Legendary filmmaker Alfred Hitchcock once shared his concern over a plot hole in his classic thriller “Vertigo.” “The husband was planning to throw his wife down from the top of the tower,” Hitchcock detailed. “But how could he know that James Stewart wouldn’t make it up those stairs? Because he became dizzy? How could he be sure of that!?”
This narrative oversight suggests an implausible element in the husband Elster’s plan, where it seems unlikely he could predict detective Scottie’s acrophobia would play into his scheme flawlessly. Indeed, while the movie casts this intricate murder plot as a stroke of criminal genius, it relies on the presumption that Scottie would be incapacitated by his vertigo at the crucial moment.
Nonetheless, contemporary critics dismiss this plot flaw as negligible. The intense emotions and thematic depth explored in “Vertigo” are so compelling that they overshadow any concerns about the practicality of Elster’s plan. The film delves into the obsession with an illusory ideal and the heartbreak that follows, proving to be far more captivating than any logical inconsistencies.
Frequently Asked Questions
What is the plot hole in “Vertigo” that bothered Alfred Hitchcock?
The plot hole revolves around the villain’s assumption that James Stewart’s character Scottie, who suffers from acrophobia, would not be able to climb a tower’s stairs, therefore not witnessing the staged suicide of his wife.
Does the plot hole in “Vertigo” detract from the film’s overall quality?
Most critics and viewers agree that the film’s thematic elements and emotional depth marginalize the importance of the plot hole, leaving “Vertigo’s” status as a classic thriller intact.
How does “Vertigo” handle its primary themes?
“Vertigo” explores themes of obsession and the idealization of love, depicting a detective’s descent into madness as he becomes consumed with an illusionary image of a woman.
Is “Vertigo” still considered a great film despite the plot hole?
Yes, “Vertigo” is often cited as one of the greatest films of all time, with its plot hole seen as a minor issue when considering its cinematic achievements.
Conclusion
Despite Alfred Hitchcock’s own reservations regarding a plot hole in “Vertigo,” the film remains a testament to his directorial prowess. Though challenged by the implausibility of a criminal plan’s reliance on a character’s acrophobia, the movie’s legacy endures as it masterfully examines the human condition and its complexities. “Vertigo’s” portrayal of tragic obsession and the pursuit of an unattainable ideal continues to resonate with audiences, cementing its position as an immortal piece of cinematic history.