50+ Christina Rossetti Poems, Ranked by Poetry Experts - Poem Analysis

50+ Christina Rossetti Poems

Ranked by Poetry Experts

Christina Rossetti, a pivotal Victorian poet, is best known for ‘Goblin Market and Other Poems,’ published in 1862. Educated at home, she drew inspiration from John Keats and others, which fueled her diverse literary creations, from ballads to sonnets.

Despite lifelong health struggles, her writing flourished, receiving acclaim from contemporaries. Her later works, including ‘A Pageant and Other Poems,’ solidified her stature. Rossetti’s influence has grown since her passing in 1894, following a battle with cancer.

Christina Rossetti

Goblin Market

‘Goblin Market’ by Christina Rossetti narrates the story of Laura and Lizzie, delving into religion, sin, redemption, and feminism.

Rossetti is considered one of the foremost poets of the Victorian era, known for her lyrical style and her exploration of themes such as love, death, and spirituality. 'Goblin Market' is one of her most famous works, if not her most famous. The poem is celebrated for its lyrical beauty and its exploration of themes such as sexuality, temptation, and the power of the natural world.

Morning and evening

Maids heard the goblins cry:

“Come buy our orchard fruits,

Come buy, come buy:

Jessie Cameron

‘Jessie Cameron’ explores the themes of pride and tragic fate through the steadfast refusal of a marriage proposal, culminating in a mysterious seaside tragedy.

'Jessie Cameron' is considered one of Christina Rossetti's finest poems, centering on the theme of pride, pivotal to the unfolding drama between Jessie and her persistent suitor. Defiantly spurning marriage, Jessie embodies a bold spirit, clashing with societal expectations. Their solitary encounter by the sea culminates in a mysterious tragedy, igniting speculation among neighbors about their fate—murder or a watery grave. The poem captures the tension between individual resolve and communal conjecture.

“Jessie, Jessie Cameron,

Hear me but this once,” quoth he.

“Good luck go with you, neighbor's son,

But I'm no mate for you,” quoth she.

Song: When I am dead, my dearest

The speaker in the poem requests no sorrowful tributes after her passing, as she enters a state of oblivious rest.

Regarded as one of Christina Rossetti's most poignant works, "Song: When I am dead, my dearest," features a speaker who urges her lover to forgo mourning after her death, as she will be unaware of his grief. She encourages him to live on, remembering or forgetting her as he chooses, for she may not carry the memory of him into the afterlife.

When I am dead, my dearest,

Sing no sad songs for me;

Plant thou no roses at my head,

Nor shady cypress tree:

In an Artist’s Studio

‘In an Artist’s Studio’ describes one artist’s obsession over a particular woman and how her face encircles his every thought.

'In an Artist’s Studio' is a Petrarchan sonnet by Christina Rossetti that explores an artist's obsession with a female muse. The poem is divided into an octave and a sestet, with the former depicting the artist's visual fixation as he paints the woman in multiple guises, and the latter revealing his psychological entrapment in nostalgia. The canvases in his studio become a gallery of memories, each portrait a testament to a time that endures only in his mind and art.

One face looks out from all his canvases,

One selfsame figure sits or walks or leans:

We found her hidden just behind those screens,

That mirror gave back all her loveliness.

As froth on the face of the deep

Christina Rossetti’s ‘As froth on the face of the deep’ conjures awe with its vivid imagery, from sea froth to unreaped harvests, drawing the reader into a contemplation of the divine.

In 'As froth on the face of the deep,' Christina Rossetti evokes the ephemeral nature of sea foam contrasted with the unyielding cycle of harvests, weaving a tapestry of the transient and the eternal. The poem guides readers from the vastness of the ocean to the intimacy of human life, all under the watchful eye of God. Rossetti's words suggest that from the most fleeting dream to the most tangible fruit, nothing escapes the divine orchestration at the heart of existence.

As froth on the face of the deep,

As foam on the crest of the sea,

As dreams at the waking of sleep,

An Apple Gathering

‘An Apple Gathering’ is a first-person account of a woman who had a relationship before marriage and suffered the societal consquences.

Christina Rossetti's "An Apple Gathering" delves into the stark repercussions faced by a woman who defied societal norms of Victorian England. Through the extended metaphor of prematurely plucked flowers symbolizing lost innocence, the poem weaves a tale of regret and societal fall from grace. Its stanzas poignantly depict the irreversible impact of choices, as the protagonist mourns the life she might have had, had she adhered to the rigid expectations of her time.

I plucked pink blossoms from mine apple-tree

And wore them all that evening in my hair:

Then in due season when I went to see

I found no apples there.

Dream Land

This beautiful poem describes a woman’s escape from the pain and physicality of the real world and her journey into a deeply mediative state of peace.

A poignant portrayal of retreat and introspection, the poem follows a woman's voyage to inner tranquility, far from the corporeal strife. As the speaker watches over her undisturbed slumber, the depth of her inner peace is revealed. Through this dream-like escape, she forgoes the tangible for a celestial serenity, ultimately finding a hallowed peace, severed from her past burdens and worldly expectations.

Where sunless rivers weep

Their waves into the deep,

She sleeps a charmed sleep:

Awake her not.

The Thread of Life

‘The Thread of Life’ by Christina Rossetti is a poem about the poet’s sense of self, her feelings of isolation, and her decision to give herself over to God. 

This poem is a fantastic example of Rossetti's verse. It deals with the most important themes in her oeuvre, including religion, her emotional experiences, and nature. In the three stanzas of this piece, she alludes to her feelings of loneliness, her desire for connection, and her deep faith in God to protect her.

The irresponsive silence of the land,

The irresponsive sounding of the sea,

Speak both one message of one sense to me: —

Aloof, aloof, we stand aloof, so stand

Confluents

‘Confluents’ by Christina Rossetti is a moving poem that uses figurative language to demonstrate the poet’s dedication to a specific person she loves. 

This is a great example of Rossetti's poetry (although it's not her best-known). The poem contains the emotion and figurative language lovers of her poem are going to be familiar with. It's also on the shorter side, something that is also common with her verse.

As rivers seek the sea,

Much more deep than they,

So my soul seeks thee

Far away:

The World

‘The World’ juxtaposes the alluring daylight with the erotic temptation akin to Eden, against the sinister nature of the night.

'The World' contrasts the day's Eden-like allure with the dread of night. Daytime tempts with beauty, but as night reveals a world of loathsome creatures, safety feels fleeting. The speaker's epiphany comes with the dawn: the day's charm is illusory, a mask over reality's harshness, and the night's terror is the unadorned truth.

By day she woos me, soft, exceeding fair:

   But all night as the moon so changeth she;

   Loathsome and foul with hideous leprosy

And subtle serpents gliding in her hair.

Explore more poems from Christina Rossetti

A Bird Song

‘A Bird Song’ by Christina Rossetti describes, through the interactions of swallows, the need a speaker has for a consistent companion. 

In 'A Bird Song,' Rossetti uses swallow pairings to echo a yearning for steadfast love. The speaker reminisces over a love so profound it intensified nature's hues, but time has since faded this vibrancy to mere whispers of the past. The poem culminates in a metaphor that transcends personal longing, idealizing the unwavering unity of swallows as the epitome of constant companionship.

It's a year almost that I have not seen her:

Oh, last summer green things were greener,

Brambles fewer, the blue sky bluer.

In the Bleak Midwinter

‘In the Bleak Midwinter’ describes the birth of the Christ child on a “bleak midwinter” day and those who came to see him. 

Rossetti's 'In the Bleak Midwinter' reflects on the nativity amidst a stark winter setting. Initially published in Scribner’s Monthly, it captures the homage paid to the newborn Christ. The narrative conveys the speaker's internal struggle to find a gift worthy of a king, concluding that heartfelt devotion is the most valued offering, a sentiment that encapsulates the core of the Christmas message.

In the bleak midwinter, frosty wind made moan,

Earth stood hard as iron, water like a stone;

Snow had fallen, snow on snow, snow on snow,

In the bleak midwinter, long ago.

Autumn Violets

‘Autumn Violets’ by Christina Rossetti advises that such late-stage experiences should be valued on their own terms. They shouldn’t be compared to their youthful counterparts.

In this poem, Rossetti focuses on the concept of love's appropriateness in various life seasons. It is a topic that aligns well with her broader poetic interests. Her poetic style is often characterized by a meditative tone and the use of natural symbolism, as seen in this poem, where violets and seasons serve as metaphors.

Keep love for youth, and violets for the spring:

Of if these bloom when worn-out autumn grieves,

Let them lie hid in double shade of leaves,

Their own, and others dropped down withering;

The Greatest of These is Charity

‘The Greatest of These is Charity’ by Christina Rossetti emphasizes that while faith and hope are essential virtues, love is the greatest and most enduring of them all.

In this poem, readers will note the shift from despair to hope and the celebration of love's enduring power, elements that are emblematic of Rossetti's style. Her poems often served as a mirror to her deep Christian beliefs, reflecting her personal experiences and convictions.

A moon impoverished amid stars curtailed,

A sun of its exuberant lustre shorn,

A transient morning that is scarcely morn,

A lingering night in double dimness veiled.—

Sweet Death

‘Sweet Death’ by Christina Rossetti describes death and how it comes for all living things, even the youngest blossoms. It takes a theological perspective, indicating that life with God is more important than life on earth. 

This poem represents the confluence of her aesthetic style and deeply rooted Anglican beliefs. Through her well-crafted poems, Rossetti addresses the fears and questions concerning mortality that have universally intrigued humans. She offers a view of death that emphasizes eternal rest and unity with the Divine.

The sweetest blossoms die.

And so it was that, going day by day

Unto the church to praise and pray,

And crossing the green churchyard thoughtfully,

 

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