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Live! Beg, Borrow & Steal: October 31, 1981 Whisky A Go Go
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Live! Beg, Borrow & Steal: October 31, 1981 Whisky A Go Go
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MP3 Music, February 23, 2010
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Audio CD, February 23, 2010
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Customers who viewed this item also viewed
Track Listings
1 | Hush Hush |
2 | Shaky City |
3 | Lost Time |
4 | Inch By Inch |
5 | Sorry |
6 | Now |
7 | Women |
8 | A Million Miles Away |
9 | I'll Get Lucky |
10 | Zero Hour |
11 | I Want You Back |
12 | Everyday Things |
13 | Jump, Jive and Harmonize |
14 | Come on Now |
15 | Dizzy Miss Lizzy |
16 | New Orleans |
17 | Hey! Hey! Hey! Hey! |
18 | Run Run Run/Who Do You Love? |
Editorial Reviews
"Live! Beg, Borrow & Steal" showcases the PLIMSOULS at the height of their power, tearing the roof off and on the verge of starting a riot on the old Sunset Strip. Recorded on a multi-track at the Whiskey A Go Go on October 31, 1981, this previously unreleased 18 song live album includes many of the Plimsouls classics as well as plenty of surprises. It has been stunningly remastered, features previously unpublished and gorgeous photos by photographer Bob Matheu. This is a must have for fans of the band, and rockn'roll lovers everywhere.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.54 x 0.24 x 5 inches; 3.04 ounces
- Manufacturer : Alive Records
- Item model number : 464552412
- Original Release Date : 2010
- Date First Available : January 8, 2010
- Label : Alive Records
- ASIN : B0031RA2K2
- Number of discs : 1
- Best Sellers Rank: #176,796 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #76,062 in Rock (CDs & Vinyl)
- #80,711 in Pop (CDs & Vinyl)
- Customer Reviews:
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Top reviews from the United States
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Drop by my website sometime and look in the BLOG section which has a Plimsoul posting. "JudeMac Forever" google it.
The band is captured in its rowdy rock-'n'-roll element here. The Fleshtones join in on two tracks, which is a blast. And it sounds as fresh as it was 30 years ago.
I have bought every CD ever released by the band including a previously released live performance that is badly distorted, and even the re-release of it which is not much better. So I had high hopes for this release. The fact it includes tunes not on the earlier live CD release was an added attraction too. Two of the songs pay homage to their influences, 'Sorry' and 'Women' are songs penned by Australia's most famous song writing team of Vanda and Young. The songs were originally performed by their band The Easybeats in the sixties. I recall them doing Women in the live set i saw in California.
While the performance is pretty good on this CD, it still does not really let you know what a live Plimsouls gig was all about, and the sound quality is just awful. If this is not a transfer from Cassette tape I would be very surprised. There is clearly azimuth issues on the opening track, which seems to settle down as the song gets going but it really sounds lacking in the top end and the drums sound like cardboard boxes.
But, if you are a Plimsouls fan (as I am) then you simply have to own this disc. Those just discovering the band, will glean little from this CD, and probably find it less to your liking if your experiences thus far are their studio albums. What we really need is a DVD release of the band live to get any real understanding of The Plimsouls place in music history, which is one of the finest rock bands of all time, and most certainly THE epitome of the Power Pop genre of the early 80's.
This release marks the third installment of Alive Records’ Peter Case reissue campaign, coming behind last year’s compilations of his early work with The Nerves and The Breakaways. Live! Beg, Borrow and Steal comes from a Halloween 1981 Whiskey A Go Go date (right in the middle of the band’s two studio albums) originally recorded for a radio broadcast, with a better recording quality than you would expect from a twenty-nine year-old live album making its debut on CD. The band runs through an eighteen-song set mixing in well-chosen covers (Little Richard, The Who, The Kinks, two songs from The Easybeats – including a ripping version of “Sorry”, Thee Midnighters and Bo Diddley, among others) with originals written in the same tradition of simple, gimmick-free, tough rock and roll – including their lone hit “A Million Miles Away”. Members of the similarly-minded group The Fleshtones get on stage and join the fun on the encore covers of “Hey! Hey! Hey! Hey!” and “New Orleans”, kicking the already considerable party vibe into overdrive. The only complaint I have is there’s no liner notes, which could have added some historical context.
Top reviews from other countries
Tout serait presque parfait si le son était meilleur et la balance mieux travaillée; j'ai un peu de mal à entendre les basses.
C'est brut de décoffrage, mais c'est aussi l'époque qui veut cela.
Si vous faites abstraction de la médiocre production, vous serez comme moi sous le charme retrouvé des compositions de ce grand auteur compositeur qu'est Peter Case que même Springsteen adule le petit matin au petit déjeuner. Ce n'est pas moi qui le dit, c'est le "Boss" lui-même. Alors n'hésitez pas, c'est recommandable.