Always Coming Home
Midway through her career, Le Guin embarked on one of her most detailed, impressive literary projects, a novel that took more than five years to complete. Blending story and fable, poetry, artwork, and song, Always Coming Home is this legendary writer’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley.
Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives, including a woman named Stone Telling, who travels beyond the Valley and comes to reside with another tribe, the patriarchal Condor people. With sharp poignancy, Le Guin explores the complexities of the Kesh’s unified society and presents to us—in exquisite detail—their lives, histories, adventures, customs, language, and art.
In addition to poems and folk tales, Le Guin created verse dramas, records of oral performances, recipes, and even an alphabet and glossary of the Kesh language. The novel is illustrated throughout with drawings by artist Margaret Chodos and includes a musical component—original recordings of Kesh songs that Le Guin collaborated on with composer Todd Barton—bringing this utterly original and compelling world to life.
The 2019 Library of America edition of Always Coming Home, prepared in close consultation with the author, features new material added by Le Guin just before her death, include for the first time the complete text of the novella-within-the-novel Dangerous People. Rounding out this expanded edition are Le Guin’s reflections about the novel’s genesis and larger aims, a note on its editorial and publication history, and an updated chronology of Le Guin’s life and career.
In 2023, a new paperback edition was published by Harper Perennial. This new edition hews to the text of the first edition and features an introduction by Shruti Swamy, as well as illuminating extra material that includes interviews and liner notes to the book's musical soundtrack.
Winner of the 1985 Janet Heidinger Kafka Prize for Fiction
A 1985 National Book Award Finalist for Fiction
Originally published in 1985 by Harper & Row.
Praise
“Always Coming Home is a slow, rich read, full of what one loves most in her work: a liberal utopian vision, rendered far more complex than the term ‘utopian’ usually allows for by a sense of human suffering. This is her most satisfying text among a set of texts that have provided much imaginative pleasure in her 23 years as an author..”
—Samuel R. Delany, The New York Times
“No one does this type of utopian near-allegory better.”
Supplements
Illustrations by Margaret Chodos-Irvine for the University of California Press edition
Dangerous People: The Complete Text of Ursula K. Le Guin’s Kesh Novella (LOA eBook Classic; included in the Author's Expanded Edition of Always Coming Home)
“Always Coming Home: The Ursula K. Le Guin book that breaks the novel form ‘wide open,’” an interview with Library of American edition editor Brian Atteberry (15 March 2019)
Reviews and Articles
“Crafting the Hinge in Ursula K. Le Guin’s Always Coming Home” by Sandra J. Lindow, The New York Review of Science Fiction (2 April 2022)
“Your Favorite Book: Always Coming Home with Shruti Swamy” by Malavika Praseed, Chicago Review of Books (9 September 2021)
“When a Fictional Utopia Offers a Pathway Home” by Amy Kurzweil, The New York Times (13 August 2021)
“Always Coming Home: A Sonic Journey from Kesh” by Andrea Zarza Canova, NTS Live (22 January 2020)
“A Future in the Author’s Backyard: The New Edition of Ursula K. Le Guin’s Always Coming Home” by Matthew Keeley, Tor.com (15 March 2019)
“‘I never did like smart-ass utopians’—On Always Coming Home by Ursula K. Le Guin” by Mazin Saleem, Strange Horizons (26 November 2018)
“John Scalzi's 6 favorite sci-fi works” at The Week (26 October 2018)
“Ursula K. Le Guin‘s Folk/Electronica Album Can Teach Us a Lot About Storytelling” by Erin Bartnett, Electric Literature (28 March 2018)
“'Deeply weird and enjoyable': Ursula K Le Guin's electronica album” by Geeta Gayal, The Guardian (27 March 2018)
“Aliens Surfing on Arizona Bay: California’s Uneasy Relationship with SFF” by Leah Schnelbach, Tor.com (10 June 2014)
“The 10 SF/F Works That Meant the Most to Me” by John Scalzi (14 October 2013)
“GMRC Review: Always Coming Home by Ursula K. Le Guin” by Scott Lazerus, Worlds Without End (3 January 2013)
“Ursula K. Le Guin's Great Unsung Masterpiece” by Charlie Jane Anders, io9 (10 July 2012)
“Bangs and Whimpers: Novelists at Armageddon” by Michael Dorris and Louise Erdrich, The New York Times (13 March 1988)
“Californians in Le Guin’s New World” by Elizabeth Venant, Los Angeles Times (20 October 1985)
Review at Library Journal (15 September 1985)