“Transcending Obscurity’s rise amongst the underground metal label ranks has been rapid, swelling in recent years as they house an increasingly powerful staple of killer bands, with the quality factor generally of a high standard across a packed roster of talented and unique artists. Taking around a decade from band conception to debut LP release, California’s The Last of Lucy have built underground momentum and refined their sound, arriving at their third LP, and second for Transcending Obscurity, entitled Godform. Aside from taste testing some of their previous work, in particular 2022’s Moksha, I largely divulge in this latest endeavor with fresh ears. Residing in the crowded, head-spinning realms of modern technical and brutal death, how does The Last of Lucy fare?” Lucy in the sky with noodles.
Deathcore
Stuck in the Filter: March 2024’s Angry Misses
March Filters bring April POWERS.
Stuck in the Filter: February 2024’s Angry Misses
The February Filter is all clean and tidy.
Ingested – The Tide of Death and Fractured Dreams Review
“If you haven’t heard an Ingested album at this point, it’s that you’re new to the scene as a nerdy metal aficionado or that you’ve actively avoided all music labeled as deathcore for the past fifteen or so years. Unfortunately, if you found your head bobbing in extreme reluctance at the whiplash grooves and squeal-driven breakdowns that adorn the newest Aborted release, you should probably consider checking out the odd act or two. Ingested’s 2018 release, as well as some of their earliest work, would be easy, enjoyable listening” Digest the Ingested?
Weston Super Maim – See You Tomorrow Baby Review
“These guys describe their sound as “imagine if Meshuggah couldn’t count,” describing a blend of the mathy pioneers’ wonky rhythms, Will Haven’s dissonance, Crowbar’s riffs, Car Bomb and Humanity’s Last Breath’s boundary-pushing technicality.” Baby’s got back (hair).
Dear Hollow’s Mathcore Madness [Things You Might Have Missed 2023]
Sure, there were a lot of releases in 2023. And yes, it’s impossible to keep up with. And honest, who even knew mathcore was still a thing? Our own Dear Hollow knew and he wants you to know, too.
Cariosus – Will, Until Beauty Review
“Autopsying deathcore-inclined melodic death metal rarely turns up anything of note. The cause of death is obvious — a yawning void in the cranial cavity, with ink poisoning in the neck as a contributing factor. What reviewer could be blamed for assuming the obvious of Will, Until Beauty, the debut full-length from Chicago duo Cariosus? What a surprise then that further inspection has turned up a record that not only has grey matter intact, but has half a heartbeat too!” Heartcoreworks.
Drown in Sulphur – Dark Secrets of the Soul Review
“I’m gonna be an insufferable hipster about this one: I’ve been listening to blackened deathcore before Lorna Shore made it cool. Hell, I was listening to the style before Will Ramos made Lorna Shore cool. Bands like The Breathing Process, early Make Them Suffer, and Dark Sermon were all rattling off their own takes on spooky corpse-painted Hot Topic-core in the early 2010s before some Hot Topic frequenter said “ooooh” and nabbed that Watain t-shirt they have on display while manically making pig noises to emulate “To the Hellfire.” Here we meet Drown in Sulphur, an Italian blackened deathcore act, who attempts their own spin on kvlt-y brutality.” Blackcore for the people.
Stuck in the Filter – October’s Angry Misses
The October Filter Report is here and we have some interesting things to break down for you. Get stuck!
Owdwyr – Receptor Review
“The “for fans of” line in any given promo is a true test of character. While most bands crank out their faves, there are intriguing blends that grab attention. Most of these are disappointments, often running the gamut of extreme metal buzzwords only to be the latest act to sound exactly like In Flames, but there are others whose combinations are pretty accurate, like the tantalizing combination that the California-based Owdwyr boasts in its debut Receptor: from Car Bomb, Human Remains, and Fleshgod Apocalypse to composers like Bach, Allan Holdsworth, and Heitor Villa-Lobos. In essence, Owdwyr may be genius or not, but this trio is always batshit crazy.” Owdwyr812.