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- Publication date
- 1901-05-07
- Topics
- Gary Cooper
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American actor Gary Cooper was born on the Montana ranch of his wealthy father, and educated in a prestigious school in England -- a dichotomy that may explain how the adult Cooper was able to combine the ruggedness of the frontiersman with the poise of a cultured gentleman. Injured in an auto accident while attending Wesleyan College, he convalesced on his dad's ranch, perfecting the riding skills that would see him through many a future Western film.
After trying to make a living at his chosen avocation of political cartooning, Cooper was encouraged by two friends to seek employment as a cowboy extra in movies. Agent Nan Collins felt she could get more prestigious work for the handsome, gangling Cooper, and, in 1926, she was instrumental in obtaining for the actor an important role in The Winning of Barbara Worth. Movie star Clara Bow also took an interest in Cooper, seeing to it that he was cast in a couple of her films. Cooper really couldn't act at this point, but he applied himself to his work in a brief series of silent Westerns for his home studio, Paramount Pictures, and, by 1929, both his acting expertise and his popularity had soared. Cooper's first talking-picture success was The Virginian (1929), in which he developed the taciturn, laconic speech patterns that became fodder for every impressionist on radio, nightclubs, and television.
Cooper alternated between tie-and-tails parts in Design for Living (1933) and he-man adventurer roles in The Lives of a Bengal Lancer (1935) for most of the 1930s; in 1941, he was honored with an Oscar for Sergeant York, a part for which he was the personal choice of the real-life title character, World War I hero Alvin York. One year later, Cooper scored in another film biography, Pride of the Yankees. As baseball great Lou Gehrig, the actor was utterly convincing (despite the fact that he'd never played baseball and wasn't a southpaw like Gehrig), and left few dry eyes in the audiences with his fade-out "luckiest man on the face of the earth" speech. In 1933, Cooper married socialite Veronica Balfe, who, billed as Sandra Shaw, enjoyed a short-lived acting career. Too old for World War II service, Cooper gave tirelessly of his time in hazardous South Pacific personal-appearance tours.
Ignoring the actor's indirect participation in the communist witch-hunt of the 1940s, Hollywood held Cooper in the highest regard as an actor and a man. Even those co-workers who thought that Cooper wasn't exerting himself at all when filming were amazed to see how, in the final product, Cooper was actually outacting everyone else, albeit in a subtle, unobtrusive manner. Consigned mostly to Westerns by the 1950s (including the classic High Noon [1952]), Cooper retained his box-office stature. Privately, however, he was plagued with painful, recurring illnesses, and one of them developed into lung cancer. Discovering the extent of his sickness, Cooper kept the news secret, although hints of his condition were accidentally blurted out by his close friend Jimmy Stewart during the 1961 Academy Awards ceremony, where Stewart was accepting a career-achievement Oscar for Cooper. One month later, and less than two months after his final public appearance as the narrator of a TV documentary on the "real West," Cooper died; to fans still reeling from the death of Clark Gable six months earlier, it seemed that Hollywood's Golden Era had suddenly died, as well.
- Addeddate
- 2023-10-27 08:20:19
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- 01-gary-cooper
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Reviews
Subject: An All-Time Great!
I guess Bette Davis is the best. Perhaps she was overwrought in some scenes, but she dominated scenes like some of the great actors I mentioned. She could do whatever she wanted as evidenced in The Man Who Came To Dinner when she wisely chose to reel it in and let someone else play it as she usually would. Joan Collins was the best all around star. Maureen OโHara could run with the big boys and hold her own (thatโs incredible with John Wayne and she was his best female lead). Barbara Stanwyck, Claudette Colbert, Myna Loy, Susan Hayward were all consistently good. Jean Arthur was the most unique. Ingrid Bergman is clearly one of the best, but just didnโt have the quantity of films the others had. But what she had were great classics. Ginger Rogers was the most versatile as she could dance (as good as Astaire), be uproariously funny, and still be solid in drama. Youโve already done some of these ladies, but a few of them need you to go back to give them what is now the Gold Standard J.T. Treatment!
Another New Note: I so enjoyed watching that. It was touching and authentic and I had never seen it before. Probably only he could have pulled that off. Of the great classic stars, he had the greatest dramatic range (even his eyes). I once read that he said that the stammering was because he struggled to remember his lines. John Wayne best dominated the screen. He was so larger than life. Gary Cooper is harder for me to explain. Perhaps he was the combination of the two--unique, more quietly dominating and somehow he out-acted everyone but you couldn't figure out how. Next on sheer acting was Fonda, Tracy, and Bogart, each with incredible uniqueness. The features you mentioned made all of them more enduring. Errol Flynn was the ultimate adventurer always erupting with that devilish grin. Gable was similar but with more polish. He too seemed larger than life. Randolph Scott and Joel McCrea were the perfect quiet rugged individuals with unfailing dependability. Cary Grant was so sophisticated and yet so funny. Bing Crosby was just fun and was the best singer for musicals. Bob Hope was hilarious...most of the time. I guess ranking them is silly, but they are in the upper stratosphere looking down on the many pedestrian actors of today.
New Note: I certainly never noticed that scene! I always read your write ups and comments. You share such interesting details I never knew even after years of watching classic filmsโฆ..if you donโt have the 1930 version it must be exceedingly rare as you have such a near complete collection. I looked at it more closely and I only lack otherwise A Man From Wyoming beside some cameo appearances (Make Me a Star and Hollywood Blvd) ( I bet theyโre rare too) โฆ.I see youโre going to Cary Grant next. You are on the the big boys for sure! Iโd love to hear your star rankings since Iโm interacted with you. My top three: Wayne, Stewart and Cooper. My second tier is: Fonda, Tracy, Gable, Flynn, Randolph Scott, McCrea, Bogart, Tyrone Power and Bing Crosby. Youโve already done several of them. Iโm so grateful to you!
J.T., I'm in complete agreement. He is in my top 3! He probably has 10-15 movies of the best films ever.
I love the collection you have given us here. I'll be saving many of them, and watching again soon. You put on some I've not seen. The only ones you haven't added are some of the first sound films of 1930. Are they super rare? I've always wanted to see "The Spoilers" to compare to John Wayne.
It's so awesome to see you back in the saddle. You are easily the G.O.A.T. of this archive.
Subject: Friendly Persuasion
Subject: Jimmyreagan1
New message: Well Jimmy you ask some interesting questions that I never think about. I have never ranked the actors I enjoy watching. Jimmy Stewart Touching Poem About His Dog Beau | Carson Tonight Show [ https://www.bing.com/videos/riverview/relatedvideo?q=jimmy+stewart+poem+a+dog+named+beau&mid=B735C7E86973ECA18BE3B735C7E86973ECA18BE3&FORM=VIRE ] Is a must watch if you like Mr Stewart. One of the the things I find as interesting are the actors who had obvious flaws but still became successes. Jimmy Stewart fought a stuttering problem, Humphrey Bogart had a lisp, John Wayne could not recite any dialogue without interjecting a pause, Pruitt Taylor Vince (The Legend of 1900 (1998)) has a terrible eye blinking problem.
I have the 1914 "THE SPOILERS" but not the 1930 version with Gary Cooper. Interesting FACT: In the 1942 version with Marlene Dietrich, Randolph Scott & John Wayne, Marlene Dietrich wears a SEE-THOUGH blouse (white knitted) in one of the saloon scenes (Starting at about 4:00 minutes in the movie). I wonder how this got past the censors of the time?
JTDIVER
Subject: Thank you!!
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