed. I expected a juggernaut. Well, Count of Monte Cristo delivered on its promise, but this book did not. The action largely trails off unsatisfactorily. Porthos is presented for comedy except for a moment of tragedy. The action is largely French against French. Louis XIV seems to be a complete jerk. Proud D'Artagnan humbles himself.
As history it is fairly interesting, and Dumas does a good job of displaying the historical events. He is an engaging writer, and this book does continue the feel of being there. It is not a bad book, just not as good as it is made out to be.
Additionally, since D'Artagnan and the Three Musketeers are displayed against actual history, a nodding knowledge of history will show that some desired plot points could never come to pass. Fouquet struggles in vain; Raoul's love for Louise de la Valliere is impossible.
The plot points come together too easily at the end. This is a pat end to characters that have had their ups and downs in uneven works by Dumas. At their height they are truly engaging. To end as they did is a cop out. I felt that Dumas realized he had to end this serial and just phoned in the ending.
It's free on gutenberg.org and the reading goes quickly, so read this as a painless romp through French history. Just don't expect the quality of other Dumas works.
As history it is fairly interesting, and Dumas does a good job of displaying the historical events. He is an engaging writer, and this book does continue the feel of being there. It is not a bad book, just not as good as it is made out to be.
Additionally, since D'Artagnan and the Three Musketeers are displayed against actual history, a nodding knowledge of history will show that some desired plot points could never come to pass. Fouquet struggles in vain; Raoul's love for Louise de la Valliere is impossible.
The plot points come together too easily at the end. This is a pat end to characters that have had their ups and downs in uneven works by Dumas. At their height they are truly engaging. To end as they did is a cop out. I felt that Dumas realized he had to end this serial and just phoned in the ending.
It's free on gutenberg.org and the reading goes quickly, so read this as a painless romp through French history. Just don't expect the quality of other Dumas works.
December 28, 2013
After all the adventures of D'Artagnan, Athos, Porthos, and Aramis, it's impossible not to fall in love with these characters. Their friendship, courage, loyalty, fidelity, and honor are the thread that conducts all the deeds, intrigues and adventures they go through.
In The Man in the Iron Mask we set out on the last journey for the four musketeers.
In The Man in the Iron Mask we set out on the last journey for the four musketeers.
September 15, 2017
what the f did I just read?
October 7, 2023
Well that was a depressing end..
September 12, 2013
This is a superb novel -- and a frequently misunderstood one. The Man in the Iron Mask is only tangentially about the mysterious masked figure. I have read this book so long ago, and in the interval I have seen several filmed version of the story which turned it into a novel of derring-do, as if it were a young man's book, like The Three Musketeers. No, Alexandre Dumas had other fish to fry. He had done adventure. Here, he writes about a most solemn subject: The end of life.
Athos, Porthos, Aramis, and D'Artagnan are not young men in any of the sequels to The Three Musketeers. In The Man in the Iron Mask, two of the Musketeers, Aramis and Porthos, commit an act of derring-do: They attempt to replace Louis XIV with his brother, a prisoner in the Bastille. But the whole plot backfires, and Louis undergoes a change of personality, becoming more decisive and powerful, partly thanks to his new Superintendent of Finances, Colbert. With this change, the Musketeers become relics in a time and place that they have ceased to understand.
Attending the double funeral of Athos and his son, the Vicomte de Bragelonne, d'Artagnan begins to muse about his own mortality:
Athos, Porthos, Aramis, and D'Artagnan are not young men in any of the sequels to The Three Musketeers. In The Man in the Iron Mask, two of the Musketeers, Aramis and Porthos, commit an act of derring-do: They attempt to replace Louis XIV with his brother, a prisoner in the Bastille. But the whole plot backfires, and Louis undergoes a change of personality, becoming more decisive and powerful, partly thanks to his new Superintendent of Finances, Colbert. With this change, the Musketeers become relics in a time and place that they have ceased to understand.
Attending the double funeral of Athos and his son, the Vicomte de Bragelonne, d'Artagnan begins to muse about his own mortality:
The captain [d'Artagnan] watched the departure of the horses, horsemen, and carriage; then crossing his arms upon his swelling chest, "When will it be my turn to depart?" said he, in an agitated voice, "What is there left for man after youth, after love, after glory, after friendship, after strength, after riches? That rock, under which sleeps Porthos, who possessed all I have named; this moss, under which repose Athos and Raoul [de Bragelonne], who possessed still much more!"And yet the book is crammed full of adventures. It is just that entropy has reared its ugly head, and the eternal youth and joy of the Four Musketeers does eventually come to an end.
He hesitated a moment with a dull eye; then, drawing himself up, "Forward! still forward!" said he. "When it shall be time, God will tell me, as he has told others."
This entire review has been hidden because of spoilers.
November 23, 2019
I came to The Man in the Iron Mask having only read The Count of Monte Cristo - so with no experience of the three musketeers. This left me confused in the early days of this last D'Artagnan romance: I knew the history of "the squirrel" (which constitutes a massive spoiler, but what can ya do when writing a historical novel?), but none of the intrigues the characters kept referring to. May be a good thing: I think I like the central characters more in their old age than I would have in their youth.
The plot is weak, to say the least, having far more to do with D'Artagnan's last hurrah than the titular masked man. And oh my WORD, Dumas rambles! Maaaaaybe his writing is more to be admired in the original French? It's difficult to take seriously any narration or dialogue that includes such lines as -
"Do not act as if you were playing at the game children play at when they have to try to guess where a thing has been hidden, and are informed by a bell being rung, when they are approaching near to it, or going away from it."
Eh?
This is typical of the dialogue. I didn't feel that things picked up at all until about 400, 500 pages in, when Aramis and Porthos are fighting for their lives and people begin to drop like flies. The slight redeeming quality of the novel is also the most memorable part of the series: the friendship, the code of loyalty and honor that binds the three (and D'Artagnan, who orbits them, being awesome. Like he does.). The characters, too, were not unlikable. I didn't like Raoul, who was too lovesick to be of any earthly good, and Athos sat rather too piously on his hands; but D'Artagnan was a good egg, as was Porthos. I was even rather fond of Aramis, despite Robert Louis Stevenson's opinion of him. Still, they didn't effectively raise the book in my opinion. Dumas isn't my favorite, and if I do have some strange urge to read him, I think I'll settle for the Count.
The plot is weak, to say the least, having far more to do with D'Artagnan's last hurrah than the titular masked man. And oh my WORD, Dumas rambles! Maaaaaybe his writing is more to be admired in the original French? It's difficult to take seriously any narration or dialogue that includes such lines as -
"Do not act as if you were playing at the game children play at when they have to try to guess where a thing has been hidden, and are informed by a bell being rung, when they are approaching near to it, or going away from it."
Eh?
This is typical of the dialogue. I didn't feel that things picked up at all until about 400, 500 pages in, when Aramis and Porthos are fighting for their lives and people begin to drop like flies. The slight redeeming quality of the novel is also the most memorable part of the series: the friendship, the code of loyalty and honor that binds the three (and D'Artagnan, who orbits them, being awesome. Like he does.). The characters, too, were not unlikable. I didn't like Raoul, who was too lovesick to be of any earthly good, and Athos sat rather too piously on his hands; but D'Artagnan was a good egg, as was Porthos. I was even rather fond of Aramis, despite Robert Louis Stevenson's opinion of him. Still, they didn't effectively raise the book in my opinion. Dumas isn't my favorite, and if I do have some strange urge to read him, I think I'll settle for the Count.
January 26, 2020
Este es un libro de muchos matices, y dependiendo de cómo veas el concepto en si del libro puede gustarte, puede que no o como me paso a mí que te deje con muchas incógnitas. En lo personal siento que me quedó a deber. El libro me lo habían afamado tanto que traía unas expectativas muy altas. No soy mucho de leer novela histórica, sin embargo quería darle una oportunidad a este y no puedo decir más que tengo sentimientos contradictorios.
Me gusto en cuanto a personajes ya que tiene unos personajes que son fáciles de querer y tomar aprecio, así como también que llegas a odiar a otros en su momento. Me gusto igualmente las relaciones y emociones a las que el autor le da mayor importancia a lo largo de la novela. Me encanto que le diera énfasis al honor, la amistad, lazos de familia, y sobre todo a ser leales a nosotros mismo. Siempre me ha llamado el tema de los mosqueteros y el conocer como sigue su historia, ver sus acciones y su manera de proceder en este libro fue una de las cosas que más disfrute, su amistad y su cariño entre ellos era palpable en la historia.
Sin embargo si debo decir que aunque entiendo que el libro fuera parte de otro la historia en si de “El Hombre de la Máscara de Hierro” únicamente es de titulo, es decir al principio por lo que me deja un poco con la incógnita de su relación con la historia en si, su relevancia, el porqué de mencionarlo, vamos que si está bien que sea el punto para que se desarrolle el conflicto y lo entiendo; sin embargo me pareció un poco sin gracia su participación y sus momentos dentro de la historia; y que además al final me diera un personaje para luego dejarlo olvidado sin ninguna gracia y de una manera tan plana y absurda.
Me gusto en cuanto a personajes ya que tiene unos personajes que son fáciles de querer y tomar aprecio, así como también que llegas a odiar a otros en su momento. Me gusto igualmente las relaciones y emociones a las que el autor le da mayor importancia a lo largo de la novela. Me encanto que le diera énfasis al honor, la amistad, lazos de familia, y sobre todo a ser leales a nosotros mismo. Siempre me ha llamado el tema de los mosqueteros y el conocer como sigue su historia, ver sus acciones y su manera de proceder en este libro fue una de las cosas que más disfrute, su amistad y su cariño entre ellos era palpable en la historia.
Sin embargo si debo decir que aunque entiendo que el libro fuera parte de otro la historia en si de “El Hombre de la Máscara de Hierro” únicamente es de titulo, es decir al principio por lo que me deja un poco con la incógnita de su relación con la historia en si, su relevancia, el porqué de mencionarlo, vamos que si está bien que sea el punto para que se desarrolle el conflicto y lo entiendo; sin embargo me pareció un poco sin gracia su participación y sus momentos dentro de la historia; y que además al final me diera un personaje para luego dejarlo olvidado sin ninguna gracia y de una manera tan plana y absurda.
January 12, 2022
Produzione del 1978 con disegni di Paolo Piffarerio.
Un fumetto classico - almeno nello stile dei disegni e nella disposizione delle tavole - che si rifà ad un episodio inserito ne Il visconte di Bragelonne (che non ho letto).
Discreto l’adattamento (ma - ripeto - non sono nella condizione di poter fare confronti), abbastanza buoni i disegni, anche se i personaggi si somigliano un po’ tutti... di certo non aiutano i colori usati, piuttosto uniformi e monotoni, ma magari è solo una questione di stampa.
Storia gradevole che invita a leggere l’originale da cui è tratta.
P.S.: Ricordo il film (1998) con Leonardo Di Caprio leggermente diverso... o la memoria mi fa cilecca?
💬 Fumetto
📚 Biblioteca 1/22
Un fumetto classico - almeno nello stile dei disegni e nella disposizione delle tavole - che si rifà ad un episodio inserito ne Il visconte di Bragelonne (che non ho letto).
Discreto l’adattamento (ma - ripeto - non sono nella condizione di poter fare confronti), abbastanza buoni i disegni, anche se i personaggi si somigliano un po’ tutti... di certo non aiutano i colori usati, piuttosto uniformi e monotoni, ma magari è solo una questione di stampa.
Storia gradevole che invita a leggere l’originale da cui è tratta.
P.S.: Ricordo il film (1998) con Leonardo Di Caprio leggermente diverso... o la memoria mi fa cilecca?
💬 Fumetto
📚 Biblioteca 1/22
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