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Oona, Living in the Shadows: A Biography of Oona O'Neill Chaplin Hardcover – January 1, 1998


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Editorial Reviews

Amazon.com Review

Like Jackie O, Oona O'Neill (1925-91) captured public attention for two reasons: her impressive familial/marital alliances (she was the sole daughter of playwright Eugene O'Neill and the last wife of filmmaker Charlie Chaplin) and her elegant, raven-haired beauty. The two women also shared vitas that were filled with childhood disappointments, humiliating public attention during crises, and the wrenching deaths of loved ones. But as Jane Scovell's new biography clearly shows, Oona O'Neill Chaplin lacked both the stoicism and personal passion of Jackie Onassis. Hers was a spirit too tender--and fundamentally fragile--to assert itself fully or survive independently for any period of time. Hence the book's apt subtitle, "Living in the Shadows."

With information culled from press clips, interviews with Chaplin's friends and contemporaries, and previous biographies of Eugene O'Neill, Scovell's book paints an engaging portrait of a privileged, potentially fabulous life gone way wrong. Most fittingly for their subsequent tortured relationship, Oona's parents--Eugene O'Neill and writer Agnes Boulton--met in a Greenwich Village bar dubbed the Hellhole. Eight years into their marriage, in which they flitted between Greenwich Village, Bermuda, Provincetown, Maine, and New Jersey, O'Neill abandoned the family life for the erstwhile actress Carlotta Monterey (christened Hazel Neilson Tharsing). Oona was two at the time. O'Neill, a boorish father, saw her only a handful of times before she turned 18; at that point, he disinherited her because he wasn't happy with the oozy publicity she was earning as a New York debutante. That same year, Oona moved out to Hollywood (in the hopes of pursuing an acting career), and met and married Charlie Chaplin, who was facing a scandalous paternity suit at that moment. Chaplin was 54, Oona was 18. She never worked again, and he was at the end of his career. They had eight children (the last when Chaplin was 72), and she stood by him till his death in 1977, spending most of their years together exiled in Sweden, where Chaplin had gone to avoid a host of problems with the U.S. government. After Chaplin's death, Oona returned to the U.S., where she lived 14 depressed, alcoholic years before dying at age 66 of cancer.

There's a breezy, slightly superficial tone to this book, despite Scovell's attempt to elucidate fully the potholes and vistas of Oona's dramatic roadmap. None of Oona's eight children, or close family members, seems to have talked to Scovell, nor did Scovell have any significant access to Oona's correspondence or other writing. Though her dramatic fade is well captured here, Oona never completely blooms in this book. --Jean Lenihan

From Publishers Weekly

Scovell's moving, intelligent, perceptive biography of Oona O'Neill Chaplin, daughter of playwright Eugene O'Neill and wife of film legend Charlie Chaplin, is told with sympathy and feminist insight. At age 17, Oona, a Manhattan debutante spurned by the neglectful, alcoholic, famous father who had abandoned her when she was two, went to Hollywood to become an actress. Instead, a year later, in 1943, she married Chaplin, then 54 and thrice-divorced, an English-born Casanova with a reputation for seducing young women. According to Scovell, who has collaborated on autobiographies with Elizabeth Taylor, Kitty Dukakis and Maureen Stapleton, Oona found in Chaplin a father surrogate, but also a genuine love match. And Chaplin found in Oona a steady, evenhanded companion who idolized him, and a caretaker for his dotage. Scovell paints a scathing picture of O'Neill pere as an aloof, mean-spirited parent who dumped Oona's eccentric, alcoholic mother, Agnes Boulton, in 1927 to marry actress Carlotta Monterey. It was Oona's mutually supportive union with Chaplin, Scovell contends, that saved her from the inner demons that led to the suicides of her drug-addicted brother, Shane, and her half-brother, Yale classicist Eugene O'Neill Jr. Oona and Chaplin moved to Switzerland in 1953 after Hollywood blacklisted the comic for leftist leanings; they had eight children, who gave Oona mixed, yet, on the whole, favorable reviews as a mother. After Chaplin's death in 1977, Oona, overwhelmed by grief and despair, descended into alcoholic dissolution; she died of cancer in 1991. As Scovell makes clear in this touching, bittersweet biography, Oona's tragedy was that she went directly from the specter of her awful father to Chaplin: "She never stood on her own."
Copyright 1998 Reed Business Information, Inc.

Product details

  • Publisher ‏ : ‎ Grand Central Pub; First Edition (January 1, 1998)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 354 pages
  • ISBN-10 ‏ : ‎ 0446517305
  • ISBN-13 ‏ : ‎ 978-0446517300
  • Item Weight ‏ : ‎ 1.45 pounds
  • Dimensions ‏ : ‎ 6.5 x 1.25 x 9.75 inches
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I was born in Brockton, Massachusetts, a city which produced one heavyweight champion, Rocky Marciano, one middleweight champion, Marvin Hagler, and boxing's most prominent referee, Arthur Mercante. I could not hope to pursue a ring career so I decided to become an actress. After graduating from Wheaton College, I moved to New York City where I took classes at the Uta Hagen/Herbert Berghof Studio. I soon learned that boxing is a far gentler profession than acting and retired from the stage--before stepping one foot on it.

While attending graduate school at Columbia, I became a teacher, a more brutal profession, by the way, than the last two named. I taught, variously, at a yeshiva in Yonkers, a yeshiva in Dorchester, MA, Beaver Country Day School, and Newton College of the Sacred Heart. At Newton College, I taught the history and appreciation of opera and created another course, "Music in the Film." To this day, my twin passions remain opera and movies, and I usually can be found at the Met Opera in Lincoln Center or at the Film Forum on West Houston Street.

Eventually, I grew tired of grading papers, and began conducting extension courses for Pine Manor Junior College and Harvard University's Center for Lifelong Learning. While teaching, I began my writing career. At first, my articles appeared in the Boston underground press and Boston magazine; I wrote everything from movie, music, theatre, and restaurant reviews to interviews with local figures. Later, my articles were published in The Boston Globe, The Boston Herald, The New York Times, and in national magazines, including Redbook, Vogue, and Travel + Leisure. In the mid-1980s, I started writing "auto" biographies with, among others, Marilyn Horne, Elizabeth Taylor, Ginger Rogers, Kitty Dukakis, Maureen Stapleton, and QVC Host, Kathy Levine. Oona: Living in the Shadows was my first "bio"graphy and Samuel Ramey: American Bass is my latest.

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