When a sheriff's detective shows up on former FBI man Terry McCaleb's Catalina Island doorstep and requests his help in analyzing photographs of a crime scene, McCaleb at first demurs. He's newly married (to Graciela, who herself dragged him from retirement into a case in Blood Work), has a new baby daughter, and is finally strong again after a heart transplant. But once a bloodhound, always a bloodhound. One look at the video of Edward Gunn's trussed and strangled body puts McCaleb back on the investigative trail, hooked by two details: the small statue of an owl that watches over the murder scene and the Latin words "Cave Cave Dus Videt," meaning "Beware, beware, God sees," on the tape binding the victim's mouth. Gunn was a small-time criminal who had been questioned repeatedly by LAPD Detective Harry Bosch in the unsolved murder of a prostitute, most recently on the night he was killed. McCaleb knows the tense, cranky Bosch (Michael Connelly's series star--see The Black Echo, The Black Ice, et al.) and decides to start by talking to him. But Bosch has time only for a brief chat. He's a prosecution witness in the high-profile trial of David Storey, a film director accused of killing a young actress during rough sex. By chance, however, McCaleb discovers an abstruse but concrete link between the scene of Gunn's murder and Harry Bosch's name: "This last guy's work is supposedly replete with owls all over the place. I can't pronounce his first name. It's spelled H-I-E-R-O-N-Y-M-U-S. He was Netherlandish, part of the northern renaissance. I guess owls were big up there."
McCaleb looked at the paper in front of him. The name she had just spelled seemed familiar to him.
"You forgot his last name. What's his last name?"
"Oh, sorry. It's Bosch. Like the spark plugs."
Bosch fits McCaleb's profile of the killer, and McCaleb is both thunderstruck and afraid--thunderstruck that a cop he respects might have committed a horrendous murder and afraid that Bosch may just be good enough to get away with it. And when Bosch finds out (via a mysterious leak to tabloid reporter Jack McEvoy, late of Connelly's The Poet) that he's being investigated for murder, he's furious, knowing that Storey's defense attorney may use the information to help get his extravagantly guilty client off scot-free. It's the kind of plot that used to make great Westerns: two old gunslingers circling each other warily, each of them wondering if the other's gone bad. But there's more than one black hat in them thar hills, and Connelly masterfully joins the plot lines in a climax and denouement that will leave readers gasping but satisfied. --Barrie Trinkle
Adult/High School-Harry Bosch, the worn, pragmatic Los Angeles police detective, protagonist of a number of Connelly's earlier books, is joined by Terry McCaleb, former FBI crime-scene profiler, introduced in Blood Work (Little, Brown, 1998). Harry is immersed in testifying at the murder trial of a Hollywood film director, Jack Storey. When McCaleb, retired and living a quiet life with a new wife and two young children, is asked by a former colleague to look at the investigation materials of a recent gruesome homicide, he realizes just how much he misses his vocation. Terry alone has noticed some clues from the crime-scene video that point toward the influence of Renaissance painter Hieronymus Bosch. Despite pleas from his wife, Terry is drawn into the investigation and finds, to his dismay, that pointers lead straight to acquaintance Harry Bosch, whose real name is Hieronymus. Certain details in Harry's life fit in well with the profile Terry is developing of a ritualistic killer. The clues stemming from Bosch's paintings may lead readers straight to the Internet to view some of Bosch's well-known works to see the clues for themselves. The plot is intricate, and the twists and turns keep coming, but it is so well done, and the characters are so vivid, that confusion isn't a problem. Despite its length, this involving book is a fast read with "can't put it down" appeal.
Carol DeAngelo, Kings Park Library, Burke, VA
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Police Detective Jay Winston calls on her retired colleague Terry McCaleb to create the profile of a killer, based on the evidence from a murder investigation. Before he knows it, the bizarre details of the murder have sucked McCaleb out of retirement and back into the world of police work. With the profile in hand, a suspect is identified but is he the right man? Or is it a setup? Connelly, award-winning author of Void Moon, Blood Work, and The Poet, weaves his intricate story with skill; his characters are well rounded and complex. Both interesting and exciting, the unabridged version is well read by Richard M. Davidson; the abridged format incorporates the Southern inflections of Michael Beck. Both programs are recommended for fiction collections. Joanna M. Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence
Copyright 2001 Reed Business Information, Inc.
In Blood Work (1998), the critically acclaimed Connelly introduced his many readers to former FBI profiler Terry McCaleb, prematurely retired by the need for a heart transplant. In the author's latest work, McCaleb takes a break from tranquil family life on Catalina Island to help an L.A. County detective investigate a horrific murder that looks like it might be the first of a series. McCaleb's study of the murder quickly isolates a prime suspect: LAPD Detective Harry Bosch, Connelly's most memorable character and the star of his best novels, including Trunk Music (1996). Although McCaleb knows and admires Bosch, he believes too much cruelty, depravity, and violence may have pushed Bosch over the edge. Connelly's appearance here elevates what might otherwise have been a major disappointment. The plot seems more than a little contrived, and Connelly seems to labor to reuse characters and events from earlier novels. Similar contrivances marred 1999's Angels Flight , but even at less than his best, a new Connelly is pretty much a must-buy for public libraries. Thomas Gaughan
Copyright © American Library Association. All rights reserved
Review
"This great thriller will keep you busy...Connelly is the best of a very large group...of thriller writers following in the footsteps of Raymond Chandler."
-- "Denver Rocky Mountain News"
"As with all the Bosch thrillers, plot twists abound, but in this case the story itself carries the novel...Connelly is always popular, and this is Connelly at his best."
-- "Library Journal"
"You can't lose with this chilling tour de force."
-- "Kirkus Reviews"
"Connelly...is a devious, resourceful plotter and a world-class storyteller. [A Darkness More Than Night] generates the kind of irresistible momentum that very few novelists ever manage to achieve. At the same time, it offers empathetic portraits of two memorably complex protagonists with more than their share of ghosts, griefs, and personal demons to contend with. A Darkness More Than Night is an intelligent, compassionate, unfailingly entertaining thriller."
-- "Barnes & Noble editorial review"
"It's the kind of plot that used to make great Westerns: two old gunslingers circling each other warily, each of them wondering if the other's gone bad. But there's more than one black hat in them thar hills, and Connelly masterfully joins the plot lines in a climax and denouement that will leave readers gasping but satisfied."
-- "Amazon.com editorial review" From the Publisher
8 1.5-hour cassettes
About the Author
Michael Connelly is the author of thirty-eight previous novels, including #1 New York Times bestsellers Desert Star, The Dark Hours, and The Law of Innocence. His books, which include the Harry Bosch series, the Lincoln Lawyer series, and the Renée Ballard series, have sold more than eighty-five million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels. He is the executive producer of three television series: Bosch, Bosch: Legacy, and The Lincoln Lawyer. He spends his time in California and Florida.
It takes a special performer to do justice to Connelly's thrillers because of his complex character development and psychological bent. In Connelly's latest work, the reader's task is formidable because Connelly brings his two characters, Harry Bosch and Terry McCaleb, together for a blockbuster. While L.A. Police Detective Bosch, a compulsive, one-of-a-kind investigator, is officer-in-charge of a trial for a Hollywood director accused of murdering a starlet, McCaleb, retired from the FBI, is asked to profile a ritualistic murder of a man Bosch suspects of killing a prostitute. As the cases merge, the listener is treated to lessons in trial procedure, forensics, psychological motivation, and even fifteenth-century art and painters. To Richard M. Davidson's credit, the listener can really picture the gravelly voiced Bosch as he interplays with the more mild-mannered McCaleb. The trial sequences are especially interesting because Davidson is called upon to portray a multiplicity of characters in tandem. This reviewer was captivated by the content and performance, listening long into the night. A.L.H. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine
“Bosch knew all of the demons,” he said without turning from the painting. “The darkness…” A long moment went by. “A darkness more than night.”Highlighted by 273 Kindle readers
