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Cuckooland
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Cuckooland
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MP3 Download, 1 Oct 2003
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Track Listings
1 | Just a Bit |
2 | Old Europe |
3 | Tom Hay's Fox |
4 | Forest |
5 | Beware |
6 | Cuckoo Madame |
7 | Raining in My Heart |
8 | Lullaby for Hamza |
9 | Trickle Down |
10 | Insensatez |
11 | Mister E |
12 | Lullaloop |
13 | Life Is Sheep |
14 | Foreign Accents |
15 | Brian the Fox |
16 | La Ahada Yalam |
Product description
Review
It may be six years since Robert Wyatt's last album (Shleep), and he may admit to a one song a year work rate, but the the end results contain a spontaneity and charm that remains peerless. Wyatt exists in a hermetic world where working methods remain unhurried by market forces and he regularly performs the seemingly impossible alchemical marriage of enchanting melody and politically charged lyrical content. It's some balancing act; until you realise that he's not even on the high wire. He's wryly observing the bedlam we inhabit from the bottom of his garden. Listening to Cuckooland is akin to having a cup of tea with a very, very intelligent friend. It soothes as it pricks the conscience.
Since Rock Bottom, his solo debut proper (he himself regards earlier effort End Of An Ear asjuvenilia), Wyatt has, along with partner Alfreda Benge and a host of eminent and multi-talented friends, made albums that run parallel to modern recorded art. By now we all know what he likes. Jazz (preferably with free or bop roots), charmingly spare arrangements and a plethora of interesting (read: slightly wonky) instrumentation. ''Cuckoo Madame'' finds Robert even employing the same cheap keyboard sounds that he used on Rock Bottom. And why not? It suits his voice down to the ground.
Of course since his earliest days with the Soft Machine he's claimed to be more jazzer than avant gardener. With Cuckooland the influences are more evident than ever. Take ''Trickle Down'' with its rising and descending bassline. Like so much on Cuckooland, it swings with aplomb. And it's hardly surprising when you consider input from luminaries such as Gilad Atzmon, Annie Whitehead and, most importantly, Karen Mantler. (The daughter of Carla Bley; she provides vocals, songs and even harmonica on a host of tracks). ''Old Europe'' even takes as its text the legendary Paris jazz scene of the late 50s. Yet you never feel that Robert's wallowing in nostalgia, but painting an impressionistic world where Miles and Juliette Greco still romance each other in monochrome streets.
Politically he's as perplexed (and as pointed) as ever. The key title here is ''Forest''. A scorching indictment of British immigration policy that, nevertheless, manages to be utterly lovely (only Wyatt could get old mate David Gilmour to deliver lines as fluid as he did back in the day). ''Cuckoo Madame'' just may be about Margaret Thatcher and ''La Ahada Yalam'' proves that there's still something pertinent to be said about the atom bomb.
This is classic Wyatt. Brian Eno adds his tell-tale fairy dust and Benge's lyrics should now be recognized as the perfect match for one of England's most enduring and endearing voices (special mention here for ''Lullaloop''). Wyatt shows himself to be no slouch on the cornet (''Old Europe'' conjures up a veritable big band sound from two players), yet it's the voice that remains his primary instrument. He modestly refers to it as 'now reduced to a wino's mutter', but no other artist has yet to approach the abstractions, humbleness and, let's be honest, cuteness that marks him as instantly recognisable. Time for England to listen to its conscience again: over a nice cup of tea... --Chris Jones
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Product details
- Product Dimensions : 14.78 x 0.89 x 12.62 cm; 68.04 Grams
- Manufacturer : Domino Records
- Item model number : 970027
- Label : Domino Records
- ASIN : B001FQFET0
- Number of discs : 1
- Best Sellers Rank: 69,286 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- 168 in Comedy & Spoken Word
- 10,397 in Alternative & Indie
- 26,999 in Rock
- Customer reviews:
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For those who don't know Robert Wyatt don't expect an easy ride - his songs are unusual quirky multi-layered affairs that bely their inital simplicity, although the subject matter on this album, such as the atomic bombing of Hiroshima & Nagasaki, are often quite dark.
Clocking in at 75 minutes (with a 30 second gap halfway thru "for those with tired ears to pause..."), Wyatt is supported on this CD by, amongst others, his partner Alfreda Benge, Annie Whitehead, Dave Gilmour, Paul Weller and the excellent Gilad Atzmon whose contributions add to the jazz tinged soundscape without ever leaving us with any doubt that it's Wyatt's album - and it's a cracker!
I'm only on my second listening and I'm already hooked and I sure this CD will reward constant relistening as the various layers unfold. Recommended to Wyatt fans and as good a place as any for the curious to start !
Wyatt makes major statements about the state of the world using small-scale examples, Western powers and cultures coming under particular attack. Not all of the material is his, though, with nearly half the album composed of borrowed material. There's enough here, however, for an old-style double LP, the sixteen tracks spanning 75 minutes. If Wyatt's highly individual approach appeals to you, therefore, you've got a feast on your hands. It's ironic that in an age when classic albums are a genuine rarity, it takes an artist from a previous era to provide us with one.
From the opening bars of Just A Bit to the final opus La Ahada Yalam (which is spine-tingling) you will not hear anything more challenging or beautiful in 'popular' music anywhere.
The scope of the music and the content of the lyrics, adressing issues such as discrimination, prejudice and recent wars, only tell half the story, it is the errie way in which it crept up on me and demanded repeated listening, that really made me want to tell others about it.
Nevermind winning the Mercury prize, listening to this album is one of life's wonderful artistic prizes. Highly recemmended.
Although this record doesn't turn its back on the real sadnesses of the world it offers some kind of comfort to the listener.
Karen Mantler's contributions vocals and harmonica add even more beauty ...Robert and Karen's reading of Jobim's INSENSATEZ is one of the most moving you'll ever hear.
Top reviews from other countries
Este disco de Robert Wyatt es una joya con participación de Brian Eno, David Guilmour etc.
En este disco, con participaciones de gente tan importante como David Gilmour, Phil Manzanera o Brian Eno, la sensibilidad extrema de Robert Wyatt se pone al servicio de unas canciones variadas en tono pero con predominancia de aires jazzísticos.
Habitualmente, soy de aquellos a los que la voz de Wyatt no acaba de convencer. Una voz muy particular que siempre se mueve en el límite que separa la "fragilidad" (para algunos) del "desafine" (para otros).
Sin embargo, justo es reconocer que en este disco Wyatt canta realmente bien, adaptando su timbre de voz a unos temas llenos de lirismo... o es al revés, no sé. El caso es que es uno de los grandes discos de Wyatt.