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Rome Is Burning: Nero and the Fire That Ended a Dynasty (Turning Points in Ancient History, 9) Hardcover – November 10, 2020
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Drawing on new archaeological evidence, an authoritative history of Rome’s Great Fire―and how it inflicted lasting harm on the Roman Empire
According to legend, the Roman emperor Nero set fire to his majestic imperial capital on the night of July 19, AD 64 and fiddled while the city burned. It’s a story that has been told for more than two millennia―and it’s likely that almost none of it is true. In Rome Is Burning, distinguished Roman historian Anthony Barrett sets the record straight, providing a comprehensive and authoritative account of the Great Fire of Rome, its immediate aftermath, and its damaging longterm consequences for the Roman world. Drawing on remarkable new archaeological discoveries and sifting through all the literary evidence, he tells what is known about what actually happened―and argues that the disaster was a turning point in Roman history, one that ultimately led to the fall of Nero and the end of the dynasty that began with Julius Caesar.
Rome Is Burning tells how the fire destroyed much of the city and threw the population into panic. It describes how it also destroyed Nero’s golden image and provoked a financial crisis and currency devaluation that made a permanent impact on the Roman economy. Most importantly, the book surveys, and includes many photographs of, recent archaeological evidence that shows visible traces of the fire’s destruction. Finally, the book describes the fire’s continuing afterlife in literature, opera, ballet, and film.
A richly detailed and scrupulously factual narrative of an event that has always been shrouded in myth, Rome Is Burning promises to become the standard account of the Great Fire of Rome for our time.
- Print length368 pages
- LanguageEnglish
- PublisherPrinceton University Press
- Publication dateNovember 10, 2020
- Dimensions6.5 x 1 x 9.5 inches
- ISBN-100691172315
- ISBN-13978-0691172316
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"Barrett’s central and most timely theme is the role of rumour and conspiracy theory in accelerating political change. . . . What matters for Barrett isn’t so much whether Nero started the fire as what it meant to Rome to believe that he had."---James Romm, London Review of Books
"A thorough, high-quality work on Emperor Nero and the fire that destroyed Rome in 64 CE. . . . Sure to be the most enduring treatment of this major historical event for some time." ― Kirkus Reviews, starred review
"Anthony Barrett has produced arguably the most comprehensive and detailed treatment of the fiery disaster. . . .Barrett’s work exemplifies the latest, most detailed and generously illustrated narrative about the Great Fire to date, and would be an asset on the shelf of anyone, scholar or enthusiast, interested in the archaeology and history of Rome." ― Popular Archaeology
"[Rome Is Burning brings] together wide-ranging and up to date evidence to present the state-of-the-art view of the fire of 64, and its reception down the millennia in film and ballet etc., that will satisfy both scholar and interested layman."---Adrian Spooner, Classics for All
"Rome Is Burning is a lucid analysis of Nero and the Great Fire, enhanced by Barrett’s clear, engaging style, his obvious love of his subject, and an extensive selection of maps, schematics and photographs. Any person with even a passing interest in the history of Rome will find this book interesting and illuminating."---Dr. LF Ivings, Journal of Classics Teaching
Review
“With its clear narrative and new and insightful interpretations of sources and evidence, Rome Is Burning is an exceptional book from a first-rate Roman historian.”―John Pollini, University of Southern California
“Rome Is Burning offers a clear and thorough reinvestigation of the Great Fire of AD 64 for scholars and general readers alike. It can be recommended not just as a reconstruction of the Neronian fire but also as a thoughtful exploration of how to do ancient history.”―Josiah Osgood, Georgetown University
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Product details
- Publisher : Princeton University Press; First Edition (November 10, 2020)
- Language : English
- Hardcover : 368 pages
- ISBN-10 : 0691172315
- ISBN-13 : 978-0691172316
- Item Weight : 2.31 pounds
- Dimensions : 6.5 x 1 x 9.5 inches
- Best Sellers Rank: #243,900 in Books (See Top 100 in Books)
- #289 in Archaeology (Books)
- #310 in Ancient Roman History (Books)
- #418 in History of Civilization & Culture
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It started off quite strong. He spoke about the nature of turning points in history and hinted at the many ways in which this one event would be a turning point for Rome. The writing was quite witty and engaging. Unfortunately I kept waiting for him to deliver on his promise to flesh out the ways in which the fire changed things in the world history. He never did.
The conclusion, such as it was, of how this event impacted the world was that Nero was ousted (was that a good thing? a bad thing? How was Vespasian's rule different than another 10 years of Nero? He doesn't venture a guess), the coinage began to be debased (this I liked, but he touched on it too lightly), and people wrote some plays and movies about the event hundreds of years later (who cares?). That's it.
Instead of really exploring all the ways this one event impacted the Empire or history, he instead focused the bulk of the book exploring the ways the fire impacted the buildings in Rome itself. Page after page of discussion about which building was placed where in the city, when it might have been built, whether it was damaged in the fire, what color the walls were painted, etc. I understand that we are left with very limited real evidence of this long ago event so trying to reconcile various snippets of ancient text with modern archeological evidence is probably what historians get excited about, but as a book for a non-academic history lover this hefty portion of the book was quite dull and had little connection to his central thesis. Of course as an audiobook I missed out on any maps or diagrams there might have been in the actual book (there were maps right? I hope?) As I read/listened to the book I kept feeling like he was just setting the scene so he could get into the meat of the book. Only too late did I realize that this WAS the meat of the book.
Much of the rest of the book read as a Nero apologetic. The author relied quite heavily on three sources: Tacitus, Suetonius and Dio, but felt that all three had an axe to grind and were hopelessly biased against Nero so everything critical they said about him should be discounted. The Christian persecution, the legendary cruelty, the grotesque extravagances (his telling of the origin of the word grotesque though was quite enjoyable), etc were all most likely made up or exaggerated, but, ya know, for some mysterious reason Nero faced multiple plots and rebellions to overthrow him. Must be because rich people don't like taxes.
This is the part that really caused me to scratch my head. The author goes out of his way to defend Nero against the abundance of sources he presented, and then he bases his conclusion on reading between the lines of a single off-hand remark in some source. The book makes the case that the intense hatred and opposition to Nero is just some mass delusion and anyone from the period who explains why they hated Nero can't be trusted.
Anyhow, it was quite well written, and well researched, I can't knock the book too low for that. Plus, I'm a nice guy. A solid 3.
The author balances contemporary resources incredibly well, and expertly poses questions about the conclusions long-ago attributed to Rome's great fire during the reign of Nero. The inconsistencies he points out, paired with additional facts we now know about the era, really shed great light on long standing biases about the Emperor -- and how those biases may have led to the wholesale acceptance of an incomplete history.