Synopsis
Being a mother is a crushing responsibility.
A woman's seaside vacation takes a dark turn when her obsession with a young mother forces her to confront secrets from her past.
The Lost Daughter
Cast
Olivia Colman Jessie Buckley Dakota Johnson Ed Harris Paul Mescal Peter Sarsgaard Dagmara Dominczyk Jack Farthing Alba Rohrwacher Oliver Jackson-Cohen Panos Koronis Robyn Elwell Ellie Mae Blake Alexandros Mylonas Nikos Poursanidis Athena Martin Anderson Spyros Maragoudakis Konstantinos Samaa Emmanouela Zacharopoulou Alma Stansil Daniela Babek Ellie James Isabelle Della-Porta Vassilis Koukalani
Director
Producers
Maggie Gyllenhaal Talia Kleinhendler Osnat Handelsman-Keren Charlie Dorfman Dimitris Birbilis Stefanos Koutsardakis
Writer
Original Writer
Casting
Editor
Cinematography
Assistant Directors
Executive Producers
David Gilbery Marlon Vogelgesang Olivia Colman Christos V. Konstantakopoulos Tmira Yardeni Courtney Kivowitz
Lighting
Camera Operator
Production Design
Art Direction
Set Decoration
Special Effects
Visual Effects
Title Design
Composer
Sound
Leslie Bloome Patrick Cicero Ryan Collison Stefanos Efthymiou Joanna Fang Connor Nagy Nick Seaman Annie Taylor Leslie Shatz
Costume Design
Makeup
Hairstyling
Studios
Pie Films Endeavor Content Samuel Marshall Productions Media Finance Capital Faliro House Productions
Countries
Primary Language
Spoken Languages
Alternative Titles
La figlia oscura, ลูกสาวที่สาบสูญ, Poupée volée, Frau im Dunkeln, Karanlık Kız, La hija oscura, A Filha Perdida, Qaranlıq Qız, Изгубената дъщеря, 로스트 도터, 暗处的女儿, Незнакомая дочь, הבת האפלה, Mračna kći, 失去的女兒, Temná dcera, Córka, Az elveszett lány, Втрачена донька, La Hija Oscura, Η Χαμένη Κόρη, Изгубљена ћерка, ロスト・ドーター, დაკარგული ქალიშვილი, 失蹤的女兒, دختر گمشده, La filla perduda, Izgubljena hči, Người Con Gái Thất Lạc
Genre
Themes
Releases by Date
Premiere
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Italy
Venice International Film Festival
04 Sep 2021
-
USA
Telluride Film Festival
26 Sep 2021
-
Switzerland16
Zurich Film Festival
29 Sep 2021
-
USA
New York Film Festival
13 Oct 2021
-
UK
BFI London Film Festival
Theatrical limited
17 Dec 2021
-
USAR
Theatrical
16 Dec 2021
-
Germany12
-
Netherlands
17 Dec 2021
-
Ireland15A
-
Turkey
-
UK15
31 Dec 2021
-
USA
03 Feb 2022
-
Portugal
18 Feb 2022
-
Spain
04 Mar 2022
-
Sweden11
18 Mar 2022
-
FinlandK-12
07 Apr 2022
-
Italy
30 Jun 2022
-
Greece
14 Jul 2022
-
South Korea15
Digital
31 Dec 2021
-
Belgium
-
Brazil16
-
France12
-
Germany12
-
Ireland15
-
Luxembourg
-
Mexico
-
Netherlands
-
SingaporeM18
-
UK15
-
Ukraine16+
-
USAR
Releases by Country
Belgium
31 Dec 2021
- Digital Netflix
Brazil
31 Dec 2021
- Digital16 Netflix
Finland
18 Mar 2022
- TheatricalK-12
France
31 Dec 2021
- Digital12 Netflix
Germany
16 Dec 2021
- Theatrical12
31 Dec 2021
- Digital12 Netflix
Greece
30 Jun 2022
- Theatrical
Ireland
17 Dec 2021
- Theatrical15A
31 Dec 2021
- Digital15 Netflix
Italy
03 Sep 2021
- Premiere Venice International Film Festival
07 Apr 2022
- Theatrical
Luxembourg
31 Dec 2021
- Digital Netflix
Mexico
31 Dec 2021
- Digital Netflix
Netherlands
16 Dec 2021
- Theatrical
31 Dec 2021
- Digital Netflix
Portugal
03 Feb 2022
- Theatrical
Singapore
31 Dec 2021
- DigitalM18 Netflix
South Korea
14 Jul 2022
- Theatrical15
Spain
18 Feb 2022
- Theatrical
Sweden
04 Mar 2022
- Theatrical11
Switzerland
26 Sep 2021
- Premiere16 Zurich Film Festival
Turkey
17 Dec 2021
- Theatrical
UK
13 Oct 2021
- Premiere BFI London Film Festival
17 Dec 2021
- Theatrical15
31 Dec 2021
- Digital15 Netflix
USA
04 Sep 2021
- Premiere Telluride Film Festival
29 Sep 2021
- Premiere New York Film Festival
17 Dec 2021
- Theatrical limitedR
31 Dec 2021
- Theatrical Release date in US
31 Dec 2021
- DigitalR Netflix
Ukraine
31 Dec 2021
- Digital16+
Popular reviews
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this kind of tore me up and ate me alive. raw and unflinching character studies on unlikable (or: realistic) women are always such a rare and welcome sub-genre but it’s like shooting in the dark to also portray motherhood specifically in such an unapologetically ugly light. good grief
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Bad people are complicated. There is something dark at the centre of The Lost Daughter, a film which viciously tears apart the idealism we often have about motherhood. It is a film of mothers, but not one of love. Instead we see a rot, mothers who find children a burden. The Lost Daughter is an uncomfortable movie, with a constant unease and sense of dread. We wait to be given answers, for characters to be uncovered and exposed, and yet they aren't. This is a film which asks us to look inside ourselves and see if we can understand why the characters do what they do. Different people will feel differently about the film. Some will relate to it more…
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Was distracted most of the time because I couldn’t stop thinking about Dakota Johnson’s eyeliner
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only the third best film that's set on a greek island and is about motherhood (the first and second are mamma mia and mamma mia: here we go again)
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if i found out my mum told paul mescal i had no boobs i would never speak to her again
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i shall only be peeling my oranges like a snake from now on just as olivia colman and jessie buckley have raised me to do
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liked, didn’t love. thought about ‘passing’ a lot during this? both are debut features directed by actresses and distributed by netflix and feel like they’re missing something. despite some phenomenal performances going down in both. olivia colman is obviously great. paul mescal pushes the 5 inseam agenda in a promising direction. i loved how ugly and uncomfortable this was. just wish it didn’t scream “first time feature film” (cutting between flashbacks and present day? we’ve seen it all before!!!)
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