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Every Breath You Take/Live In Atlanta
Deluxe Edition
Precio Amazon | Nuevo desde | Usado desde |
CD de audio , CD, 11 enero 2005
"Vuelva a intentarlo" | 12,00 € | 10,28 € |
CD de audio , CD, Edición deluxe, 2 julio 2004 | 19,95 € | 19,95 € | — |
Disco de vinilo, Edición limitada, Importación, 28 abril 2023
"Vuelva a intentarlo" | 34,39 € | 40,83 € |
Audio, casete, Importación
"Vuelva a intentarlo" | — | 24,09 € |
Comprados juntos habitualmente
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Listas de canciones
1 | Roxanne |
2 | Can't Stand Losing You |
3 | Message in a Bottle |
4 | Walking on the Moon |
5 | Don't Stand So Close to Me |
6 | De Do Do Do, de Da Da Da |
7 | Every Little Thing She Does Is Magic |
8 | Invisible Sun |
9 | Spirits in the Material World |
10 | Every Breath You Take |
11 | King of Pain |
12 | Wrapped Around Your Finger |
13 | Don't Stand So Close to Me86 |
14 | Message in a Bottle (New Classic Rock Mix) |
15 | Synchronicity * Live in Atlanta |
16 | Synchronicity II |
17 | Walking in Your Footsteps |
18 | Message in a Bottle |
19 | My God |
20 | De Do Do Do, de Da Da Da |
21 | Wrapped Around Your Finger |
22 | Tea in the Sahara |
23 | Spirits in the Material World |
24 | King of Pain |
25 | Don't Stand So Close to Me |
26 | Every Breath You Take |
27 | Roxanne |
28 | Can't Stand Losing You |
29 | So Lonely |
30 | Roxanne *DVD* |
31 | Can't Stand Losing You |
32 | Message in a Bottle |
33 | Walking on the Moon |
34 | So Lonely |
35 | Don't Stand So Close to Me |
36 | De Do Do Do, de Da Da Da |
37 | Every Little Thing She Does Is Magic |
38 | Invisible Sun |
39 | Spirits in the Material World |
40 | Every Breath You Take |
41 | Wrapped Around Your Finger |
42 | Synchronicity II |
43 | Don't Stand So Close to Me86 |
44 | DVD Bonus Material |
45 | Old Grey Whistle Test |
46 | Can't Stand |
47 | Losing You |
48 | Next to You |
49 | Police in Montserrat |
50 | Demolition Man |
51 | One World (Not Three) |
52 | Spirits in the Material World |
53 | Every Little Thing She Does Is Magic |
54 | Studies in Synchronicity |
Descripción del producto
Deluxe three disc (two CDs + PAL/Region 0 DVD edition of this best-selling release from the Pop trio contains their Every Breath You Take single disc compilation plus a CD taped live in Atlanta, Georgia and the Every Breath You Take DVD, which contains video clips and other bonus features. Perhaps the ultimate collection for old and new fans alike, this three disc package shows the band at the height of their audio and video powers and contains hits like 'Roxanne', 'Can't Stand Losing You', 'Message in a Bottle', 'Don't Stand So Close to Me' and many more. Universal.
Detalles del producto
- Descatalogado por el fabricante : No
- Dimensiones del producto : 19,69 x 14,61 x 1,91 cm; 220 gramos
- Fabricante : Universal Import
- Sello : Universal Import
- ASIN : B000244PR8
- Número de modelo del producto : IMPORT
- País de origen : Reino Unido
- Número de discos : 2
- Opiniones de los clientes:
Opiniones de clientes
Las opiniones de los clientes, incluidas las valoraciones del producto, ayudan a otros clientes a obtener más información sobre el producto y a decidir si es el adecuado para ellos.
Para calcular el desglose general de valoraciones y porcentajes, no utilizamos un simple promedio. Nuestro sistema también considera factores como cuán reciente es una reseña y si el autor de la opinión compró el producto en Amazon. También analiza las reseñas para verificar su fiabilidad.
Más información sobre cómo funcionan las opiniones de los clientes en Amazon-
Reseñas más importantes
Principal reseña de España
Ha surgido un problema al filtrar las opiniones justo en este momento. Vuelva a intentarlo en otro momento.
Reseñas más importantes de otros países
1. ROXANNE
This one's hard to describe. The best way I can put it is that The Police fused modern subject matter with more traditional soft-rock music (esp. in the chorus) and the result was a timeless hit. *****
2. CAN'T STAND LOSING YOU
A sincere, easygoing song that's kind of similar to Roxanne, but a little more diverse. Two songs in, and I'm already enjoying this more than most of Sting's solo work. I can see why The Police were red-hot in their time. ****
3. MESSAGE IN A BOTTLE
This is wonderful. It's all about being alone and crying out for help, but they still make it sound uplifting. I especially liked the part near the end about how billions of other people were just as lost as the singer. ****1/2
4. WALKING ON THE MOON
Excellent lounge-type tune here, and maybe the best song ever made about walking on the moon (though to be fair, they're describing a mood, not the literal action). ***1/2
5. DON'T STAND SO CLOSE TO ME
This was one of the songs that really got me into The Police. The story behind it proved that they weren't afraid to explore truly controversial subject matter, like so many other mainstream bands seem to have been. In my view, the song's only flaw (and it's a minor one) is the chorus. It has an abrupt and poppy rhythm behind it that seems at odds with the serious lyrics. Maybe it's just a kind of musical irony. In any case, this is one of my favorites. ****1/2
6. DE DO DO DO, DE DA DA DA
Probably one of my least favorites on the CD, but still good. I guess I've never been a fan of songs with nonsense words in the choruses. Plus the tones sound weird and kind of sour. But I could listen to it again. ***
7. EVERY LITTLE THING SHE DOES IN MAGIC
Everyone must have heard this one. Needless to say, it's another one of their most enduring classics. ****1/2
8. INVISIBLE SUN
This was inspired by the troubles in Northern Ireland, and it manages to be sad and hopeful at the same time like Message in a Bottle. I can really appreciate how much The Police had evolved by the early '80s. ****
9. SPIRITS IN THE MATERIAL WORLD
Like Invisible Sun, the lyrics have an existential theme going. I like this one even better because of the energized chorus. ****1/2
10. EVERY BREATH YOU TAKE
I've heard this described as "the ultimate paranoia song" or "the ultimate stalking song." I have to admit the lyrics always unnerved me, too. Maybe they were just trying to tug at our heartstrings by describing a love gone too far. Whatever your interpretation of it, it's one of the most successful and recognizable Police songs. *****
11. KING OF PAIN
Another great song about pain and loss. It wouldn't really have stood out for me, if not for the lines. The lyrics have to be the best thing about this. ****
12. WRAPPED AROUND YOUR FINGER
I like the slow, leisurely tone and the references to Greek mythology in this one. ****
13. DON'T STAND SO CLOSE TO ME '86
This might be my favorite Police song ever. They took a song that was already great and made it even more effective. Plus, they really capitalized on the theme this time with brooding tones and a slower pace. The band had already broken up, and this remake was a product of their short-lived reunion. It's a shame they didn't last longer...but The Police left us more than enough hits to remember them by, that's for sure. *****
14. MESSAGE IN A BOTTLE (new classic rock mix)
The remix doesn't seem all that different from the first version--which I prefer, in this case. Unlike in the new version of "Don't Stand," not enough real changes were made to make this a new song unto itself. But it's still good listening. ***1/2
On the good side...
The fidelity of sound achieved by moving to the higher 24bit/48-96KHz that DTS provides, compared to the 16bit/44.1KHz that CD is limited to, is remarkable (although, as an aside, the notes say that this album was first mixed in 20bits, making me wondering if a) it was left at that resolution or b) it was 'upsampled' to 24bits for DTS. I'd bet on the latter).
The net result is much more analog sounding that the previous album, and when I say 'analog', I'm referring to the kind of source fidelity one usually only gets with a mega-kilobuck turntable coupled with an equally expensive cartridge and tone-arm (the kind of system I don't own, but have been lucky enough to hear). While the older CD was hardly the worst CD out there, it definitely suffered from 'digitis', notable in particular when Sting would hit high falsetto notes. One need only compare the high-pitched wails in 'Roxanne' to hear the difference. On the original CD, Sting's voice voice would exhibit a strange brittleness that would quickly cause listening fatigue, unless listened to very softly.
In comparison, the new DTS sounds much more natural. While the Sting's voice, at times, still screeches just as high as it should, gone are the nasty high-frequency artifacts that make the old album such a (literal) pain to listen to.
At the same time, the dynamic range has been expanded. Whether this is due to the lowered noise floor, as the increased number of bits would allow, or simply more skillful mastering, is hard to know. What is apparent is that the album sounds much less compressed, with the leading edges of drum attacks, in particular, sounding much more impactful.
Along with the increased dynamics comes an increased sense of volume and space, as if more of the acoustic clues and ambient air noise of the original recording studios had been captured. While welcome and pleasant, this is particularly puzzling as it is almost certain that these songs were almost certainly not recorded using a purist miking method (such as two stereo cardioids), but instead multi-miked and multi-tracked.
Which leads us into the mix. On the positive side, the LFE channel is well-blended and balanced, allowing for judicious subwoofer use, unlike some other DTS albums. Bass frequencies, for the most part, come out well-balanced. Sting's bass, especially on 'Every Breath You Take' and 'Wrapped Around Your Finger' is tight, rhythmic, and distinct, with no icky bass boost emphasis added.
Now, on the negative side...
I use a set of fully-matched speakers in my 5.1 setup. All of the speakers are timbrally matched, and have been calibrated to within +/- 1 dB of each other at the listening position using pink noise and SPL A-weighted measurements. When a 5.1 recording is well mixed (and there are very few of these), the speakers effectively disappear. Unfortunately for the current state of 5.1 sound (I imagine the engineers are still learning), this rarely happens. In contrast, the 'disappearing speaker effect' happens very reliably and consistently on even halfway decent 2-channel recordings.
Imaging is one area where the original CD is definitely superior. For all the harshness of the original CD, it is definitely superior to the 5.1 recording when it comes to making the speakers disappear and create an image of the musicians floating in space.
Ironically, considering it has more channels, the 5.1 recording sounds spatially flat when compared to the 2 channel CD. The exception to this is when the rear channels are used for some gimmicky effects, in which case it doesn't sound spatially flat, but just weird. I became so bothered by this at one point that I disabled my rear speakers and just listened to the 3 front channels. However, even using a front only setup (LCR + subwoofer), the 5.1 recording has less of a sense of space than the original CD. Not even once, using the DTS version, did I have the illusion that the musicians were singing invisibly from a point in space somewhere behind the plane of my speakers.
So, in summary, I give the quality of sound on the new DTS disc 5 stars. It is definitely much smoother, more natural sounding, dynamic, and listenable than the original album. On the other hand, I give the 5.1 mix itself 3 stars, averaging out to 4 stars.
The album is definitely worth buying, but until recording engineers learn how to mix 5.1 channels in a way that provides superior imaging, I wish they would include a DTS 2-channel track on the disc, as some multichannel SACD discs are beginning to do.
Otherwise, I’m very pleased.
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