Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
$15.79$15.79
FREE delivery: Saturday, April 20 on orders over $35.00 shipped by Amazon.
Ships from: Amazon.com Sold by: Amazon.com
$7.24
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Audible sample Sample
Follow the authors
OK
The American Way: A True Story of Nazi Escape, Superman, and Marilyn Monroe Hardcover – February 14, 2023
Purchase options and add-ons
Family lore had it that Bonnie Siegler’s grandfather crossed paths in Midtown Manhattan late one night in 1954 with Marilyn Monroe, her white dress flying up around her as she filmed a scene for The Seven Year Itch. An amateur filmmaker, Jules Schulback had his home movie camera with him, capturing what would become the only surviving footage of that legendary night. Bonnie wasn’t sure she quite believed her grandfather’s story…until, cleaning out his apartment, she found the film reel. The discovery would prompt her to investigate all of her grandfather’s seemingly tall tales—and lead her in pursuit of a remarkable piece of forgotten history that reads like fiction but is all true.
A “fast-moving American epic with a cast of refugees and starlets, publishers and bootleggers, comic-book creators and sports legends” (The Washington Post), The American Way follows two very different men—Jules Schulback and his unlikely benefactor, DC Comics publisher (and sometimes pornographer) Harry Donenfeld—on an exuberant true-life adventure linking glamorous old Hollywood, the birth of the comic book, and one family’s experiences during the Holocaust. It’s an “amazing” story told “with grace, verve, and compassion” (The Jerusalem Post) of two strivers living through an extraordinary moment in American history, their lives intersecting with a glittering array of stars in a “colorful” and “punchy” (The New York Times Book Review) tale of hope and reinvention, of daring escapes and fake identities, of big dreams and the magic of movies, and what it means to be a real-life Superman.
- Print length384 pages
- LanguageEnglish
- PublisherSimon & Schuster
- Publication dateFebruary 14, 2023
- Dimensions6 x 1.2 x 9 inches
- ISBN-101982171669
- ISBN-13978-1982171667
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Frequently bought together
Customers who viewed this item also viewed
Editorial Reviews
Review
—Kurt Andersen, New York Times bestselling author of Fantasyland
“In this vivid, surprising, and entertaining book, Helene Stapinski and Bonnie Siegler take us straight into the heart of what Henry Luce called ‘the American Century’ in an improbable but true tale of the rise of comics, of Hollywood, and of New York, a tale of immigrants and Marilyn Monroe and Joe DiMaggio. Illuminating and engaging, The American Way is a story you couldn’t make up—but thankfully, you don’t have to, because here it is.”
—Jon Meacham, Pulitzer Prize-winning author of The Soul of America
“A necessary and beautifully told story of struggle, compassion and serendipity that reaches out to us across the generations.”
—Forbes
“A fast-moving American epic with a cast of refugees and starlets, publishers and bootleggers, comic-book creators and sports legends.”
—The Washington Post
“Warmhearted and lyrical, Stapinski and Siegler trace a refugee family from Nazi Berlin whose narrow escapes, clever deceptions, hard work, dumb luck, and bottomless dreams are as iconic as the great American myths they touched.”
—Sarah Rose, national bestselling author of D-Day Girls
“Colorful.... Punchy.... Stapinski and Siegler stitched together a cast of… figures and events from several recurring threads: Jewishness, New Yorkiness and, as their title indicates, a singular, striving, midcentury Americanness.”
—The New York Times Book Review
“A sweeping, factual saga that reads like an adventure novel.”
—ABC World News Now
“Inventively structured, ceaselessly surprising and ultimately spirits-boosting…. [Stapinski and Siegler] write with a zippiness and awe befitting tales of superheroism by the caped and capeless alike.”
—Shelf Awareness
“Amazing... stories are told here with verve, grace and compassion.”
— The Jerusalem Post
“An extremely fun read.”
—PRINT Magazine
About the Author
Bonnie Siegler is the founder and creative director of award-winning, multi-disciplinary graphic design studio Eight and a Half. The author of Dear Client, a guide for people who work with creatives, and Signs of Resistance, a visual history of protest in America, she taught design in the graduate schools of Yale University and the School of Visual Arts for many years. She lives in Connecticut.
Excerpt. © Reprinted by permission. All rights reserved.
NEW YORK CITY, 1954
JULES SCHULBACK LEFT HIS THIRD-FLOOR apartment around midnight and stepped onto the sidewalk at Lexington and Sixty-First Street in Manhattan, carrying what looked like a black lunch box with chrome around the edges. He surveyed the familiar view, glancing at an upstairs window across the street that belonged, strangely, to a doll hospital. Its lights and red neon crosses had been turned off for the evening, hiding the buckets of miniature heads and arms and various doll parts that would spook visitors when they peeked from his apartment window in the daylight. But Jules found the doll hospital mildly amusing, as he did most things. He panned his gaze a few doors down and crossed the avenue to his fur shop.
Its treasures were locked up for the night. Jules inspected the darkened window, as he always did when passing by, partly to admire his display—frozen mannequins posed in the latest minks and fox stoles—but also to check that everything was all right in his absence. And it was.
Since it was a Tuesday night, the streets of Manhattan were mostly deserted, Jules’s shadow one of the only ones cast by dim streetlamps and a moon that was just past full. The Chrysler Building loomed in the distance, only a few of its offices lit, the bright moon reflecting off the spiked metal helmet of its tower.
The temperature was in the fifties, chilly for early fall. In Jules’s version of the story, a story he would retell again and again over the decades, a few Checker cabs flew by, a few crawled, looking for a fare, but Jules walked. Two blocks, then three, past shuttered drugstores and dry cleaners, past silent newsstands and grocery stores. Past a single bored cop on the beat, to whom he gave a respectful nod but didn’t stop to chat up. Jules loved to chat and loved to spin a good story. But tonight he was a man with a mission, not just an insomniac out on a late-night stroll in the greatest city in the world. He did not have an American dream; he was already living it, right now, right here on these streets.
As he grew closer to his destination—East Fifty-First Street—Jules sensed a strange charge in the atmosphere, as if the molecules were being rearranged somehow, and a distant hum, even before he saw the crowd. He passed the all-night coffee shop with its pink neon and the onion-shaped green copper domes of the Central Synagogue on the corner of Fifty-Fifth Street—so much like the one he had left behind in Berlin. And sure enough, three blocks away he could see it: a bright glow up ahead.
As he drew nearer, the lights were brighter than daylight, the crowd deeper than those on the Forty-Second Street subway platform during the evening rush. His heart beating faster with each step, Jules realized there was something strange about this crowd. He couldn’t identify it right away. It took a few beats. But then it hit him—there were only men here, their families and wives tucked safely into bed back in their apartments.
Like Yankee Stadium under the floodlights, men in hats and jackets and a smattering of ties stood around, excited for the game to begin. Some stood on fire escapes and the roofs of cars, perched on lampposts and atop traffic lights, all trying to find a good spot to glimpse the coming attraction—the American dream made flesh, with all its promises and curves. One of the Yankees was even here, Joe DiMaggio, shaking hands and working the growing crowd of photographers and cops, loiterers and fans.
Jules dove straight in. He’d never been a timid man; if he had been, he wouldn’t be here walking the Earth. Gently pushing his way through the crowd using his free hand and a few German-accented “Pardon mes” and “Excuse mes”—he was a gentleman after all—he got as close as he could to the commotion. There was the gaffer he had met yesterday, who tipped him off about tonight. They nodded in recognition.
Then the movie director flitted past in his fedora, nervously eyeing the growing throng. His name was Billy Wilder. They were both from Berlin, Jules knew, both escaped Jewish refugees. He caught Wilder’s eye and held it for a moment, long enough to think that maybe Billy, too, knew what they had in common. As if Jules was marked somehow with invisible ink that only the fellow wounded could detect. Billy walked past, and Jules was suddenly reminded of his purpose here tonight. He squeezed his black box between his legs, screwed around with a few knobs, wound a small crank, knelt down into a narrow free space between bodies, and then placed the box up to his right eye. His Bolex 16 mm camera.
It was September 15, 1954, and it was no accident he was here. Jules was a thoughtful man who had always planned everything very carefully. Befriending that gaffer was just one of many steps that brought this furrier and amateur filmmaker to the front row of one of the most iconic moments in twentieth-century film history, one that he—and he alone—would save for posterity in living, moving color.
Jules looked around the artificially lit New York City street corner. Always so much life, so much to capture. He had tasted the bitterness of life, but this, this was the sweet part. He peeked through the lens of his Bolex, focused on Billy Wilder and the crew in front of him.
And suddenly, as if she knew he was coming, out stepped Marilyn Monroe. And… Action.
For Jules, staring the glamour of Hollywood in the face took more than a ten-block walk. His long, complicated journey to New York City, like those of most immigrant Jews during World War II, had taken bravery and cunning. But, against all logic, here he was, front and center, smack in the middle of the waking dream that was America.
Jules had almost not made it there that night. Had almost not made it to America. The odds had been against him, really. On dark nights when he couldn’t keep the sorrow at bay, he would think of the family and friends he had left behind, many of them dead.
His story included not one but two escapes from Nazi Germany, of lies quickly imagined and creatively told, of ocean liners and fake identities and magic—the never-ending, never-tarnished magic of Hollywood. Some of those who came in and out of Jules’s story—Clark Gable, Billy Wilder, Joe DiMaggio, and Marilyn Monroe—were real, of human flesh, with flaws and imperfections. Like Jules, each had escaped something, wearing a mask to survive, creating an alternate identity, using the powers that they, and only they, possessed. Dreaming and remaking themselves in a country that not only allowed reinvention but demanded it.
Others in his story were not real, like Superman, a fellow refugee—from another dying planet—whose incredible powers helped shine a light on the very horror that Jules had escaped, a horror so many had willfully ignored. Superman, too, needed an alternate self, a stuffed-shirt newspaper man—a regular guy. Those who created Superman had their own journey, too, sons of survivors, riding the first wave of an art form—the comics—that would one day crash into the Hollywood that Jules so loved.
And finally there was the man who Jules never really spoke to, the man who gave him life—and gave life to Marilyn and Superman as well.
Harry.
He was just a few blocks away from here, living his own American dream, with all the complications and grit that entailed. The early Mob connections, the bootlegging, and the girlie magazines had all given way to respectability, fortune, and fame. But on this night, this very same chilly autumn night when Marilyn stepped into the camera lights, Harry’s life would start unraveling. A series of events was set in motion that would change Harry’s life, leaving him—for the few years he had left on Earth—a mere observer of a world he’d created.
So many strands. So many stories. All crisscrossing and colliding into one another. The starlet. The king of Hollywood. The superhero. The publisher. The ballplayer. The filmmaker. And Jules. All traveling together through this extraordinary time. This night beneath the klieg lights was like the tip of the needle stitching those intricate threads together, but to truly see it, you have to go back in time.
Rewind the film, turn back the colorful page of panels, and start at the beginning.
Product details
- Publisher : Simon & Schuster (February 14, 2023)
- Language : English
- Hardcover : 384 pages
- ISBN-10 : 1982171669
- ISBN-13 : 978-1982171667
- Item Weight : 1.16 pounds
- Dimensions : 6 x 1.2 x 9 inches
- Best Sellers Rank: #691,216 in Books (See Top 100 in Books)
- #1,284 in Jewish Holocaust History
- #2,280 in Popular Culture in Social Sciences
- #6,203 in Actor & Entertainer Biographies
- Customer Reviews:
About the authors
Helene Stapinski grew up in Jersey City, NJ, captured in her best selling memoir, Five-Finger Discount: A Crooked Family History, which was made into a PBS documentary. Baby Plays Around: A Love Affair with Music traces her time playing drums in a rock band on the Lower East Side. Murder in Matera takes readers to Southern Italy, where she uncovers a 19th century family murder. Her newest book, The American Way, written with co-author Bonnie Siegler, tells the story of Bonnie's grandfather, who escaped Nazi Germany with the help of the publisher of Superman comics and went on to live in New York City, where he filmed Marilyn Monroe on the Lexington Avenue subway grate. Stapinski got her start at her hometown newspaper, worked as a radio DJ and news director in Alaska, has taught at Fordham University and NYU, her alma mater, has lectured at Columbia University, where she received her MFA, and has appeared on the Moth main stage, on NPR and the Today Show. She writes regularly for The New York Times and has been published in New York magazine, Salon.com, Travel & Leisure, Real Simple and dozens of other magazines, newspapers and web sites. Her work has been included in several anthologies, including Drinking Diaries: Women Tell Their Stories Straight Up. She lives in Brooklyn with her husband, Wendell Jamieson, their two children and their dog, Scout.
Bonnie Siegler, voted one of the fifty most influential designers working today by Graphic Design USA, founded and runs the award-winning design studio Eight and a Half. She is best known for her design work for Saturday Night Live, the Criterion Collection, HBO, Late Night with Seth Meyers, StoryCorps, Participant Media and Newsweek. Most recently, she was the creative director of the Trump parody autobiography "You Can’t Spell America Without Me" by Alec Baldwin and Kurt Andersen and created the main title sequence for "Will & Grace." She has taught at the graduate level for many years at the School of Visual Arts and Yale University, conducted workshops at the Maryland Institute College of Art and Rhode Island School of Design and judged design competitions all over the place. She is married to experimental filmmaker Jeff Scher and they have two wonderful children, Buster and Oscar.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
I love connections in history, and The American Way is a great example of connections done in a great and thoroughly entertaining way. What connections? In The American Way, co-author Bonnie Siegler manages to connect her Jewish grandparents' story of escaping Nazi Germany to New York to fellow Jewish refugee and Hollywood movie writer/director Billy Wilder to the creators of Superman to Marilyn Monroe and Joe Dimaggio to New York mob boss Frank Costello to a softcore porn magazine publisher. Each one of the stories told is amazing and interesting, especially the story of Superman's creation and how the creators were cheated out of their just rewards by the publisher, the aforementioned smut peddler.
Well, OK, true, the hub of the story is the story of Siegler's grandparents, Jules and Edith Schulback, a young Jewish furrier and his wife who managed to escape Nazi Germany just before the start of WWII. Their experiences in Germany and those of their family members who were unable to escape are well documented and told. The stories of the other individuals are the spokes radiating from the Schulback hub. Altogether, the parts make for a very satisfying wheel of reading.
As their lives unfold in New York City with Harry they encounter the birth of comics (Superman) and run into a cast of characters that run the gamut from Marilyn Monroe, Joe DiMaggio, Walter Winchell, Frank Costello, Bess Myerson, and Billy Wilder to just name a few. The crowning moment is when Jules films the iconic Marilyn Monroe subway grate scene.
All this and more! This is an incredible page turner because you don't know which escapades they will encounter next. Their courage, generosity, and resilience shine through as they make their way though the 20th century. It wasn't dull. And as they say you can't make this up!
Grab this book sit down and enjoy this incredible American story of the best that humanity has to offer.
I won’t provide any spoilers, but the book is actually fun and enjoyable despite the serious sections dealing with the Holocaust. And there are several passages that are heartwarming, others that are instructive, and so on.
So, despite the weirdness of the title of this review, I highly recommend it.
This book is amazing in shocking facts, it is sad, it is beautiful and it is Triumphant of the impossible becoming the possible.
I bow to Helene and Bonnie for the great facts that they weaved together for us to read and to learn by.
In NYC at the Jewish Museum I was lucky to get a seat at the packed talk that Helene and Bonnie gave. I was also thankful for buying 2 books from Amazon because the book sold out on the first night.