This is the only work of Vito Bratta that he did after White Lion. Even that it's only one song that he's playing here, that's what the cd is known for. Lots of other great musicians on this cd too, Zakk Wylde is also playing on one song.
Love it !!!... And it roars, even it's not White Lion!!
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Coven/Pitrelli/Reilly
Format: Audio CD
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Audio CD, June 13, 1995
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Product details
- Item Weight : 3.21 Ounces
- Date First Available : January 31, 2009
- ASIN : B0000085JP
- Number of discs : 1
- Customer Reviews:
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Customer reviews
4.8 out of 5 stars
4.8 out of 5
11 global ratings
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Top reviews from the United States
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Reviewed in the United States on March 19, 2013
Reviewed in the United States on October 3, 2013
I bought this because I went to school with Al Pitrelli. Great music if you're looking for something hard Rock and bluesy at the same time.
Reviewed in the United States on October 8, 2015
Purchased for my father-in-law. He loves it. Has been looking for this for YEARS.
Reviewed in the United States on April 20, 2007
Well, after completely disregarding the other guys review, I decided to buy this marvelous little gem I stumbled across whilst reading an article about White Lions legendry guitarist Vito Bratta. I was pleased to see that the guitarist after leaving white lion, had decided to record a couple of background riffs and lead solo's for an album before his wrist injury. My excitement stepped up a level when I found out the album just so happened to be a mainly instrumental project created by the joining of Savatage's virtuoso guitarist Al Pitrelli and Awesome basist Randy Coven, a cobination that had succeded quite well once before on one of Randy Covens earlier solo albums. The result was this hard rocking, funk laminated technical Gem of an album, with some seriously decent guest musicians of the rock world, including Zakk Wylde, Steve Morse and Jimmy Yaeger. The album boasts a degree of sounds from funk rock, to easy going ballads and a bit of jazz and piano thrown in the mix. You can tell that Pitrelli really breaks free from the resrictions of Savatage and completely dominates the album with what is clearly his best work yet. The album is quite reminicent of Blues sareceno's solo work with a mix of John Petruci style breathtaking randomness. But the album somewhat lacks depth and feeling, and perhaps takes intrumentalism to the extremes without maintaining a tuneful melody on occassion. But overall the album is easy to listen to and has its moments, highly recomended for a summers day drive. If you like Satriani and Vai etc then this is the album for you, a very distinguished gem, but sadly not very well known.
Reviewed in the United States on September 13, 2005
ONE DAY DOWNLOADING VIDEOS FROM THE WEB I FOUND A VIDEO WICH IS CALLED "I WISH" AND TO MY SURPRISE THE GUEST VOCALS ON THAT VIDEO WAS ZAKK WYLDE FROM BLACK LABEL SOCIETY... I GOT TO SAY THAT THE MUSIC IS KINDA COOL.... BUT I DON'T KNOW HOW'S THE ENTIRE RECORD....
Top reviews from other countries
Paul
5.0 out of 5 stars
Very nice
Reviewed in the United Kingdom on April 20, 2007
Well, after completely disregarding the other guys review, I decided to buy this marvelous little gem I stumbled across whilst reading an article about White Lions legendry guitarist Vito Bratta. I was pleased to see that the guitarist after leaving white lion, had decided to record a couple of background riffs and lead solo's for an album before his wrist injury. My excitement stepped up a level when I found out the album just so happened to be a mainly instrumental project created by the joining of Savatage's virtuoso guitarist Al Pitrelli and Awesome basist Randy Coven, a cobination that had succeded quite well once before on one of Randy Covens earlier solo albums. The result was this hard rocking, funk laminated technical Gem of an album, with some seriously decent guest musicians of the rock world, including Zakk Wylde, Steve Morse and Jimmy Yaeger. The album boasts a degree of sounds from funk rock, to easy going ballads and a bit of jazz and piano thrown in the mix. You can tell that Pitrelli really breaks free from the resrictions of Savatage and completely dominates the album with what is clearly his best work yet. The album is quite reminicent of Blues sareceno's solo work with a mix of John Petruci style breathtaking randomness. But the album somewhat lacks depth and feeling, and perhaps takes intrumentalism to the extremes without maintaining a tuneful melody on occassion. But overall the album is easy to listen to and has its moments, highly recomended for a summers day drive. If you like Satriani and Vai etc then this is the album for you, a very distinguished gem, but sadly not very well known.