Red Prysock was one of the first of the big blasting tenor
sax players of the rock 'n roll era. He was born Wilbert Prysock in Greensboro,
North Carolina in 1926. He was first noticed as the lead sax on tenor with the
Tiny Bradshaw band on the R & B hits "Soft" and "Heavy
Juice" for King records in the late forties. In the early fifties Red
backed up blues singer Lonnie Johnson for some sessions with King Records which
produced the sides "Darlin" / "Seven Long Days" on King
#4503, and "My Mother's Eyes" and "Me And My Crazy Self" on
##4510. Red signed with Mercury Records, the Chicago based major in early
January of 1954.
Red started out the new year with a week long date at the
Apollo Theater in Harlem along with The Four Tunes. Soon his first release on
the Mercury label is out - the songs were "Jump Red Jump" and
"Body And Soul", the time proven sax tune initiated years ago by
Coleman Hawkins. The record on Mercury #70367 is released in May to coincide
with a long stay at Weeke's Lounge in Atlantic City, New Jersey.
"Jump" is picked up by many listeners, and even more listeners with
"Blow Your Horn" and "Happy Feet" on #70419 which is a
popular jump instrumental. Red had recorded some tunes for small local labels
and one that was released was on the small New York based independent label Red
Robin with his House Rockers on the tune called "Wiggles" (the flip
side was "Crying My Heart Out") on #107. Riding out the popularity of
"Wiggles" which appealed to a lot of the new listeners to the sound
of R & B via the Moondog Freed show over WINS radio in New York, Red
becomes one of the primary first wave of rock 'n roll heroes. Late in the year
while "Wiggles" is getting airplay and generating sales, "Fats
Place" and "Hey There" is out on Mercury on #70460 is released.
At the end of the year Red Prysock is signed to play at the Moondog Jubilee
ball to be held at St. Nicholas Arena in New York in mid January of 1955,
Freed's first offering in the New York City area. Before the Moondog gig, Red
and his combo do a tour of one nighters throughout the South with Clyde
McPhatter & The Drifters.
That January the Moondog Jubilee was a resounding success
with turnaway crowds. Red is quickly signed for Freed's Easter Jubilee of Stars
at the Brooklyn Paramount in April. In March Alan Freed signs up to record his
big rock 'n roll band which stars Red Prysock along with Sam "the
man" Taylor, Big Al Sears, guitarist Mickey Baker, and drummer Panama
Francis. The band would record for Coral Records, part of the Decca Records
family. In March Mercury releases the all time classic instrumental titled
simply "Rock And Roll" on Mercury #70540. The flip side was the
frantic tune "Little Jamie". After the Easter Jubilee at the Brooklyn
Paramount, Prysock returns to St. Nick's Arena and appears at the springtime
Rock & Roll Festival along with Varetta Dillard, The Cadillacs, Mellows,
Otis Blackwell, and the Joe Morris Orchestra. In May Mercury releases "The
Horn Blows" and "Zonked" on #70602.
In July of 1955 Alan Freed again signs Red for his Labor Day
Week show at the Brooklyn Paramount. During the summer Red Prysock and his band
are on tour with Sarah Vaughn, The Cardinals, and Al Hibbler, in the Southern
states. After the Freed show in September, Red joins Al Hibbler, LaVern Baker,
and The El Dorados, at the Howard Theater in D.C., the Earle in Philadelphia,
and the Royal in Baltimore. In October Mercury releases the blasting tune that
will be Red Prysock's signature song - "Hand Clapping" on #70674. The
great sales and airplay of the last two records for Mercury lead Red Robin to
re-release "Hard Rock" and "Jump For George" on Red Robin
#113, and "Jackpot" and "The Hammer" on #139. Late in the
year Red is in the Midwest with Big Maybell and Nappy Brown, and plays the
Regal in Chicago and the Royal in Detroit.
Irving Feld launches a huge traveling R & B show early
in 1956 that will tour the South for two months. Joining Red are Bill Haley
& The Comets, The Platters, Drifters, Shirley & Lee, LaVern Baker, The
Five Keys, Turbans, Joe Turner, Bo Diddley, and Roy Hamilton. Mercury issues a
Red Prysock LP called "Rock And Roll" (on #20088) and features
Mercury singles that Red had recorded for the label. In mid February, Red and
his brother Arthur do a rare joint appearance at New Jersey's Crossing Inn in
Trenton. Mercury releases "Red Speaks" and "Zip" on #70787.
In March Mercury shifts Red to its subsidiary label Wing Records. In April the
first Wing release is out - "Fruit Boots" and "Hard Laces"
on Wing #90070. In May Red Prysock wins an award from the Pittsburgh Courier
for being the best musical combo in the Rhythm & Blues field. Despite the
announced plan to issue Red Prysock on Wing, the Mercury label releases
continue. In August "Rock And Roll Party" and "Rock And Roll
Mambo" on #70918. Red joins Bill Haley & The Comets and Frankie Lymon
& The Teenagers on tour. In October Mercury issues an LP of Red Prysock
recordings. In November Mercury issues "Paquino Walk" and "Teen
Age Rock" with vocal by Harold Mills on #70985.
The sax instrumentals keep coming for Red. "What's The
Word ? Thunderbird" and Satellite" is released on Mercury #71214. He
does a turn with brother Arthur on vocal on "Woke Up This Morning",
and the tunes "Short Circuit", the unique "Red's House
Party", "Rock The House", 125th Street Sunrise",
"Finger Tips", "Head Snappin'" and "The Pog Wog"
on #71054, "Rooster Walk", and the interestingly named "Two
Point Eight (2.8)" on #71175 follow into 1958. Mercury releases "Billie's
Blues" on #71358. The flip side was "Willow Weep For Me". In
November Red appears at a benefit show organized by Roy Hamilton in Jersey
City, New Jersey. A second LP is released by Mercury called "Swing Softly
Red" on #20512. By 1959 there were big changes in American music, and R
& B originals suffered. Mercury releases "Margie" and "Chop
Suey" on #71411 in January of 1959. Another old standard "And The
Angels Sing" is coupled with "Riffin With Red" on #71476. Red
plays dates at Carr's Beach in Annapolis and then into the Midwest at
Columbus,Ohio and Indianapolis. Prysock left Mercury after five productive
years and Red continued to appear in different areas and labels. He recorded an
LP for Checker Records in Chicago, but it was never released. In a hint of what
was to come, he backed up his brother Arthur, on a series of classic recordings
of pop standards for Old Town Records in the late fifties. In the early sixties
Red Prysock recorded with Dr. Horse on the Fire label on tunes such as
"I'm Tired Of It" / "I Think I Know" on #501, and "Jack,
That Cat Was Clean" and "Salt Pork, West Virginia" on #514 in
1962.
Once his days as an R & B sax man was over he spent many
years beginning in the mid sixties fronting a small combo backing his brother,
vocalist Arthur Prysock on many club dates and even some television spots as
Arthur gained popularity. Red Prysock passed away in July of 1993, a remembered
king of the tenor sax. There are some who say Red is in reality the sax man
depicted in the Clint Eastwood produced bio film of Charlie Parker
("Bird" starring Forrest Whittaker), when Parker checks out a tenor
man honking out a R & B number for a wild rock 'n roll crowd. Miffed at the
public's acceptance of this style, he grabs the sax, tootles a few notes and
hands it back derisively commenting that he just wanted to see if it had
"more than one note" in it. Prysock and Bird's paths did cross on
more than one occasion in the late forties-early fifties, and so the assumption
is held. Whatever the truth, Red Prysock paid his dues, and harnessed the wild
horse of rock 'n roll and became the music's first wave of rock idols. For
proof just listen to "Wiggles', "Rock And Roll", "Little
Jamie", "Hand Clappin", and "Red's House Party" for
starters. Red Prysock rules !
The Horn Blows: Red Prysock©2002JCMarion
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