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The Strange Necessity: Essays and Reviews Edición Kindle
“The Strange Necessity,” one of the twelve essays collected here and first published in 1928, anchors West’s quest to understand why art matters and how aesthetics of every caliber can not only inspire but reveal the author’s inner world. Whether juxtaposing Ulysses’s prose with Pavlov’s research, or comparing Sinclair Lewis with actress and pianist Yvonne Printemps, West finds that a satisfying emotion overrides an artistic work’s form. Her intricately crafted essays reveal her experience in the literary circles of the twenties and thirties and the important role this question played in her own writing. West’s keenly observed criticism offers invaluable insight not only into her work but into her impressions of early twentieth century literature.
Review
“[Rebecca West is] a powerful and . . . serious writer.” —Harper’s “Very few writers have managed to be more knowledgeable and profound in their thinking.” —Los Angeles Times
About the Author
Dame Rebecca West (1892–1983) is one of the most critically acclaimed English novelists, journalists, and literary critics of the twentieth century. Uniquely wide-ranging in subject matter and breathtakingly intelligent in her ability to take on the oldest and knottiest problems of human relations, West was a thoroughly entertaining public intellectual. In her eleven novels, beginning with The Return of the Soldier, she explored topics including feminism, socialism, love, betrayal, and identity. West’s prolific journalistic works include her coverage of the Nuremberg trials for the New Yorker, published as A Train of Powder, and Black Lamb and Grey Falcon, her epic study of Yugoslavia. She had a son with H.G. Wells, and later married banker Henry Maxwell Andrews, continuing to write, and publish, until she died in London at age ninety.
- IdiomaInglés
- EditorialOpen Road Media
- Fecha de publicación21 Diciembre 2010
- Tamaño del archivo2421 KB
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Detalles del producto
- ASIN : B00BBPW7VI
- Editorial : Open Road Media (21 Diciembre 2010)
- Fecha de publicación : 21 Diciembre 2010
- Idioma : Inglés
- Tamaño del archivo : 2421 KB
- Texto a voz : Activado
- Lector de pantalla: : Respaldados
- Tipografía mejorada : Activado
- X-Ray : No activado
- Word Wise : Activado
- Notas adhesivas : En Kindle Scribe
- Número de páginas : 285 páginas
- Clasificación en los más vendidos de Amazon: nº1,645,195 en Tienda Kindle (Ver el Top 100 en Tienda Kindle)
- nº634 en Crítica Literaria: Inglesa, Irlandesa, Escocesa y Galesa
- nº3,027 en Ensayos (Tienda Kindle)
- nº3,650 en Crítica Literaria Británica e Irlandesa
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Sobre el autor
Rebecca West (1892-1983) was a novelist, biographer, journalist, and critic. She published eight novels in addition to her masterpiece Black Lamb and Grey Falcon, for which she made several trips to the Balkans. Following World War II, she also published two books on the relation of the individual to the state, called The Meaning of Treason and A Train of Powder.
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The title essay Strange Necessities seemed to take forever when it fact it was just over half the 200 odd page book. Upon its completion I had hoped for text less over weaning. The strange necessity is the impulse to create art. It has to be strong enough that the presumptively male proto-artist who first inked animal hunts on cave walls forsook the chance to “wanton his woman” at the command of the instinct to create rather than procreate.
In fact, this section began with a truly funny satire on James Joyce in general and Ulysses in particular. West simply recreate his Stream of consciousness, applies it to a day she experienced on The French Riviera. Having detailed a love hate relationship that in fact admires Ulysses, except where she feels the author availed himself of short cuts. Dame West then progresses into an Odyssey of her own mind, musing on the artistic impulse. Count on it, the end of a thought is endlessly the herald of more to come.
What follows are mostly reviews of various books and writers. West’s technique depends on paragraphs arriving in mind numbing parade wherein a review may be about Hardy only to cross into compressions with Trollope, D.H. Lawrence or Dickens or maybe the one suggests the other until you are sure the review was always supposed to be about Crane (or maybe James) only to have it circle back through Swinburne to alight on one or another of the Sitwells. There is also a lovely bit about writers who ride a Tosh Horse. We need never have the expression defined because we know this is a bad thing for a writer to do and was never done by writers in the fustian earlier age when people regularly rode real horses. You know the above reproach writers like Austin.
How many names can you drop before it is properly called name dumping?
Along the way “one” sees or does or imagines whatever “one” see or does but not necessarily Dame West would see or do;, while Dame West is again walking the French Riviera and angling with her concierge to get adequate milk for her coffee.
There are a few throw-away essays appended to this work. Most are light and frothy. Again, there are a couple of keen interest: one describing the different uses of memory in modern literature as represented by Proust and another concerning the value of criticism.
All in all, a delight.