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The Holdout: A Novel Paperback – May 11, 2021
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An ID Book Club Selection • In development as a limited series starring and executive produced by Amy Adams
“Exhilarating . . . a fiendishly slippery game of cat-and-mouse suspense and a provocative, urgent inquiry into American justice (and injustice) in the twenty-first century.”—A. J. Finn, #1 New York Times bestselling author of The Woman in the Window
It’s the most sensational case of the decade. Fifteen-year-old Jessica Silver, heiress to a billion-dollar real estate fortune, vanishes on her way home from school, and her teacher, Bobby Nock, a twenty-five-year-old African American man, is the prime suspect. The subsequent trial taps straight into America’s most pressing preoccupations: race, class, sex, law enforcement, and the lurid sins of the rich and famous. It’s an open-and-shut case for the prosecution, and a quick conviction seems all but guaranteed—until Maya Seale, a young woman on the jury, convinced of Nock’s innocence, persuades the rest of the jurors to return the verdict of not guilty, a controversial decision that will change all their lives forever.
Flash forward ten years. A true-crime docuseries reassembles the jury, with particular focus on Maya, now a defense attorney herself. When one of the jurors is found dead in Maya’s hotel room, all evidence points to her as the killer. Now, she must prove her own innocence—by getting to the bottom of a case that is far from closed.
As the present-day murder investigation entwines with the story of what really happened during their deliberation, told by each of the jurors in turn, the secrets they have all been keeping threaten to come out—with drastic consequences for all involved.
- Length
336
Pages
- Language
EN
English
- PublisherRandom House Trade Paperbacks
- Publication date
2021
May 11
- Dimensions
5.2 x 0.8 x 8.0
inches
- ISBN-100399591796
- ISBN-13978-0399591792
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Editorial Reviews
Review
“Wow! I loved The Holdout, in which author Graham Moore does the impossible, creating a page-turning legal thriller with a twisty and absolutely riveting plot, as well as raising profound and thought-provoking questions about the jury system and modern justice. All that, plus a strong and compelling female heroine in lawyer Maya Seale, whom you’ll root for as the tables turn against her and she finds herself behind bars, with everything on the line. You won’t be able to put this one down!”—Lisa Scottoline, #1 bestselling author of Someone Knows
“Graham Moore’s heart beats on every page of The Holdout, a murder trial as only he could have written it: secrets and lies, mysteries upon mysteries, and a cast of characters each with their own dubious motives. This is a tense, emotionally charged, scary-good, standout read that hooked me till the last page.”—Caroline Kepnes, author of You
“The most gripping and satisfying thriller I’ve read in more than a decade.”—Sophie Hannah, New York Times bestselling author of The Monogram Murders
“This stellar novel from bestseller [Graham] Moore takes a searing look at the U.S. justice system, media scrutiny, and racism. . . . Moore has set a new standard for legal thrillers.”—Publishers Weekly (starred review)
“The twists are sharp and the flashbacks that uncover what each juror knows are placed for maximum impact in this rollicking legal thriller. . . . Moore expertly combines deft character work with mounting bombshell revelations in a story that will attract new readers and also seems primed for the big screen.”—Library Journal (starred review)
“[A] stemwinder of a murder mystery wrapped in a legal thriller . . . The story is gripping, and the pace is furious.”—Booklist
“Quite the tour de force! Twelve Angry Men meets Chinatown and creates something of its own.”—Sarah Pinborough, New York Times bestselling author of Behind Her Eyes
“Clever, well-written, and twistier than a can of Silly String. You absolutely need to read The Holdout! I could not put it down.”—Emma Kavanagh, author of To Catch a Killer
“Plunge a syringe filled with adrenaline into the heart of Twelve Angry Men and you’ve got The Holdout.”—A. J. Finn, #1 New York Times bestselling author of The Woman in the Window
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Ten Years in L.A.
Now
Maya Seale removed two photographs from her briefcase. She held them face-in against her skirt. This thing was all going to come down to timing.
“Ms. Seale?” came the judge’s voice, impatient. “We’re waiting.”
Belen Vasquez, Maya’s client, had suffered terrible abuse at the hands of her husband, Elian. There were extensive ER records to prove it. One morning a few months back, Belen had snapped. She’d stabbed her husband while he was sleeping and then cut off his head with a pair of garden shears. Then she’d driven around for an entire day in her green Hyundai Elantra with the severed head mounted on the dash. Either nobody noticed or nobody wanted to get involved. Eventually, a cop had pulled her over for running a light and she’d managed to stuff the head in the glove compartment.
The good news, from Maya’s perspective, was that the prosecution had only one piece of solid physical evidence to use against Belen. The bad news was that the evidence was a head.
“I’m ready, Your Honor.” Maya placed a reassuring hand on her client’s shoulder. Then she walked slowly to the witness box, where Officer Jason Shaw sat waiting, his Distinguished Service Medal displayed prominently on the lapel of his blue LAPD uniform.
“Officer Shaw,” she said, “what happened when you pulled over Mrs. Vasquez’s car?”
“Well, ma’am, like I was saying, my partner remained behind Mrs. Vasquez’s vehicle while I approached her window.”
He was going to be one of those cops who did the “ma’am” thing with her, wasn’t he? Maya hated the “ma’am” thing. Not because she was thirty-six, which she had to admit was probably “ma’am”-worthy, but because it was such a transparent attempt to make her seem stuck up.
She tucked her short, dark hair behind her ear. “And when you approached the window, did you observe Mrs. Vasquez sitting in the driver’s seat?”
“Yes, ma’am.”
“Did you ask her for her license and registration?”
“Yes, ma’am.”
“Did she give them to you?”
“Yes, ma’am.”
“Did you ask her for anything else?”
“I asked her why there was blood on her hands.” Officer Shaw paused. “Ma’am.”
“And what did Mrs. Vasquez tell you?”
“She said that she cut her hand in the kitchen.”
“And did she present any evidence to support her claim?”
“Yes, ma’am. She showed me the bandage across her right palm.”
“Did you ask her anything else?”
“I asked her to step out of the vehicle.”
“Why?”
“Because there was blood on her hands.”
“But hadn’t she given you a perfectly reasonable explanation for the blood?”
“I wanted to investigate further.”
“Why did you need to investigate further,” Maya asked, “if Mrs. Vasquez had given you a reasonable explanation?”
Shaw looked at her as if she were a hall monitor sending him to the principal’s office for some minor infraction.
“Intuition,” he said.
Maya actually felt sorry for the poor guy right then. The prosecutor hadn’t prepped him well.
“I’m sorry, Officer, can you describe your ‘intuition’ in more detail?”
“Maybe I saw some of the head.” He was only digging himself in deeper.
“Maybe,” Maya repeated slowly, “you saw some of the head?”
“It was dark,” Shaw admitted. “But maybe I subconsciously noticed some of the hair—like, the hair on the head—sticking out of the glove compartment.”
She glanced at the prosecutor. He silently scratched at his white beard while Shaw single-handedly detonated his case.
Time for the photographs.
Maya held up one in each hand. The two photos showed different angles of a man’s head stuffed inside a glove compartment. Elian Vasquez had a buzz cut and a thin, unkempt mustache, crusted with blood. There was a streak of crimson across his cheek. The head had clearly bled out elsewhere, and then later been stuffed into the compartment, on top of the worn Hyundai manual and old registration cards.
“Officer, did you take these photographs on the night in question?” She handed them to him.
“I did, ma’am.”
“Do they not show the head entirely inside the glove compartment?”
“The head is in the glove compartment, ma’am.”
“Was the glove compartment closed when you asked Mrs. Vasquez to exit her vehicle?”
“Yes, ma’am.”
“So how could you have maybe seen the head if it was entirely inside the glove compartment?”
“I don’t know, but I mean, we found it in there when we searched. You can’t tell me the head wasn’t in there, because it was.”
“I’m asking why you searched the car in the first place.”
“She had blood on her hands.”
“Didn’t you say, a moment ago, that you ‘maybe’ saw hair poking out of the glove compartment? I can have the court reporter read that back to you.”
“No, I mean—there was the blood. Maybe I saw some hair. I don’t know. Intuition, like I said.”
Maya stood very close to the witness box. “Which was it, Officer? Did you perform a search of Mrs. Vasquez’s vehicle because you saw some of a severed head—which you could not have—or did you perform the search because there was blood on her hands, for which there was a perfectly legal explanation?”
Shaw stewed angrily as he struggled to find an acceptable answer. He’d just realized how badly he’d screwed up.
Maya glanced over at the prosecutor, who was now rubbing his temples. He looked like he had a migraine.
The prosecutor made a heroic attempt to pin Shaw down to either one of his two stories, but the damage had been done. The judge ordered both sides to have briefs filed by the following Monday, at which point he’d make a final ruling on the admissibility of the severed head.
Maya sat down beside her client and whispered that the hearing had gone very well. Belen mumbled, “Okay,” but didn’t make eye contact. She wasn’t ready to celebrate yet. Maya appreciated the cautious pessimism.
The bailiff escorted Belen out of the courtroom, back to lockup. Then the secretary called for the next hearing.
The prosecutor sidled over. “If you get the head excluded, I’ll give you man two.”
Maya scoffed. “If you lose the head, you lose the body in the kitchen and the shears in the drawer. You won’t have a shred of physical to connect my client to the death of her husband.”
“Her husband, who she killed.”
“Have you seen the ER records? The broken ribs? The broken jaw?”
“If you want to argue self-defense, be my guest. If you want to argue that her husband deserved to die, you might get a jury on board. But suppressing the head? Really?”
“She’s not doing time. That’s nonnegotiable. Today, you can have reckless endangerment, time served. Or else you can try your luck next week after the ruling.” Maya nodded toward the judge. “How do you think that’s going to go?”
The prosecutor grumbled something into his tie about needing his boss’s sign-off, then slunk away. Maya slid the photographs back into her briefcase and shut the clasps with a satisfying snap.
The hallway outside was crowded. Dozens of conversations echoed off the domed ceiling. Courthouses were among the last places where all strata of society still brushed shoulders—rich, poor, old, young, people of every racial and ethnic background in Los Angeles walked across the marble floor. Hurrying to make it back to the office, she enjoyed being temporarily enveloped in the democratic crush.
“Maya.”
The voice came from behind her. She recognized it instantly. But it couldn’t be him . . . could it?
Forcing herself to breathe, she turned. For the first time in ten years she found herself face-to-face with Rick Leonard.
He was still thin. Still tall. He still wore glasses, though the silver wire frames he’d worn as a grad student had become the thick black frames of a sophisticated professional. He still dressed formally, today in a light gray suit. He must be in his late thirties now, just a bit older than she was. The decade’s wear had, cruelly, made him handsomer.
“I’m sorry,” Rick said. His voice sounded smooth. Assured. “I didn’t mean to sneak up on you.”
Maya remembered Rick’s awkward hesitancy. Now he carried himself like a man who’d finally settled into his own skin.
She, on the other hand, was flushed with anxiety. “What are you doing here?”
“Can we talk?”
Product details
- Publisher : Random House Trade Paperbacks (May 11, 2021)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0399591796
- ISBN-13 : 978-0399591792
- Item Weight : 8.6 ounces
- Dimensions : 5.16 x 0.75 x 7.97 inches
- Best Sellers Rank: #236,581 in Books (See Top 100 in Books)
- #2,210 in Political Thrillers (Books)
- #3,923 in Murder Thrillers
- #4,783 in Psychological Thrillers (Books)
- Customer Reviews:
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About the author
Graham Moore is a New York Times bestselling novelist and Academy Award-winning screenwriter. His screenplay for THE IMITATION GAME won the Academy Award and WGA Award for Best Adapted Screenplay in 2015 and was nominated for a BAFTA and a Golden Globe. The film, directed by Morten Tyldum and starring Benedict Cumberbatch and Keira Knightley, received 8 Academy Award nominations, including Best Picture.
Graham's first novel, THE SHERLOCKIAN (2010), was published in 16 countries and translated into 13 languages. It was called "sublime" and "clever" and "delightful" by the New York Times, "savvy" and "entertaining" by the Los Angeles Times, and lots of other nice things as well. Graham's second novel, THE LAST DAYS OF NIGHT will be published in fall 2016 by Random House.
Graham lives in Los Angeles.
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I highly recommend THE HOLDOUT to mystery, thriller and crime fans, particularly those who like courtroom dramas. Plot, pacing, writing, and character development, are all well done and make for a very interesting and satisfying story.
I highly recommend this one, especially to courtroom drama fans.
As the ten year reunion approaches, a docuseries intends to revisit the jurors to go over their stories and see if they changed their opinion. One juror, the last to concede that Bobby Nock was innocent, allegedly has irrefutable proof that Nock was in fact guilty of murdering Jessica Silver.
Packed with alternating timelines, narrators and storylines, this is a must read for anyone who loves “true crime” and a clever whodunnit. With twists I didn’t see coming, I couldn’t put this one down.
The good:
It hit on the relevant topics of race and class in our legal system without being heavy handed or over-simplifying things.
The plot was unique and made it hard to put down.
The back and forth between the past and present worked well.
The present day mystery wrapped up in a satisfying way.
The not so good:
The characters are interesting, but there are so many that none of them really get the development they need. You spend the most time with the main character, but she interested me the least. It left me wanting to see into the others' heads a bit more and wishing Maya had more to offer.
If you're looking for a story that offers solutions to the problems in our legal system, this isn't it. The characters seem pretty resigned to manipulating the system to get what they want instead of exposing the flaws and making it better.
(mild spoiler) I think the author overdid it on the twists. It was good to a point and then took away from the story for me.
In the end I enjoyed it , but realize going in that it's a fun weekend read and not much more.
Love the way he went back and forth between characters and timelines but the twists and turns are what kept me up too many nights!
This story was so well crafted. I enjoyed the perspective of each juror given during the 2009 trial interspersed with the murder investigation happening after the 10-year reunion. The chapters were not breathtaking cliffhangers, but interesting enough that I wanted to get through each to find out what the next had to offer, even if it meant heading to another time.
The writing was well done, the story was well written, and the details were well laid out. A very interesting story with relatable characters, motives, and the desire for the truth.
Top reviews from other countries
The book follows Maya Seale who in 2009 convinced the rest of the jury to change their verdicts and acquit Bobby Nock a 25 year old black English teacher. Bobby Nock was accused of killing 15 year old Jessica Silver who was one of his students and the daughter of a billionaire property tycoon but no body was ever discovered. One of the jurors, Rick Leonard feels psychological pain over the acquittal and spends the next ten years trying to prove Bobby Nock's guilty. The book flips between 2009's trial and ten years later with Maya now a criminal defence lawyer is about to take part in a crime show featuring the same jurors to retry Bobby Nock. All the jurors gather in an hotel prior to the show where Rick Leonard is found dead in Maya's hotel room. Maya finds herself the key suspect and has to try and clear her name.
This book really grabbed me from the start and before I knew it I was already over halfway through the book. With the story flipping from 2009 to 2019 I was eagerly following the original trial and also wanting to find out what was going to happen to Maya and Bobby Nock. All the time wondering if one one or both of them were murderers.
This is a gripping novel with some excellent characters that kept me reading page after page. My first Graham Moore novel but will be eager to read more after this one.
This is all about what happens behind the scenes so to speak; those jury deliberations that decide whether a man is jailed for life, or set free. What would happen if the jury, so divided originally were to meet again down the line, especially if doubt had been shone on their decision.
The story is a little convuluted at times but has some great characters to drive the narrative with good plotting to ensure that it all holds together without holes.
Recommended
I didn't warm to the main character much -- many secondary ones were better rounded and more interesting.
But overall a fun read.
The good points:
This isn’t just a “thriller” – although it does have a unique and riveting storyline. Alongside the legal plot there is deep and thoughtful wrestling with the conundrum of innocence versus guilt, compassion versus self-protection. Genuine ethical issues are explored as the viewpoints of various characters are examined.
It is refreshing to discover an author of the thriller genre who is prepared to do this, making the plot almost a by-product of the examination of the human character and the ethics of truth, honesty and justice. The interesting conclusion – that those three concepts are almost impossible to marry up in the twisted world of the modern US courtroom – was fascinating.
The less-good points:
I suppose it was too much to hope that a contemporary author – and clever one at that – would give us the ending that we all secretly hoped for. I became increasingly disheartened as I saw the plot moving away from a satisfying vindication and towards a more complicated conclusion.
The bonkers points:
The hunt for true justice – which wasn’t going to be achieved in the hands of self-interested humanity and a flawed system – coupled with the author’s attempts to find a feasible conclusion to it all, led us to a tangled ball of wool which could never be unravelled. In trying to find a way out of the mess, the author seemed to get lost in the mire of his fabrications. His “solution” was truly and sadly ridiculous. He tried valiantly to tie up the loose ends – but with so many players that was impossible.
The final “we will never know the truth” sounds clever, but it isn’t. It is deeply unsatisfactory. The human instinct is to “know”, not be left with a pack of lies.
So – first I loved this book, and then I hated it. As it dawned on me that nothing was going to be solved and the plot thrashed around to come up with something, however daft, I did indeed mentally shout “OH COME ON!”