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Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers Kindle Edition


The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.”

“What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman.

Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School.

But in telling these stories—with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of
The New York TimesShy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible—and then some.

Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life,
Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.

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From the Publisher

Praise for Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers by Mary Rodgers and Jesse Green

Shy by Mary Rodgers and Jesse Green Julie Andrews quote

Shy Mary Rodgers and Jesse Green Andre Bishop quote

Shy Mary Rodgers and Jesse Green Meg Wolitzer quote

Editorial Reviews

Review

AN INSTANT NEW YORK TIMES BESTSELLER
A Best Nonfiction Book of 2022 by The Washington Post
A New York Times Book Review Notable Book of 2022
A Air Mail Best Book of 2022

"
I’ve never read [a book about Broadway] more entertaining (and more revealing) than Mary Rodgers’s Shy. Her voice careens between intimate, sardonic, confessional, comic. The book is pure pleasure ― except when it’s jaw-droppingly shocking." ―Daniel Okrent, The New York Times Book Review

"
Mary careens across these pages with her usual wit, wisdom and honesty. It is Mary as we remember her and loved her. Jesse Green, her co-author, deserves much praise for his unique, delightful contribution. One feels that Mary is back with us once again . . . and how lovely is that!" ―Julie Andrews

"
Rodgers’s delightfully gossipy tell-all is also a frank, thoughtful chronicle of one woman’s journey through experience to understanding―and a lot of fun to read." ―Wendy Smith, The Washington Post

"Born into Broadway royalty, Mary Rodgers wrote songs, scripts, children’s books―but could a memoir, with an assist from New York Times critic Jesse Green, be
her masterpiece? Cocktail-hour wit bursts from every page as Rodgers (who died in 2014) recalls an upbringing by difficult geniuses and encounters with pretty much everyone―but especially 'the love of my life,' Stephen Sondheim. A must-read for anyone who’s ever enjoyed a single musical." ―Boris Kachka, Los Angeles Times

"[Rodgers's] remembrances are lively, witty, honest, and "dishy" regarding a host of boldfaced names, both those she loved and those she hated . . . A Broadway tell-all that deserves to become a classic of music theater lore." ―Kirkus Reviews (Starred Review)

"[A]
rollicking posthumous memoir . . . enriched with droll commentary from Green . . . It’s this playful, self-deprecating humor that makes Rodgers’s stories sing, and fans are sure to delight in every witty detail. This has major star power." ―Publishers Weekly (Starred Review)

"[A]
candid, hilarious, and fascinating look at a life lived with honesty and only the occasional regret. Whether Rodgers is recounting her lifelong love for childhood friend Sondheim or describing her perpetually fraught dance with her parents, this will have readers applauding loudly." ―Ilene Cooper, Booklist (Starred Review)

"
One of the best theatrical memoirs since Moss Hart's Act One . . . Shy has a conversational style that seems to bring the reader in the room with Rodgers. One feels that she is just chatting away, letting whatever comes out of her mouth go down unedited. [Not true: It was really edited and expertly so.] Rodgers comes off as a charming, highly intelligent and cultured Lucy Van Pelt . . . It has to be added that Shy's footnotes―and there are many―are must reading." ―Joe Westerfield, Newsweek

"'Outspoken' is a good word for [Rodgers's] memoir, co-authored by
New York Times theater critic Jesse Green. You just can't imagine anybody saying the things she says about her father in a polite conversation, and she is just breathtaking in her takedowns of absolutely everybody you regard as remotely famous from that era . . . It's hilarious, for 400 pages." ―Bob Mondello, NPR

"Both a joyful chronicle of a life well lived and
a box-seat view on some of the best, brightest, and most idiosyncratic creative minds of the 20th century." ―Leah Greenblatt, Entertainment Weekly

"Delectable . . . In part a chronicle of life with father, in part an insider’s view of Broadway during a golden age,
Shy is, most compellingly, an account of a woman finding her power and her voice." ―Joanne Kaufman, Air Mail

"
Snarky, often ribald, always revealing . . . [Jesse Green] quotes Mary's reaction to the very first draft pages of this unique memoir, the only section she lived to read: "Make it funnier. Make it meaner." She would be well pleased." ―David M. Alpern, East Hampton Star

"
Shy is a treasure chest of goodies for fans of the New York performing arts world at mid-century and just beyond . . . Readers besotted with Old Broadway would probably inhale Rodgers's memoir no matter its quality, but Sky has the added bonus of being note-perfect." ―Shelf Awareness

"
Shy is the most hilarious, wise, candid and tender memoir I have ever read. And with the best footnotes EVER!" ―André Bishop, Artistic Director of Lincoln Center Theater

"
Shy is a fascinating first-person account of a vital period in American theatre history . . . worth reading as an account of an unusual, sometimes difficult, but always intriguing life." ―Fiona McQuarrie,PopMatters

"Having just finished
Shy, an extremely funny and always fascinating book, I am very sorry I never met Mary Rodgers. But I do feel as if I have, because Shy provides the appealing and droll voice of Rodgers, alongside Jesse Green’s always knowledgeable and witty commentary. For anyone who loves Broadway, or wants to hear about its heyday from a lifelong insider, this duet of a memoir is a welcome compendium of information, anecdote, gossip, and strong opinions―and never anything less than a tremendously good story." ―Meg Wolitzer, author of The Female Persuasion

"I read
Shy in two long, delicious gulps. It is an essential show-biz memoir and a complete portrait, with all the contradictions that make a person real. I'm only sorry that there's no more to read." ―Ben Brantley, author of The New York Times Book of Broadway: On the Aisle for the Unforgettable Plays of the Last Century

"Reading
Shy is like falling into one of the plush sofas in Mary Rodgers’ elegant living room, drink in hand, while she regales the room in her unique voice. She is in a talkative―very talkative―mood and ready to say, well, anything on her bold and fearless mind. All credit to Jesse Green for organizing Mary’s thoughts and opinions into a fascinating book. Shy gives the reader a full-fledged and revealing portrait of an extraordinary, complex person." ―Ted Chapin, author of Everything Was Possible: The Birth of the Musical Follies

About the Author

Jesse Green is the chief theater critic for The New York Times. From 2013 to 2017 he was the theater critic for New York magazine. Before that, he covered theater and other cultural topics, as well as writing long-form news features, for many national publications. He is the author of the novel O Beautiful and the memoir The Velveteen Father: An Unexpected Journey to Parenthood.

Mary Rodgers (1931–2014) was an accomplished composer, author, and screenwriter. She was the author of the novel Freaky Friday and its 1976 screenplay adaptation, and of several other novels. Rodgers also wrote the music for Once Upon a Mattress, which was nominated for a Tony Award for Best Musical. She lived in New York City until her death.

Product details

  • ASIN ‏ : ‎ B09CNFBT7D
  • Publisher ‏ : ‎ Farrar, Straus and Giroux (August 26, 2022)
  • Publication date ‏ : ‎ August 26, 2022
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 106719 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 482 pages
  • Customer Reviews:

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Customer reviews

4.4 out of 5 stars
4.4 out of 5
1,152 global ratings

Top reviews from the United States

Reviewed in the United States on May 2, 2024
Mary does not hold back on her life, and those that she knew. She is quite entertaining in her life. Also, Jesse Greene's note are also funny and clear up anything Mary may not have remembered correctly. If you are a fan of Broadway shows, this is a must read.
Reviewed in the United States on August 27, 2022
I devoured SHY by Mary Rodgers and Jesse Green in roughly 18 hours. I wanted to take a break from my reading but couldn’t put the book down except to sleep. As other reviewers have mentioned, there are many footnotes, but since I read the ebook they were easy to access and also indispensable. This is the best theater memoir I’ve ever found, filled with fascinating, often funny anecdotes but mostly imbued with heart—namely the big hearts of Rodgers, an artist ahead of her time, and Green who helped Rodgers narrate her unique contributions to musical theater and YA lit. Rodgers’s voice—brave, witty, unsparing of her own foibles—is a marvel as she depicts her miserable childhood as the daughter of golden-age composer Richard Rodgers and his wife Dorothy and her own creative ups and downs while following in “Daddy’s” footsteps. (She was also the mother of Adam Guettel who composed Broadway’s “The Light in the Piazza”). Stephen Sondheim fans may buy this title for the authors’ insights into his genius, but Rodgers’s attachment to Sondheim, whom she called the love of her life, is just one of many subjects that make reading this memoir a truly moving experience. (My one criticism is the use of “postulate,” not once but
twice, to describe Maria in “The Sound of Music.” The correct word for women training to be a nun is “postulant.”)
29 people found this helpful
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Reviewed in the United States on March 28, 2024
For fans of the theater, it will be a fun read with lots of name dropping of some of the most important people in Broadway history, particularly Broadway musicals. If you're not a theater fan, it'll still be a fun read of a very interesting and eventful life.
Reviewed in the United States on January 10, 2024
Having spent so much time in and living in New York, the entertainment capital of the world, I found "Outspoken Memories" an absolute joy to read! Mary Rodgers covers but a slice of the recent many decades of the lives of playwrights, composers, actors and actresses, but in an in-depth manner like I've never read! Written with NY Times theatre critic Jesse Green, any fan of Broadway history and the Golden Era, will enjoy, enjoy, enjoy, Ms Rodgers Memories!
One person found this helpful
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Reviewed in the United States on February 15, 2024
This is a Great White Way memoir from the very entertaining straight-talker, Mary Rodgers. Cowriter Jesse Green has done a terrific job of bringing her conversations with Rodgers to life. Bit of a Broadway history nerd here, loved it!
Reviewed in the United States on September 28, 2023
Life well lived, a privileged life, but a good one. RIP, MRG.

In terms of The writing style and organization of the book, it was quite confusing and a bit discombobulated. I wish I had been organized better to make for a smoother read.
Reviewed in the United States on October 28, 2023
Living a life in the theater I began this book looking for the stories I knew it would tell about a part the world I made a career in. By the middle of the book it became something more; a peak into the life of an fascinating, privileged, flawed, talented, victimized and strangely honest woman trying to succeed in a world still defined by men but no longer owned only by them. I never had the opportunity to meet her but I now feel like I know her and that I quite liked Mary Rodgers. RIP.
One person found this helpful
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Reviewed in the United States on September 27, 2023
This book is an interesting, easy read. She was a privileged 2nd rate songwriter, but still she created the songs to "Once Upon a Mattress" starring Carol Burnett which was a great success. The book also illustrates the sad case of heterosexual women in theatre. They are surrounded by talented homosexual men and these women, in many cases, cannot help but fall for them.
I could recommend this book for anyone interested in the rarefied atmosphere of the greats in musical theater (Richard Rodgers, Oscar Hammerstein, Stephen Sondheim etc) even if she may not have been one of them. She contributes many personal insights into their lives, both good and not so good. My only complaint is that there is no index of names.
3 people found this helpful
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Top reviews from other countries

Doug Mertz
5.0 out of 5 stars Getting to Know Her
Reviewed in Canada on December 11, 2022
Thank you, Jesse Green, for this terrific book. I felt as though I was there - eavesdropping on conversations between you and Mary. You conveyed all that she asked you to do, and have presented a portrait of a woman of privilege who didn’t coast but kept pushing herself. I feel like I knew her. Or at least I would’ve like to have.
Mr. P. Moylan
4.0 out of 5 stars a fascinating read about a time when Broadway was at its best.
Reviewed in the United Kingdom on June 27, 2023
Enjoyable and revealing read about a woman affected by being the daughter of one of the great composers at a time when being a woman was a big barrier to success.
John Rinaldi
5.0 out of 5 stars A Must for ALL Musical Theater Lovers
Reviewed in Germany on September 26, 2022
It’s hard to even know where to begin with my praise for this book. Mary Rodgers was a fascinating, brilliant woman. A hard-worker and high-achiever in several different careers, and of course the daughter of a demi-god of musical theater, Richard Rodgers. Close friends with Stephen Sondheim, Leonard Bernstein, more than close friends with Harold Prince and Sheldon Harnick, and worked with practically everyone in “the business”. Not to mention, also the chairwoman of Juilliard and the mother of Adam Guettel (composer of “The Light in the Piazza” and “Floyd Collins”). Her voice, as captured and amplified by Jesse Green (a formidable writer and journalist in his own right) is hilarious, melancholy, biting, warm, jagged, and irresistible. I knew Mary Rodgers had written “Once Upon a Mattress” and “Freaky Friday”, but I did not now just how much other work she did. I am so glad she managed to capture her wonderful memoirs before she passed away. She spares no one, especially herself. A marvelous, honest read.
DLC
5.0 out of 5 stars Love this book!
Reviewed in Canada on October 4, 2022
This is a funny, bitchy, gossipy page turner. If you’re a fan of Broadway’s golden era, Rodgers and Hammerstein, Irving Berlin, Stephen Sondheim and other big names from the last century you’ll love this book. Mary Rodgers is a terrific memoirist and as merciless about her own foibles as she about others’.
SAB
5.0 out of 5 stars Very funny
Reviewed in Canada on September 22, 2022
Just the information itself is fascinating for broadway lovers, but the bonus is how funny the writing is. Hard to see why she didn’t write lyrics as well as music.
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