The Contours are widely remembered for their 1962 smash "Do You Love Me?," one of the early hits that helped put Motown on the map. Yet they aren't always associated with their contribution to the label; they were one of the roughest, hardest R&B groups Berry Gordy ever signed, and their sound simply didn't resemble the smooth, sophisticated blueprint that later became Motown's trademark. Nor did their stage presence; in contrast to the slick choreography and wardrobe of Motown's signature artists, the Contours were all wild, irrepressible energy, leaping and sliding all over the stage and even doing the splits. As a result, they fell out of favor once Motown got its crossover-friendly hit factory up and running, and never duplicated the success of their first hit.

Formed in Detroit in 1958, the Contours originally began life as a quartet called the Blenders. Lead singer Billy Gordon, Billy Hogg, Sylvester Potts, and Joe Billingslea were soon joined by Hubert Johnson, a cousin of the legendary Jackie Wilson, as well as guitarist Huey Davis. Changing their name to the Contours, the group landed an audition with Berry Gordy's fledgling Motown label. Gordy was not impressed and told them to try again in a year, and they enlisted Jackie Wilson's aid in honing their act. Wilson personally recommended the group to Gordy, who finally relented and signed them up in 1961. The Contours' first single "Whole Lotta Woman" sank without a trace, and Gordy nearly dropped them until Wilson once again interceded on their behalf. The move paid off handsomely when Gordy offered them a chance to cut "Do You Love Me?," a song originally intended for the Temptations, who couldn't quite nail down the rough and rowdy feel Gordy wanted. Released in 1962, "Do You Love Me?" zoomed straight to the top of the R&B charts in just a few short weeks, peaking at number three on the pop side.

Although the Contours were riding high thanks to their hit and their exciting live act, they found the momentum difficult to maintain. They were able to score a follow-up hit, "Shake Sherrie," in 1963, and ran off a string of R&B Top 40 singles over 1965-1966: "Can You Jerk Like Me?," the Top Ten "The Day When She Needed Me," the Smokey Robinson-penned "First I Look at the Purse," and "Just a Little Misunderstanding." Despite the often high quality of those singles, the Contours simply weren't getting the attention -- either from the label or the public -- that Motown's top stars were, and their sound was more of an anomaly at Hitsville than ever. By this time, the original quintet was no longer intact; new members included Joe Stubbs, brother of the Four Tops' Levi Stubbs, and Dennis Edwards, who went on to replace David Ruffin in the Temptations.

The Contours had their last charting single in 1967 with "It's So Hard Being a Loser"; Billingslea and Potts subsequently led versions of the group on the oldies circuit during the '70s and '80s. Sadly, Johnson committed suicide in 1981, and wasn't around to witness the 1988 revival of "Do You Love Me?" thanks to the wildly popular film Dirty Dancing. Billingslea, Potts, and their new cohorts hit the oldies circuit with renewed vigor, and also cut the album Running in Circles for U.K. Motown revivalist Ian Levine's Motorcity label in 1990. Stubbs passed away in 1998, and guitarist Davis did likewise in 2002. ~ Steve Huey

"Once a Temptation, always a Temptation" might have been the motto for explosive vocalist Dennis Edwards, who joined, left, and rejoined the group three times. Edwards was born in Birmingham, but his family moved to Detroit when he was seven. As a high-school student, Edwards sang with the Crowns of Joy gospel group, then formed a soul-jazz band called Dennis Edwards & the Firebirds, inspired by organist Richard "Groove" Holmes. Motown bass legend James Jamerson heard Edwards singing one night and suggested he audition. They needed a lead singer quickly for the Contours, and his feature on "It's So Hard Being Alone" was Edwards' entry into the company. A song he recorded for Soulsville, "I Didn't Have To (But I Did)," got moderate reaction, but Edwards was soon enlisted to replace David Ruffin as lead singer of the Temptations in 1968. He spent the next nine years in that role, his gritty leads fueling such songs as "Cloud Nine," "I Can't Get Next to You," "Ball of Confusion," and "Psychedelic Shack," as well as the groundbreaking singles "Papa Was a Rollin' Stone" and "Masterpiece." He left for the first time in 1977, returned in 1979, and left again in 1983.

In 1984, Edwards, solo once more, made one of the great duets of the decade, "Don't Look Any Further," with Siedah Garrett. It narrowly missed the top of Billboard's R&B chart. There weren't many numbers that better combined sensuality, vocal assertiveness, excellent production, and a superb arrangement. The follow-up, "(You're My) Aphrodisiac," was a Top 20 R&B single, but things then cooled considerably. "Coolin' Out" was Edwards' final hit, peaking at number 23, but he returned to the Temptations in 1987. Edwards briefly teamed with ex-Temptations David Ruffin and Eddie Kendricks in the trio Ruffin/Kendricks/Edwards, but nothing was ever released. Along with other members of the Temptations, he was inducted to the Rock and Roll Hall of Fame in 1989. During the following three decades, he continued to perform, first as the leader of Dennis Edwards & the Temptations and then, after a legal dispute with original group member Otis Williams, the Temptations Review Featuring Dennis Edwards. Edwards died in February 2018 at the age of 74. ~ Ron Wynn