Cassandro review – Gael García Bernal is phenomenal as ​flamboyantly camp Mexican wrestler | Drama films | The Guardian Skip to main contentSkip to navigationSkip to navigation
Garishly dressed wrestlers in the ring, one threatening the other with a fold-up chair
Gael García Bernal, left, with El Hijo del Santo in the ‘celebratory’ Cassandro. Photograph: Amazon Prime Video
Gael García Bernal, left, with El Hijo del Santo in the ‘celebratory’ Cassandro. Photograph: Amazon Prime Video

Cassandro review – Gael García Bernal is phenomenal as ​flamboyantly camp Mexican wrestler

This article is more than 7 months old

García Bernal goes all out as the ‘Liberace of Lucha Libre’ in Roger Ross Williams’s joyously entertaining true-life drama

Saul (a phenomenal, physically committed turn from Gael García Bernal) has two passions in life. One is his beloved mum. The other is Mexican wrestling. El Paso-based Saul has been plugging away on the amateur circuit, in gaudy, neon-lit dives just across the border, but with his drab grey costume and his unprepossessing name – El Topo, or the Mole – he’s not making much progress. But then casual comments from fellow wrestlers plant a seed, and Saul reinvents himself as the flamboyantly camp Cassandro. His new alter ego is an “exotico”, a wrestler who fights unmasked, wearing extravagant makeup and provocatively incorporating his gay sexual identity into his wrestling persona.

Based on the true story of Saúl Armendáriz, who became known as the “Liberace of Lucha Libre”, this is a giddily entertaining and celebratory drama that hints at the emotional bruises under the sparkly lurex leotard and false lashes.

  • In select cinemas; on Amazon Prime Video from 22 September

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