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The Loveless

Special Edition

Willem Dafoe (Actor), Robert Gordon (Actor), Kathryn Bigelow (Director), Rated:

Format: Blu-ray

4.2 258 ratings

IMDb6.1/10.0

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From the manufacturer

About us

Arrow Films is a British independent film restorer specializing in world cinema, arthouse, horror and classic films. It sells Ultra HD Blu-rays, Blu-rays and DVDs.

Product Description

THEY’RE GOING NOWHERE… FAST!

The United States, late 1950s. A time of generational conflict, of immense social change, of bold fashions and toe-tapping music – just some of the elements that collide in thrilling fashion in The Loveless, the feature debut of both its star, Willem Dafoe (To Live and Die in LA), and its directors, Monty Montgomery (producer, David Lynch’s Wild at Heart) and future Academy Award®-winner* Kathryn Bigelow (Near Dark, Detroit).

A motorcycle gang roars into a small southern town en route to the Daytona races, unnerving and angering the locals with their standoffish attitude and disrespect for social niceties. When one of their number, the charismatic Vance (Dafoe), hooks up with sportscar-driving Telena (Marin Kanter, Endangered Species), he incurs the wrath of the girl’s father, setting the gang on a collision course with the rest of the town as simmering tensions boil over into violent retribution.

Raw, angry and honest, The Loveless evokes, with unflinching clarity, both an attitude and a bygone era, exploring the tensions between two very different Americas – now fully restored and presented in high definition for the first time in this feature-packed new edition from Arrow Video!

* 2010, Best Director, Best Picture: The Hurt Locker. “ACADEMY AWARD®” is a registered trademark and service mark of the Academy of Motion Picture Arts and Sciences.

SPECIAL EDITION CONTENTS

Brand new 2K restoration from the original camera negative by Arrow Films, approved by co-writer/co-director Monty Montgomery and director of photography Doyle Smith
High Definition Blu-ray (1080p) presentation
Original lossless mono audio
Optional English subtitles for the deaf and hard of hearing
New audio commentary with co-writer/co-director Monty Montgomery, moderated by Elijah Drenner
No Man’s Friend Today: Making The Loveless, new video interviews with actors Willem Dafoe, Marin Kanter, Robert Gordon, Phillip Kimbrough and Lawrence Matarese
U.S. 17: Shooting The Loveless, new video interviews with producers Grafton Nunes and A. Kitman Ho
Chrome and Hot Leather: The Look of The Loveless, new interviews with production designer Lilly Kilvert and director of photography Doyle Smith
Relentless, new audio interview with musician Eddy Dixon
Extensive image gallery, including on-set photographs, storyboards and original production documentation
Theatrical trailer
Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx
FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by Peter Stanfield

Product details

MPAA rating ‏ : ‎ R (Restricted)
Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 8.32 Ounces
Director ‏ : ‎ Kathryn Bigelow, Monty Montgomery
Media Format ‏ : ‎ Anamorphic, Widescreen, NTSC
Run time ‏ : ‎ 1 hour and 22 minutes
Release date ‏ : ‎ July 9, 2019
Actors ‏ : ‎ Willem Dafoe, Robert Gordon, Marin Kanter
Studio ‏ : ‎ Arrow Video
ASIN ‏ : ‎ B07R9HYT67
Country of Origin ‏ : ‎ USA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #8,821 in Movies & TV (See Top 100 in Movies & TV)
- #1,015 in Drama Blu-ray Discs

Customer Reviews:
4.2 258 ratings

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4.2 out of 5

258 global ratings

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SBC78132

1981 Accurately Captured what remained of the late 50s!

Reviewed in the United States on June 22, 2020

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This was filmed about 1981 when you could possibly still capture remnants of the late 50s in near authenticity. The authenticity of the sets, cars, props, bikes, and even firearms shows an amazing attention to detail for the first serious effort by Dafoe, Bigelow, and Montgomery. The sound track was relevant and also capture the era. So, given an attention to detail that pervades the entirety of the rest of the movie, it is essential to ask why the characters were presented as they were! Well, they were like their peers of the era may have been posing in a world of late 50s rigidity. Some of the quotes that show the emotional stress they were under are subtle. But here are three that make this five stars: 1. Telena pointing out "He didn't do anything to me you haven't." 2. Telena again not comfortable with certain liquor stores and very much held to rigidity that she could not embrace. and 3. Vance tells us where this is going right at the beginning: "Man, I was what you call... ragged. I mean, way beyond torn up. I wasn't gonna be no man's friend today. Been out of storage for about a year now. And to me, this endless blacktop is my sweet eternity. I knew I was going to Hell in a breadbasket." AND absent the changes afoot in the country at the time, it would have been as desolate an ending for our nation stuck in that era of prosperity on on side and social rigidity on the other. So yes, The Loveless makes an amazing mark in cinematic history for more reasons than who it introduces. And, if you need one last reason to catch the total disparity between how people present on one side and are underneath watch for Augusta the proper waitresses' little strip tease near the end in the nightclub. Monty Montgomery went on to work with David Lynch quite closely after this movie and now I understand the background inspiration for some of the dark underbelly they showed so well in their joint efforts. Watch "The Loveless" with an eye for subtle details and the era of prosperity, conflict, image and transition it captures is amazing.

8 people found this helpful

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James Papineau

An anime from Junior high

Reviewed in the United States on October 6, 2023

Verified Purchase

The story is well crafted, but Soubi is super Sus.

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Tommy

The Loveless is a 1950's dime store novel brought to life.

Reviewed in the United States on June 1, 2022

Verified Purchase

PLOT: A small group of bikers converge at a motel and a diner in Georgia, spending a lot of time smoking cigarettes, working on their bikes and drinking cheap liquor.
Not a lot happens in The Loveless, but the sets, vehicles, props, music and wardrobe are very authentic 1950's. This film definitely captures the vibe of the 1950's, but don't expect any action or dramatic storytelling.
I enjoyed watching a young Willem Dafoe show off his early acting chops and spotting the different cigarette brands (Salem, Lucky Strikes, Chesterfields) was fun as well.
This movie unfolds like a cheap paperback novel from the 50's, and I appreciate that. It's like the anti-American Graffiti (a movie that I adore).
If you like Rockabilly, the 1950's, classic Harley's, black leather, chain-smoking, vintage cars or waitresses pouring coffee, give The Loveless a look, Daddy-O.

3 people found this helpful

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Pristine

A Motorcycle Film with Realism, Exlpoitation and Objectification All in One!

Reviewed in the United States on April 28, 2008

Verified Purchase

Kathryn Bigelow (who went on to do a New Order video, Blue Steel and Strange Days) made this movie when studying in NYC as a film student. This movie truly captures many aspects of a interstate motorcycle run. There will be inevitable prejudism from the locals, especially men who feel threatened, and then there will be girls who think it's cool. There's a lot of waiting around to hook up with your group (or gang), it's dirty, and most accurately, Harley Davidsons are known to break down. (That's why so many people carry them on their pickup trucks).

Forget about Captain America and Easy Rider. That's the romantic notion that everyone seems to think of when they talk about motorcycle movies. Think Danny Lyon instead. I rode from NYC to California and back with a friend, and we get together every year or so to watch this movie and laugh at Wilem DaFoe's lines. We both agree that this movie really captures the less glamorous side of going cross country on our sleds.

You also have to have watched the exploitation flicks and Roughies of the 60s to grasp the oeuvre that Bigelow is going for. Though the actors look way better than your average hog biker, they don't quite act, they just "go" through the movie. Of course, with a cast like Rockabilly star Robert Gordon (whom I have seen perform in NYC at his height), DaFoe, and a motley cast of dirty bikers, you are guaranteed an unpolished performance.

Also the turning of the tables in sexual objectification is a welcomed change, as men get ogled by the camera lens throughout the movie, as the view linger leisurely on their body parts, wearing fetishtically tight motorocycle leather gear, refusing to budge...making us become aware of what mainstream cinema has been doing for so many decades to women.

22 people found this helpful

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Bob Gillis

Good period snapshot

Reviewed in Canada on December 6, 2018

Verified Purchase

Great genre movie

Juan

Mucha brillantina y rock and roll

Reviewed in Spain on March 4, 2020

Verified Purchase

Una película rockera con sus motos antiguas protagonizado por Willem Dafoe y Robert Gordon.

One person found this helpful

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赤穂太郎

久し振りのLOVELESS最高でした！

Reviewed in Japan on September 11, 2023

Verified Purchase

輸入版なので字幕が無いのが残念ですけど
安く購入出来たのでラッキーでした！ウィレムデフォー好きな人には是非見といて欲しい作品ですねぇ〜STREETS OF FIREの役もバリバリのロッカーですけど､LOVELESS
もバリバリのロッカーのストーリーなので
是非見て欲しい作品ですね～

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luc delbecque

the loveless

Reviewed in France on January 8, 2018

Verified Purchase

An excellent but unknowed hardcore remake of 'the wild one'. and a very convincing Willem Defoe !!!!!! really vintage movie

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Machinehead

Wonderful movie.

Reviewed in the United Kingdom on October 27, 2014

Verified Purchase

There is nothing bad about this movie. Defoe plays the role like he was actually living it, he is the mood master! The story is desolate, passionate, gripping, evocative and perturbing. Although set in the 50's, it is not a slave to the era but it flavours the dialogue with the past. The characters invite curiosity about their past and how they arrived at the circumstances they find themselves in. The end is quite troubling and the viewer is left feeling raw. This is a very low budget production but it is non the poorer for that. It proves money does not make a movie. Highly recommended.

5 people found this helpful

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