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The Wars Hardcover – January 1, 1977
Purchase options and add-ons
- Print length226 pages
- LanguageEnglish
- PublisherDelacorte Press
- Publication dateJanuary 1, 1977
- ISBN-10044009397X
- ISBN-13978-0440093978
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Product details
- Publisher : Delacorte Press; First Edition (January 1, 1977)
- Language : English
- Hardcover : 226 pages
- ISBN-10 : 044009397X
- ISBN-13 : 978-0440093978
- Item Weight : 15.5 ounces
- Best Sellers Rank: #3,758,711 in Books (See Top 100 in Books)
- #24,551 in War Fiction (Books)
- Customer Reviews:
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To summarize:
Never give up … on yourself, on your life!
Beginning with the loss of his eldest sister to the disease Spina Bifida, the story moves to his resulting enlistment to the Canadian Army, brief training in the general tactics of war, and shipment overseas to join in the all-consuming chaos of the First World War.
Spread across the battle fields of Europe, the life of Robert Ross re-enacted as the pieces are brought together. First person accounts of the utterly humiliating circumstances, impotence, and insanity he encounters as the fires that pursue him throughout his life are interwoven throughout to complete the picture of a man misunderstood for the crimes he committed.
It is these first person accounts that lead us through the plot in an attempt not to justify, but to perhaps give the reader some insight as to why Ross' life ended so clearly counter to how it had begun.
Timothy Findley set out with a purpose in The Wars, which was to illustrate the insanity of war by manipulating the conventions of how atrocity is understood, and finally tearing these conventions down altogether. To do this, he took the fictitious example of a soldier who had dishonoured himself in battle, and then forces us to understand how and why such a thing could occur. For a more in depth analysis, check out yourwords dot ca. The result is the destruction of our conventional understanding and acceptance of military law, a societal application invented by propagandists and furthered by arms dealers, therefore opening our ability to not only see, but recognize the destruction of the individual through such an overwhelming ordeal that is often minimalized through sensationalistic media-headline appointed terms such as "tragedy" or "catastrophe". It is for this reason that the book should be a part of everyone's education.
Joeseph Jonston must only like stories where there are only good people doing nice things, and where children are sheltered from the scary fact that sometimes the world is a bad place. I think this is the problem when you have a work of art as powerful and brilliant as The Wars --- it gets assigned in high schools, and people who wouldn't know a good book from a hole in the ground are made to read it.
The Wars examines the physical, emotional, psychological, and spiritual wages of World War One (I think the plural in the title references the fact that there are so many other "little" wars simultaneously going on within the main character, within his family, within society, etc).
Findley explores his themes with powerful, poetic, and concise prose. The Wars is a short book, and Findley's fluid style means it can be read quickly. However, not a single word is wasted. The prose is rich with fresh imagery, but those images are never just decoration, or descriptive showmanshp --- they all have their purpose and their place. This is one of the calling cards of a great writer.
Some would say the age warning is appropriate. Some of the events of the plot and some of the images are indeed explicitly violent or sexual. They are never gratuitous, and are used to drive home the horror of World War One, but the more squeemish or puritanical readers may find them off-putting.
The sections of the novel that are actually about fighting in the trenches are reasonably good. I think Findley properly emphasizes how dirty, mud-filled and wretched the trenches of World War 1 were. Occasionally, there are flashbacks to the protagonist's family in Canada, which were poorly executed. Findley should have focused on the actual war and avoided these diversions.
In Canada, this novel won the Governor General's Award in 1977 but I don't see why it is so spectacular. There is a sense that the protagonist is something of a controversial figure (he deserts the army and shoots some Canadian soldiers) but Ross' history and legacy is simply left too ambiguous.
In rating this novel, I wanted to give it 2.5 stars, but alas, Amazon does not allow that. The novel simply strikes me as mediocre; there is nothing exceptional to it.
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Yet parts were interesting, especially when identifying the horrors of not only WW1 but of war itself. Its difficult to criticize the judges of Canada’s Governor General’s Award, so perhaps my caution is based on personal biased expectations. Certainly worth a read if you want a perspective about a Canadian in WW1.