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Space Relations Mass Market Paperback – January 1, 1975
- Print length256 pages
- LanguageEnglish
- PublisherFawcett Publications, Inc.
- Publication dateJanuary 1, 1975
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Product details
- ASIN : B000PCAEWC
- Publisher : Fawcett Publications, Inc. (January 1, 1975)
- Language : English
- Mass Market Paperback : 256 pages
- Item Weight : 6.4 ounces
- Best Sellers Rank: #3,390,444 in Books (See Top 100 in Books)
- #10,668 in Exploration Science Fiction
- Customer Reviews:
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The writer seems to like putting everything in terms of girls, and boys, and children, even when the scenes do not necessarily (but often do) involve kids. So while for instance the 14 year old girl getting raped in the first few chapters is really supposed to be 14, the hero of the book in danger of being sodomized - 'bend down kid and make it good' (sic) is not supposed to be a kid. It is that way throughout the book. They are either labeled like they are children (the queen was a 'child'), or actually boys or girls. So it pretty much starts with the word "naked" and goes down from there.
It is pretty shocking a headmaster of a school would write this junk. It's not the only low grade sf story out there with this non-writing in it - but they are always bad reads. exploitation novel at best, says something about the writer regardless.
It tells the story of John Craig, the ambassador from Earth to the planet Kossar. Craig represents an intergalactic human empire, currently at war with a sinister bug people. Kossar, although human, is not part of the empire - mostly because the ruling aristocrats refuse to abolish the slave trade that is the foundation of their class system and economy.
The narrative is split in two. Initially (and ultimately) it tells the story of Craig's official visit to Kossar. In between, it recounts Craig's previous visit to the planet - two years spent as a slave of the fulsome Lady Morgan.
The war with the bug aliens is, although occasionally referenced, merely a MacGuffin to make Kossar (otherwise a backwater world in dire need of sterilization) important. Similarly, the complex, Machiavellian politics of the future - both in Kossar and on Earth - are often, tantalizingly, cited, but never fully explored.
Instead, the plot focuses on the torrid romance between John Craig (slave) and Lady Morgan (his owner). The author also explores (crashes through the underbrush, really) the issues of slavery and domination.
The result is a frustrating and ponderous read. Barr aggressively pursues character development instead of world-building, but since his characters neither grow nor change, it is merely a prolonged sketch of two fairly obnoxious people.
His exploration of slavery is neither sensitive nor telling. Despite repeatedly and officiously informing the reader that slavery is wrong at every turn (go figure), Barr creates two openly "superior" characters as his leads. Craig and Morgan freely kill, torture, seduce and make sweeping political decisions on behalf of thousands of people - but this is acceptable, because they're somehow imbued with "natural heroism". Slavery and oppression are wrong, unless you're someone as wise and talented as Craig or Morgan, in which you're perfectly justified in forcing decisions on other people.
An expression of this natural superiority is Craig's unbelievably irritating habit of composing poetry. Clearly intended to add to the depth of the novel, what begins as an annoying, occasional snippet soon becomes a field of lyrical land-mines. This practice is especially painful in the middle of the book, as the reader is forced to plow through sonnets on every other page. As a result, Space Relations is one of the most picture-perfect expressions of Tolkien's Law ("Always skip the poetry") that I've ever read.
Space Relations is a laborious read. Although I always appreciate an attempt at character-building instead of world-building, the novel managed to avoid everything of possible merit.
Given the current prices listed, and with the author's death no e-book in sight, I'm not sure anyone will be buying this novel any more. But fairness compels me to say that this is simply the same sort of adventure you might find in a tale of heroics set in the 1800s -- a diplomat captured by pirates and sold as a slave has an ambiguous relationship with the noblewoman who buys him, escapes, and returns later under his own identity to set things right. But instead of taking place in foreign lands during, say, the Napoleonic Wars, this is done as space opera -- well-written, and with a satisfying ending.
After 40 years, I still recall bits of the two sonnets the hero writes, and remembering that tonight, I thought I'd come and see if the book was available. Sadly, the prices have given me pause.