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Ursula K. Le Guin

The Other Wind : An Earthsea Novel Paperback – January 1, 2003

by Ursula Le Guin (Author)

4.7 1,780 ratings

Book 6 of 6: The Earthsea Cycle

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The wizard Alder comes from Roke to the island of Gont in search of the Archmage, Lord Sparrowhawk, once known as Ged. The man who was once the most powerful wizard in the Islands now lives with his wife Tenar and their adopted daughter Tehanu. Alder needs help: his beloved wife died and in his dreams she calls him to the land of the dead - and now the dead are haunting him, begging for release. He can no longer sleep, and the Wizards of Earthsea are worried. But there is more at stake than the unquiet rest of one minor wizard: for the dragons of Earthsea have arisen, to reclaim the lands that were once theirs. Only Tehanu, herself daughter of a dragon, can talk to them; it may be that Alder's dreams hold the key to the salvation of Earthsea and all the peoples who live there.

Book 6 of 6

The Earthsea Cycle
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256 pages
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Publisher

Orion Childrens
Publication date

January 1, 2003
Dimensions

5.28 x 0.79 x 7.72 inches
ISBN-10

9781842552117
ISBN-13

978-1842552117
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About the Author

Ursula K. Le Guin has won many Nebula and Hugo Awards, as well as a National Book Award, a Pushcart Prize, the Harold D. Vursell Memorial Award of the American Academy of Arts and Letters, a Newbery Honor and the World Fantasy Award for Life Achievement.

Product details

ASIN ‏ : ‎ 1842552112
Publisher ‏ : ‎ Orion Childrens; New Ed edition (January 1, 2003)
Language ‏ : ‎ English
Paperback ‏ : ‎ 256 pages
ISBN-10 ‏ : ‎ 9781842552117
ISBN-13 ‏ : ‎ 978-1842552117
Item Weight ‏ : ‎ 8 ounces
Dimensions ‏ : ‎ 5.28 x 0.79 x 7.72 inches

Best Sellers Rank: #3,574,668 in Books (See Top 100 in Books)
- #349,858 in Science Fiction & Fantasy (Books)

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Ursula K. Le Guin

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Ursula Kroeber Le Guin (US /ˈɜːrsələ ˈkroʊbər ləˈɡwɪn/; born October 21, 1929) is an American author of novels, children's books, and short stories, mainly in the genres of fantasy and science fiction. She has also written poetry and essays. First published in the 1960s, her work has often depicted futuristic or imaginary alternative worlds in politics, the natural environment, gender, religion, sexuality and ethnography.

She influenced such Booker Prize winners and other writers as Salman Rushdie and David Mitchell – and notable science fiction and fantasy writers including Neil Gaiman and Iain Banks. She has won the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, each more than once. In 2014, she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters. Le Guin has resided in Portland, Oregon since 1959.

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Chris S.

A Review of the Digital Version of "The Other Wind" by Ursula K. Le Guin

Reviewed in the United States on March 1, 2011

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I started reading Le Guin's Earthsea series by borrowing the books from the library. Then I received the new Kindle 3 for my birthday, and decided to try reading Tehanu and The Other Wind on it instead of the library books. I was enjoying the series and thought I would enjoy reading them again. However, the digital editions of these books have some serious conversion errors: It would appear that the publisher used optical character recognition (OCR) software to scan the books into a digital edition, without any quality checks after conversion. Given the nature of the series and the importance of language, these are serious flaws. Here are some samples from The Other Wind:

"She asked him to assure the High Bang of the Kargs that his daughter was well..." (location 1117)
Translation: "She asked him to assure the High King of the Kargs that his daughter was well..."
Note: Oddly, this line was regarding one character giving another character this message through an interpreter...

"I will come to conduct you to the kings presence when the fifth hour is told..." (location 1201)
Translation: "I will come to conduct you to the king's presence when the fifth hour is told..." (missing apostrophe)

"...wizard Seppel of Pain..." (location 1276)
Translation: "...wizard Seppel of Paln..."
Note: Paln was constantly misspelled as Pain.

"'Between Pain and Semel, and the Island of Havnor, is only the width of the Pelnish Sea,' said Prince Sege." (location 1283)
Translation: "'Between Paln and Semel, and the Island of Havnor, is only the width of the Pelnish Sea,' said Prince Sege."
Note: At least they got "Pelnish" right...

"Who goes to the dry land when they diet..." (location 1904)
Translation: "Who goes to the dry land when they die..." (die, not diet)
Note: That's actually quite funny, but it's really not appropriate for the conversation!

"The women looked at her, some thinking her plain, some beautifid, some pitying her for having to go barefoot in the palace." (location 1998)
Translation: "The women looked at her, some thinking her plain, some beautiful, some pitying her for having to go barefoot in the palace."
Note: Seriously? Just do a spell-check!!

"Long ago the Grey Mage of Pain had brought ruin on his island by summoning the souls of the dead to advise him and his lords..." (location 2186)
Translation: "Long ago the Grey Mage of Paln had brought ruin on his island by summoning the souls of the dead to advise him and his lords..."
Note: Paln again...

"There had been more than one duel in wizardry between a man of Roke and a man of Pain..." (location 2187)
Translation: "There had been more than one duel in wizardry between a man of Roke and a man of Paln..."

"'What a ragbag you are bringing them, to be sure!' she said. 'A sorcerer with nightmares, a wizard from Pain, two dragons, and two Kargs. The only respectable passengers on this ship are you and Onyx.'" (location 2642)
Translation: "'What a ragbag you are bringing them, to be sure!' she said. 'A sorcerer with nightmares, a wizard from Paln, two dragons, and two Kargs. The only respectable passengers on this ship are you and Onyx.'"

One of the most distracting, and terrible, errors were in names. The series places a huge importance on names, so it's ridiculous that the publisher wasn't as careful. In Tehanu, the publisher constantly misspelled Sparrowhawk as two words: Sparrow hawk. It's subtle, but very distracting.

In the end, given this poor handling of the conversion from the physical book, I would simply wait for a new digital edition with revisions or just get the physical book at the library or a bookstore.

12 people found this helpful

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James Sterling

I love Ursula LeGuin's Earthsea novels

Reviewed in the United States on August 31, 2014

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I love Ursula LeGuin's Earthsea novels, but I think the earlier ones were the best. In those, LeGuin seems to have been following her instinct more than her politics (though, even when I first read "A Wizard of Earthsea" in the late 1960s, I thought that Ged's final confrontation with the Gebbeth was a little contrived). In the later ones LeGuin seems to have altered the world of Earthsea seems to have been altered to fit the author's politics. The politics aren't bad, nor her view of women, but I feel that she betrays the honesty in of the earlier books in her revelation that the male wizards have created their power by rejecting the feminine principle and, with it, the reality of death. Also, it makes me sad that she resolves this conflict by bringing "The Art Magic" to an end in order to resolve the problem.

That is not to say that the later books and the issues they bring up are not valid, but in the older books, when humans tried to avoid death, magic and beauty languished, and they were brought back to life when the man representing the urge to live forever was defeated; but in the later books, magic, dragons and magical creativity have to be given away along with the willingness to allow life to end at death. This is a strange inversion of structure of the original stories and one I find depressing.

2 people found this helpful

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Elisha

Finally I've read "The Other Wind."

Reviewed in the United States on October 10, 2021

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I've read a few difficult novels lately. It was great to read a story. There are very few truly wonderful storytellers. Ursula Le Guin is one of them. This is not my favorite of her books but it is filled with wonder. I must say 'Alder' was my favorite character. The final section is a bit messy. Le Guin's metaphysics kind of ran amok. In my opinion the answers to all the big questions remained on Gont with Ged. He "kept the house" and kept the goats inside the fence. The stuff on Roke wasn't as important as keeping those pesky goats from getting out.

2 people found this helpful

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JP78

We broke the world to make it whole

Reviewed in the United States on December 30, 2013

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A friend told me something about her family a couple of weeks ago, and as a result I re-read the first three Earthsea books and plunged headlong into the next three. I agree with other reviewers who felt a bit jarred by "Tehanu", which seemed to depart almost completely from the path of the first three books. Still, my curiosity wouldn't let me stop until I had read both remaining volumes. Thank goodness for curiosity!

I read the books in chronological order and I am glad I did. I'm not reviewing "Tales from Earthsea" here, so I'll limit my comments to advising other readers to do as I did and read the books in order.

"The Other Wind" is beautifully written, and does a wonderful job of bringing the cycle to a place where one can see that life in Earthsea will go on whether or not the author continues to tell the story. Change comes, accepted beliefs are challenged and found to be mistaken, and the truth is a paradox. Maybe that's what makes me love Earthsea so much: dragons and mages are found only in our fantasies, but in LeGuin's hands, they come to life in a way I can fathom, a way that allows me to believe that their world just might really exist. Hmm. Anyhow -- read the book! It's really good.

One person found this helpful

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S.Adams

The final book of a great series.

Reviewed in the United States on April 29, 2013

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Over the years, I have read most of Ursula LeGuin's books. I have not read any sci fi since about 1982. Then I Used the first three books of the Earth Sea series to write a Master's Theses on the Psychological and Theological aspects of what was then only a trilogy. Lately, retired and getting a Kindle for my birthday, anniversary and next Christmas, I found the last two of the series. (I had read the fourth book after the Theses.) So it was with great welcome and surprise to read the last two books. It feels like I have known Ursula through her books and was welcoming a long lost friend. This one really hits home as I am getting older and have lost so many friends thru the years. If you have not read any of the first five books in the series, I recommend them to you. In total if you are a fast reader like I am, you could read then easily within five days.

Enjoy them all and then think about them for the rest of your life!

One person found this helpful

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Andrew D. Cockayne

The rest of Tehanu.

Reviewed in the United Kingdom on July 24, 2019

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If, like me, you're one of those people who owns the first four Earthsea novels as one volume, you need this book. I'm a big fan of Le Guin, but "Tehanu" (first published as "Tehanu, the last book of Earthsea", which it turned out not to be) was quite a disappointment and a terrible way to end the series - if only provisionally.

You see, "Tehanu" is not the story of that character. It is, almost entirely, the story of Tenar; the female protagonist of "The Tombs of Atuan". It mainly covers what happened to her after the events of that book.

A big part of what Tenar did was adopt the child Tehanu, but in "Tehanu", Tehanu herself is very young and mostly silent. She emerges as a character only at the very end of that book, which - my opinion - has no business being called a 'novel' in it's own right at all.

You need to have read "The Tombs of Atuan" to know who Tenar is and her relationship to Ged. You need to read this book to get the remaining three-quarters of Tehanu's story. Once you have the whole thing, it's wonderful stuff, but you do need to have all of it.

4 people found this helpful

Martin Turner

A weak end but a good rebeginning?

Reviewed in the United Kingdom on November 30, 2002

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When Ursuala LeGuin published 'Tehanu', it was clear that she was angry - angry at the world she had created for being a world of male wizards where women and the powers of earth had no true place in magic.
You can see this anger in the earlier stories of 'Tales from Earthsea', but the final story, 'Dragonfly', which is the prelude to this book, is a rediscovery of what Earthsea was about.
The single most important motif in the original Earthsea stories was the wall of stones which divides the living from the dead, and the effects of unwise traffic across that wall. Two subsidiary motifs were dragons and the old powers of the earth. LeGuin recaptures and develops the importance of these in 'The Other Wind' in a way which she failed to do in 'Tehanu'. This story is a story about what would happen if the wall of stones itself came under attack - if the dead, from their side, began to pull it down. The theme is powerful, and readily captures the imagination.
What this book doesn't recapture is the way the original Earthsea stories were put together - and the reason why they were so successful as children's stories to read and re-read. A Wizard of Earthsea, The Tombs of Atuan and The Farthest Shore are stories about growing up, about how children become adults. The first two are significant achievements in the genre. To achieve this, they are written through one set of eyes.
'The Other Wind' loses both the simplicity of a single narratorial point of view, and, crucially, contains no children. Here we meet our favourite characters again - Ged, Tenar, Lebannin, Tehanu and Orm Irian, but we do not spend enough time to ground the tale in their consciousness.
This is a good book, but a minor one. It is a story about Earthsea philosophy and rationale. What it lacks is the Aristotelean focus of 'what happens next?'
It does, though, open the door for more Earthsea books which we want to read, and which a child of any age could read. This was a door that Tehanu closed.
Intriguingly, the former wizard Ged dreams of a time _after_ the time he lost his power. Above all things, we would like to read another novel about Ged as wizard.

13 people found this helpful

liminal fruitbat

Both bittersweet and disappointing

Reviewed in the United Kingdom on March 28, 2018

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The final book in the Earthsea series, “The Other Wind” tells of how the sorcerer Alder, haunted by visions of the dead, seeks counsel with various wise characters we know from previous books, culminating in a meeting of Archipelagans, Kargish, wizards, and dragons on the isle of Roke where the fate of the dead will be decided.

The thing that struck me once I’d finished this book was that it felt unnecessary. LeGuin seems to have written it to retcon the nature of death in Earthsea, making the Dry Land of the dead into a perversion of the natural cycle of reincarnation, a prison for the dead who suffer there, but in “The Farthest Shore” Ged says that the ghosts in the Dry Land are merely shadows and names; the people those things belonged to are reborn in the world of the living. LeGuin retconned this to devote a whole book to the assertion that because death exists, it is necessary and better than eternal life. And if you take that claim solely within the context of Earthsea this is true because LeGuin made the only alternative an eternity of stasis devoid of human connection, but she clearly wanted to write something profound and true about the real world, and I cannot say she succeeded. Not only does her argument lack applicability to the real world (and present no meaningful difference between reincarnation and straightforward death), LeGuin doesn’t seem to realise she refutes it. In a scene near the climax, the Summoner of Roke says, “But it is not right to want to die… For the very old, the very ill, it may be. But life is given us. Surely it’s wrong not to hold and treasure that great gift!” To which Lebannen replies, “Death also is given us,” but you’re not obliged to keep or use a gift if you don’t want it.

Which isn’t to say this book lacks anything of value; it is an Ursula LeGuin story after all and she could always write well. The characterisation’s mostly good as well; I was touched by Tenar’s pleasure in having someone to speak her native language with, and her relationship with Tehanu was well done. I also liked the wizard Onyx: his respect for Alder and Seppel as fellow magic-users in spite of Alder’s lower social status and the stigma of Seppel’s magical tradition was nicely endearing. Lebannen comes across better than in his previous appearances in that we see bits of him being a wise king, and his frustration with the Kargish princess dumped on him as a fiancée, while not pleasant, is at least sympathetic as the reaction of someone constrained as he is.

That said, he might just be frustrated with the problematic aspects Seserakh brings with her: she comes from a Kargish culture that feels very much like a Middle-Eastern stereotype. Her people are native to a desert and have extreme patriarchy (Tenar suggests Seserakh’s father might kill her if Lebannen rejects her as a bride, and Seserakh veils herself in the presence of men); if it weren’t for the fact that the Kargs are white I’d assume it was straightforward racism, but with this and in light of the previous books it feels more like LeGuin’s desire to critique the patriarchy, her previously-established worldbuilding, and her desire to avoid fantasy’s typical Eurocentrism all converged to produce these weird uncomfortable implications. (I am white, though, so it’s not like I have any kind of definitive opinion on this.) Then there’s how thinking about Seserakh causes Tenar to slip into a whole paragraph of the kind of gender essentialist rubbish I thought she’d got past in Tehanu, and the conflation of going unveiled with confidence and fearlessness, which… I’ve read the words of Muslim women on wearing veils and all I can say is that I don’t get the impression that LeGuin did. The veil thing just gets even more uncomfortable when Lebannen’s friend says “If anyone gave me a package like that… I’d open it.” Why is that line given to someone we’re meant to like? Finally, Seserakh seems to start liking Lebannen on the basis of very little interaction, and it feels like LeGuin was trying too hard to convince us they’d have a happy marriage.

The dragons still aren’t as compelling as Yevaud was in “A Wizard of Earthsea”, but we get a clearer picture of their alien amorality and freedom. We also get a picture of the various cultures of Earthsea working together to solve a problem, and an implication that this example of people with different cultures and worldviews sitting down, talking things through, and cooperating is the template for Earthsea’s future.

“The Other Wind” isn’t as good as the first four books. I’m not sure if it’s better or worse than “Tales From Earthsea”. It is a fitting close to the series, which is good because despite the muddled half-finished state in which she left her examination of Earthsea’s gender politics I think LeGuin had run out of anything new to say here. Ultimately I don’t think I can give it more than three stars – there’s half a good novel in this, but sadly LeGuin wasn’t able to free it from the other half.

10 people found this helpful

hjd

An elegiac farewell to Earthsea

Reviewed in the United Kingdom on December 19, 2015

Verified Purchase

This should be five stars because of Le Guin's wonderful prose, conjuring of place and powerfully memorable characters. That I rate it lower possibly says more about me, as the elegiac farewell (as far as we know) to this series leaves one with a sense of loss. We want more from all the characters, and one may feel that there is not enough of Ged. The point of that, of course, is that his tale has really been told and the right thing to happen is that he has found his place and his future and has no need to take a large part in the working out of fate. This does leave Tenar to fulfil more of her own significant destiny, along with the younger generation of denizens of the endlessly fascinating islands of Earthsea. In fact, the ending is a proper completion or scene-setting for the new lives to be lived after the story stops being told, but it leaves an ache, and the desire to know yet more about what lies beyond the horizons, what happens in the Isles of the Far North, how will the Kargs evolve, did the islands of the South recover, what about Ged's old friends in the East? The fact that all these things are so alive in the imagination is testament to the power of a master storyteller. It is five stars really, but I can't helping wishing for more.

4 people found this helpful

RC

Dragons! Dragons!

Reviewed in Germany on May 16, 2012

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"The Other Wind" is Le Guin's last book of the Eartsea cycle so far and actually, in my opinion, a worthy end of an era of the interesting adventures in Earthsea. In this book Therru, who we left behind in "Tehanu" as a little child is now grown up. Ged is old and is fully healed from his wounds and grief. The change that got hold of Earthsea is going even further in "The Other Wind". Plus, you get a little more insight in the world of Earthsea.
If you liked "Tehanu", as well as "Tales from Earthsea", you will probably like "The Other Wind" too. Le Guin fits a new adventure, a huge change and dragons in this small book and it's really impressive how she does all that. I guess it is needless to say, but I like to add it anyway, that Ursula K Le Guin is truly a master of language and of course the art of writing. In Earthsea words are important and she knows how to use them. :')

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