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Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary Paperback – Illustrated, June 7, 2016
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- Print length352 pages
- LanguageEnglish
- PublisherNorth Atlantic Books
- Publication dateJune 7, 2016
- Dimensions6 x 0.8 x 9 inches
- ISBN-101623170370
- ISBN-13978-1623170370
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Editorial Reviews
Review
—Alan Moore, author of Watchmen and V for Vendetta
“Bill Schelly has an obsessive yet intelligent passion for things many might consider marginal if not bizarre—always the mark of an interesting mind.”
—Tom Robbins, author of Even Cowgirls Get the Blues
“Bill Schelly has done an amazing job of capturing Otto and his family and friends, and explaining in an interesting way why his work was so important and precedent-setting.”
—Michael Uslan, executive producer of The Dark Knight Rises
“Schelly truly brings Binder alive on the page. He crafts a candid and sympathetic portrait that makes you feel that you have gotten to know the man almost as vividly as if you had met him in real life.”
—Paul Gravett, Comic Book Marketplace
About the Author
Product details
- Publisher : North Atlantic Books; Illustrated edition (June 7, 2016)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 1623170370
- ISBN-13 : 978-1623170370
- Item Weight : 1.26 pounds
- Dimensions : 6 x 0.8 x 9 inches
- Best Sellers Rank: #767,902 in Books (See Top 100 in Books)
- Customer Reviews:
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About the author
BILL SCHELLY is the Eisner Award-winning author of HARVEY KURTZMAN, THE MAN WHO CREATED MAD AND REVOLUTIONIZED HUMOR IN AMERICA, voted Best Comics-Related Book of 2015. He began researching the history of comic fandom in 1991, resulting in the book The Golden Age of Comic Fandom (1995), then became associate editor of Alter Ego magazine, a post he holds to the present day. Schelly has written several biographies of film and comics artists, including movie comedian Harry Langdon and comic book scribe Otto Binder, co-creator of Supergirl and the Legion of Super-Heroes. In 2008, he authored Man of Rock, a biography of celebrated comics writer-artist Joe Kubert. Schelly's American Comic Book Chronicles: The 1950’S (2013) was nominated for a Harvey Award. He has received acclaim as the premier historian of comic fandom, and perhaps the top biographer of comic book creators.
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Growing up during the so-called Golden Age of the comic books, I never thought about the men and women behind the comic books I was reading. I discovered Superman, Batman, and Wonder Woman when my parents moved to the big city when I was seven years old; these and others became my escape from reality. My real discovery, however, was Captain Marvel and later, The Marvel Family. As a kid, it was enough that they entertained me, and became a huge part of my reading. I read comic books off and on until 1980 (age 40), when I no longer felt any interest in them. But looking back on my youth, and a media that was so important at the time, I couldn’t pass up this book.
Bill Schelly gathers letters and interviews from many of those in the comic book industry who knew Otto Binder, one of the main writers for Captain Marvel and The Marvel Family, and put this biography together. I believe it is an updated reprint of a previous edition, with added material. Whatever the case, the author gives us a behind the scenes look at the man and his craft, the good times and the bad, and not only what the industry did to him, but what decision he made that proved disastrous, as well. Otto Binder entertained millions of kids for over thirty years. Beginning his writing career in science fiction pulp magazines, where little was published of literary quality, it sparked his ambition to become a writer. Not many of his pulp stories rose above the rest of the early junk being published, but his Adam Link stories certainly fascinated the readers and other media of the day. Going into comic book writing was better pay for less work, and his output became a herculean affair. But tragedy and finances took their toll eventually, leaving him in hard straights. He never forgot his fans, even if he tried to forget the comic book industry. It’s a bittersweet story of triumph and heartbreak, but one I’m glad I finally read.
The book itself is well produced, and the writing is excellent, and the story easily followed. If I had one compliant, it would be the light print of the text. With all ready failing eyesight, the light print was difficult to read for long periods. I can’t say that I am a comic book fan, but I can highly recommend this to those fans, as well as to old folks like me who grew up during the Golden Age.
Basically, the book reads like a novel, taking us through Otto's personal and professional career, chronicling the peak and valleys of both. Otto Binder is one of the most prolific and important writers in comics history, having entered the industry in the late 1930s/early 1940s, and continued through the late 1960s with few interruptions, he not only was one of the driving forces behind the 1940s cultural icon Captain Marvel (A.K.A. Shazam!) and the Marvel Family, he was also one of the main creators of what has come to be known as the "Superman Family" of supporting characters; Supergirl, Legion of Super-Heroes, Brianiac, and other (now) iconic characters and Superman character mythos.
His anecdotes and personal recollections of his peer comic industry professionals - many legends in their own right - and descriptions of the workplace, creative process, and corporate politics, sheds light on the industry, is invaluable for comic industry historians, relational across all industries, and entertaining for all readers (Though some portions of his life are tragic.)
SPOILER ALERT:
The only compliant I have is a section of the book where the author briefly discusses the Binder's second child, who was born in the 1950s and with down-syndrome. With the Binders having decided to institutionalize the child from birth and not raise it at home, the author comments how this decision is difficult to reconcile with who the Binder's where as loving, caring people. The author seems disappointed with the Binders for their decision and abandonment. I think the authors observation is a mistake many historians make; inserting a modern interpretation over an historical event.
There is no question that in the 1950s society and the medical community didn't know as a much about down -syndrome as we do today, or will tomorrow, not to mention now available at-home resources to parents. That being said, we must assume that the Binders were told by society and medical community (A.K.A. "experts"), that life-long institutionalization was their only option and best for their child. All good intentioned at the time but viewed through medicine of today, their actions would seem Machiavellian.
Again, I think the authors observation is a mistake many historians make; inserting a modern interpretation over an historical event.