100+ Ballad Poems, Ranked by Poetry Experts - Poem Analysis

Part I: The Rime of the Ancient Mariner By S.T. Coleridge

by Samuel Taylor Coleridge

‘The Rime of the Ancient Mariner’ by Samuel Taylor Coleridge is a lyrical ballad narrated by an old sailor about a mysterious sea journey.

'The Rime of the Ancient Mariner,' a legendary, semi-historical folktale from the Romantic period, is often regarded as one of the best ballads of all time. This poem appeals to a vast audience, covering themes such as hope, desperation, travel, death, religion, and politics in its excellently-crafted verses.

He holds him with his glittering eye—

The Wedding-Guest stood still,

And listens like a three years' child:

The Mariner hath his will.

The Solitary Reaper

by William Wordsworth

“The Solitary Reaper” by William Wordsworth is a recollection of the poet’s emotional experience as he listens to a woman singing in the fields.

Wordsworth's 'The Solitary Reaper' is a lyrical ballad that stresses the close relationship between poetry and song. This famous poem follows a slightly unusual rhyme scheme, abab instead of abcb, but still fits the ballad form.

Behold her, single in the field,

Yon solitary Highland Lass!

Reaping and singing by herself;

Stop here, or gently pass!

Horatius

by Thomas Babington Macaulay

‘Horatius’ by Thomas Babington Macaulay is a long narrative ballad about Horatius Cocles, a legendary hero from early Roman history.

'Horatius' is one of the best-known long-form ballads of the 19th century. This narrative poem fuses the form of the British ballad with Roman epic, stressing the merit and importance of stories and folklore. Additionally, it is a very plain-spoken poem, which means that anyone can read, listen to, and enjoy it.

LARS Porsena of Clusium

By the Nine Gods he swore

That the great house of Tarquin

Should suffer wrong no more.

The Three Ravens (English Folk Ballad)

by Thomas Ravenscroft

‘The Three Ravens’ is an Old English folk ballad in the songbook ‘Melismata’ compiled by Thomas Ravenscroft in 1611.

This English folk ballad and song has unknown origins. It was published in 1611 by Thomas Ravenscroft in Melismata but is likely older than that. Since then, musicians have recorded updated versions of the folksong.

There were three rauens sat on a tree,

downe a downe, hay downe, hay downe,

There were three rauens sat on a tree,

with a downe,

A Red, Red Rose

by Robert Burns

In ‘A Red, Red Rose,’ Robert Burns lyrically celebrates enduring love, promising everlasting commitment amidst a temporary farewell.

No ballad has been more influential than Burns' 'A Red, Red Rose.' It has four quatrains (four-line stanzas) with an ABAB rhyme scheme. This lyrical ballad, with its themes of love and desire, has inspired many musicians, including Taube and Bob Dylan. This is an excellent example of how ballads and music often go hand-in-hand. As ballads were traditionally only sung and transferred orally, the poem itself refers to the form of the ballad as the speaker compares his beloved with a sweet melody - 'O my Luve is like the melody/That's sweetly played in tune.'

O my Luve is like a red, red rose

That’s newly sprung in June;

O my Luve is like the melody

That’s sweetly played in tune.

The Lady of Shalott

by Alfred Lord Tennyson

‘The Lady of Shalott’ by Alfred Lord Tennyson is a complex poem about pursuing dreams and desires amidst larger restricting forces.

'The Lady of Shallott' is another Romantic lyrical ballad that looks back at Medieval and Arthurian England with a wistful eye. However, the poem focuses on a woman who, in playing everything safe and keeping to herself, lives a life that she is unsatisfied with. This makes the poem a perfect example of the ballad form's main use in songs for common people with common lives.

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And thro' the field the road runs by

Annabel Lee

by Edgar Allan Poe

‘Annabel Lee’ by Edgar Allan Poe is a lyrical narrative ballad about a man haunted by his lost lover, Annabel Lee.

'Annabel Lee' by Edgar Allan Poe is one of the most famous ballads of all time, and it's the best-known American ballad. With its themes of romance, the supernatural, and voyages, plus its gothic undertones, this ballad is a perfect model of American romantic poetry.

It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee;

For a’ That and a’ That

by Robert Burns

‘For a’ That and a’ That’ by Robert Burns describes man’s true worth as not being defined by wealth, position, or possessions.

The poem was written as a song and has been set to music by various composers. It is a ballad, particularly a Scottish ballad, which is often set to music. It has five stanzas, each of which can be divided into two quatrains. Thus, the ten quatrains of the poem have a rhyme scheme of ABCB, often found in Scottish ballads, which have the second and fourth lines of a stanza being rhymed. The poem's meter is predominantly iambic tetrameter, meaning each line contains four metrical feet. The rhyme and meter offer distinct rhythmic quality to the poem.

Is there, for honest poverty,

         That hings his head, an' a' that?

The coward slave, we pass him by,

         We dare be poor for a' that!

Sumer is icumen in

by W. de Wycombe

‘Sumer is icumen in’ is a song written in the Wessex dialect of Middle English. The brilliance of the composition lies in the use of a refrain that resonates with the consecutive cooing of the Cuckoo.

Summer has arrived,

Loudly sing, cuckoo!

The seed is growing

And the meadow is blooming,

The Tables Turned

by William Wordsworth

Wordsworth’s ‘The Tables Turned’ asks readers to quit books and rediscover the natural world’s beauty and wisdom.

While a classic Ballad follows the ABCB structure, this one follows ABAB, often considered most challenging as more rhymes must be made, and therefore more difficult to keep pacing and tone in check. This poem does both well, and is unique for using a different structure than the normal.

Up! up! my Friend, and quit your books;

Or surely you'll grow double:

Up! up! my Friend, and clear your looks;

Why all this toil and trouble?

Explore more Ballad poems

The Ballad of Reading Gaol

by Oscar Wilde

‘The Ballad of Reading Gaol’ is a scathing critique of the penal system and an exploration of complex human emotions.

'The Ballad of Reading Gaol' by Oscar Wilde is incredibly significant because of its unique use of ballad form to describe prison life and some of the darkest parts of humanity. This ballad takes the term "folk-tale" and turns it on its head, describing the unfortunate lives of the common folk confined in prison.

He did not wear his scarlet coat,

For blood and wine are red,

And blood and wine were on his hands

When they found him with the dead,

La Belle Dame sans Merci

by John Keats

‘La Belle Dame sans Merci’ by John Keats is an intriguing narrative that explores death, decay, and love with a supernatural aura.

The poem perfectly follows the form of a ballad - it's a narrative poem divided into twelve quatrains; each stanza follows the structure of an iambic tetrameter in the first three lines, with a rhyme scheme of ABCB. This traditional ballad form lends a rhythmic and musical quality to the poem's recounting of the knight's tale. Moreover, the poem's content, such as knights and fairy tales, aligns with the elements commonly found in ballads and medieval romance. Thus, the poem's structure and content resonate aptly with the ballad form, which provides a fitting rhythm and structure for the narrative.

O what can ail thee, knight-at-arms,

Alone and palely loitering?

The sedge has withered from the lake,

And no birds sing.

Lord Randall

by Anonymous

‘Lord Randall’ shows a mother and son’s conversation about what he did that day and ate for dinner, which takes a dark turn.

"Oh where ha'e ye been, Lord Randall my son?

O where ha'e ye been, my handsome young man?"

"I ha'e been to the wild wood: mother, make my bed soon,

For I’m weary wi' hunting, and fain wald lie down."

I have never seen “Volcanoes”

by Emily Dickinson

‘I have never seen “Volcanoes”’ by Emily Dickinson is a clever, complex poem that compares humans and their emotions to a volcano’s eruptive power. 

The poem uses the ABCB rhyme scheme typically associated with ballads, as well as alternating between iambic tetrameter and iambic trimeter which, again, is in keeping with the ballad tradition.

I have never seen "Volcanoes"—

But, when Travellers tell

How those old – phlegmatic mountains

Usually so still –

The Wreck of the Hesperus

by Henry Wadsworth Longfellow

‘The Wreck of the Hesperus’ by Henry Wadsworth Longfellow is a narrative poem about a shipwreck and human vanity.

This poem is one of the most famous ballads, but ultimately, its cousin, 'Rime of the Ancient Mariner,' is better (especially because this one doesn't have zombies). However, it is a classic tale of hubris with a moral, and it's a pleasant, brief, sing-songy read.

It was the schooner Hesperus,

That sailed the wintry sea;

And the skipper had taken his little daughtèr,

To bear him company.

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