The Decorative Art of TodayAmong the most famous of Le Corbusier's works, this book first came out in 1925 as a companion volume to "Towards a New Architecture and "The City of Tomorrow, two of the most influential writings on architecture and town planning Le Corbusier produced. This is the first English translation of Le Corbusier's densely illustrated polemic against the crafts tradition and superfluous ornament in interior decoration."The Decorative Art of Today was inspired by and written in protest to the Decorative Arts Exhibition mounted in Paris in 1925. In it Le Corbusier warned about certain dangerous trends he saw emerging in interior, industrial, and architectural design. He did not like what he saw. Against the official tradition of interior decoration, he called for an architecture that satisfied the imperatives of function through form and for an interior and an industrial design that responded to the industrial needs of the present, machine-age methods of production.Although the exhibition that spawned the term "Art Deco" was organized by the French Ministry of Industry and Commerce for the purpose of creating a market for French arts and crafts and to fend off the influx of foreign products, Le Corbusier saw an opportunity to show that the industry was capable of supplying not only the apartment but the entire city with mass-produced furniture and objects. His own roots lay in the crafts tradition; yet in this book he rejects the masters Ruskin, Hoffmann, Guimard, and Grasset and provides a theoretical basis for his opposition to decoration. The translator, James Dunnett, is professor of architecture at the University of Canterbury. |
Contents
Iconology Iconolaters Iconoclasts | 3 |
the museums | 15 |
folk culture | 27 |
Copyright | |
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1925 Exhibition aesthetic age of steel armchairs ART OF TODAY artist Auguste Perret beautiful Bergère Canapé century Chaise colours construction Corbusier Corbusier's creation culture DÉCO décor decorative art Diogenes Drawer dream elements emotion étui everything exist EXPO expression eyes Faubourg Saint-Antoine Fauteuil Fauteuil 225 feel filing flowers folk culture framework furniture geometry gold hand harmony heart hour of architecture human scale human-limb objects iconolatry industry invented L'Esprit Nouveau L'Illustré Law of Ripolin Le Corbusier Lit repos living Louis XVI machine age mathematical means mechanical mind Modern decorative art nature objects of utility one's organisation ornament ourselves Paris passion past PAVILLON perfection phenomenon Photo plastic poetry polished pre-machine precision pure purity relationships revolution Roneo Ruskin Salon Salon d'Automne Salon de L'Aéronautique sense of truth soul spirit steel style taste things thought tion Type-needs type-objects Vers une architecture Voisin whitewash